A Wild Ride Through a Cold Hell: A Review of J.P. Wilder’s Schade of Night
Schade of Night
J.P Wilder
iUniverse (350 pages, $20.95 in trade paperback, $3.99 in digital format, December 19, 2014)
Don’t let the lovely young lady and her smile gracing the cover of J.P. Wilder’s wonderful Schade of Night fool you: Schade Lee does little smiling in this dark, action-packed, modern-day fantasy that reads like a paramilitary thriller graced with supernatural overtones.
Schade has some issues, for sure. But she’s one tough, no-nonsense private detective, who can be as stubborn as a mule, as fearless and reckless as a teenager, and often lets her heart rule her head. She’s a disgraced, ex-FBI agent turned investigator who has been hired to find a young girl named Kylie Berson, who’s been kidnapped by one especially sick and twisted serial killer — a real dangerous foe who often leaves cryptic messages for Schade, usually carved into the flesh of his victims. Kylie may already be dead, but Schade refuses to believe that, to accept that, and has vowed not to lose another victim to this crazed maniac.
The story takes place in and around Flagstaff, Arizona, during a dark and cold season of snow and harsh weather. Schade she sets out to save Kylie, no matter what it takes, no matter what it costs. To complicate matters, Schade has been having dreams and visions… visions of places that are real, and she glimpses disturbing images of things that have or will happen in these places.
Add to that a feeling, a sense of some of mysterious power building inside her, her trusty SIG automatic that is some kind of “foci” that can suck the souls out of those she shoots and kills, and then absorb those souls into her own, and you have a young woman with more on her plate than she may be able to handle. She certainly has no idea why these things are happening to her, or how. But when she does find out, well… you can just imagine how she takes the news. Like I said, she’s stubborn.
The Fantasia International Film Festival opened in Montreal on Tuesday night, and this year, like last year, I’ll be covering it for Black Gate. This will be the 19th edition of Fantasia, one of the world’s largest genre-oriented film festivals, and I’m looking forward to seeing a lot of movies. As I did last time, I’m planning to keep a diary-style record discussing the films I see and also recapping some of the special events around them — a lot of screenings are accompanied by presentations, or by discussions with the creators, and I’ll pass along my notes on those.
