Black Gate – Page 615 – Adventures in Fantasy Literature

No Adaptations?

Sunday, December 11, 2016 Violette Malan Comments 5 comments

bond Lately I’ve been looking at adaptations, both novel-to-movie, and novel or movie to TV series. I been talking about them in terms of what I thought was successfully done, and occasionally pointed at my favourites. In their comments people observed that while they agreed, for the most part, with my suggestions, they had suggestions of their own. All of us had to admit, however, that we were sometimes unfamiliar with either the source work, or the adaptation, or even both.

Have a look for yourself, here, and here.

One of the things I didn’t look at was movies or TV series adapted from story cycles, or from book series. The most successful of the latter has to be the Bond franchise, from the novels by Ian Fleming. How many movies have been made? 26? 27? Edgar Rice Burroughs’ character Tarzan has appeared in both movies and TV series. It seems there’s a new Tarzan film every 20 years or so, but none have been as successful as the Johnny Weismuller/Margaret O’Sullivan films of the 1930’s and 40’s. Do we need to mention Perry Mason?

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Absolutely Stunning: Kill Six Billion Demons

Saturday, December 10, 2016 Derek Kunsken Comments 1 comment

For almost a decade now, my cliché detector has been set a little too high. This affects what I like to read (if I’ve seen it before, I’ll often take a pass) and what I write (the weirder the environments and situations, the more fun I have).

I keep an eye on lot of comics and in the last years Karnak, Monstress and Nameless have caught my eye, among others. But during the summer, I got to read Kill Six Billion Demons, by Abaddon.

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Original Woodgrain Edition Dungeons and Dragons Box Set Sells For $22,100

Saturday, December 10, 2016 John ONeill Comments 15 comments

A first printing of the original woodgrain box edition of Dungeons and Dragons, one of the rarest RPG collectibles, sold on eBay Friday for $22,100. The seller tells the story of how they acquired this ultra-rare piece of gaming history in the item description:

This set is in Very Fine condition with one small stain on the front label and very minor scuffing on the corners of the box. Note that the Reference Sheets are not stapled, but loose sheets folded together. This was the original condition.

It was acquired by the present owner in an interesting way.

In 1974 I worked in a project offering supplemental educational materials to four school districts in Northwestern Wisconsin. I met Bill, an elementary school librarian, who was very excited about working with his students using role playing games. He had a friend in Minneapolis whom he had met through their shared interest in war gaming. This friend, “Lance,” was involved with creating a new project, a fantasy-style wargame in a box that could be played by anyone.

My librarian friend was working with a sixth-grade class to create a book based on playing the game. Included in this set is a copy of the booklet that his students created using the game. Bill also used a 20-sided die that he had hand-colored to differentiate scoring. Adding to the charm of this set, the die is included, as is a hand-written note from Bill, the librarian, explaining the use of the die. He added that there was currently a shortage of these dice, but they were available in England. He was going to England for a vacation, and would be bringing some back with him.

I’m not sure this is a record price, but it must be pretty close. It’s definitely one of the most high-profile sales of a D&D collectible in recent memory. The seller, editorjan_1, has never previously sold on eBay, and has a zero feedback score, which makes this auction something of a risk for the buyer. See the complete listing on eBay here, and a more detailed breakdown of everything in the box at acaeum.com.

Uncanny Magazine Issue 13 Now on Sale

Saturday, December 10, 2016 John ONeill Comments 0 Comment

The November/December issue of Uncanny is all about alien invasions and fairy tales. Here’s Bob Blough from his Tangent Online review, with some high praise for the stories within.

This is my first read of this magazine and I am impressed. By this small taste I can tell that the editors favor good writing and well-crafted prose.

Paul Cornell has written one of Britain’s “cozy catastrophes” in “Don’t You Worry, You Aliens.” In fact the catastrophe is never explained. Suddenly people seem to be moving away. The protagonist, the local librarian, states that before the BBC went completely off the air it commented that no virus or plague seemed to be the cause. In any case, the librarian – an old man – is left completely alone in a small village with no electricity, internet or telephone. This story is a day in his life as he putters around town feeding his neighbor’s dog, and checking his garden. It is an elegiac story told at the pace of the elderly and is a beautiful miniature of his life. I must admit it has stuck in my mind. A very compelling story…

In “Kamanti’s Child” Jennifer Marie Brissett drops us in media res in an alien battle between two races. I like that tactic as we have to really follow all the clues to understand where we are and what is happening. A quiet village living off the land is invaded by another group. Kamanti, a pregnant alien woman survives the attack. She decides to travel to a city of her own kind. Along the way we are introduced to her daughter telepathically from her womb and the invaders called hoomans. Even as we see that we are the attackers it is stated that all of this world is related. So, an Earth so far ahead that we have developed into different species? An alien planet that has developed us into different species? Still the mystery continues and we learn just enough to get through this story…

Read his complete review here

The issue includes all–new short fiction by Paul Cornell, Brooke Bolander, Jennifer Marie Brissett, Alex Bledsoe, Kat Howard, and Nalo Hopkinson, and a reprint by Amal El–Mohtar, plus nonfiction by Alyssa Wong, Monica Valentinelli, Navah Wolfe, Tansy Rayner Roberts, Keidra Chaney, and recent Hugo Award winner Hao Jingfang (translated by Ken Liu), plus poetry, interviews, and an editorial. All of the content became available for purchase as an eBook (PDF, EPUB, MOBI) on November 1, 2016.

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Edgar Rice Burroughs’s Pellucidar Saga: At the Earth’s Core

Saturday, December 10, 2016 Ryan Harvey Comments 10 comments

Once upon a time, I shouldered the enjoyable burden of analyzing all of Edgar Rice Burroughs’s Venus (Amtor) novels. Then, to celebrate the hundredth anniversary of the publication of A Princess of Mars, I took on the same task for the Mars (Barsoom) novels. It was inevitable that I would one day bring the same survey methods to the Pellucidar novels at the center of the earth. (Sorry, a Tarzan series just won’t happen. There are far too many Tarzan novels for the sanity of even the most hardcore ERB fan to take in concentrated doses.)

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic… Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: At the Earth’s Core (1914)

The Backstory

Subterranean realms of the fantastic have a history reaching back to antiquity. But it was the nineteenth-century speculative theories of Captain John Cleves Symmes about the hollow earth that ignited a wave of fictional explorations of What Lies Within: “I declare the earth is hollow, and habitable within; containing a number of solid concentrick [sic] spheres.”

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Win a copy of The Watcher at the Door: The Early Kuttner, Volume Two, from Haffner Press!

Friday, December 9, 2016 John ONeill Comments 2 comments

Contests! We love contests. It’s because we love to give you things, just like Santa Claus.

In this case, it’s something you really, really want: the latest archival quality hardcover from Haffner Press, The Watcher at the Door: The Early Kuttner, Volume Two, a massive collection of 30 early weird fantasy tales by Henry Kuttner. Here in the Black Gate offices we’ve been awaiting this gorgeous book for a long, long time. We first gave you a sneak peek back in April 2015.

The Watcher at the Door is the second volume in a three-volume “Early Kuttner” set collecting many of Kuttner’s earliest stories, most of which have never been reprinted. The first volume, Terror in the House, was released way back in 2010.

We have two copies of this beautiful hardcover to gave away. How do you win one? Now pay attention, this is the fun part. You must submit the title of an imaginary weird fantasy story. The most compelling titles — as selected by a crack team of Black Gate judges — will be entered into the drawing. We’ll draw two names from that list, and the two winners will receive a free copy of The Watcher at the Door, complements of Haffner Press and Black Gate magazine. Here are the titles of some of the stories in this book, to give you a little inspiration:

“We Are the Dead,” Weird Tales, Apr ’37
“The Curse of the Crocodile,” Strange Stories, Aug ’39
“Corpse Castle,” Thrilling Mystery, Nov ’39
“When New York Vanished,” Startling Stories, Mar ’40
“The Room of Souls,” Strange Stories, Jun ’40

How hard is that? One submission per person, please. Winners will be contacted by e-mail, so use a real e-mail address maybe. All submissions must be sent to john@blackgate.com, with the subject line The Watcher at the Door, or something obvious like that so I don’t randomly delete it.

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New Treasures: Invisible Planets, edited by Ken Liu

Friday, December 9, 2016 John ONeill Comments 0 Comment

Ken Liu’s been having a heck of a year. His English language translation of Liu Cixin’s The Three-Body Problem helped the book win the Hugo Award for Best Novel in 2015, and his first collection, The Paper Menagerie and Other Stories, appeared in hardcover from Saga Press in March. And the second volume in his new fantasy epic, The Dandelion Dynasty, arrived in October (read the first chapter right here at Black Gate).

That should be enough for anyone… but not for him, apparently. Last month Liu released his first anthology, a groundbreaking collection of SF stories from China that is getting a lot of attention. Invisible Planets is available now in hardcover. Don’t look for a review here any time soon… I didn’t mail our advance copy out to our reviewers, because I refused to part with it.

Award-winning translator and author Ken Liu presents a collection of short speculative fiction from China. Some stories have won awards (including Hao Jingfang’s Hugo-winning novella, Folding Beijing); some have been included in various ‘Year’s Best’ anthologies; some have been well reviewed by critics and readers; and some are simply Ken’s personal favorites. Many of the authors collected here (with the obvious exception of New York Times bestseller Liu Cixin’s two stories) belong to the younger generation of ‘rising stars’. In addition, three essays at the end of the book explore Chinese science fiction. Liu Cixin’s essay, The Worst of All Possible Universes and The Best of All Possible Earths, gives a historical overview of SF in China and situates his own rise to prominence as the premier Chinese author within that context. Chen Qiufan’s The Torn Generation gives the view of a younger generation of authors trying to come to terms with the tumultuous transformations around them. Finally, Xia Jia, who holds the first Ph.D. issued for the study of Chinese SF, asks What Makes Chinese Science Fiction Chinese?

Invisible Planets was published by Tor Books on November 1, 2016. It is 384 pages, priced at $24.99 in hardcover and $11.99 for the digital edition.

Goth Chick News: Tom Cruise Stars in Mission Impossible VII (aka The Mummy)

Thursday, December 8, 2016 Sue Granquist Comments 15 comments

Sigh.

I don’t even know where to begin. But pour yourself the adult beverage of your choice and roll a bit closer to the keyboard while I bring you sad tidings.

Back in October, I thoroughly bummed myself out right before the day around which my entire year revolves, by reporting the relentless assault Universal Studios was perpetuating on its own classic monster movie catalog. First in the line of this death-march to the box office was a remake of The Mummy starring Tom Cruise.

Though I am definitively and forever not a fan of Tom Cruise, I am a fan of a well-made or at least well-intentioned horror movie. I held out the slimmest hope that having been the literal celluloid birthplace of the entire lineup of classic monsters, Universal Studios might, just might, opt to protect the originality of their creation, therefore respecting the reverence with which their creatures were held by the fans.

Nope.

This week saw the release of the full trailer for The Mummy, which will be loosed on an innocent public on June 9, 2017. Assuming that this trailer, like any other, contains the best bits of the film and is sincerely meant to make you want to see it…

Heavy sigh.

Of the 2 minute, 34 second snippet, the first 1 minute 19 seconds is consumed with a very Mission Impossible / Jack Reacher style, CGI’d-within-an-inch-of-its-life plane crash which Tom Cruise apparently doesn’t survive, until he does – without a mark on his tiny but toned visage. Then queue the car crashes, explosions and under-water scene that includes a brief glimpse of “Princess Ahmunet” (yes it’s a she-mummy this time around) and Russel Crowe attempting to be ominous.

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Truth in Historical Fiction

Thursday, December 8, 2016 M Harold Page Comments 19 comments

800px-Boys_King_Arthur_-_N._C._Wyeth_-_p38 — Writerly boots on the ground in 12th century France (*this illustration is a test, by the way*).

Anet, Northern France, AD 1176
The summer breeze rustled the oaks where the tournament company of King Henry the Younger waited in ambush. It carried with it the sound of hooves, jingling harness and men chatting.
Sir William Marshal suppressed a grin. “Here they come, messers.” (*)

I was frankly terrified when I first put my writerly boots on the ground in 12th century France and perched on the shoulder of a 30-something William the Marshal as he lay in ambush with his lord, the bratty Henry the Younger.

In a sense, everything in my life had prepared me for this moment. I’d always been obsessed by Medieval History, spent my childhood dragging family around castles, read Malory at 11, Froissart at 12, and could recite the deeds of the Marshal when I was younger than that. I studied the subject to postgraduate level. I even have a sword scar and can teach you how to use a longsword.

Despite all this, writing that first line was terrifying.

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A Tale of Two Covers: Shadows and Tall Trees 7 edited by Michael Kelly

Thursday, December 8, 2016 John ONeill Comments 0 Comment

Michael Kelly’s Shadows and Tall Trees may be the most acclaimed original horror anthology series on the market. It’s been growing in stature and popularity every year, and anticipation is high for volume 7, due in March from Undertow Publications.

Michael had revealed the striking covers for both the trade paperback (at left) and hardcover (right) editions of the upcomnig volume at the Undertow website. About the trade edition he writes:

Very pleased to reveal the cover design for the Trade edition of Shadows & Tall Trees 7 coming March 2017. Art by Yaroslav Gerzhedovich. Design by Vince Haig. The hardcover will have a completely different cover.

And for the hardcover:

Very happy to reveal the cover for the hardback version of Shadows and Tall Trees, Vol. 7. Artwork and design is by the talented Vince Haig. Vince created that font specifically for this project. Kudos to him.

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