New Treasures: Invaders edited by Jacob Weisman

New Treasures: Invaders edited by Jacob Weisman

Invaders Jacob Weisman-small Invaders Jacob Weisman-back-small

When I was at the Nebula Awards weekend I had a chance to catch up with my friend Jacob Weisman, publisher of Tachyon Books, and I asked him about his upcoming anthology Invaders: 22 Tales From the Outer Limits of Literature. I had assumed it was a collection of alien invasion tales but, as he patiently explained to me, that’s not it at all. Jacob has gathered a superb batch of stories by literary authors who have invaded science fiction — and left distinct footprints behind. Here’s the Publishers Weekly review.

In this very fine reprint anthology, Weisman has brought together 22 SF stories by authors who, although not generally associated with the genre, are clearly fellow travelers (not the ominous invaders suggested by the title). Among the major names are Pulitzer Prize–winner Junot Díaz, George Saunders, Katherine Dunn, Jonathan Lethem, Amiri Baraka, W.P. Kinsella, Steven Millhauser, Robert Olen Butler, and Molly Gloss. Among the best of the consistently strong stories are Díaz’s “Monstro,” the horrifying tale of a disease outbreak in Haiti; Gloss’s near-perfect first-contact story, “Lambing Season”; Kinsella’s totally bizarre “Reports Concerning the Death of the Seattle Albatross Are Somewhat Exaggerated”; Ben Loory’s fable-like “The Squid Who Fell in Love with the Sun”; and Saunders’s “Escape from Spiderhead,” a deeply sexy tale of wild experimental science. In general, the stories tend toward satire and emphasize fine writing more than hitting genre beats — technology is usually a means to an end rather than the center of the story — but most of them could easily have found homes in SF magazines. This volume is a treasure trove of stories that draw equally from SF and literary fiction, and they are superlative in either context.

Here’s the complete table of contents.

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Future Treasures: The Race by Nina Allen

Future Treasures: The Race by Nina Allen

The Race Nina Allen-smallI quite enjoy Nina Allen’s regular column in Interzone magazine. Which I guess is kind of an odd way to introduce her, but it’s true. She’s also a fine short story writer who’s earned a lot of accolades in a short period of time — including the British Science Fiction BSFA Award, the Grand Prix de l’Imaginaire, and the Aeon Award. She’s been shortlisted for the British Fantasy Award four times, and was a finalist for the 2014 Shirley Jackson Award.

The Race is her first novel. It was first published in the UK by NewCon, a small press. Tor.com described it as “a progressive sci-fi novel set in a future Great Britain scarred by fracking and ecological collapse,” and Kirkus Reviews praised it as “a brilliantly weird world that’s utterly riveting.” Titan Books is re-issuing it in trade paperback in the UK and the US this month, with a knockout new cover designed by Julia Lloyd. Here’s the description.

A child is kidnapped with consequences that extend across worlds… A writer reaches into the past to discover the truth about a possible murder… Far away a young woman prepares for her mysterious future…

In a future scarred by fracking and ecological collapse, Jenna Hoolman’s world is dominated by illegal smartdog racing: greyhounds genetically modified with human DNA. When her young niece goes missing that world implodes… Christy’s life is dominated by fear of her brother, a man she knows capable of monstrous acts and suspects of hiding even darker ones. Desperate to learn the truth she contacts Alex, who has his own demons to fight… And Maree, a young woman undertaking a journey that will change her world forever.

The Race will be published by Titan Books on July 19, 2016. It is 400 pages, priced at $14.95 in trade paperback and $7.99 for the digital edition. The cover was designed by Julia Lloyd. Read a brief excerpt from Chapter One at Tor.com.

John DeNardo: In Defense of Media Tie-Ins (Part 1)

John DeNardo: In Defense of Media Tie-Ins (Part 1)

Dan Abnett Eisenhorn-smallJohn DeNardo has closed up shop at his Hugo Award-winning blog SF Signal, but he continues to write about SF and fantasy in his regular column at Kirkus Reviews. One of his best recent articles — indeed, one of the most enjoyable blog posts I’ve read in a long time — was his passionate and articulate defense of Media Tie-ins, published on June 15.

As much as I bemoan the poor public of image of science fiction by mainstream readers, there’s an even worse injustice going on. Some people in those very same slighted genre circles are often quick to dismiss a certain type of book: media tie-ins. These are the books that are based on a story most often found in another media (like film, television, and games) but could be sourced from other literary properties as well. These are the Star WarsStar Trek, and Dungeons and Dragons prose novels that the bookstores like to relegate to the end of the science fiction and fantasy bookshelf section. They are positioned like an appendix in a non-fiction book “in case you’re interested in more reading.” You know, if you’ve run out of other things to read…

So, yes, media tie-ins are worth your time. I’ll even back that up: one of the best set of books I’ve ever read — in any genre — was the Eisenhorn trilogy by Dan Abnett. The books are set in the richly-imagined Warhammer 40K universe, which is based on the popular role playing game. (Even WH40K itself is an offshoot of the fantasy RPG Warhammer, for which there are even more prose novels.)  Abnett is a one of the most skilled master storytellers you’ve never heard of.  This is the series that I point to when anyone is quick to dismiss tie-in fiction. The fact that it is set in the Warhammer 40K universe is incidental, though if you are familiar with the games, that would be an added bonus when you read them. I don’t play the game, but that didn’t stop me from losing sleep because I couldn’t stop turning page after action-packed page, or cheering when a bad guy finally got his comeuppance.

Read John’s complete article here.

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Check Out the Latest Fantasy Fiction at Tor.com

Check Out the Latest Fantasy Fiction at Tor.com

Terminal Lavie Tidhar-small Dune Time Jack Nicholls-small The Destroyer Tara Isabella Burton-small

Yeah, I’m still getting caught up, so it’s not really the latest fiction at Tor.com. But I’ve made it into April, so that’s progress!

Anyway, here’s a fine new batch of fantasy and adventure SF short fiction from Michael R. Underwood, Joan Aiken, Lavie Tidhar, Jack Nicholls, and Tara Isabella Burton, all available for free at Tor.com.

The Destroyer” by Tara Isabella Burton
Posted April 20, edited by Ann VanderMeer. Art by Ashley Mackenzie (above right)
Fantasy, Science Fiction || In a futuristic, fascistic Rome, a brilliant, unstable scientist proves that she can transcend the human body’s limitations. The test subject? Her own daughter. A mother-daughter mad scientist story, “The Destroyer” asks how far we’ll go to secure our own legacies — and how far we’ll run to escape them.

Dune Time” by Jack Nicholls
Posted April 19, edited by David Hartwell. Art by Mark Smith (above middle)
Contemporary Fantasy, Magical Realism || Isolated in the desert with his brother, Hasan learns that there is more to the legends of the dunes than he initially believed.

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Goth Chick News Reviews: End of Watch — Stephen King Wraps Up a Trilogy

Goth Chick News Reviews: End of Watch — Stephen King Wraps Up a Trilogy

Stephen King Mr Mercedes-small Stephen King Finders Keepers-small Stephen King End of Watch 2-small

As you may know from past articles, my literary relationship with Stephen King has seen more horror-themed infidelities and follow-on love fests than Ozzy Osbourne’s marriage. Frankly, I had pretty much thrown King over permanently for his more intellectually acrobatic son Joseph King (aka Joe Hill) until nearly three years when in a fit of nostalgia over The Shining, I picked up Doctor Sleep.

And just like that, Stephen King moved back into my library.

So when the first book in King’s new Detective Bill Hodges trilogy called Mr. Mercedes was released the following year, the warm glow from meeting the adult Danny Torrance was still evident and I decided to give the new series a try, even though mystery / serial killer stories are not really my thing.

And what do you know? Like the younger, more energetic version of himself in those heady days of Salem’s Lot and Carrie, King delivered a second white-knuckled nail-biter of a tale, equal to his previous work.

Retired police detective Bill Hodges, the unlikely hero of Mr. Mercedes and Finders Keepers (book two of the trilogy), now runs an investigation agency with his partner, Holly Gibney. Holly is the sister of Hodges’ great love who died at the hands of serial killer Brady Hartsfield and also happens to be the woman who delivered the blow to Brady’s head that put him in a vegetative state.

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Regency Punk Summer Reading for Adventurous Girls: Penny Blackfeather

Regency Punk Summer Reading for Adventurous Girls: Penny Blackfeather

Penny Blackfeather
“Brilliant!” (But the cover is less grown up than the content.)
The Girl Reads Blackfeather
“…compares well to the Goth Girl series.”

This is brilliant...” says “The Girl,” 12, one of my son’s friends.

We’re in the cafe of the kid’s music school and I’ve asked her what she thinks of Penny Blackfeather, a Regency Punk graphic novel that Sloth Comics sent me.

She reads it until we prise it away from her so she can dash off to her recorder lesson.

The next week, we all go for coffee and she dives back in.

She still rates it as brilliant, and thinks it compares well to the Goth Girl series.

“Morgenstern”, my steampunk-loving daughter, 8, is also mesmerised.

She reads it twice and compares it to Adventure Time, her favourite cartoon, and also pronounces it, “Brilliant!

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July/August 2016 Analog Now on Sale

July/August 2016 Analog Now on Sale

Analog Science Fiction July August 2016-smallI love these big double issues of Analog. Chiefly because they have space for longer stories — and indeed, the latest double issue, July/August 2016, has two big novellas by Arlan Andrews, Sr. and Brad Torgersen.

In fact, this issue has several nice surprises, including fiction by Ian Creasey, John Shirley, Nick Wolven, and James Van Pelt — and a brand new short story by Larry Niven & Jerry Pournelle, “Story Night at the Stronghold.” On top of that, there’s a special feature by editor emeritus Stanley Schmidt, titled “THE END, or, Leaving the Reader Satisfied.” Here’s editor Trevor Quachri’s teaser for the issue on the Analog website.

O, the double issue! I sing your praises! What can’t you do? Present a lead story ab out a future where social media and augmented reality have converged with mixed results? Indeed, we have “No Strangers Any More,” by Ian Creasey.

Can you give us not one but two novellas? Yes! When you take a path, it necessarily means there are other paths you cannot go down, and when humanity as a whole goes down one path, well . . . you’ll see, in Brad R. Torgersen’s “Purytans.” We’ll also look in on the travels of Arlan Andrews’ Rist in “Fall.”

What of material by luminaries like John Shirley, or Larry Niven & Jerry Pournelle? Indubitably! In fact, there will be both! See “Cory for Coriolis” and “Story Night at the Stronghold” for proof that your eyes do not deceive you!

Perhaps more short pieces, fiction and nonfiction alike, from authors such as Nick Wolven, Stanley Schmidt, James Van Pelt, Elisabeth R. Adams, Andrew Barton, Sean Vivier, Christina De La Rocha, and Karl Bunker? I believe we can accommodate you there, yes.

And columns. Oh the columns. Never will you see columns such as these again . . . except perhaps in the issue that follows.

All that for roughly the price of a paperback! How can you go wrong?

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New Treasures: United States of Japan by Peter Tieryas

New Treasures: United States of Japan by Peter Tieryas

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Amazon.com’s high concept series The Man in the High Castle, based on the famous novel by Philip K. Dick, became a major hit for the online retailer, and it was renewed for a second season late last year.

I have not yet seen the series, but I find myself in total agreement with Peter Tieryas’s implied critique of the whole concept: that it would be 300% better with giant robots. Seriously, I think this Tieryas guy is on to something. Sure, there isn’t an artistic or creative endeavor in Western Civilization that wouldn’t be improved by adding giant robots (“Are you enjoying that double scoop pistachio ice-cream cone, young lady? Here, try it with giant robots.” See what I mean?), but there’s something about World War II alternate history that just screams, “More giant robots, please!” Come on, you know what I’m talking about.

I received a free copy of Tieryas’ second novel United States of Japan at the Nebula Awards back in April, and I finally settled in with it yesterday. It seems to be exactly what it promises: an action-packed detective story/alternate history successor to The Man in the High Castle. With honkin’ big robots. Financial Times says that “With its giant military robots, sumo wrestlers and body-transforming technology, [it’s] a gleeful love letter to Japanese pop culture,” and Lightspeed calls it “A hell of a ride, with plot twists as history is written and rewritten right in front of you… an ending as powerful as the iron grip of the godlike Emperor.”

United States of Japan was published by Angry Robot on March 1, 2016. It is 398 pages, priced at $14.99 in trade paperback and $6.99 for the digital edition. The cover is by John Liberto. Amazon.com currently has the Kindle version available for just $1.99 — grab it while you can.

Noise About Xignals

Noise About Xignals

Xignals September 1988-smallI took a break from cutting the grass around the house. It was a hot day, and the chore always took a while. “Look what I found,” my aunt greeted me, as I went indoors and dropped into a chair. She’d been cleaning up, preparing to move into the cottage, and she’d been discovering things tucked away and forgotten long before, as one does. She handed me a copy of Xignals.

Years ago, back in the twentieth century, Xignals had been the in-house newsletter of Waldenbooks’ Otherworlds Club, a buyers’ club program for science fiction and fantasy readers. I was never a member, but I’d pick up a copy of Xignals when I’d go with my aunt and grandparents over the border from their summer cottage in Philipsburg, Quebec, to have dinner in Burlington, Vermont. There was a Waldenbooks in one of the shopping malls in Burlington, where we’d stop after eating, and I’d take an inexcusably long time browsing the science fiction section before buying a book to take back to Philipsburg. And, often, grab a copy of Xignals with it.

In 2016 I sat and read this copy of Xignals for perhaps the first time in over twenty-five years. It was dated August/September 1988, which means it had come out as I was turning 15. It was a 16-page booklet, 8 sheets of 11-by-17-inch paper folded over, black and white with greyscale images and green lines and fills. I was fascinated by the thing, its edges nibbled by field mice seeking a home during some winter between 1988 and 2016. It brought to my mind not a rush of Proustian reminiscence, but a sense of significance in difference. I was made conscious of the way the future was conceived then, based on the way the world then operated, and the way the world operates differently now.

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