Black Gate – Page 525 – Adventures in Fantasy Literature

Princesses, Space Battles, Monsters and Aliens: The Sirantha Jax Novels by Ann Aguirre

Thursday, June 8, 2017 John ONeill Comments 4 comments

I love adventure science fiction, but I’m a little shy of all these open ended series. I want to fall in love with a series, sure… but do I want to fall for a publishing endeavor with an uncertain future, one that could easily be derailed by an author illness, a fickle market, publishing setbacks or other unexpected tragedy? Who needs that anxiety and potential heartache? Not me; I have three teenagers.

Which leaves me in a bit of a quandary, since most of the adventure SF I like tends to be part of series. But there are a few completed story arcs, out there — not many, but a few. Successful series that have wrapped up with a beginning, middle, and an end. And one of those is Ann Aquirre’s 6-volume Sirantha Jax cycle, a far-ranging space opera in a well-realized universe that left fans happy with a satisfying concluding volume.

My friend Sharon Shinn was one of the first to alert me to these books, with her review of the opening volume Grimspace: “Sirantha Jax doesn’t just leap off the page — she storms out, kicking, cursing, and mouthing off. No wonder her pilot falls in love with her; readers will too.”

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May/June Magazine of Fantasy & Science Fiction Now on Sale

Thursday, June 8, 2017 John ONeill Comments 0 Comment

The May/June F&SF features the second appearance of Matthew Hughes’s new series character Baldemar, in the issue’s cover story “The Prognosticant.” Matt had an interview with Stephen Mazur on the Fantasy & Science Fiction blog in which he discusses the series.

It’s a continuation of the career of young Baldemar, who was introduced in the last issue in “Ten Half-Pennies” as a budding wizard’s henchman working for a thaumaturge who calls himself Thelerion the Incomparable (though his fellow wizards would likely change that to “Incompetent”).

In “The Prognosticant,” Baldemar and his supervisor, Oldo, are sent out to a ruined ancient city in the desert to bring back a magical object known as the Helm of Sagacity. But the Helm, it turns out, is not just an object: it’s an entity, and a powerful one. And it has its own agenda…

I’m writing the life of a character in a Jack Vance-inspired, Dying Earth fantasy world. Like most of my characters, Baldemar is an outlier, as becomes evident as he deals with what the world hands him. He’s not your average henchman.

The cover is by Maurizio Manzieri. The issue also includes fiction by Richard Bowes, Nina Kiriki Hoffman, Leah Cypess, Shannon Connor Winward, and others.

Victoria Silverwolf has a fine review of the issue at Tangent Online, with particular praise for the stories by Brian Trent, Kelly Jennings, Zach Shepard, and R. S. Benedict. Here’s a snippet.

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New Treasures: The Valancourt Book of Horror Stories, Volume One, edited by James D. Jenkins and Ryan Cagle

Wednesday, June 7, 2017 John ONeill Comments 3 comments

Now here’s an interesting idea — a collection of horror stories showcasing the work of a single publisher.

How appealing is that? Depends on the publisher. In the case of Valancourt Books, an independent small press specializing in the rediscovery of rare, neglected, and out-of-print Gothic, Romantic and Horror fiction, it’s very appealing indeed. Here’s a snippet from the Editor’s Forward to give you a taste.

Since 2005, Valancourt Books has made available almost 40 neglected classics by dozens of authors, most of them out of print for decades, sometimes even for a century or two. Our catalogue includes Gothic novels from the late 1700s and early 1800s, Victorian ‘penny dreadfuls’ and ‘sensation’ novels, vintage mystery and horror fiction from the 1920s, ’30s and ’40s, rediscovered gay interest fiction from the mid-20th century, and more recent horror and science fiction from the 1970s, ’80s and ’90s. The idea behind this anthology was, “What if we distilled the best of each part of our catalogue into a single volume? What would a horror anthology spanning two centuries, and featuring only Valancourt authors, look like?”

This book has something for fans of each section of our catalogue. Those who have enjoyed our Gothic Classics series will surely find Matthew Gregory Lewis’s rare ghost story in verse, “The Grim White Woman,” to their liking. If, like us, you love a good, old-fashioned Victorian horror story, you’ll relish the creepy tales we’ve included by authors hugely popular in the day but now little known, like Florence Marryat, Richard Marsh and Mary Cholmondeley. Readers who have appreciated our efforts to rediscover lost gay fiction will be pleased to find contributions from authors such as Forrest Reid, Hugh Walpole and Francis King in this volume. Of course, no horror anthology would be complete without stories from some of the great contemporary masters of horror like Michael McDowell, Bernard Taylor and Stephen Gregory. But perhaps the biggest surprise for some readers will be the excellent tales by writers not normally thought of as “horror authors,” like Christopher Priest, Michael Blumlein and Francis King.

Here’s the complete Table of Contents.

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Stained Glass Windows in Cairo

Wednesday, June 7, 2017 Sean McLachlan Comments 4 comments

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Last week in my post on the Coptic Heritage of Cairo I posted a photo of a stained glass window done in the traditional Egyptian style, from the so-called “Hanging Church” in Cairo, officially known as St. Virgin Mary’s. It got its name because it’s built atop an old Roman gatehouse.

I was surprised at this and other stained glass windows I found all over Cairo, both in Christian and Muslim settings. I had never read about these windows in my (admittedly small) collection of Islamic art books, and I didn’t remember them from my previous visit in 1991. I’ve been able to find very little about them online, so if anyone knows more, please comment!

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Vintage Treasures: World’s Best Science Fiction 1965 – 1970, edited by Donald A. Wollheim and Terry Carr

Wednesday, June 7, 2017 John ONeill Comments 22 comments

If you’ve been paying attention over the past two months, you’re probably aware that we’re deep into the Year’s Best Science Fiction season. So far this year Solaris, Night Shade, and Prime Books have all released Best of the Year anthologies (edited by Jonathan Strahan, Neil Clarke and Rich Horton, respectively), and in the next few months we can expect additional volumes by Gardner Dozois, John Joseph Adams, Ellen Datlow, Paula Guran, Stephan Jones, and others.

Now I know what you’re thinking. What the heck, world? My favorite fantasy series gets canceled after three volumes, but eight publishers happily produce Best of the Year anthologies every single year? How is that even possible? And you know, that’s not a bad question. How did we get to the point where the market is willing to bear so many books that all claim to contain the best science fiction of the year?

Everett F. Bleiler and T.E. Dikty are widely credited with creating the first such anthology, The Best Science Fiction Stories: 1949. But our current appetite for Best of the Year volumes can be traced back to Donald A. Wollheim and Terry Carr, two of the most important editors our field has ever seen. Starting in 1965 and running until Wollheim’s death in 1990, together and separately Wollheim and Carr produced over 50 Best of the Year volumes, and in the process they shaped the direction of short fiction in the genre for generations to come. Their books were of such high quality that they were must-reads for all serious fans of science fiction and fantasy. Year after year the Carr and Wollheim anthologies were absolutely indispensable, and if you enjoy the rich assortment of modern Best of the Year editions, you can trace our modern enthusiasm for the format directly back to these two men.

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Catching Up With the Fiction at Tor.com

Tuesday, June 6, 2017 John ONeill Comments 1 comment

Extracurricular Activities by Yoon Ha Lee

The Autobiography of a Traitor and a Half-Savage by Alix Harrow

The Scholast in the Low Waters Kingdom by Max Gladstone

Tor.com is one of the most successful and acclaimed sources of genre short fiction we have. They routinely lead the field in award nominations, as they did with this year’s Hugo nominations. And as recently as 2014, they swept the short fiction categories of the Hugo Awards.

They publish one new work of short fiction every week, completely free, at the Tor.com website. But because they don’t have regular issues, I don’t do a very good job of including them in our regular magazine coverage. So that means I have to report on them as best I can every few months. Which brings us to today’s massive catch-up post featuring 30 stories and 11 flash fiction pieces — enough to fill two decent-sized anthologies.

And what a dazzling list of contributors! Over the last 6+ months Tor.com has published brand new fiction from Peter S. Beagle, Carrie Vaughn, Yoon Ha Lee, Lavie Tidhar, Max Gladstone, Jo Walton, Kelly Robson, M. Dellamonica, Theodora Goss, Allen Steele, S.B. Divya, Stephen Leigh, and many others, plus reprints from Ken Liu, Ellen Klages, and others. All of it gorgeously illustrated by a talented group of artists, and available online completely free. You owe it to yourself to check it out.

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“A World Gone to the Dogs”: City by Clifford D. Simak

Tuesday, June 6, 2017 Fletcher Vredenburgh Comments 7 comments

These are the stories that the Dogs tell when the fires burn high and the wind is from the north. Then each family circle gathers at the hearthstone and the pups sit silently and listen and when the story’s done they ask many questions:

“What is Man?” they’ll ask.

Or perhaps: “What is a city?”

Or: “What is a war?”

from the Editor’s Preface to City

City (1952), by Clifford D. Simak, unfolds over thousands of years, telling of the end of humanity, the rise of dogs and robots to terrestrial preeminence, and finally, the near abandonment of Earth. It’s a fix-up of nine stories, eight written between 1944 and 1951, and one more, added to later editions, in 1973. It is a book conceived of in anger and despair, yet one that strives to posit a better, more humane world — even if it’s one devoid of humans.

Perhaps because we, by which I mean the post-WW II generations, have grown up aware of the deepest, most evil tendencies of humanity, it’s difficult to appreciate completely the anger and despair over what happened during the 1930s and 40s. Years after its publication, Simak said:

“The series was written in a revulsion against mass killing and as a protest against war.”

That revulsion was so intense that Simak contemplated the extinction of his own species and its replacement by a better one.

I suppose following the First World War, there was some hope that humanity would avoid that sort of mass slaughter again. Instead, it only increased by many magnitudes. In an essay on City, Robert Silverberg wrote that the story “Desertion” was written in 1943 in direct response to reports from Europe about the Holocaust. Simak was a gentle writer, so there is little anger or bitterness in the novel, but he wasn’t prone to sentimentality either. His depiction of humanity’s downfall and supplantation is remorseless.

When Simak collected the stories, he presented them as a tales told by dogs to each other as perhaps no more than legends. For each story, Simak wrote an interstitial explaining what different dog philosophers thought about the veracity of each story, as well as any meaning it might hold for their society.

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Self-published Book Review: Clearwater Dawn by Scott Fitzgerald Gray

Monday, June 5, 2017 Donald Crankshaw Comments 0 Comment

I just spent the weekend on a ship, with very limited Internet access, so I’m afraid this month’s review is a bit late. The good news is that there is a self-published book review this month. I’d like to keep the monthly schedule going, so please keep sending me books to review–see the instructions here.

Clearwater Dawn by Scott Fitzgerald Gray is a love story. It’s about the love between the half-Ilvani orphan Chriani and Lauresa, the daughter of an Ilmar prince and a sorcerous Leisanmira.

Chriani is the apprentice of Lauresa’s warden, Barien. At the age of eighteen, Chriani should have his own commission, but his temper, and Barien’s outsider status at court, have left him an unranked tyro. Despite this, he is very good at his job, aided by the preternatural senses he inherited from his Ilvani father, and the training in moving quietly and picking locks he received from his mother. On a night of betrayal and death, Barien is murdered, and Prince Chanist marches off to war against the Valnirata Ilvani war clans. Chriani is left behind, unofficial guardian of the princess, sole keeper of Barien’s last words. When Lauresa hears them, and learns that Chriani was unable to share them with the prince before he left, she heads out to make sure her father learns of the betrayal Barien revealed. Chriani catches up with her before she gets far, and accompanies her to find her father, who may know more than they expect.

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Future Treasures: A Gathering of Ravens by Scott Oden

Monday, June 5, 2017 John ONeill Comments 7 comments

Scott Oden is the author of two celebrated historical novels, Men of Bronze (2005) and Memnon (2006), and the historical fantasy The Lion of Cairo (2010). His first novel in seven years is the ambitious historical fantasy A Gathering of Ravens, which author John Gwynne (The Faithful and the Fallen) calls “A magnificent mytho-historical saga, blending the history of 11th century Europe with Norse and Celtic mythology. A dark, grim and unrelentingly bloody tale of the last Orc and his quest for vengeance.” It arrives in hardcover from Thomas Dunne Press later this month.

To the Danes, he is skraelingr; to the English, he is orcnéas; to the Irish, he is fomoraig. He is Corpse-maker and Life-quencher, the Bringer of Night, the Son of the Wolf and Brother of the Serpent. He is Grimnir, and he is the last of his kind ― the last in a long line of monsters who have plagued humanity since the Elder Days.

Drawn from his lair by a thirst for vengeance against the Dane who slew his brother, Grimnir emerges into a world that’s changed. A new faith has arisen. The Old Ways are dying, and their followers retreating into the shadows; even still, Grimnir’s vengeance cannot be denied.

Taking a young Christian hostage to be his guide, Grimnir embarks on a journey that takes him from the hinterlands of Denmark, where the wisdom of the ancient dwarves has given way to madness, to the war-torn heart of southern England, where the spirits of the land make violence on one another. And thence to the green shores of Ireland and the Viking stronghold of Dubhlinn, where his enemy awaits.

But, unless Grimnir can set aside his hatreds, his dream of retribution will come to nothing. For Dubhlinn is set to be the site of a reckoning ― the Old Ways versus the New ― and Grimnir, the last of his kind left to plague mankind, must choose: stand with the Christian King of Ireland and see his vengeance done or stand against him and see it slip away?

Scott Oden’s A Gathering of Ravens is an epic novel of vengeance, faith, and the power of myth.

A Gathering of Ravens will be published by Thomas Dunne Books on June 20, 2017. It is 326 pages, priced at $27.99 in hardcover and $14.99 for the digital edition. The cover is by James Iacobelli. Read an excerpt here.

Things Your Writing Teacher Never Told You: Character Profile Sheet — Revised

Monday, June 5, 2017 Tina Jens Comments 0 Comment

DandD sheet-small

In my last blog, “Getting to Know Your Omniscient Narrator,” I promised to share my personal character profile sheet. I used to use it on my primary and secondary characters for all my stories. But I haven’t use it in awhile. When I took a look at it, I realized it needed serious revamping. So, here’s the new and improved version.

In the process of revamping it, I realized my writing is stronger when I take the time to really figure out who my characters are: what their quirks are, what makes them an individual. My subconscious can then go to work connecting dots, finding patterns, devising solutions to problems that are uniquely suited to that character, discovering actions and reactions that FEEL right.

I know some authors use a basic RGP character sheet, such as Dungeons & Dragons, but for me, that doesn’t go far enough.

Knowing that my protagonist’s favorite ice cream flavor is peach pecan and they turn very dark and maudlin when they drink tequila may never come up in the story… but it might. Knowing lots of little details about them helps you inhabit your characters and makes them feel more alive.

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