The Public Life of Sherlock Holmes: Back to the Television
So, episode 98 of Elementary aired weekend before last. That, of course, is the modern day Sherlock Holmes show, set in New York City, featuring Johnny Lee Miller as the brilliant, socially challenged detective, and Lucy Liu as a female Doctor Watson. The show, which began in 2012, just kicked off season five.
Meanwhile, on January 1 of 2017, BBC’s Sherlock FINALLY airs season four. Set in modern day London, it has launched Benedict Cumberbatch to superstardom and also escalated Martin Freeman’s (that Bilbo guy) career. There have been nine episodes since the show began in 2010, plus one television movie, The Abominable Bride. It’s no surprise, with two year and eleven months between episodes, that rumors abound that season four will be the end.
Do you want the bad or the good first? The bad? Ok, we’ll open with Sherlock. Among my top five all-time favorite shows after season two, season three was a self-indulgent, “we can do better than Doyle” and “look how clever we are” claptrap. Somehow, The Abominable Bride won an Emmy for best television movie. The ending of it was worse than Matt Frewer’s Hound of the Baskervilles.
I think Sherlock is now a bad show and hope that it gets put to rest after these three episodes.













I had errands keeping me away from the Fantasia film festival on Monday, July 25. Now, interruptions are a sad fact of life, but sometimes it’s easy to get back into the swing of things; and as it happened the next day I made it back to the De Sève theatre to watch an American horror film called We Go On, which served to get me back into the Fantasia spirit. Then the day after that I saw two more movies at the De Sève, an odd Swiss romance called Aloys followed by a French horror film called Therapy. The latter had been directed by 16-year-old Nathan Ambrosioni — his second feature film. Together the movies made an odd meditation on life, death, and horror.
