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The Series Series: The Shadow’s Heir by K.J. Taylor

The Series Series: The Shadow’s Heir by K.J. Taylor

The Shadow's Heir-smallThis book is not the first volume in a new series, no matter what its cover says. It’s marketed as the first volume in a new trilogy, The Risen Sun, that happens to be in the same setting as The Fallen Moon, but with every page I read, I felt the lack of resonances that the author clearly intended and expected for readers who had already read her first three books.

The Shadow’s Heir was good enough that I may someday backtrack to Taylor’s debut, The Dark Griffin. Of course, since this is really the fourth volume in the series, it has enough spoilers about the first three volumes that I’ll need to wait years for my memory of this book to fade. The review quotes about those earlier volumes promise “twisty plots,” and they won’t be twisty for me until I forget nearly everything I just read.

If the book were bad, I’d just shrug and move on. As it is, I’m annoyed on the author’s behalf at the marketing folks at Ace. (This is, of course, an injudicious thing to admit, because I would give my eyeteeth to sell my trunk manuscript to Ace. Not that they’d want my eyeteeth. Imagine the slushpile horror story!) I would love to understand the marketing decision better, because it seems to me that telling people The Shadow’s Heir is a good entry point to Taylor’s fictional world might sell copies in the short run, but would surely turn readers off in the long run.

This book holds the payoff for several plotlines I could have been deeply invested in, had I read them from the beginning. Instead, I was keenly aware at every payoff point of how hollow the big scenes felt to me in comparison to structurally similar scenes in other series.

How on earth am I going to talk in any detail about the virtues and peculiarities of The Shadow’s Heir while avoiding spoilers about three previous volumes I haven’t read? Well, here goes.

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New Treasures: The Yard by Alex Grecian

New Treasures: The Yard by Alex Grecian

The Yard Alex Grecian-smallI’m always disciplined when I visit a bookstore. I go in, get what I came for, and leave. I look neither left nor right. Get in, get out, that’s my motto.

You’re right. I’m totally lying. I’m lucky if I even remember why I came to the bookstore by the time I get to the cash register. My arms are usually full, I have a dazed expression, and I’m no longer sure exactly where I am. Thank God the folks behind the counter recognize me by now. It saves a lot of time and embarrassment.

I usually stick to the SF and fantasy sections, but every once in a while something irresistible will cross my path. Something like The Yard, the start of a new gas-lamp mystery series by Alex Glexian, author of the popular Image comic Proof. A first glance The Yard doesn’t seem to include any of the gonzo steampunk action or bizarre characters of Proof — or indeed, anything overtly supernatural — but I find it very appealing nonetheless.

1889, London. Jack the Ripper’s reign of terror is finally over, but a new one is just beginning.

Victorian London — a violent cesspool of squalid depravity. Only twelve detectives — The Murder Squad — are expected to solve the thousands of crimes committed here each month. Formed after the Metropolitan Police’s spectacular failure in capturing Jack the Ripper, the Murder Squad suffers the brunt of public contempt. But no one can anticipate the brutal murder of one of their own…

A Scotland Yard Inspector has been found stuffed in a black steamer trunk at Euston Square Station, his eyes and mouth sewn shut. When Walter Day, the squad’s new hire, is assigned to the case, he finds a strange ally in Dr. Bernard Kingsley, the Yard’s first forensic pathologist. Their grim conclusion: this was not just a random, bizarre murder but in all probability, the first of twelve. Because the squad itself it being targeted and the devious killer shows no signs of stopping before completing his grim duty. But Inspector Day has one more surprise, something even more shocking than the crimes: the killer’s motive.

This is the author’s first novel. Grecian has already penned one sequel in what’s now being called the Scotland Yard’s Murder Squad series: The Black Country, released in hardcover in May of this year. The Yard was published in April 2013 by Berkley. It is 422 pages, priced at $16 in trade paperback and $9.99 for the digital edition.

New Treasures: Tales From Rugosa Coven by Sarah Avery

New Treasures: Tales From Rugosa Coven by Sarah Avery

tales-from-rugosa-coven-Avery-smallUnless you’ve ever been a submissions reader, I don’t think you can truly appreciate what it was like to discover Sarah Avery in the slush pile.

The story in question was “The War of the Wheat Berry Year,” a slender and deceptively simple fantasy in which The Traitor of Imlen finds she must face her old instructor on the battlefield at last. After a long day reading amateur tales about unicorns, knights slaying dragons, and teenage girls with vampire boyfriends, it was a revelation — packed with a rich and fascinating back story, subtle characterizations and, like all the best fantasy, the tantalizing sense that you were being given the briefest window into a wider tale.

I bought “The War of the Wheat Berry Year” for Black Gate 15, where it won acclaim from Keith West at Adventures Fantastic and other sites. And believe me, I kept a weather eye out for future work from Sarah.

So I was delighted when my copy of Tales From Rugosa Coven arrived last week. Rugosa Coven shows off Sarah’s talents with a collection of three linked novellas of contemporary fantasy focusing on a coven of modern witches living on the Jersey Shore. If you’re eager to find the next big name in fantasy, do yourself a favor and order a copy today.

Catch a glimpse of a New Jersey even weirder than the one you think you know, as a covenful of very modern Wiccans wrestle challenges both supernatural and mundane — and, occasionally, each other.

The personal injury attorney who chose kitchen-witchery over his family’s five-generation lineage of old school ceremonial magic would like to miss his dead parents, only now that they’re dead they won’t leave him alone. The professional fortuneteller stands out at forty paces, with her profusion of silver amulets glittering over her Goth wardrobe, but nobody has guessed her secret sorrow, especially not the covenmates who see her as their wacky comic relief. And the resident skeptic, a reluctant Pagan if ever there was one, will have to eat her words if her coven sister’s new boyfriend really does turn out to be from Atlantis.

The Jersey Shore’s half-hidden community of Witches, Druids, and latter-day Vikings must circle together against all challenges. It’s a good thing they’re as resilient as the wild rugosa roses that hold together the dunes.

Tales From Rugosa Coven was published by Dark Quest on December 21, 2013. It is 341 pages, priced at $15.95 in trade paperback.

New Treasures: Hidden Things by Doyce Testerman

New Treasures: Hidden Things by Doyce Testerman

Hidden Things Doyce Testerman-smallThere are plenty of ways to select a new novel to read. Cover art, of course. Recommendation from friends. Plot description. Here, let’s try an experiment. I’ll tell you some things about Hidden Things by Doyce Testerman, and you tell me when you want to read it. Here’s the description:

Watch out for the hidden things… That’s the last thing Calliope Jenkins’s best friend says to her before ending a two a.m. phone call from Iowa, where he’s working a case she knows little about. Seven hours later, she gets a visit from the police. Josh has been found dead, and foul play is suspected. Calliope is stunned. Especially since Josh left a message on her phone an hour after his body was found.

Spurred by grief and suspicion, Calli heads to Iowa herself, accompanied by a stranger who claims to know something about what happened to Josh and who can — maybe — help her get him back. But the road home is not quite the straight shot she imagined…

Okay, I’m intrigued. And the cover is okay. Still, I don’t know about you, but I’m not sold yet. Let’s look at some of the blurbs. Here’s The Blue Blazes author Chuck Wendig:

Testerman tells a story of a secret world that is sad, sweet, funny, and more than a little twisted. This world of wizened wizard-men and demon clowns will lure you into the shadows, and once you meet the characters who live in those dark, strange places, you’ll never want to leave…

Hmm. Wizard-men and demon clowns? Definitely getting closer. But for me, it was this quote from Maureen Johnson that sealed the deal:

Hidden Things reveals the America I want to believe in — dragons on highways, trolls in the hills, motels that lead to new dimensions. I’ll never look at a rest stop the same way again.

Yup, that did it. Dragons, trolls, and motels to new dimensions? I ordered my copy last month. Hidden Things was published by Harper Voyager in August 2012. It is 327 pages, priced at $14.99 in trade paperback and $10.99 for the digital edition. See all of our recent New Treasures here.

New Treasures: Spirits From Beyond

New Treasures: Spirits From Beyond

Spirits From Beyond-smallI don’t think I’ve given Simon R. Green a fair shake. The man is so prolific, with so many popular series, that he’s almost ubiquitous on book store shelves. I tend to overlook him when I scan the racks for new releases every week — my eyes are trained to ignore him, the same way they ignore the shelves dedicated to J.R.R. Tolkien and Jim Butcher.

But being prolific certainly isn’t a crime, and neither is being popular. Being open to new things sometimes means trying that familiar midlist author you’ve ignored for too long. So last week I picked up a copy of the fourth and latest novel in his Ghost Finders series. After all, anyone who names his supernatural think tank the Carnacki Institute has got to be worth a look…

Meet the operatives of the Carnacki Institute — JC Chance: the team leader, brave, charming, and almost unbearably arrogant; Melody Chambers: the science geek who keeps the antisupernatural equipment running; and Happy Jack Palmer: the terminally gloomy telepath. Their mission: Do Something About Ghosts. Lay them to rest, send them packing, or just kick their nasty ectoplasmic arses…

Their latest assignment takes JC and the team to a small country village, site of a famously haunted inn. At first, JC thinks that the spirits in the King’s Arms are more the stuff of urban legend than anything that needs the Ghost Finders’ expertise. Then one story rings true: the tale of a traveler trapped by an unusual thunderstorm who retired to her room for the night — and vanished.

Trapped by an unusual thunderstorm — like the one that begins raging outside shortly after they arrive… As the team investigates, they are forced, one by one, to face some hard truths about themselves, their relationships, and the haunting itself — truths that may push Happy Jack over the edge into the madness that he has always feared…

Green is also the author of the Deathstalker space opera (8 novels), Hawk and Fisher (7 novels), The Forest Kingdom (4 novels), The Secret History series (7 novels so far), and Nightside (12 novels), among several others. I told you he was prolific. The Ghost Finder books take place in the same universe as his Nightside, Secret History, and other assorted novels, with frequent references to some shared characters, places and events. I bet keeping tabs on all that continuity drives him nuts.

The Ghost Finders of the Carnacki Institute tackle the paranormal with some gusto (their motto is “We don’t take any sh*t from the Hereafter.”) This looks like a fun Friday-night series, and I’m looking forward to digging into it.

Spirits From Beyond was published in September 2013 by Ace Books. It is 298 pages, priced at $7.99 for both the paperback and digital editions.

New Treasures: The House of R’lyeh: Five Scenarios Based on Tales by H.P. Lovecraft

New Treasures: The House of R’lyeh: Five Scenarios Based on Tales by H.P. Lovecraft

The House of R'lyeh-smallI feel like I’m in the middle of H.P. Lovecraft week.

On Sunday I talked extensively about Lovecraft, a propos of his inclusion in the latest round of Advanced Readings in D&D. This morning I invoked his name while discussing Robert Bloch’s Nightmares collection. Now here we are again, with the latest collection on adventures for one of my favorite role-playing games, Call of Cthulhu, based on the work of H.P. Lovecraft.

I bought my first CoC adventure — the classic Shadows of Yog-Sothoth — over 30 years ago (yes, I’m aware that’s longer than most of you have been alive. Shut up), and the most recent, Cthulhu By Gaslight, last April. I haven’t played CoC in years (decades, probably), but the adventures are marvelously inventive and always a pleasure to read for a veteran game master like me. But The House of R’lyeh has extra appeal for Lovecraft fans of all kinds, not just CoC players, I think: it draws directly from five of the Master’s short stories. I’m looking forward to digging in and seeing how successful it is.

The House of R’lyeh contains five Call of Cthulhu scenarios that follow or expand upon events in five of H.P. Lovecraft’s stories: “Pickman’s Model,” “The Haunter of the Dark,” “The Hound,” “Arthur Jermyn,” and “The Nameless City.” Set in Boston, Providence, the British Isles, continental Europe, and the Middle East, none of the scenarios need be played at set dates or in a set order, but they could be run in the order presented to form a loose campaign using optional link between scenarios to draw investigators from one to the other.

Alternatively, the scenarios may be used to supplement classic Call of Cthulhu campaigns such as The Shadows of Yog-Sothoth which suggests that its component scenarios should be interspersed with others.

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Experience the Joy of the Pulps With The Incredible Pulps

Experience the Joy of the Pulps With The Incredible Pulps

The Incredible Pulps-smallWe’ve been chatting a lot about pulp fantasy recently — for example, in our recent explorations of Appendix N, Unknown magazine, escaping our genre’s pulp roots, forgotten pulp villains, Clark Ashton Smith’s Martian pulp fiction, and much more.

I occasionally get asked what I mean by “pulp.” It’s not the most intuitive term, I’ll grant you that, especially for younger readers. For them, if it means anything it usually conjures up images of Tarantino’s Pulp Fiction, and perhaps vague echoes of noir detective stories.

“Pulp fiction” means the fast-paced genre stories written for the popular magazines of the 1920s, ’30s and ’40s, and modern fiction written in conscious emulation of that style. The most popular of the pulp magazines, including Argosy, Adventure, All-Story Weekly, and Detective Story, had reliable circulations in the hundreds of thousands. They cost a quarter or less, and were printed on cheap (pulp) paper, frequently with ragged, untrimmed edges.

The pulps are still discussed and collected today for a number of reasons. Several of the most important writers of the 20th century — including Edgar Rice Burroughs, Sax Rohmer, H.P. Lovecraft, Ralph Milne Farley, Raymond Chandler, Agatha Christie, Louis L’Amour, and Harold Lamb — got their start in the pulps. They featured some of the most famous heroes of the early 20th Century, including Doc Savage, The Shadow, Conan, Buck Rogers, Tarzan, Zorro, and many others.

But the best fiction from the pulps has been reprinted many times and — unless you’re Howard Andrew Jones, Stephen Haffner, or John C. Hocking, on the trail of an obscure or neglected author — you rarely dig through pulps for the fiction any more. No, there’s really only one reason most of us still collect pulps. And that’s the fabulous covers and artwork.

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New Treasures: Fiddlehead by Cherie Priest

New Treasures: Fiddlehead by Cherie Priest

Fiddlehead Cherie Priest-smallI’m extremely intrigued by Cherie Priest’s The Clockwork Century series, and have been ever since the first volume, Boneshaker, appeared in 2009 and was nominate for both the Hugo and Nebula awards.

The only thing holding me back, of course, was the fact that it was incomplete. But now the fifth and final volume, Fiddlehead, has arrived, and by all accounts it brings the Priest’s ambitious steampunk series to a rousing conclusion.

The American Civil War has dragged on for two bloody decades as the South, aided by fantastic steam-powered machines and Texas technology, has avoided defeat again and again. Leviticus Blue’s incredible Bone-Shaking Drill Engine accidentally destroyed much of downtown Seattle, unearthing a subterranean vein of blight gas in the process, and a desperately-constructed wall around the city is the only that that keeps hordes of the living dead enclosed.

Now a deadly yellow drug from Washington has begun to circulate through the ravaged country… and genius Gideon Bardsley — who has constructed Fiddlehead, the first thinking machine — dares to ask his creation who is going to win the war…

Young ex-slave Gideon Bardsley is a brilliant inventor, but the job is less glamorous than one might think, especially since the assassination attempts started. Worse yet, they’re trying to destroy his greatest achievement: a calculating engine called Fiddlehead, which provides undeniable proof of something awful enough to destroy the world. Both man and machine are at risk from forces conspiring to keep the Civil War going and the money flowing.

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Sword Sisters: A Partnership, a Prequel, a Picture Show, and a Print Run

Sword Sisters: A Partnership, a Prequel, a Picture Show, and a Print Run

> The first Red Reaper novel from Tara Cardinal and Alex Bledsoe is prequel to the 2014 movie The Legend of the Red Reaper
The first Red Reaper novel from Tara Cardinal and Alex Bledsoe is the prequel to the 2014 movie The Legend of the Red Reaper. Click for bigger version

Tara Cardinal has quite a story to share. And now she has a novel too. They’re not quite the same thing — but they have a lot in common.

Her, for instance. The actress/writer/director pours everything she is into her stories, and once a person knows them both, the interplay between them is obvious. Passion is a way of life for Tara, and she instills in her projects and the people around her a thirst for it.

This is not the sum of her though. Tara does all her own stunts AND swordplay, she added directing to her resume on the fly, learned how to write the score, edited the film, and interested Uwe Boll into co-producing the movie The Legend of the Red Reaper with her. Then she hit upon an idea to write a story prequel to the movie she’d written and created.  She sketched it out, discovered Alex Bledsoe wandering the same Sword & Sorcery super-aisle, and the rest is history. (Alex offers a bit of a better description of how it all worked out over on his site.)

Alex just so happened to have recently worked with RBE on Writing Fantasy Heroes, and so introductions were made, and the work began. It wasn’t long before the manuscript was going through edit exchanges, the art was being penciled & inked, and both interior and cover layout was being described, revised, and delivered.

But wait! There’s even more to the story. Tara’s passion isn’t for writing, directing, even acting. It’s for empowering children and young women in pursuit of her dream of making the world a better, happier place. The martial artist and swordswoman is also a humanitarian, psychologist, and child advocate. From the age of 12, Tara has always been about defending, assisting, and benefiting children survivors of abuse, illness, and disaster.

Best of all, Tara’s rolled all that passion, all that experience, and all those goals into a Sword & Sorcery novel that delivers the sword-swinging, monster-slaying, ancient god-defying, and good ol’ fun we Black Gaters (hmm, sounds like a football team name to me!) expect — and she’s done that while also delivering Aella, a young woman protagonist who struggles with identity, destiny, belonging, and confidence simultaneous with racial, familial, and sexual tensions.

Aella is not your everyday chain-mail bikini warrior — she’s the heroine every young woman experiencing her own struggles with identity, belonging, confidence, and belief can look up to and emulate.

New Treasures: Darkwalker by E.L. Tettensor

New Treasures: Darkwalker by E.L. Tettensor

Darkwalker-smallDarkwalker is the debut fantasy novel from E.L. Tettensor and it offers an intriguing mix of both the familiar and the new — just what I’m looking for, I think.

The setting is Kennian, part of the backwater Five Villages, which seems a lot like 19th-century England if you squint. Stepping into the scene is Police Inspector Nicolas Lenoir, tasked with investigating a dark mystery. Folks here for the most part scoff at the supernatural — but don’t tell the thing hunting Inspector Lenoir. This one looks like a fine mix of fantasy and mystery in a fog-shrouded Victorian-era (ish) landscape, with plenty of original touches to keep things interesting.

He used to be the best detective on the job. Until he became the hunted…

Once a legendary police inspector, Nicolas Lenoir is now a disillusioned and broken man who spends his days going through the motions and his evenings drinking away the nightmares of his past. Ten years ago, Lenoir barely escaped the grasp of the Darkwalker, a vengeful spirit who demands a terrible toll on those who have offended the dead. But the Darkwalker does not give up on his prey so easily, and Lenoir has always known his debt would come due one day.

When Lenoir is assigned to a disturbing new case, he treats the job with his usual apathy — until his best informant, a street savvy orphan, is kidnapped. Desperate to find his young friend before the worst befalls him, Lenoir will do anything catch the monster responsible for the crimes, even if it means walking willingly into the arms of his own doom…

Darkwalker: A Nicholas Lenoir Novel was published by Roc Books on Dec 3, 2013. It is 368 pages, priced at $7.99 for the paperback and for the digital edition. Read an excerpt on the Penguin website here.

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