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The Abuses of Public Domain Fiction

The Abuses of Public Domain Fiction

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cover225x225publicdomainPublic domain is a tricky issue. We all know the horror stories of a certain  bloodsucking literary estate who clings to the last remaining copyrights of their Victorian property and frequently demand exorbitant fees for usage in new works. There are also tales of a well-known property where a dubious claimant to the literary rights regularly files nuisance lawsuits and is often paid off by the big conglomerates just to avoid the hassle of dealing with the allegedly loopy individual in question. Both have generated their share of sympathy for the public domain cause.

Greedy bastards only interested in money and wealthy loons fighting to prove they own something they don’t are certainly unlikable characters. I know a good number of publishers and writers who thrive upon reviving properties that have slipped into public domain. So long as too many cooks aren’t in the kitchen churning out new soups with the same basic ingredients, it should be a harmonious situation that serves to keep the originals in print and grows fan interest in otherwise forgotten characters.

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Rosarium, Diversity, and the Assimilated Cuban’s Guide to Quantum Santeria

Rosarium, Diversity, and the Assimilated Cuban’s Guide to Quantum Santeria

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Rosarium_Comix_Banner_tbjinlHello, there!

I just wanted to pop in to tell you about the Indiegogo campaign that Rosarium Publishing is currently running.

From the first two paragraphs of their campaign page:

Rosarium Publishing (distributed through IPG) was started in 2013 with one goal: to bring true diversity to publishing so that the books and comics we enjoy actually reflect the fascinating, multicultural world we truly live in today.

We publish science fiction, crime, steampunk, satire, comics and represent over 40 artists and writers from all over the world.  With the success of this campaign, we will be able to print thousands of books and continue our mission to further our quest for diversity in publishing with the high quality of work you deserve.

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Blogging Sax Rohmer’s The Insidious Doctor Fu-Manchu, Part Five – “The Green Mist”

Blogging Sax Rohmer’s The Insidious Doctor Fu-Manchu, Part Five – “The Green Mist”

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NOTE: The following article was first published on April 25, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

CollMistinsidious5“The Green Mist” was the fourth installment of Sax Rohmer’s serial, Fu-Manchu first published in The Story-Teller in January 1913. The story would later comprise Chapters 10-12 of the novel, The Mystery of Dr. Fu-Manchu [initially re-titled The Insidious Dr. Fu-Manchu for U.S. publication]. When Rohmer incorporated the story into the novel, he added linking material intended to make the book appear timely and relevant. However, the true-life Yellow Peril news items that Rohmer has Petrie recount from actual British papers of the day strike a discordant note nearly a century on.

Freed from the exotic trappings of weird fiction, the straight journalism of the era seems dated, naïve, and offensive to modern sensibilities. This phenomenon is hardly unique to Sax Rohmer’s fiction and may also be experienced in the unenlightened views on display in the earliest of Herge’s Adventures of Tintin. Making matters worse is the current vogue for political correctness that believes in burying the past rather than learning from it. The combination of these factors stands as the most challenging obstacle facing mainstream publishers in the 21st Century marketplace.

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Making Myth in a Digital Alexandria

Making Myth in a Digital Alexandria

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Xena-cerchioDid you hear about the Xena reboot? How about the new Voltron series? Twin Peaks is re-launching this summer, and you may already have your tickets to the next comic book movie.

What is up with that? Is Hollywood completely out of ideas? Have they gotten so risk-averse that all they can do is recycle old material? Or is it simply nostalgia run amok, a nation full of millennials who don’t want to grow up?

I think it’s something different, and something pretty exciting. I don’t think our love of reboots is a lack of creativity at all. In fact, I think this is an incredibly vibrant artistic period, and is about to become even more so.

Why? Because we’ve seen this before. Bear with me, guys.

The Hellenistic period of the Ancient World begins with the death of Alexander the Great and extends until the rise of the Roman Empire. There, we got our hard facts out of the way. You may even remember that from history class.

Historians like their categories, and periods of history broken down into neat charts with clear defining events.

But in this case, we can talk about the way Ancient Mediterranean Culture shifted dramatically in a very short period of time. We became more and more able to talk about a Mediterranean culture, for one. The disparate cultures of Greece, the Near East, Northern Africa, and the Italian peninsula came into much closer contact because of Alexander’s Imperial ambitions. Trade had existed before, but the construction of travel networks and large cities allowed for an even greater exchange of information.

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Life During Wartime for Revived Pulp Characters

Life During Wartime for Revived Pulp Characters

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51jEwDLgmgL._SX348_BO1,204,203,200_Awesome02_250Bold Venture Press and Black Cat Media recently unveiled a new pulp anthology title, Awesome Tales. Largely the brainchild of editor/lead writer R. Allen Leider, three issues have been published thus far. Leider’s featured stories in each have successfully revived vintage pulp characters and placed them in World War II settings.

The first issue featured The Domino Lady, a racy adventuress from the “spicies” who has found popularity with “new pulp” specialty publishers such as Moonstone Books and Airship 27.  Leider, who operates Black Cat Media, collaborated with Rich Harvey, who operates Bold Venture Press with Audrey Parente, in penning this new adventure that advances the character from her 1930s origins to the Second World War. Interestingly, the entire Domino Lady revival began when Bold Venture Press collected the character’s original 1930s adventures in 2004 and set the stage for new adventures to follow.

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Cirsova and Pulp Literature

Cirsova and Pulp Literature

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CirsovaTwo incredibly impressive magazines crossed my desk this past month: the very first issue of the brand new Cirsova, edited by P. Alexander, and Pulp Literature #10, edited by the triumvirate of Mel Anastasiou, Jennifer Landels, and Susan Pieters. Both are hefty collections (Cirsova is 95 pages and Pulp Literature is 229) and are available as e-books as well as real live paper versions.

Unfortunately, authors and editors of sci-fi and fantasy fiction seem to want to deny the genres’ pulp roots, or to hold up their literature as worthy of being taken seriously only as it has moved away from that which led to its existence in the first place. Cirsova  is a celebration of those roots. In his afterword, Alexander writes:

There are a number of reasons why I wanted to launch a Cirsova magazine, not the least of which being Jeffro Johnson’s Hugo-nominated Appendix N Retrospective series which both coincided with and helped spur my own look into a lot of older SFF stuff. Planet Stories in particular has become a favored inspiration of mine, and while I would not say that I plan or planned to model Cirsova on that particular publication, I cannot and would not deny the influence.

If that piques your interest the slightest, then Cirsova is for you.

Schuyler Hernstrom’s “The Gift of the Ob-Men” kicks off the issue. Exiled from his tribe, the young warrior Sounnu, is changed into the tool that the Ob-Men, “tall heavy creatures, bearing the form of a mushroom bent into the shape of men,” will use to reclaim their ancient homeland. They transform Sounnu, growing a third eye in his forehead that lets him see the past and more importantly, all possible futures, and turning him into a nearly unstoppable killing machine. Before he reaches his destination he will face slavering ur-wolves and a mad artist haunting a ruined city. The best individual moments are the nearly psychedelic visions the young exile has when he sees all potential futures simultaneously.

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More Mogollon Memories: Jack Kirby’s Monsters and the Mogollon Monster Live on the Rim

More Mogollon Memories: Jack Kirby’s Monsters and the Mogollon Monster Live on the Rim

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kirby monsterMy Grandad claimed he saw the Mogollon Monster once, when he drove up the Rim to visit the land they’d bought to build the cabin. He had pulled to the side of the road, let his dog out to run, and the dog got wind of something that upset him.

I don’t know more of the story than that — Grandad’s no longer around to fill the gaps and, anyway, maybe he’d embellish just to get a rise out of us.

When we were young, he and Nan drove us up to visit the land, and my Grandad was a very quiet man while Nan chattered away keeping us entertained.

But at one point, when we’d gotten way up as near the sky as you can get in Arizona, where the snowdrifts were two feet deep, Grandad pulled to the side of the road, without a word, got out, came around back of the truck, opened the tailgate, grabbed each of us, methodically, and tossed us into the snow.

We laughed fit to burst, then Nan dusted the snow off our pants, loaded us back up, and we were on our way.

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The Public Life of Sherlock Holmes: The Navajo Sherlock Holmes – Joe Leaphorn

The Public Life of Sherlock Holmes: The Navajo Sherlock Holmes – Joe Leaphorn

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Leaphorn_StudiBeach
Wes Studi (Leaphorn) with Adam Beach (Chee)

Last week, we had something of an introduction to Tony Hillerman and his Navajo Tribal Police novels. A quick read before continuing on here might serve you well. Or, you can throw caution to the wind and keep going!

In July of 1945, Hillerman was was on a sixty day convalescent furlough from World War II, with a patch over a damaged eye and a cane to assist his gimpy leg. He had been wounded near the German village of Niefern. Carrying a stretcher under fire, he  had stepped on a mine. Now being carried himself on a stretcher, the man holding the front stepped on a mine and Hillerman was on the ground again. Someone picked him up in a fireman’s carry, dropped him in a creek, got him to a jeep and laid him across the hood. Hillerman made it out, alive (He would receive the Bronze Star, the Silver Star and the Purple Heart for his service).

Now temporarily back in the States, he had gotten a job driving pipe from Oklahoma City to an oil well drilling site on the Navajo checkerboard reservation. He stopped as a stick carrier’s camp crossed the road in front of him. They were making the ritual delivery of a scalp to the camp of a Navajo serviceman receiving an Enemy Way ceremonial. That’s a bit different than a deer crossing the road!

Hillerman’s first novel, some twenty years later, heavily involved an Enemy Way (that was his choice for the title. His publisher selected a completely unrelated ceremonial, The Blessing Way).

Tony Hillerman had been a reporter for many years and had also written nonfiction when he decided to write his first novel. As influences, he has cited Ross MacDonald, Raymond Chandler, George V. Higgins, Ernest Hemingway (“when he was still young enough to care about it”), Graham Greene and Eric Ambler (a master of suspense who has become unfairly forgotten over the years).

A less familiar name is that of Arthur Upfield, who wrote about the Australian Aborigine, Inspector Napoleon Bonaparte. Hillerman frequently cited Upfield’s ability to make the setting seem real. That same descriptive ability is at the core of the Leaphorn and Chee books.

And speaking of those books…

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The Dungeon Master’s Guide to the Middle Ages? (Review: All Things Medieval: An Encyclopedia of the Medieval World)

The Dungeon Master’s Guide to the Middle Ages? (Review: All Things Medieval: An Encyclopedia of the Medieval World)

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All Things Medieval
This book will probably save you time and money because you won’t need all those funny little books on private life and seasons and agriculture and inns…

The horrible thing about being a historical novelist is that the specific information you need often exists, but not in an accessible form. You stand a good chance of being Embarrassingly Wrong on topics such as marriage customs for your particular setting and that — worse — you’ll discover this in your Amazon reviews: “I think you’ll find…”

That’s what drew me to All Things Medieval: An Encyclopedia of the Medieval World, a big fat pricey double volume by medievalist blogger Ruth A Johnston, “an independent scholar with a research specialty in medieval literature and languages” and published by the uber-respectable academic press Greenhill.

In the age of Wikipedia, it’s rather brave to publish any sort of popular encyclopedia, which is perhaps why this one seems priced for the academic and library market. It was of course the price — hefty for a hard copy, and perhaps outrageous for the ebook ($154.44 or £108.48!) — that nudged me into asking for review access. I needed to know: Is it any good for my research?

It’s certainly inspiring and well written; a worthy successor to books like the old A History of Everyday Things in England. Just glancing at the entries for M we have well-illustrated and lively topics: “Machines, Magic, Maps, Masons (See Stone and Masons), Measurement (See Weights and Measures), Medicine, Menageries (See Zoos), Mills, Minstrels and Troubadours, Monasteries, Monsters, Music, Muslims.”

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Running with the Post-Apocalyptic Dogs: An Interview with Comic Creators Sam Sattin and Chris Koehler

Running with the Post-Apocalyptic Dogs: An Interview with Comic Creators Sam Sattin and Chris Koehler

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LEGEND_issue 1 cover_koehlerIn May, Z2 Comics is going to be publishing Legend, a new series by writer Sam Sattin and artist Chris Koehler. I had previously interviewed Ian McGuity for his Z2 release Welcome to Showside and so when I saw the early news on Legend, I knew I wanted to have a chat with Sam and Chris.

Welcome to both of you and thanks for the chance to chat!

Sam and Chris: Thank you so much for having us. Black Gate magazine for life!

I read an advance copy of Legend. It’s strikingly different and I’m buying into the school that describes it as “Post-Apocalyptic Homeward Bound.” Can you give our readers a sense of what Legend is and what you were trying to do?

Sam: I love the idea of Legend being referred to as a “Post-Apocalyptic Homeward Bound.” But I also like describing Legend as a “Post-Apocalyptic Watership Down… meets The Walking Dead… and/or Game of Thrones?”

The thing that I love so much about Watership Down — along with other Richard Adams books, like The Plague Dogs — is how it employs myth. A much overlooked linchpin of Watership Down‘s success is its reliance on a religious text, one which turns a story of rabbits journeying from a home threatened by human development into a story of prophecy and redemption.

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