Browsed by
Month: April 2013

Weird of Oz Reviews Showgirls, Teen Wolves, and Astro Zombies

Weird of Oz Reviews Showgirls, Teen Wolves, and Astro Zombies

showgirlsA non-fiction fad of the past decade has been for an author to do something outrageous for a year and then write a book detailing the experience. If you know someone who inexplicably stopped bathing for months, or who stopped shaving or cutting his hair, or who started eating all her food raw and communicating only with gestures and grunts, you may know someone who has embarked on living like a person in the Middle Ages, or like a caveman — with an eye, of course, to chronicling it all and cranking out a bestseller. Do them a favor and tell them it’s probably already been done. Writers like A.J. Jacobs (The Year of Living Biblically) have cornered the market on myself-as-the-story immersive or “stunt” journalism.

I’ve read a number of these “stunt books” by various authors; frequently they are entertaining page-turners, and they do offer interesting perspectives and provide some bizarre, oftentimes fascinating trivia. But I have also grown oversensitive to the tendency of some such writers to indulge in a bit of melodramatic self-pity: “For 200 days now I haven’t been able to [fill in the blank], and my wife is totally exasperated!” Yes, these folks put themselves through some crazy regimens of self-denial and eccentric behavior, but journalists have gone through far worse to get a story: try reporting from a war zone, for instance.

For his “stunt book,” Australian film critic Michael Adams undertook a task that puts him squarely on the radar of this blog: he decided to watch at least one bad film every day for a year in a quest to find the Worst. Film. Ever Made. Ever. As somewhat of a connoisseur of B- and Z-grade films, I eagerly picked up this comprehensive report from a fellow cinephile: Showgirls, Teen Wolves, and Astro Zombies (2010). So here, now, is a brief review of the bad-movie viewer…

Read More Read More

Black Gate Online Fiction: “Truck Stop Luck” by Nina Kiriki Hoffman

Black Gate Online Fiction: “Truck Stop Luck” by Nina Kiriki Hoffman

Nina Kiriki Hoffman-smallSomeone has turned all of Keith Sharp’s family into statues, and he’s trying to find out how and why — and what he can do to fix the situation. But as he soon discovers, that’s the least of his problems.

“Someone made statues of your family, you’re hauling them around, and you don’t know why,” Mike asked.

“Yeah, I guess,” said Keith.

Mike stood up, and shrugged into a ragged, full-length black leather jacket. “I want to see these statues of yours,” he said.

“You’re not used to this, are you?” he asked when they had stepped outside into the pouring rain.

“Used to what?” Keith had to raise his voice to be heard over the water.

“Dealing with people like me. People who do things like this.” Mike’s hand gripped the back of Keith’s neck, and Keith felt heat flash from Mike’s fingers into his brain. Keith led him to where the van and trailer were parked. I shouldn’t be doing this, Keith thought. Thinking didn’t stop his eager trot toward his cargo, though. Mike’s fingers were hot on his neck, invasive, as though they were plugged into him.

“Statues,” Mike murmured. He dragged Keith closer, and reached for the rope that held the tarp down. Wind sneaked under the tarp and lifted it, revealing Ma and Pa, James and Olivia, Mary and Sadie.

“Mighty fine collection,” said Mike.“ I’m going to have me some fun with this lot. Give me the keys to your car.”

Keith fished the keys out of his pocket. He dropped them in Mike’s outstretched claw.

Over the past thirty years, Nina Kiriki Hoffman has sold adult and YA novels and more than 250 short stories. Her works have been finalists for the World Fantasy, Mythopoeic, Sturgeon, Philip K. Dick, and Endeavour awards. Her fiction has won her a Stoker and a Nebula Award. Ace published several of Nina’s adult novels, among them Fistful of Sky and Fall of Light. Viking published Nina’s Young Adult fantasy novels, including Stir of BonesSpirits that Walk in ShadowThresholds, and Meeting. A collection of her short stories, Permeable Borders, was published in 2012 by Fairwood Press.

The complete catalog of Black Gate Online Fiction, including stories by Ryan Harvey, Emily Mah, David C. Smith and Joe Bonadonna, Aaron Bradford Starr, Mark Rigney, C.S.E. Cooney, Vaughn Heppner, E.E. Knight, Howard Andrew Jones, Harry Connolly, and others, is here.

“Truck Stop Luck” is a complete 12,000-word short story of contemporary fantasy. It is offered at no cost.

Read the complete story here.

Galaxy Science Fiction, January 1951: A Retro-Review

Galaxy Science Fiction, January 1951: A Retro-Review

Galaxy Science Fiction January 1951-smallGalaxy Science Fiction’s fourth issue was published for January, 1951.  Now with 50% more illustrations, Galaxy was rolling along, ready to offer the best fiction on the market.

“Tyrann” by Isaac Asimov – This is the first part of a three-part serial of Asimov’s novel.  It was later reprinted under the title: The Stars, Like Dust.  Biron Farrill is a young nobleman visiting Earth when someone tries to kill him with a radiation bomb.  An acquaintance of Biron’s tells him that there’s a plot underway by the Tyranni.  The Tyranni, who control the galaxy by oppressing the various world leaders, killed Biron’s father and are now coming after him.

Biron flees to Rhodia in hopes of finding refuge under their leader, Hinrik V.  The Tyranni track Biron’s movement, allowing him to reach Rhodia in order to test Hinrik’s loyalty.  Soon after his arrival, however, Hinrik’s daughter and cousin confide in Biron that they are not loyal to the Tyranni and that the three of them must find a way to escape the planet without alerting the Tyranni.

I love this story so far.  The characters are great, especially Hinrik’s cousin who shows two personalities – one is a public façade in order to keep his work secretive.  Plus, their ships jump to hyperspace!

Asimov didn’t coin the term hyperspace, but he was one of its early adopters, and the way the jump is described will resonate well with Star Wars fans.  By the way, if FTL (Faster Than Light-speed) travel was good enough for Asimov and Galaxy, why is it shunned by some editors today?

Read More Read More

Centurion on Kickstarter: After Action Report

Centurion on Kickstarter: After Action Report

Centurion RPGSword’s Edge Publishing’s great Kickstarter experiment – Centurion: Legionaries of Rome – has completed. I’m still waiting for the final tally on actual money raised (I’ll get to the discrepancy between promises and cold hard cash later), and while I count it a success, only slightly so. That’s not Kickstarter’s fault. Totally mine.

The biggest problem I faced was one of planning. I did a fair amount of it, and my Kickstarter page was ready to launch eight days before my deadline. I verified Amazon payments two weeks before the campaign was to launch, and then could get the approval from Kickstarter more than a week before my drop-dead date. That was due to planning and the fear of delays pushing my launch date back.

If you’re out there building interest in your campaign, you’re likely giving people a date when they can expect the Kickstarter to – sorry for this – kick off (heh heh). Now, one way of avoiding screwing yourself with delays is not to have a hard launch date. I could have said something like “first week in March” or “early in March,” and that could have given me a good buffer of time. I mean, if people were excited, they would likely have seen the multiple messages I sent through comms in the month of the campaign.

Here’s the thing: I needed to do a lot more publicity than I did. I hit all the social media I regularly used – and even went to Facebook, which I really only use to share photos with friends, so really don’t have a business presence there – and did a few podcasts. Not enough.

Read More Read More

Are You Going to Eat That?

Are You Going to Eat That?

VattaA mystery writer friend of mine once remarked that he didn’t care for crime novels that included either cats or recipes – unless they were recipes on how to cook cats. My friend was kidding (mostly), but I’m sure plenty would agree with his sentiments. Not everyone is fascinated by food or cooking, and that can affect readers’ reactions when they encounter these things in the books they’re reading.

But like it or not, there’s a purpose being served by every mouthful of food and every drop of drink in every book or story we read – or write.

No matter the genre, food and drink can certainly provide motivation in terms of characters’ taking action to acquire some. Every book that has a trading empire at its core (think Elizabeth Moon’s Ky Vatta books, or Robin Hobb’s The Liveship Traders) deals at least in part with the availability of foods, especially spices.

As a general rule, however, food and drink don’t drive the plot. Even in the mystery novels, the recipes aren’t usually directly involved in either the crime or the solution – though the same can’t be said for the cats.

But I digress.

Read More Read More

Barnes and Noble Calls Out the 20 Best Paranormal Fantasy Novels of the last Decade

Barnes and Noble Calls Out the 20 Best Paranormal Fantasy Novels of the last Decade

sandman slimPaul Goat Allen at Barnes&Noble.com has compiled a list of the Top 20 Paranormal Fantasy Novels of the last ten years.

What is “paranormal fantasy” exactly, as opposed to, say, “fantasy?” Paul seems to be using it to encompass contemporary fiction with supernatural elements, including horror, urban fantasy, and paranormal romance — but apparently not science fiction, or secondary world fantasy. Here’s Paul’s loose attempt at a definition:

We are in the midst of a glorious Golden Age of paranormal fantasy — the last ten years, specifically, in genre fiction have been nothing short of landscape-changing. The days of rigidly defined categories (romance, fantasy, horror, etc.) are long gone. Today, genre-blending novels reign supreme: narratives with virtually limitless potential that freely utilize elements of fantasy, romance, mystery, horror, and science fiction…

The list below includes 20 novels that are not only extraordinarily good, but have also dramatically influenced — and continue to influence — the course of the genre.

A bold claim, but I think he’s not far off. As the years go by, fantasy has seeped inexorably into the mainstream — witness the success of Game of Thrones, Harry Potter, Twilight, etc — and writers of all genres seem to be dipping into the fantasy pool with fewer reservations. The result is a public that accepts zombie westerns and modern-day vampire mysteries without batting an eye.

Regardless of how much you want to read into Paul’s list, you’ll find plenty of good reading on it, including books by Cherie Priest, Seanan McGuire, Patricia Briggs, Charlaine Harris, Laurell K. Hamilton, Kim Harrison, Kat Richardson, Marcus Pelegrimas, Stacia Kane, Jim Butcher, and Richard Kadrey.

Check out the complete list here.

HAMMETT UNDONE

HAMMETT UNDONE

HammettUnwritten1-e1352575372778Sharks-Never-Sleep-A-Novel-Featuring-the-Black-Mask-Boys-Nolan-William-F-9780312193317No writer enjoys receiving a bad review of their work. Sometimes the reviewer pinpoints a genuine weakness and the writer benefits from constructive criticism. Many times, the writer is left feeling the reviewer was influenced by petty jealousy or an unspecified bias or was just fond of exercising the power of the pen to tear others down and amuse their own regular readers. I don’t enjoy receiving bad reviews and I can’t say I enjoy writing them either. If I take the time to read a book, I want to walk away having felt it was time well-spent.

I am not a fan of Hammett Unwritten by Gordon McAlpine writing as Owen Fitzstephen. McAlpine is a good writer. I do not have much in the way of constructive criticism to offer. I disliked his book because I am biased. I considered dropping the review entirely. After all, why make an enemy of the author or his friends? Nothing is worse than typing the title of your book in a search engine only to find some hack tearing you to shreds for no good reason. It was the recognition of my bias against the book that I felt justified sharing why it rubbed me the wrong way.

I revere the work of Dashiell Hammett. Beyond the books and short stories, I’ve read every Hammett biography and critical analysis I could find. I’ve read his published letters. I’ve read works of fiction involving Hammett as the principal character. Some, such as Joe Gores’s Hammett and Ace Atkins’s Devil’s Garden, were brilliant works that rang true in their portrayal of Hammett the man and their evocation of Hammett’s writing style. Others, such as William F. Nolan’s Black Mask Boys series and McAlpine’s Hammett Unwritten, left a bad taste solely because I wanted to love the books, but walked away disappointed.

Read More Read More

New Treasures: Dungeons of Dread

New Treasures: Dungeons of Dread

Dungeons of DreadI continue to be impressed with Wizards of the Coast’s premium reprint program. It started with an inspired effort to get Gary Gygax’s original Advanced Dungeons and Dragons rules back into print in high-quality hardcovers. We’ve discussed it before — Scott Taylor looked at the original announcement back in August; I examined the corrected edition of Unearthed Arcana here, and we invited readers to win copies by sharing stories of their game characters here.

It’s a praise-worthy undertaking indeed. But like a lot of folks I still have copies of Gygax’s bestselling rulebooks, so while I’m glad modern gamers – especially OSR players – can easily get copies of the finest RPG ever written, to me it was chiefly of academic interest.

All that changed with the release of Dungeons of Dread, which collects four classic AD&D adventure modules written by Gary Gygax and Lawrence Schick, originally released between 1978 and 1982. Dungeons of Dread puts some of the genre’s most famous early adventures – which previously existed only in yellowing softcover pamphlets – in hardcover for the first time, complete with maps and all the original black-and-white interior art.

Dungeons of Dread gathers the first four S-series adventures: Tomb of Horrors, White Plume Mountain, Expedition to the Barrier Peaks, and The Lost Caverns of Tsojcanth. I’ve discussed S1: Tomb of Horrors recently, and I admit I’m not much of a fan. A masterpiece of design, the module is a player-killer extraordinaire, and not a lot of fun. I’ve never read White Plume Mountain, but I’m certainly familiar with the gonzo Expedition to the Barrier Peaks, one of Gygax’s most esoteric creations, a module created to merge AD&D and Metamorphosis Alpha by placing adventurers at the crash site of an alien craft high on a desolate mountain peak.

But The Lost Caverns of Tsojcanth is one of the finest adventures ever created. Twice the size of Tomb of Horrors, Tsojcanth is an old-school dungeon crawl which introduced a host a new monsters (later collected in the Monster Manual II) and challenged the players to cross a dangerous wilderness and multiple levels of an ingeniously designed subterranean lair, before coming face-to-face with Drelzna, the vampiric daughter of long-deceased archmage Iggwilv. Gygax built on the plot threads he carefully laid here in its loose sequel, WG4: The Forgotten Temple of Tharizdun.

All four adventures were collected in a slightly abridged form, revised to form a connected campaign, in the softcover Realms of Horror in 1987, which is now long out of print. But this is the first true permanent edition. For me, it is also the first must-have release in WotC’s premium reprint line, and I hope it is only the first of many to come. I’d love to see, for example, similar treatment for Gygax’s Against the Giants and Descent in the Depths adventures, and of course The Temple of Elemental Evil — copies of which demand outrageous prices on eBay.

Dungeons of Dread was published by Wizards of the Coast on March 19. It is 192 pages in hardcover, priced at $39.95. There is no digital edition.

Goth Chick News: Sookie Soon to be Dead Ever After

Goth Chick News: Sookie Soon to be Dead Ever After

Dead Ever AfterIt was 2003 when the publicist for an emerging author contacted the Black Gate office to ask if someone wanted to interview her client, Charlaine Harris. Ms. Harris was on tour for book number three of her vampire/mystery/romance series starring a telepathic cocktail waitress named Sookie Stackhouse.

I agreed to do it, having read the first two books and liking them well enough, but not loving them… yet.

At least the vampires in this series were dangerous, murderous blood suckers and not sparkly, angsty, tree-huggers.

Ms. Harris and I met for lunch at an Italian restaurant, prior to her proceeding to the local Borders book store where she was doing a reading. She was the quintessential Southern lady with impeccable table manners and an incredible imagination.

I found myself hanging on her every word.

At the time, no one could have predicted that only a few months later Alan Ball, stuck at an airport while on a business trip for his current HBO project Six Feet Under, would pick up Ms. Harris’s first two books to pass the time. Ball would fall hard for Sookie and subsequently begin pursuing both her and her creator in earnest as source material for a new HBO series he would eventually call True Blood (now in its sixth year and the first without Ball at the helm).

So here we are, one decade and eight books later, and about to bid Sookie goodbye for good; Charlaine Harris’s twelfth and final tale in the series, Dead Ever After, is ready to hit the shelves next month.

Read More Read More

The Company That Time Will Never Forget: A Visit to Edgar Rice Burroughs, Incorporated

The Company That Time Will Never Forget: A Visit to Edgar Rice Burroughs, Incorporated

ERB Inc Thark StatueIn the waning days of March 2013, I made a trip I should’ve taken years before. I’ve lived in Los Angeles since I was four, became a fan of Edgar Rice Burroughs in my teens, but never thought about taking the jaunt on the I-405 into the Valley to visit the office of Edgar Rice Burroughs, Inc. I knew the office was there; that part of the Valley didn’t get the name “Tarzana” by accident. But it wasn’t until after working for three years writing numerous articles about Burroughs’s books and movies based on them that I realized the opportunity in plain sight — actually, over the hill. I looked up the company’s website, found a phone number, and gave the office a call, wondering what might come of it. A pleasant-sounding woman answered the phone, and after I provided her only a sentence of explanation (ERB fan, live in L.A., would like to write something about the company for an online magazine), she cheerfully told me to call the president of the company, James J. Sullos Jr., and gave me his cell phone number. Another call later — and a half-hour of quality fan talk with Mr. Sullos — and I had an appointment to come out to the offices and have lunch with him and Cathy Wilbanks, the company archivist and executive assistant.

What follows is a brief record of that delayed visit. I would love to present myself to you as ERB often did, a fictional version of Ryan Harvey who discovered this account in a bottle that washed ashore from Caspak, or communicated via Gridley Wave from Helium on Mars. But no, it was just me, a humble fan who took some notes and stared in awe at… well, I’ll get to that.

Read More Read More