Interzone #257 Now on Sale

Interzone #257 Now on Sale

Interzone 251-smallInterzone has an interesting approach to cover art. It commissions a single artist to do its covers for a full year. The 2015 cover artist is Martin Hanford, and so far I’ve really been enjoying his work. This issue has an intriguing sword & sorcery feel… although the central figure is in a space suit and strapped to a duck, which is admittedly a fresh theme for S&S (or any other genre I’m familiar with). Click the image at right for a closer look. We’ve showcased Martin’s work at Black Gate previously, most recently on the cover of Swords of Steel.

Interzone is the sister magazine of Black Static, both are published by TTA Press in the UK. The distinguished Andy Cox is the editor of both.

Interzone contains chiefly science fiction but, like Asimov’s SF here in the states, does publish the occasional fantasy piece. Issue #257 is cover-dated March/April, and contains the following fiction:

“A Murmuration” by Alastair Reynolds
“Songbird” by Fadzlishah Johanabas
“Brainwhales Are Stoners, Too” by Rich Larson
“The Worshipful Company of Milliners” by Tendai Huchu
“Blossoms Falling Down” by Aliya Whiteley

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Galaxy Science Fiction, August 1952: A Retro-Review

Galaxy Science Fiction, August 1952: A Retro-Review

Galaxy Science Fiction August 1952-smallThis is an issue I had looked forward to for a long time. One of my first steps toward reading Galaxy was listening to an X-Minus One radio broadcast titled “Surface Tension,” based on the story with the same title by James Blish in Galaxy’s August, 1952 issue. My wife had gotten this one for me early on, but I hadn’t made my way to it until now.

“Surface Tension” by James Blish — Humans explore the galaxy, seeding adaptations of themselves on any Earth-like planets. Hydrot is all water and marshes, and the crew of La Ventura has only a short time before they die, stranded because their ship wrecked. So they create microscopic versions of themselves (but not with their memories) that can survive in water, hoping they can compete for survival without dominating the other lifeforms on the planet.

This was considerably different from what I remember of the radio broadcast. But it’s a well-told story that’s highly inventive.

“Proof of the Pudding” by Robert Sheckley — One man survives the final war on Earth by taking a ship into space. He returns to the desolate planet and discovers he has the power to create anything he imagines.

I had difficulty relating to the protagonist. Not to spoil too much, but the story picked up considerably with the introduction of a second character.

“Yesterday House” by Fritz Leiber — Jack Berry is a biology student working in Maine for Professor Kesserich.  Jack takes a boat past where he was told to go, and he discovers an island. As he explores it, he comes to a fence and climbs over. He meets a young woman who lives in a house, but she’s convinced it’s 1933 rather than 1951. Her aunts keep her on the island throughout the year, never allowing her to go to the mainland. He wants to prove the truth to her, if he can, without arousing her aunts’ suspicion.

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New Treasures: The Uncanny Reader: Stories from the Shadows edited by Marjorie Sandor

New Treasures: The Uncanny Reader: Stories from the Shadows edited by Marjorie Sandor

The Uncanny Reader-smallI’ve covered a handful of vintage horror anthologies recently, including Horrors in Hiding and Horrors Unseen. Those books arose out of the American pulp tradition, and include stories from the writers you’d expect.

But what if you’re looking for writers you don’t expect? What if you’re interested in uncanny fiction by some of the best writers from around the world? If that’s the case, then Marjorie Sandor may have what you’re looking for, with a generous new collection of classic and new horror fiction from the four corners of the globe.

Strange, Mysterious and Unsettling… These Stories Are Uncanny!

From the deeply unsettling to the possibly supernatural, these thirty-one border-crossing stories from around the world explore the uncanny in literature, and delve into our increasingly unstable sense of self, home, and planet. The Uncanny Reader: Stories from the Shadows opens with “The Sand-man,” E.T.A. Hoffmann’s 1817 tale of doppelgangers and automatons — a tale that inspired generations of writers and thinkers to come. Stories by 19th and 20th century masters of the uncanny — including Edgar Allan Poe, Franz Kafka, and Shirley Jackson — form a foundation for sixteen award-winning contemporary authors, established and new, whose work blurs the boundaries between the familiar and the unknown. These writers come from Egypt, France, Germany, Japan, Poland, Russia, Scotland, England, Sweden, the United States, Uruguay, and Zambia — although their birthplaces are not always the terrains they plumb in their stories, nor do they confine themselves to their own eras. Contemporary authors include: Chris Adrian, Aimee Bender, Kate Bernheimer, Jean-Christophe Duchon-Doris, Mansoura Ez-Eldin, Jonathon Carroll, John Herdman, Kelly Link, Steven Millhauser, Joyce Carol Oates, Yoko Ogawa, Dean Paschal, Karen Russell, Namwali Serpell, Steve Stern and Karen Tidbeck.

The Uncanny Reader: Stories from the Shadows was published on February 24, 2015 by St. Martin’s Griffin. It is 576 pages, priced at $21.99 in trade paperback and $9.99 for the digital edition.

Ode to the Sacrificed On the Battlefield (Or Before. And After)

Ode to the Sacrificed On the Battlefield (Or Before. And After)

I started planning this post by thinking: Hey, Good Friday, awesome time for a post on sword and sorcery crucifixion. That evolved into: okay, that might be in poor taste (that’s personal growth, that right there). How about just on hero sacrifice, then? They bring us lessons by sacrificing stuff, right?

I am He-Mullet!
I am He-Mullet!

Yes, right. And the stuff (or people, whatever) they sacrifice is often forgotten by the time we’re screaming cheers and profanities during the final battle. We feel that something good has been accomplished and we forget everything that was left behind. Well, no more. Today, let us take a moment to ponder these sacrifices.

Hair
Let’s just start this with an important one, with a view to the 80s movies boom of S&S (sounds kind of Fifty Shade-ish when it’s put like that. Ha.) A mullet covered in lice is just not an easy look to pull off. Sadly much hair was sacrificed in the name of victory.

Weapons
So many weapons are cast aside. They’re special for one scene, then they get stuck in a rib cage and game over. Just abandoned like it never mattered. Let us remind the swords that yes, they did matter.

Rib Cages
On the same line, with the sword stuck in them and all. Perhaps if it had been protected by more than a bikini, the story could have ended differently .

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Vintage Treasures: Science Fiction: The Great Years, Volume II edited by Carol and Frederik Pohl

Vintage Treasures: Science Fiction: The Great Years, Volume II edited by Carol and Frederik Pohl

Science Fiction The Great Years Volume II-smallI think it’s kind of cool that I can remember when and where I found Science Fiction: The Great Years, Volume II, some 36 years after I bought it.

In the spring of 1976 my friend John MacMaster introduced me to science fiction, by bringing me Shakespeare’s Planet by Clifford D. Simak and Piers Anthony’s Ox when I was home sick from school. I was in the seventh grade, and I felt very adult, reading grown up books instead of Alfred Hitchcock and the Three Investigators (not that there’s anything wrong with Alfred Hitchcock and the Three Investigators — those books rule.)

I was thoroughly captivated by both novels, and afterwards began looking for anything labeled “science fiction.” One of the first items I found was Jacques Sadoul’s 2000 A.D: Illustrations From the Golden Age of Science Fiction Pulps, a dazzling art book containing hundreds of illustrations from American SF and fantasy pulps — showing stalwart men and women piloting spaceships into the dark reaches of space, curious aliens, sinister robots, mist-covered landscapes on far planets, and stranger things. It ignited a burning curiosity in me for all things pulp-related, and I began to haunt bookstores looking for any relics of that bygone era of pulp SF.

Shortly after we moved to Ottawa in 1976, I discovered that Canada’s capital was crowded with old bookstores, many of them hidden away in small shops on Bank Street and Sparks Street in the heart of downtown. I took the bus downtown every Saturday, returning home with bags filled with marvelous old paperbacks. It was in those crowded old shops that I first discovered Roger Zelazny, Robert Silverberg, Poul Anderson, H.P. Lovecraft, A. Merritt, and countless others.

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Future Treasures: Of Noble Family by Mary Robinette Kowal

Future Treasures: Of Noble Family by Mary Robinette Kowal

Of Noble Family-smallOf Noble Family, the fifth and final novel in Mary Robinette Kowal’s popular Glamourist Histories, is due to arrive later this month.

The first novel, Shades of Milk and Honey, was nominated for a Nebula Award. The previous four books in the series are:

Shades of Milk and Honey (2010)
Glamour in Glass(2012)
Without a Summer (2013)
Valour and Vanity (2014)

I had the good fortune to hear Mary read from Valour and Vanity at Capricon last year, where she talked about the effort involved in ensuring the language in these novels is appropriate for the time — including creating a Jane Austen dictionary, and making heavy use of the Oxford historical concordance, which lists words in the order in which they appeared in the English language.

Mary is also a high-profile author here in Chicago, and I first met Wesley Chu at the launch party for Without a Summer in 2013.

Here’s the description for Of Noble Family.

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Goth Chick News: Arnold Schwarzenegger (is not) the Zombie Terminator

Goth Chick News: Arnold Schwarzenegger (is not) the Zombie Terminator

Arnold Schwarzenegger may be back in his cold steel Terminator role later this year, but first it looks like he’s going to get all warm and gooey.

In a new film called Maggie, Schwarzenegger plays a loving father to a teen daughter he’s doing his best to protect at the peak of a zombie apocalypse. When Maggie becomes infected, the all-consuming virus begins to transform her into an undead creature with a budding appetite for human brains. Wade stands by her and attempts to ward off the authorities who are trying to collect her for quarantine and termination. Though her condition worsens, Wade is firm in his love; although Maggie would like him to save himself from the disease that is undoing her humanity.

Schwarzenegger manages all this while dropping only a few manly tears and sporting a grief beard that would put Tyrion Lannister to shame; though I’ll bet you an adult beverage that sometime before the credits roll we’ll see Arnie doing what he does best, involving fire and heavy weaponry.

Freshman Henry Hobson is in the director’s chair, and Abigail Breslin (Little Miss Sunshine and Zombieland) stars as Schwarzenegger’s ill-fated daughter. Maggie is scheduled to hit theaters May 8th.

George R.R. Martin Offers a New Excerpt from The Winds of Winter

George R.R. Martin Offers a New Excerpt from The Winds of Winter

Martin The Winds of Winter-smallBack in January we reported that The Winds of Winter, the sixth book in George R.R. Martin’s epic Song of Ice and Fire series, will not arrive this year, as some readers had hoped.

But to soothe the pain a little, Martin has been releasing small bits from the novel at his website. This morning he offered up a brand new chapter, featuring the return of a character who’s been absent for a long time. Here’s a small sample.

Alayne loved it here. She felt alive again, for the first since her father… since Lord Eddard Stark had died.

She closed the window, gathered up the fallen papers, and stacked them on the table. One was a list of the competitors. Four-and-sixty knights had been invited to vie for places amongst Lord Robert Arryn’s new Brotherhood of Winged Knights, and four­ and-sixty knights had come to tilt for the right to wear falcon’s wings upon their warhelms and guard their lord.

The competitors came from all over the Vale, from the mountain valleys and the coast, from Gulltown and the Bloody Gate, even the Three Sisters. Though a few were promised, only three were wed; the eight victors would be expected to spend the next three years at Lord Robert’s side, as his own personal guard (Alayne had suggested seven, like the Kingsguard, but Sweetrobin had insisted that he must have more knights than King Tommen), so older men with wives and children had not been invited.

And they came, Alayne thought proudly. They all came.

Read the complete chapter here, and the lengthy summary of everything we know about the novel so far over at Tor.com.

Shimmer 24 Now on Sale

Shimmer 24 Now on Sale

Shimmer 24-smallShimmer is a slender little magazine with a big reputation.

Issue #24, covered-dated March 2015, offers four stories about endings. Here’s editor E. Catherine Tobler’s on the issue:

The world is always ending. The world is always being reborn. Small steps, planetary scale. Turning itself inside out, do-over, rewind, fast-forward this part, and pause. Pause here and take a breath and read these four stories that will change your perception of how things end, how they start, how they go ever on.

Shimmer is not generally known for its humorous content, nor happy-go-lucky stories. Shimmer stories tend to have a mood and that mood is often bleak. Beth once told me Shimmer stories were like the line from Leonard Cohen’s “Hallelujah,” (or was that line only in the Jeff Buckley version?), it’s a cold and it’s a broken hallelujah. It’s cold and broken, but there is still a sliver of light by which to see. That’s the shimmer.

Shimmer is published bi-monthly, and available in both print and your choice of DRM-free electronic formats (indeed, a wide range of formats, not just PDF and Kindle.) It has shown a talent for rooting out great fiction across a wide range of fantasy and SF, and describes itself as publishing “Speculative fiction for a miscreant world.”

Fiction this issue is by Maria Dahvana Headley, K.L. Pereira, Michael Ian Bell and Sunny Moraine. A new story is released on the magazine’s website every other Tuesday; or you can buy the complete issue in a variety of formats. The digital version also includes some nonfiction content (interviews and an editorial). Here’s the fiction TOC for March.

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See the Table of Contents for The Year’s Best Science Fiction & Fantasy 2015, edited by Rich Horton

See the Table of Contents for The Year’s Best Science Fiction & Fantasy 2015, edited by Rich Horton

The Year's Best Science Fiction & Fantasy 2015-smallLast month Prime Books announced the Table of Contents of my favorite Year’s Best book, Rich Horton’s The Year’s Best Science Fiction & Fantasy 2015.

This is the seventh volume, and it looks like another stellar line-up, with 34 stories from the leading print magazines (Asimov’s SF, Interzone, Analog, F&SF, and others), online publications (Clarkesworld, Lightspeed, Beneath Ceaseless Skies, and more) and anthologies (Fearsome Magics, Reach for Infinity, Rogues, and Solaris Rising 3, among others).

Authors include Kelly Link, Robert Reed, James Patrick Kelly, Alexander Jablokov, K. J. Parker, Ken Liu, Genevieve Valentine, Eleanor Arnason, Cory Doctorow, Peter Watts, and many, many others.

I was also very pleased to see two Black Gate contributors made the list: Saturday blogger Derek Künsken, with his Asimov’s tale “Schools of Clay,” and website editor emeritus C. S. E. Cooney, for her story “Witch, Beast, Saint: An Erotic Fairy Tale,” from Strange Horizons.

The Year’s Best Science Fiction & Fantasy 2015 is a fat 576 pages, and goes on sale in trade paperback from Prime Books in June.

Here’s the complete Table of Contents.

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