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Month: April 2013

The Magazine of Fantasy & Science Fiction, July 1961: A Retro-Review

The Magazine of Fantasy & Science Fiction, July 1961: A Retro-Review

Magazine of Fantasy & Science Fiction July 1961Now to an early ’60s issue of F&SF. This one has an Ed Emshwiller cover, illustrating Brian Aldiss’s “Undergrowth.” It is billed as an “All-Star Issue,” which I find curious, as several of the writers are what I would call “Little-Known.”  I’ll get into that a bit later.

The features: No interior illustrations, of course. There is of course Isaac Asimov’s Science article, “Recipe for a Planet,” which goes into great detail on the components of the Earth.

There is a Books column by Alfred Bester. He discusses a couple of Dover editions of Jules Verne, as well as a film about him (The Fabulous World of Jules Verne). He treats Kingsley Amis’s New Maps of Hell (with approval, expressed in no detail, and accompanied by a recommendation for Lucky Jim, “the funniest first novel since Pickwick Papers” [(Which later first novel might be added? A Confederacy of Dunces?]). He follows with three reviews of short story collections, by Knight, Nourse, and Pohl.

That tells us something, doesn’t it? How likely would  a review column today be to cover not a single current novel, but three collections?

And I suppose Feghoots can be called a feature, too. This issue features number XLI in “Grendel Briarton’s” series. I have enjoyed my share of Feghoots over time, but this one is awful, and not in a good way, concerning intelligent gnus. Really, one thinks, surely Mills (or whoever was editing F&SF at any particular time) could have rejected the really bad Feghoots. Bretnor had to know better. (“Grendel Briarton” was a pseudonym, and an acronym, for Reginald Bretnor.)

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Vintage Treasures: Chaosium’s Thieves’ World

Vintage Treasures: Chaosium’s Thieves’ World

Thieve's World Chaosium-smallThere was a time when shared-world fantasy was brand new, and taking the genre by storm. That time was 1979, and the man at the helm was Robert Lynn Asprin, a midlist novelist who had never edited anything before in his life.

Robert Lynn Asprin was the guest of honor at one of the first science fiction conventions I ever attended, Maplecon 2 in Ottawa in 1979. He was a spirited and self-deprecating guest, telling stories of Joe Haldeman and Poul Anderson gently correcting his spelling and grammar (“These are the people I’m supposed to be editing?!”) as he midwifed the birth of what would become one of the most successful fantasy franchises of the 20th Century: Thieves’ World, the Ace paperback anthology that triggered an explosion in shared world fantasy over the next two decades. Thieves’ World eventually encompassed thirteen collections and over half a dozen original novels, published between 1979 and 2004.

It wasn’t the only new trend to emerge at the end of the 70s in fantasy fiction — in fact, it wasn’t even the biggest. The influence of Dungeons and Dragons was cresting at the same time, and with the publication of Margaret Weis and Tracy Hickman’s Dragons of Autumn Twilight, the first DragonLance novel, in 1984, the two genres finally collided, and neither would ever be the same again.

As fantasy fiction and gaming gradually blended throughout the 80s, it didn’t just mean that bookstores were flooded with gaming novels. Gaming stores likewise were invaded with a new generation of book-inspired titles, from Iron Crown’s Middle Earth Role Playing to Chaosium’s Call of Cthulhu, and TSR’s Conan and Lankhmar properties, just to name a few.

These two juggernauts of 20th Century fantasy, Thieves World and role playing, came together in 1981 with the release of the Thieves’ World boxed set from Chaosium, a singular accomplishment that has been called the “Rosetta Stone of early roleplaying.”

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Michael Moorcock’s Von Bek: A Review

Michael Moorcock’s Von Bek: A Review

Von BekNo matter what your opinion of Michael Moorcock, you can’t deny that he’s a versatile writer; from the pulpy adventures of Dorian Hawkmoon to the sophisticated high literature of Mother London, this man seems capable of writing anything, and Von Bek, a collection of three stories that focus around the family of the same name and their quest for the Grail, is proof.

This is especially true of the first book: The Warhound and the World’s Pain, which focuses on Ulrich Von-Bek. Here you’ll encounter the same Gothic tones and deep melancholy of the Elric books, the gung-ho adventure of Hawkmoon alongside another healthy dose of Moorcock’s boundless imagination. It is at once questioning and original, daring and clever; unafraid to show the ravages of war, but still enjoyable as simple, leave-your-brain-at-the-door adventure.

A hard to attain but perfect combination. In this tale Lucifer, wanting to redeem himself in the eyes of God, enlists Ulrich Von Bek to retrieve the Holy Grail, or, as he calls it, the ’cure to the worlds pain.’

All throughout this venture, he is hindered by Klosterheim, who has been ordered to prevent him from finding the Grail. Klosterheim’s arrogant nature, intolerable ignorance, and prejudice make him an apt and contemptible rival for our charismatic anti-hero.

I say anti-hero because Von Bek, much like Elric, is a far-cry from Conan or Aragorn in that, rather than having an immovable viewpoint on morals, Von Bek, at least at the beginning, has none. The fact that he only accepts the tangible and takes destruction in his stride makes him a compelling companion, and makes his quest — which surrounds religion and metaphysics — all the more apt, and therefore all the more interesting.

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New Treasures: Dragonslayers From Beowulf to St. George, by Joseph A. McCullough

New Treasures: Dragonslayers From Beowulf to St. George, by Joseph A. McCullough

Dragonslayers from Beowulf to St. GeorgeJoseph A. McCullough has been a behind-the-scenes contributor to Black Gate for over a decade. He has a superb story sense, and put it to work as a submissions reader for us for many years, sifting through hundreds of short stories and sending the most promising my way.

That story sense has served him well in other arenas as well. A decade ago, Joe wrote what many consider the definitive modern essay on S&S, “The Demarcation of Sword and Sorcery,” originally published at Howard Andrew Jones’s SwordAndSorcery.org, and prominently referenced in the Wikipedia definition of the genre. It was eventually reprinted here and quickly became one of the most popular articles we’ve ever published. For years it was the backbone of the BG blog, drawing thousands of readers every month.

Joe is a fine writer in his own right (just check out his terrific adventure story “Stand at Llieva” in Black Gate 5). He also has the enviable task of guiding a publishing imprint, as Project Manager for Osprey Adventures, an imprint of Osprey Publishing — which he wrote about here.

Joe is occasionally able to combine vocations, and has now published a total of five books through Osprey, including Zombies: A Hunter’s Guide. His latest release, Dragonslayers From Beowulf to St. George, is a gorgeously illustrated look at some of the most famous heroes of legend.

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Sleeps With Monsters on Martha Wells’ The Element of Fire

Sleeps With Monsters on Martha Wells’ The Element of Fire

The Element of FireMartha Wells’s first novel, The Element of Fire, was published twenty years ago this July. It marked the debut of a major new fantasy writer.

The Element of Fire is a standalone novel set in the country of Ile-Rien, the setting for her Nebula-nominated The Death of the Necromancer (1998) and the Fall of Ile-Rien trilogy. Martha’s three contributions to Black Gate featuring her heroes Giliead & Ilias —  “Reflections,” “Holy Places,” and “Houses of the Dead” — helped put the magazine on the map. They are part of her Ile-Rien stories, and fill in some of the gaps between the novels.

Over at Tor.com, Liz Bourke kicks off an extended examination of Martha’s novels with a look at The Element of Fire:

It’s one of the best books I’ve ever read… and as a debut novel it is singularly accomplished.

The court of Ile-Rien, around which the action of The Element of Fire centers itself, is a complicated place. King Roland, recently come to his majority, is a weak ruler, warped by the abuse of his years-dead father. The court’s real power remains the Dowager Queen, Ravenna…

Wells’ deftness of characterization is delicate, precise and astute. An outside attack doesn’t lead to all the court’s factions banding together under capable leadership: rather it intensifies the amount of politicking and the coming-to-fruition of treasonous plots…. Wells has a fantastic touch for conjuring personality in all of her work…

I think it a fantastic book. In its honor, the next few installments of Sleeps With Monsters will focus on a selection of Martha Wells’ other works: the Fall of Ile-Rien trilogy and Wheel of the Infinite, at least, and possibly a surprise or two as well.

The Element of Fire was published in July 1993 by Tor Books. It is 413 pages in hardcover. Read Liz Bourke’s complete review here, and get the scoop on Martha’s  latest novel, Emilie and the Hollow World, here.

David Wesley Hill’s At Drake’s Command Available Free in Kindle Format — Today and Tomorrow Only

David Wesley Hill’s At Drake’s Command Available Free in Kindle Format — Today and Tomorrow Only

At Drake's CommandEditor’s aren’t supposed to have favorites — or we’re not supposed to admit to favorites, anyway. So I’ll temper what I wanted to say and just say this: I published two short stories by David Wesley Hill in Black Gate, and they were both so brilliant and unusual that I considered renaming the magazine David W. Hill’s Magazine of Fantasy.

It’s probably best that I didn’t, since David has since gone on to a successful career as a novelist, and I’d be stuck with a magazine that didn’t have any short stories in it. But I do urge you to check out “Far From Laredo” in Black Gate 4, in which gunslinger Charles Duke is hired to rid a town of three troublesome demons, and “The Good Sheriff” (BG 13), in which Duke finds himself up against a maimed god in a mining town full of sorcerers and demons.

Or, if you happen to have a Kindle, you could try David’s latest adventure novel, the tale of young cook Peregrine James on an expedition under Francis Drake, for free:

It was as fine a day to be whipped as any he’d ever seen but the good weather didn’t make Peregrine James any happier with the situation he was in. Unfairly convicted of a crime he had not committed, the young cook was strung from the whipping post on the Plymouth quayside when he caught the eye of the charismatic sea captain Francis Drake, who agreed to accept Perry among his crew despite the stripes of a thief on his back.

Soon England was receding in their wake and Perry was serving an unsavory collection of sea dogs as the small fleet of fragile wood ships sailed across the deep brine. Their destination was secret, known to Drake alone. Few sailors believed the public avowal that the expedition was headed for Alexandria to trade in currants. Some men suspected Drake planned a raid across Panama to attack the Spanish in the Pacific. Others were sure the real plan was to round the Cape of Storms to break the Portuguese monopoly of the spice trade. The only thing Perry knew for certain was that they were bound for danger and that he must live by his wits if he were to survive serving at Drake’s command.

David’s previous novel was the SF adventure Castaway on Temurlone.

At Drake’s Command was published November 1, 2012 by Temurlone Press. It is 424 pages, priced at $14.95 for the trade paperback, and $2.99 for the digital edition. For today and tomorrow, you can get the Kindle edition for free here.

Red Sonja: The Movie

Red Sonja: The Movie

Red Sonja filmAfter watching the Red Sonja film, many viewers will find themselves asking why the film was made. Who was responsible? How could such a thing happen?

It began in 1982, with the release of Conan the Barbarian. That film’s success led to the release, two years later, of the far cheesier Conan the Destroyer. Red Sonja appeared the following year, bringing an embarrassing end to what could have been the sword & sorcery equivalent of James Bond.

But first, the plot. After resisting the sexual advances of Queen Gedren, the evil lesbian sorceress has Sonja’s entire family murdered before ordering her men to rape her.

No, really, save your complaints until the end of the review.

Sonja is visited by a ghost that gives her the strength to best any foe in combat. After training for an indeterminate amount of time, Sonja is approached by Lord Kalidor (played by Schwarzenegger as basically Conan with pants), who takes Sonja to visit her dying sister.

Yes yes yes, her entire family was killed ten minutes earlier, but apparently her sister Varna was out with friends or something.

Varna warns Sonja that Queen Gedren has gotten hold of the Talisman (gah, think of cooler names for your artifacts), which will give her the ability to rule the world by causing earthquakes. Or something. The Talisman can only be touched by a woman, so Varna makes Sonja swear she will destroy it. After swearing an oath and building a funeral pyre for sis, Sonja goes off on her quest. She is followed by Kalidor, as well as the boy-prince Tarn and his assistant, Falkon. They fight some bandits, the phoniest-looking sea monster you’ll ever see (seriously, even the characters realize it’s just a prop), and finally the evil witch-queen herself. Spoilers, the Talisman is destroyed, Red Sonja pretty much chucks her vow, and the Conan film franchise is forced into hibernation for decades.

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New Treasures: The Corpse-Rat King, by Lee Battersby

New Treasures: The Corpse-Rat King, by Lee Battersby

The Corpse Rat KingWhen I was a wee lad, I didn’t pay much attention to the name under the title on my favorite books. My mother gently nudged me one day, when I complained that I didn’t know what to read, pointing out that if I knew who had written the last book I’d really enjoyed, I might be able to find another just like it.

My mom. She was right about what would happen if I touched the burner when it was glowing that pretty red color, and she was right about this, too. I learned to pay attention to authors, and soon stopped complaining about not having anything to read. Or having to bandage my fingers so often.

As I’ve grown older, I’ve learned this principle can be applied more broadly with some success. I now avoid touching anything that glows red, regardless of how damn cheery it looks, and when I find a publisher putting out quality books, I stick with them.

Case in point: Angry Robot, publisher of Chris F. Holm’s noir crime novel Dead Harvest, Aliette de Bodard’s Aztec mystery Obsidian & Blood, Tim Waggoner’s undead detective opus The Nekropolis Archives, and many others. My latest discovery is Lee Battersby, whose The Corpse-Rat King was published by Angry Robot in August.

Marius dos Hellespont and his apprentice, Gerd, are professional battlefield looters. When they stumble upon the corpse of the King of Scorby and Gerd is killed, Marius is mistaken for the monarch by one of the dead soldiers and is transported down to the Kingdom of the Dead.

Just like living beings, the dead need a King. And Marius is banished to the surface with one message: if he wants to recover his life he must find the dead a King. Which he fully intends to do… Just as soon as he stops running away.

An intriguing mix of humor, madcap characters, and stylish prose, The Corpse-Rat King promises to be just what I’m looking for. Mom, I owe you. Again.

The Corpse-Rat King was published by Angry Robot on August 28, 2012. It is 411 pages in paperback, priced at $7.99 ($6.99 for the digital edition.) The sequel, The Marching Dead, appeared in March.

The Guardian Selects the Best Young SF and Fantasy Novelists

The Guardian Selects the Best Young SF and Fantasy Novelists

Elizabeth May The FalconerBack when I used to subscribe to Granta magazine, I enjoyed their semi-annual lists of Best Young Writers. This year’s list came out recently, and this morning I came across an article in The Guardian pointing out that no equivalent list for genre fiction exists, and asking, “If it did, who might be on it?”

The author, Damien Walter, endeavors to answer his own question, supplying an intriguing list of 20 SF and Fantasy authors under 40:

Joe Abercrombie is the self-proclaimed Lord of “grimdark” epic fantasy, whose writing displays a wit and style beyond the battle sequences and torture scenes that dominate the gritty world of grimdark. NK Jemsin brings an immense storytelling talent to the tradition of epic fantasy, with a series of beautiful stories that have garnered Hugo, Nebula and World Fantasy award nominations. The Throne of the Crescent Moon by Saladin Ahmed is notable for its middle-eastern fantasy setting, but the work’s real strengths are its deep sense of irony and dark humour. And of course British author China Miéville has re-worked the fantasy genre into many and varied weird forms from Perdido Street Station to Embassytown, though he is technically ineligible, as he turned 40 last year.

Catherynne Valente’s novels and stories range widely across the fantastic, but it is her dark urban fantasies such as Palimpsest that best showcase her baroque prose style. Tom Pollock’s debut The City’s Son marked the appearance of a powerful new imagination in SF, and hopes are high for the upcoming sequel. As they are for the debut novel of Elizabeth May, with The Falconer among the most anticipated fantasy novels of 2013.

This list fills me with hope for our genre, and simultaneously makes me feel very old at 48.

You can see the complete list here.

Adventure On Film: Westworld

Adventure On Film: Westworld

westworld-1How any adult, in this day and age, can approach Westworld (1973) in anything remotely close to the appropriate frame of mind is beyond me. To further complicate an open, honest viewing, the film could not possibly telegraph its intentions more bluntly. Will the tourists attending Western World, Roman World, and Medieval World have the time of their vacationing lives? Well, yes –– but in short order, they will be done in by their out-of-control hosts, robots one and all, semi-sentient machines understandably tired of living out their days getting gunned down by their rich and warm-blooded doppelgangers.

Pardon me if in the course of this review I don’t concern myself with spoilers.  If the DVD’s cover doesn’t give the game away, the first two minutes of the film surely will.

Leaving, then… what? A cautionary tale, in which we fragile mortals should learn to stop messing around with simulacrums? Or is it an adventure in which the stakes are high and the six-guns are fast?

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