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The Historian, or An Excuse Not to Read Dracula, the Un-Dead

The Historian, or An Excuse Not to Read Dracula, the Un-Dead

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historianI don’t have a dislike for the vampire in general. I’ve repeatedly reminded myself about this  even as I cringe at the saturation in our culture of mediocre work based on supernatural bloodsuckers. (Do I really have to name the book and movie series at the center of this creative blood drain? Of course I don’t.) Vampires are everywhere today, and this visibility has reduced their effectiveness for me, no matter what “new” spin the artists claim they’re putting on the legend. Exceptions are out there—for example the action-packed novels of certain contributor to Black Gate—but today I actively avoid horror and dark fantasy and especially parodies using vampires. I want more werewolves and phantasms and cosmic weirdness. Specifically werewolves. I love werewolves.

I wasn’t always this apathetic about vampires. I had a great interest in vampire legendry and literature when I was in college, right at the time that Bram Stoker’s Dracula was an enormous hit in theaters. I was always focused on Dracula, and not as interested in other vampires. This is still true today; while I shrug at most vampire offerings, I’ll still pick up something about the King of the Undead. Perhaps it’s the history major in me, or my love of the Victorian Gothic, that pulls me back to the vampiric Transylvanian noble. Literary Dracula excursions I’ve taken over the past few years include Fred Saberhagen’s The Dracula Tape (an intriguing piece of literary criticism, but his heroic and misunderstood Dracula isn’t my flavor of garlic seasoning), the anthology Dracula in London (answering the question, “So what else was the Count doing in London Town when not desanguinizing Lucy and Mina?”), the history volume Dracula: Prince of Many Faces, and Kim Newman’s wonderful “Anno-Dracula” series. If you haven’t read these three novels and wonder if there’s anything out there that might make you feel a bit better about vampires in general, seek out the nearest used book service posthaste.

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The Year’s Best SF & Fantasy 2009, edited by Rich Horton

The Year’s Best SF & Fantasy 2009, edited by Rich Horton

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years-best-2I’m supposed to be putting the finishing touches on BG 14, figuring out how to use Google Ad words, and about a million other things tonight. But man, I am beat.

Besides, the copy of Rich Horton’s The Year’s Best Science Fiction & Fantasy 2009 I ordered finally arrived a few weeks ago, and it’s been sitting there on my desk, unopened. That’s just criminal. So I packed it in early tonight, and curled up with it in the big green chair.

As we’ve established here already, Rich Horton is some kind of crazy person.  It all started with his newsgroup at SFF Net, where he was reviewing every single magazine in the entire universe.  Or as close as damn is to swearing, as they used to tell me while growing up in Nova Scotia.

Then he began compiling lists of his selections of the best short fiction of the year, and we started reprinting them on the BG website (in 2005, 2006 and 2007.)

In between, he knocked out detailed articles exploring the rich history of the SF & Fantasy genres for virtually every issue of Black Gate, starting with Building the Fantasy Canon: the Classic Anthologies of Genre Fantasy: Part One, (BG 2) and continuing with things like an exploration of The Big Little SF Magazines of the 1970s (BG 10), and Fictional Losses: Neglected Stories From the SF Magazines (BG 11).

Now he’s turned his talents to something closer to home: making books.  He’s become an anthologist of note, with over half a dozen Best SF and Best Fantasy volumes to his credit, chiefly from Prime Books.  This year Prime has re-launched the series, with a snappy new cover design and a big bump in size and page count (to 540 pages).  This is a hefty volume, with 37 short stories, detailed author biographies, and Honorable Mentions.

There are a great many Best of the Year books in the genre, but so far this is my favorite.  More later as I make my way through the book.

Robert Low’s The Wolf Sea

Robert Low’s The Wolf Sea

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wolf-seaThe Wolf Sea
Robert Low
Thomas Dunne Books — St. Martin’s Press (340 pages, Hardback, June 2008, First published in Great Britain by HarperCollins, $24.95)
Reviewed by Bill Ward

This follow-up to 2007’s The Whale Road, Robert Low’s debut novel of grim Viking adventurers questing for the lost horde of Attila the Hun, is a continuation of the story of the Oathsworn and their new and untested leader, Orm Rurisksson. Orm, still a teenager, earned a reputation as a ‘deep thinker’ amongst his Viking crew and was their choice for leader with the death of Einar the Black — the man who had led them on a doomed expedition to the very ends of the earth in the first book of this series.

The Wolf Sea begins in Miklagard — the Norse-termed ‘Great City’ of Constantinople — with the theft of the jeweled saber Orm rescued from the Volsung horde in The Whale Road.  Valuable in and of itself, perhaps even magical, the saber is also the key to finding Attila’s silver because Orm has carved its hilt with runes that will act as a guide should the Oathsworn ever return to the steppe. It turns out the saber has fallen into the hands of their old enemy, Starkad, who also seeks the fabulous treasure but has no idea that he possesses the key to finding it. Starkad is convinced that Martin, the venal priest that journeyed with the Oathsworn in their quest for Attila’s tomb, knows the way to the treasure and he sets off to the Holy Land to find him — with Orm and the Oathsworn in pursuit.
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Goth Chick News: Fractured Fairytales – A Review of Isis by Douglas Clegg

Goth Chick News: Fractured Fairytales – A Review of Isis by Douglas Clegg

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isisDon’t talk to a wolf in your Grandma’s nighty, don’t take an apple from a creepy old lady and when in doubt, trust the house mice.

These are the very important lessons taught to us by fairytales, normally animated by Walt Disney and all with happy endings. However, when you read Isis, you’ll learn one more bit of indispensable wisdom: sometimes dead is better, and knowledge can come too late for a happy ending.

This seems to be the year for returning to old-fashioned scares, the kind that get into your head, and Douglas Clegg has done a masterful job at taking the horror story back to the campfire, or in this case, the Victorian mansion. Isis is the story of what appears to be, on the surface, a perfect and wealthy 19th century British family complete with doting mother, war-hero father, and precocious but loving children tended to by domestic servants. Belerion Hall is not a frightening but instead postcard-like stone manor house surrounded by lush gardens in which Iris and her beloved brother Harvey pass enchanted, summer afternoons.

However, things are never quite as they appear.

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The Ship of Ishtar

The Ship of Ishtar

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ship-of-ishtar-piazoThe Ship of Ishtar
A. Merritt (Paizo Publishing, 2009)

I first read The Ship of Ishtar in a 1960s Avon paperback I found in a used bookstore in Phoenix. This copy is so brittle that I have to specially brace the book each time I open it or else the spine will separate like the San Andreas fault and the pages flutter down in a yellow autumn fall.

What I’m saying is . . . I’m extremely glad that Paizo Publishing has brought my favorite A. Merritt novel back into print in an edition that doesn’t make me afraid of the physical act of reading it. (Go buy it here.)

It’s strange that Abraham Merritt, one the biggest sellers in the history of speculative fiction, should need an introduction at all today, but sadly he does. Merritt was a journalist by vocation, the editor of The American Weekly, but his forays into writing ornate “scientific romances” starting with The Moon Pool in 1918–19 made him one of the most popular authors of the first half of the twentieth century. Today, he’s the realm of specialists, collectors, and his work is found in volumes from university publishers and small presses. In his introduction to Merritt’s breakthrough novel, The Moon Pool, Robert Silverberg pondered this turn of events that made Merritt obscure. What happened?

Silverberg offers up his own wonderings, ultimately finding the author’s eclipse inexplicable; but I think Merritt’s unusual mixture of two-fisted stalwart heroes in epic action with grandiose, mind-bending worlds of wonder painted in prose arabesques (and millions of exclamation marks!) makes him an author who doesn’t speak to mainstream genre readers today, even if he invented the clichés of countless contemporary fantasy authors. Clark Ashton Smith started as a specialty author and has remained there. Abraham Merritt was a mainstream writer who managed to Clark Ashton Smith himself after his death, ending up as a specialty author as well. Unfortunately, such is often the way of unusual talents. At least The Ship of Ishtar is now only a few clicks away for you to purchase and enjoy.

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Last Night I Finished This Crooked Way

Last Night I Finished This Crooked Way

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thiscrookedway
Last night I finished This Crooked Way, by James Enge.

I was on the train, halfway home. There is very little more irritating than finishing a book when you’re just halfway to your destination. Luckily, I had George R.R. Martin’s Fevre Dream in my backpack, the first two chapters of which were quite good, so I didn’t suffer long. And anyway, good as it was, I kept being drawn back to thoughts of This Crooked Way, connecting dots, remembering the heights, the depths, the scaffolding of each story, and how it made me laugh – out loud – so often that I surprised myself.

There are some books that make me read them aloud – mostly their dialogue, but also certain killer phrases or descriptions. It’s my actor’s training, I suppose. Plays are not meant to be read on the page; you have to voice them lest they lose vibrancy and dimension. Some books, my favorite kind of books, leap into my throat and start declaiming themselves. And it doesn’t matter if I’m on a public train, or tromping to work in the snow with my fingers freezing, because I’ve left off my gloves, because it’s hard to turn pages with gloves on – none of that matters, because the words are just that important.

And This Crooked Way is like that.

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Reading Goals in the New Year

Reading Goals in the New Year

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book_stackAs some of you may know, I’ve been talking and thinking and blogging (not necessarily in that order) about reading more, and reading better over the course of the last year. Today being New Year’s Day, the day of resolutions and goal-setting, I thought I’d link to some of the posts I’ve written on the subject for those interested in focusing on ratcheting up their reading in the coming year.

Firstly, something of a summary of my reading posts can be found in a three part article that has recently gone up at Grasping For the Wind called ‘Ramp Up Your Reading.’ In the first part, ‘More and Faster‘ I go over ways to try to get more reading hours shoehorned into the day. In ‘Do It Better‘ I focus more on the quality of one’s reading, and how slowing things down can often be a more efficient use of time than trying to skim through a lot of books. Finally, in ‘Expand Your Horizons,’ I talk a bit about challenging yourself to read outside your comfort zone or in a more focused way. That post grew out of starting my own experiment in the form of a Five Book Challenge, in which a friend of mine and I each assigned one another five books to read in the coming year.

Regular readers of the Black Gate blog will have read some of my posts on reading in the past that pertain to increasing one’s reading output. Both my post on keeping reading lists and “speed reading” focus on trying to get more read over time. I’ve also talked about reading ruts and obsession in Specialist and Generalist Readers. Beyond the practical, my paen On Bookmarks may be of interest, as might my celebration of browsing in a brick-and-mortar bookstore: Books Best Appreciated in Their Natural Habitat. Any way you slice it, a nice, fresh, new year is the perfect time to decide you are going to read that fat classic or epic series you always wanted to, or set some goal for yourself like reading a book a week or shooting for 100 books in a year. Whatever your personal goals, it’s always satisfying to to do something different and new — after all, it is a New Year, and I think it’s worth trying to keep it ‘new’ as long as we can.
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BILL WARD is a genre writer, editor, and blogger wanted across the Outer Colonies for crimes against the written word. His fiction has appeared in numerous magazines and anthologies, as well as gaming supplements and websites. He is a Contributing Editor and reviewer for Black Gate Magazine, and 423rd in line for the throne of Lost Lemuria. Read more at BILL’s blog, DEEP DOWN GENRE HOUND.

IMARO: The Naama War by Charles Saunders

IMARO: The Naama War by Charles Saunders

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naama-warBack when Black Gate‘s editor John O’Neill lived in Ottawa in the early 80s, he was a member of a small SF fan club.  His first meeting featured a reading from the editor of an excellent local fanzine, Stardock, who had just completed his first novel.  The author was Charles Saunders, the novel was Imaro, and the reading he never forgot.

DAW released the first three Imaro novels between 1981 and 1985, then dropped the series for reasons arising from textbook bad marketing decisions, a lawsuit from the Edgar Rice Burroughs estate over a poorly chosen cover quote (“The Epic Novel of a Black Tarzan”), and publishing delays.

For the whole sordid tale, read Charles de Lint’s introduction to the Night Shade edition of the first novel.

Night Shade books released the first two books, Imaro and The Quest for Cush, in handsome new editions in 2006 & 2007, and Saunders self-published the third volume, The Trail of Bohu, through his Sword & Soul Media press last year.

The true tragedy of the saga of Imaro is that the fourth novel has never been published – until now.

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Pastisches ‘R’ Us: Conan the Unconquered

Pastisches ‘R’ Us: Conan the Unconquered

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conan-the-unconqueredConan the Unconquered
Robert Jordan (Tor, 1983)

Moving on with my Conan/Robert Jordan double-feature. . . .

With Conan the Unconquered, Robert Jordan’s third book in the series, the author seems settled with his style of writing the Hyborian Age. Some of the flaws in Conan the Defender are subdued, although the story is the average “meat ‘n’ potatoes” Conan pastiche material. The book has a feeling of comfort food: neither challenging nor surprising, but providing decent sword-and-sorcery entertainment.

The plot of Conan the Unconquered follows the Middle Eastern fantasy playbook, set around the Vilayet Sea in the Kingdom of Turan, with an excursion across the waters to Hyrkanian lands. Conan is not yet in his twenties, and has arrived in the Turanian city of Aghrapur. A compatriot from his thieving days, Emilio from Corinth, approaches Conan with the offer to join in stealing a necklace from a compound outside the city. The compound belongs to the Cult of Doom, whose members may be responsible for many assassinations occurring in the city. (The Cult of Doom sounds as if Jordan is swiping from the recent movie Conan the Barbarian.) Emilio’s lover, Davinia, is the one who wants the necklace stolen. Conan no longer wants to dabble in thievery, but after the astrologer Sharak casts a chart for the barbarian, he changes his mind and seeks out Emilio from the stewpots of Aghrapur.

As usual with pastiches, Conan has slender reason to stay in the story; the device of Sharak’s chart is a flimsy one (and Sharak as a plot device hangs around far longer than he’s needed) to keep Conan interested in the Cult of Doom and its necromancer leader Jhandar. Jordan manages to coax Conan into the story faster than in Conan the Defender with some sleight-of-hand that makes both Conan and Jhandar believe the other must die for them to live. Conan allies with a vengeance-minded Turanian sergeant, a group of Hyrkanians chasing after Jhandar for the desolation he brought to their land, and the beautiful Yasbet who keeps her parentage a secret.

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The cure for Trilogy Fatigue: Brandon Sanderson’s Warbreaker

The cure for Trilogy Fatigue: Brandon Sanderson’s Warbreaker

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warbreaker-smallAnyone familiar with the Mistborn series knows Sanderson is expert at spinning fantasy stories packed with memorable characters, crisply detailed settings, unique magic, and major helpings of intrigue. Lately he’s been feted as the writer continuing Robert Jordan’s Wheel of Time series. While I realize that from a purely professional standpoint, the deal was a no-brainer, I hope cleaning up the WoT‘s loose ends won’t keep this talented author from giving us more of his own marvelous work.

Those suffering from “trilogy fatigue” will be happy to learn that Warbreaker is a stand-alone story. Welcome to Hallandren, a vast and mighty empire ruled by God King Susebron. The Hallandren capital T’Telir is a city of wonders and dangers, thanks to the Awakeners, sorcerers who use the color of everyday objects to control the life force called Breath and feed their BioChromatic magic.

Appalled at the innocent lives spent to fuel the Awakeners’ magic, the true ruling family of Hallandren escaped to remote Idris. No one wears color in pious Idris. No one weaves bright tapestries, paints lush landscapes, or glazes pots to a rich sheen, all for fear of Awakener magic. And Idrians born with Awakener abilities strive to hide them at any cost.

But things are about to change.

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