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Avatars of Wizardry

Avatars of Wizardry

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AvWizMore often than not, the best art comes from the indie side of any field. Case-in-point:

AVATARS OF WIZARDRY from P’rea Press is one of the best works of pure dark fantasy I’ve read in a long time. This superb collection of poems inspired by the work of Clark Ashton Smith and his mentor George Sterling offers one fantastic, phantasmal head trip after another, transcendental goth romanticism with shades of cosmic sword-and-sorcery.

I’m not usually someone who seeks out poetry. I teach it often, but fantastic poetry is something of a rarity in academic texts. Reading this collection (with some Pink Floyd, Kyuss, or Monster Magnet rumbling softly in the background for good measure) takes me right back to the “wonder years” of my early reading life. From the ages of 9 to 12, I discovered the amazing fiction of Edgar Rice Burroughs, J.R.R. Tolkien, Robert E. Howard, Clark Ashton Smith, and other great fantasists. Reading AVATARS OF WIZARDRY sends me back to those days when fantasy was still dangerous, mysterious, and full of strange wonders.

One of Smith’s greatest poems “The Hashish Eater, or The Apocalypse of Evil” was inspired by George Sterling’s “A Wine of Wizardry.” Both of these poems are celestial odysseys of fantasy perfection. They begin AVATARS OF WIZARDRY back-to-back and are followed by eight poems from more contemporary writers: Alan Gullette, Wade German, Michael Fantina, Richard L. Tierney, Liegh Blackmore, Bruce Boston, Earl Livings, and Kyla Lee Ward. The result is an epic fantasy experience like none other. The words “psychedelic” and “phantasmagorical” are barely enough to describe it.

These poems aren’t for the shallow-minded 160-character world that we live in today. Each one is an epic adventure beyond space and time, directly into the center of eternal imagination, rife with cosmic transcendence. This is spirit-freeing fantasy in the best sense of the word, literary escapism as psychological catharsis. It’s some of the best damn poetry I’ve ever read, which makes it some of the best fantasy I’ve ever read, period.

You don’t have to be a poetry expert (or fan) to take this cosmic ride. Just get yourself a copy before they’re all gone.

Voices in Fantasy Literature, Part 4

Voices in Fantasy Literature, Part 4

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no-lonely-seafarer-208x160It’s not just Hallowe’en, Christmas, and Thanksgiving, but it’s also that time of year when I try to catch up my 2014 short fiction listening so that I’ll be ready to make some choices about the Nebulas, the Hugos, and the Auroras.

This is a good kick in the pants for me, and it lets me pick up the thread of my Voices in Fantasy Literature series (see parts I, II, III). I started with Lightspeed magazine and three stories I loved in my first batch of listening.

“No Lonely Seafarer” by Sarah Pinsker tells the coming-of-age story of Alex Turlington, an intersex orphan being raised by a tavern-keeper in a sea-town. When a flock of sirens set up a nest overlooking the harbor, all the sailors are trapped in the town, until one captain has an idea of how to get past them, and it involves Alex. There’s some beautiful, closely intimate language, but the strength of the story is in Alex’s growth. A great listen in under 40 minutes.

Illustration sketch of woman with eagle wings, made with digital tablet“The Quality of Descent” by Megan Kurashige is a different kind of fantasy voice, one that is confused, vacillating, self-deprecating, and self-eviscerating by turns, a thematic match for this love collision story. The narrator gets unusual animals and items for parties and performers, and is visited by a vagabond girl with wings on a bicycle. They are both broken in different ways and this is that kind of love story. Beautifully done. Worth listening to a second time. Clocks in at 32 minutes.

The last story, “Thirteen Incantations” by Desirina Boskovitch, is a bit of a cheat for me, because this is a 2011 story from fantasy magazine and was only recently reprinted in Podcastle, but was such a captivating listen that I couldn’t leave it off.

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Robert Silverberg on the Tragic Death of John Brunner

Robert Silverberg on the Tragic Death of John Brunner

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The Great Steamboat Race John Brunner-smallSix months ago, I wrote about an unusual find I made online: The Great Steamboat Race, an enormous and ambitious historical novel written by none other than John Brunner. Brunner, of course, was a highly regarded SF and fantasy writer, beloved even today for Stand on Zanzibar, The Complete Traveller in Black, and many other novels. He died in 1995, at the World Science Fiction convention.

The Great Steamboat Race was an enigma. I’d never seen a copy before, never run across one in dozens of years of haunting bookstores. The copy I found online was very inexpensive — less than the $7.95 cover price for a brand new copy, for a book published over 30 years ago — so I bought it. I wrote it up as a Vintage Treasures curiosity, and then more or less forgot about it.

At least until this week, when I was browsing through a collection of Asimov’s SF magazines from the late 90s I recently acquired. Before I packed it away in the Cave of Wonders (i.e. the basement), I plucked one out of the box at random, and settled back in my big green chair to read it.

It was the March 1996 issue, with stories by Tony Daniel, Suzy McKee Charnas, Steven Utley, and the late John Brunner. I always take the time to read Robert Silverberg’s Reflections column, and I flipped to that first. The title was “Roger and John,” and it was a tribute to two recent deaths that had shaken the SF community: Roger Zelazny and John Brunner. Silverberg had been friends with both men for decades and said “Their deaths, for me, illustrate the difference between a tragedy and a damn shame. Let me try to explain.”

Silverberg portrays Zelazny’s death as a damn shame, saying “Roger was the happy man who led a happy life… By the time he was twenty-five he had begun what was to be a dazzling career in science fiction.” Zelazny’s career, Silverberg observes, had been filled with a series of triumphs, and his death by cancer at the age of 58 had robbed the field of future great work from a master.

Brunner, Silverberg observes, was a tragic figure. And central to the tragedy was the novel The Great Steamboat Race.

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The Hardy Boys Meet M.R. James: The Supernatural Mysteries of John Bellairs

The Hardy Boys Meet M.R. James: The Supernatural Mysteries of John Bellairs

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The Mummy, the Will, and the Crypt-smallIn the world of publishing today, books written for children and young adults are the tails that are increasingly wagging the dog, especially when those books also fall into the horror, fantasy, or science fiction categories. Many mainstream or “literary” authors would probably sell their souls to Voldemort for the kind of success that J.K. Rowling achieved with her Harry Potter books, though Thomas Pynchon or Phillip Roth pushing Harry from his place atop the bestseller lists would be rather like a Marxist literary critic becoming a judge on Dancing With the Stars. (That’s something I’d like to see, actually.)

One relatively new aspect in this ascendance of what is called YA (or young adult) fiction is its popularity with older readers. Where in previous years some might be embarassed to be seen reading books written for younger readers, now there is nothing unusual in seeing people with jobs, mortgages, and children of their own eagerly perusing The Hunger Games or Twilight.

And why not? (Well, I could give you a big why not for Twilight, but that’s another matter.) Good writing comes in all sorts of packages, and there are plenty of legitimate pleasures to be had in reading the best YA books.

However, in sorting through the many worthwhile reads available in this era of new-found YA respectability, it is easy to overlook work that was written before the current boom; some fine authors of only twenty or thirty years ago are now unjustly neglected, their reputations eclipsed by those who are fortunate enough to still be alive and producing new work in this YA golden age (a golden age of cultural visibility and publishing advances, if nothing else.)

One such writer who perhaps came just a little too early was the once highly popular writer of children’s supernatural mysteries, John Bellairs, who died in 1991.

If Bellairs is remembered by fantastic fiction readers at all, it is for his single adult novel, the superb and eccentric fantasy The Face in the Frost, which was published to little notice in 1969. (Though in his 1973 history of the genre, Imaginary Worlds, the ever-perceptive Lin Carter hailed it as “one of the best fantasy novels to appear since The Lord of the Rings.”)

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The Roots of Microgaming: The Classic Games of Metagaming

The Roots of Microgaming: The Classic Games of Metagaming

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Metagaming ad Analog 1978-small

I’ve been writing a lot about board gaming recently. It’s been a big part of my life ever since the late 70s, when I responded to an ad for a line of new “microgames” from a company called Metagaming.

I saw the above ad on the inside cover of Analog magazine, which I started reading with the April 1997 issue, when I was 12 years old. Responding to ads in comics and magazines was something you did in the 70s; don’t look at me like that. Honestly, it was perfectly normal. You mailed a check to some address in Texas, and four weeks later a tiny package arrived in the mail containing X-ray glasses, sea monkeys, or a Polaris Nuclear Submarine. Seriously, the US Postal Service and your mother’s checkbook were all you needed to access all the wonders of the world in the 1970s.

Well, the wonder that attracted my attention in the Fall of 1978 was an advertisement for SCIENCE FICTION GAMES from a company called Metagaming (click on the image above, from the inside cover of the October 1978 Analog, for a high-res version). I’d already taken my first steps into the hobby games market with the classic wargames of Avalon Hill, including Panzer Leader and Starship Troopers. But they were massive, requiring half an hour or more of set-up, and four to six hours to play. These mini-games looked portable and promised to be “fast-playing and inexpensive… a classic wargame that you can put in your pocket and play over lunch.”

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Goth Chick News: Dr. Jekyll Meets The Incredible Hulk on British Television… Kind Of

Goth Chick News: Dr. Jekyll Meets The Incredible Hulk on British Television… Kind Of

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Dr. Jekyll Meets The Incredible Hulk-smallThis all seems kind of inevitable when you think about it.

Here in the good ol’ US of A, superheroes have been reigning supreme on the big screen for some time, while zombies are unstoppable on the small. So if you’re a British television executive gazing longingly across the pond at the entertainment bank being made over here, you’re probably also thinking how to capitalize on it at home without seeming so…well, American.

That’s when you decide to take a very English literary character (no ghastly dime-store comics here, I can tell you) and make him into a superhero – well sort of. But he’s not going to be happy about it because by God we are British after all. So he’s going to be rather tortured and guilt-ridden and all that – none of this happy swinging from spider webs or flying around in iron suits. Oh, and there will be monsters mixed in there too.

And this is how we get a new television series starring Dr. Jekyll and Mr. Hyde, commissioned by the oldest commercial network in the UK.

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Bringing Neglected Classics Back Into Print: The Horror Catalog of Valancourt Books

Bringing Neglected Classics Back Into Print: The Horror Catalog of Valancourt Books

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The Cormorant Stephen Gregory-small The Monster Club R. Chetwynd-Hayes-small The Killer and the Slain Hugh Walpole-small The Smell of Evil-small

One of the many delights of the World Fantasy Convention, as I reported last week, is meeting the small publishers doing marvelous work in the industry. Seeing their catalogs of books spread out before you on a table in the Dealers Room can be quite a revelation. That was certainly the case with Valancourt Books.

As they proclaim proudly on their website, Valancourt Books is an independent small press specializing in the rediscovery of rare, neglected, and out-of-print fiction. They have five major lines: Gothic, Romantic, & Victorian; Literary Fiction; Horror & Supernatural; Gay Interest; and E-Classics. For World Fantasy, they crammed their table with titles from their Horror & Supernatural line. And I do mean crammed: their small table was piled high with dozens of beautifully designed trade paperbacks reprinting long-out-of-print horror paperbacks, chiefly from the 70s and 80s.

All it took was one glance to see that Valancourt Books has two significant strengths. First, their editorial team has excellent taste. They have reprinted work by Stephen Gregory, R. Chetwynd-Hayes, Hugh Walpole, Charles Birkin, Jack Cady, Basil Copper, Russell Thorndike, John Blackburn, Michael McDowell, Bram Stoker, and many, many others. And second, their design team is absolutely top-notch. Their books are gorgeous, with beautiful cover art and striking visual design. I’ve selected eight to highlight in this article, just to give you a taste of what they have to offer, and replicate (in a small way) what it was like to stand in front of their table gazing appreciatively at their assembled treasures.

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Melissa Marr’s Made For You is Stay-Up-Past-Your-Bedtime Good

Melissa Marr’s Made For You is Stay-Up-Past-Your-Bedtime Good

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Made For You Melissa Marr-smallMade For You
by Melissa Marr
HarperCollins (368 pages, September 2014, $17.99)

Eva Tilling has everything one needs to be the town darling in small-town Jessup, North Carolina: one grandfather is a prominent minister, the other owns a well-known winery, and she has learned the nuances of Southern etiquette. She also has a secret admirer who shows her how much she loves her by running her over with a car.

Eva wakes up in the hospital with more than just broken bones and stitches: she has a new ability to see someone’s death when they touch her. She finds the new ability confusing, but when she touches her friends and discovers they die horrible deaths — and soon — it frightens her. Once people in her social circle start dying, she knows she needs to tell her two best friends her secret so they can use her ability to save their lives and find the killer.

Made for You is Melissa Marr’s (best-selling author of the Wicked Lovely series) attempt at the mystery/thriller genre, and she succeeds. She uses first-person/present-tense to bring immediacy to the story and three points of view to ramp up the tension. Marr definitely tips her hat to classic who-dun-it novels by weaving in just enough details to keep me reading.

As for the characters, I found all of them believable and well-rounded. The author doesn’t shy away from teenage activities (specifically, sex and drinking). The parents are present throughout the second half of the book; Eva’s mother specifically has a relevant back story that adds depth to their relationship.

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Future Treasures: Dungeon Master’s Guide from Wizards of the Coast

Future Treasures: Dungeon Master’s Guide from Wizards of the Coast

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Dungeon Master's Guide-smallThe Dungeon Master’s Guide ships in less than two weeks, finally completing the rules set required to fully run Dungeons and Dragons Fifth Edition.

Truthfully, everything you really need to play is contained in the core rules, barely 25 pages of the Players Handbook (one of the reasons I think the new edition has been such a hit), but players have been waiting anxiously to complete the Fifth Edition rules set and enjoy the full scope of the game. The DMG contains magic items, optional rules, advice for Dungeon Masters, and a lot more.

The Fifth Edition Dungeons & Dragons Starter Set was published July 15, 2014; Andrew Zimmerman Jones did a forensic analysis for us here. The Players Handbook was released on August 19; Andrew reviewed it for us a few days later. The Monster Manual arrived September 30; Andrew was all over it the day before it came out. I was going to review this one, but I’m pretty sure Andrew will beat me to it.

Why wait two months to publish the DMG? No idea, but there’s probably some kind of marketing strategy behind it. The tradition of publishing D&D rules sets in three volumes goes all the way back to Gary Gygax, and he took two years to produce all three (the first Players Handbook was published in 1977; the DMG didn’t show up until 1979.) So I guess we should consider ourselves lucky it’s showing up now, instead of 2016.

Everything a Dungeon Master needs to weave legendary stories for the world’s greatest roleplaying game.

The Dungeon Master’s Guide provides the inspiration and the guidance you need to spark your imagination and create worlds of adventure for your players to explore and enjoy. Inside you’ll find world-building tools, tips and tricks for creating memorable dungeons and adventures, optional game rules, hundreds of classic D&D magic items, and much more!

The Dungeons and Dragons Dungeon Master’s Guide was written by the Wizards RPG Team, and will be published by Wizards of the Coast on December 9, 2014. It is 320 pages, priced at $49.95 in hardcover. There is no digital edition. Get more details at the WotC website.

Vintage Treasures: Revelations in Black by Carl Jacobi

Vintage Treasures: Revelations in Black by Carl Jacobi

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Revelations in Black-smallCarl Jacobi is a hard guy to collect.

Part of the problem is that he just didn’t publish many books. Five collections of horror stories in his lifetime. No novels. All of the collections were released through small presses, including Arkham House and Fedogan & Bremer, and only one was reprinted in paperback. Pretty thin pickings, especially if you like paperbacks.

However, the ISFDB listing for Carl Jocobi includes over 120 short stories, three chapbooks, and a poem, among other publications. Guy was certainly prolific enough, even if only a fraction of his output ended up reprinted in more permanent editions. He wrote for most of the major pulps all through the 30s and 40s, including Startling Stories, Wonder Stories, Ghost Stories, Thrilling Wonder, Amazing, and especially Weird Tales.

He was widely respected, too. Stephen King called him “One of the finest writers to come out of the Golden Age of Fantasy,” and his stories were reprinted in numerous SF and fantasy anthologies. They were also translated into French, Swedish, Danish, and Dutch.

On May 6th of this year, the marvelous Centipede Press released Masters of the Weird Tale: Carl Jacobi, the latest volume in their deluxe Masters of the Weird Tale series. Clocking in at 900 pages, with new and reprint art and lots of photos, it’s the definitive collection of Jacobi’s fiction. It’s also $350 retail. Considering that I recently bought a vintage collection of some 1,000 SF and fantasy paperbacks in nearly new condition for about a third that price, let’s just say that spending $350 on a single book is not a good option for me, and move on.

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