Rogue Blades Entertainment conjures Demons

Rogue Blades Entertainment conjures Demons

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demons-cover2Our review copy of Demons, the new heroic fantasy anthology from Rogue Blades Entertainment and publisher/editor Jason M. Waltz, finally arrived last week.

I’ve been looking forward to this one for a while.  It’s the first Clash of Steel anthology to appear under the RBE banner, although more are planned — including Sea Dogs, Reluctant Heroes, and Assassins.

Demons includes stories from Black Gate Contributing Editor Bill Ward and contributors Brian Dolton and Steve Goble, as well as Elaine Isaak, C.L. Werner, Carl Walmsley, Christopher Heath, Ty Johnston, Laura J. Underwood, TW Williams, and many others.

Twelve of the twenty-eight stories originally appeared in a small press title from now-defunct Carnifex Press in 2006: Clash of Steel: Demon, edited by Armand Rosamilia. As Jason relates in his lengthy Acknowledgements:

It was a sorry day indeed when Carnifex Press was forced to close its doors, prematurely bringing to an end the Clash of Steel series. Or so I thought. In a flash of inspiration, I contacted Armand Rosamilia and made a proposal: Allow Rogue Blades Entertainment to adopt the series, and RBE would swear to carry on its fine tradition of hard-hitting steel-centric sword and sorcery tales. He accepted. Here now is the result of that agreement.

Demons is an anthology

…devoted to the devilish fiends who seek to wreak havoc among mankind upon the mortal plane – and of the paladins and warriors who return the vanquished denizens of all the hells to whence they’ve come!

Looking forward to digging in to this one.  You can find the complete TOC here.

Goth Chick News Mini blog: Midnight Syndicate’s movie The Dead Matter coming July 30th

Goth Chick News Mini blog: Midnight Syndicate’s movie The Dead Matter coming July 30th

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image002I’ve been telling you about this one for quite awhile and now it’s finally here!

Our favorite gothic musician crushes at Midnight Syndicate are finally unleashing their original movie The Dead Matter at Hot Topics stores and on Amazon.com, available July 30th.

The media package retailing for around $20 will include the movie, the original motion picture soundtrack, and Midnight Syndicate’s 13th anniversary greatest hits CD entitled Halloween Music Collection.

Ed and the boys made good on their promise and sent me a screener (or should I say screamer?) so I got an advance look.

Stay tuned for updates all week leading up to the big release date!

Readercon Report

Readercon Report

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Editors Mike Allen (Mythic Delirium) and Amal El-Mohtar (Goblin Fruit) at Readercon 2010
Editors Mike Allen (Mythic Delirium) and Amal El-Mohtar (Goblin Fruit) at Readercon 2010

Readercon is a science fiction convention held every July in or near Boston, Massachusetts.

I’m a member of the Yahoo Fictionmag (FM) group, and FM-ers once again showed up in strength, July 8th thru July 11th in Burlington Ma., to reaffirm Readercon as, short of a worldcon, Fictionmags best attended con. I had occasion over the weekend to engage in a friendly ‘hello’ and often more, with Fictionmag chums J.J. Adams, Amelia Beamer, Mike Blake, Neil Clarke, John Clute, Don D’Ammassa, Ellen Datlow, Paul Di Filippo, Scott Edelman, Peter Halasz, John Kessel, Mary Robinette Kowal, Kate Laity, Barry Malzberg, Darrell Schweitzer, Gordon Van Gelder, Sean Wallace, and Lee Weinstein who, along with myself and chum-alum Marty Halpern, brought our number to 20.

There was rumor of a planned gathering of FM-ers at the con however, consistent with past efforts at such planning, the group maintained its unblemished record of such good intentions remaining unrealized.

Probably the main spanner in the effort was the involvement of so many in our number on panels, precluding a quorum of FM-ers at any one time at the bar during the day. For awhile Paul di Filippo appeared to be on almost every panel but with apparently only seven on his schedule had to vie with with Ms. Kowal (10), Messers Kessel and Malzberg (8 each) and Messers Clute and Edelman (7 each) for the title of ‘Panel-King/Queen’. [Non-FM-ers authors Walter Hunt and Shira Lipkin had us beat with 11 scheduled panel appearances each].

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An Introduction

An Introduction

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comics-journal2It’s only polite to introduce yourself properly, and as this is my fourth posting on this blog, a proper introduction is really overdue. So: Who am I, and what am I doing here?

I’m a writer. I’ve had two short stories published so far, including “The Word of Azrael” in the most recent issue of Black Gate (previewed here), and I’m working on a novel. Several novels, actually, but at the moment only one is actively ongoing.

I also write non-fiction, most notably articles for Old News magazine, short biographies telling true stories from the past. I’ve written criticism and journalism for places including The Comics Journal and the Montreal Gazette. Oh, and I helped cover the 2009 Worldcon for the Gazette (you can find my blog posts about the convention here, along with posts by my colleague, Claude Lalumière, who wrote a comic column for Black Gate a few years back).

I’m also a reader. Like, I’d imagine, most people around these parts, I read a lot, and I love browsing book fairs and used book stores looking for an oddity, a novelty; trawling through the past, magpie-like, looking to pick out glittering fragments that would otherwise be lost in the ocean of published texts.

My sporadically-updated personal blog, Hochelaga Depcta, is mostly a record of what I’ve read, a venue to put down the thoughts that strike me. I’m hoping to do something a bit more focused here.

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What Sword and Sorcery Means to Me

What Sword and Sorcery Means to Me

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swordssorcery2The masterminds at SF Signal have asked the contributors and editors of Swords & Dark Magic: The New Sword & Sorcery — including some of the biggest names in fantasy — to define Sword and Sorcery, as part of their Mind Meld series.

They’ve published responses from Michael Moorcock, Glen Cook, C.J. Cherryh, James Enge, Lou Anders, Garth Nix, Joe Abercrombie, Bill Willingham, Tanith Lee, Tim Lebbon, and others.

Here’s what Moorcock said, in part:

I didn’t get this the first time around; I wrote a whole book on supernatural adventure fiction called Wizardry and Wild Romance which still probably didn’t answer the question. Basically I see it as a good old-fashioned sword and sandal or cloak and dagger drama with strong supernatural elements. Captain Blood meets Cthulhu. It seems, in fact, to have replaced the old historical melodrama in most of its aspects. Or returned to them if you look at those origins in the late Peninsula Romances which were the big news circa 1450.

You can read the complete article here, and SF Signal’s prior article on the best sword and sorcery stories — with lists from Martha Wells, Steven Brust, Brandon Sanderson, Lou Anders, James Enge, Mark Chadbourn, Mercedes Lackey, Mary Robinette Kowal and others — here.

Short Fiction Roundup

Short Fiction Roundup

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july2010Each week, Lightspeed features a short story from its current magazine, that is otherwise available for a $2.99 PDF download. The current one is “The Zeppelin Conductor Society’s Annual Gentleman’s Ball” by Genevieve Valentine. Next Tuesday (July 27) it will be “… for a single yesterday” by George R. R. Martin.

Theodora Goss is the new Folkroots editor for Realms of Fantasy.

Here’s another take on Gary MacMahon’s The Harm, which sees a lot more in it that my own lukewarm review.

The 2009 Shirley Jackson Awards winner in the short story category is “The Pelican Bar” by Karen Joy Fowler (Eclipse 3).  Haven’t read it, nor any of the nominees (nor for that matter, any nominees any category, maybe I get out too much):

  • “The Crevasse,” Dale Bailey & Nathan Ballingrud (Lovecraft Unbound)
  • “Strappado,” Laird Barron (Poe)
  • “Faces,” Aimee Bender (The Paris Review, Winter ‘09)
  • “The Jacaranda Smile,” Gemma Files (Apparitions)
  • “Procedure in Plain Air,” Jonathan Lethem (The New Yorker 10/26/09)
Fu Manchu in Comics

Fu Manchu in Comics

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drfumanchu_wallywood2From his first appearance in print in the pages of The Story-Teller in October 1912, Sax Rohmer’s criminal mastermind, Dr. Fu Manchu took the world by storm. While Rohmer would complete three novels featuring the character between 1912 and 1917, the Devil Doctor would extend his domain to include film and comics in the fourteen years before Rohmer bowed to commercial demand and revived the series.

Leo O’Mealia was responsible for adapting Rohmer’s three original novels into a daily newspaper strip, Fu Manchu from 1930 to 1931 while Warner Oland was occupied starring as the character in three feature films and a short for Paramount. Oland, incidentally, was the second screen Fu Manchu following Harry Agar Lyons in the 1920’s.

The comic strips were later colored and edited as a back-up feature in the pages of Detective Comics which top-lined a new comic character in the pulp tradition known as The Batman.

Despite the fact that Rohmer went to great pains to make it clear that the Devil Doctor was clean-shaven, the very first magazine illustrators to tackle the character were responsible for grafting upon his terrifying visage the stereotypical Chinese moustache known today as a Fu Manchu.

O’Mealia presented Fu Manchu devoid of facial hair in his daily strip, but in place of Rohmer’s famous description of “a brow like Shakespeare and a face like Satan,” the artist depicted a repulsive hunchbacked gargoyle.

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Wolfe’s lost road: Discovering an author’s personal essay on J.R.R. Tolkien

Wolfe’s lost road: Discovering an author’s personal essay on J.R.R. Tolkien

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gene-wolfe-1Freedom, love of neighbour, and personal responsibility are steep slopes; he could not climb them for us—we must do that ourselves. But he has shown us the road and the reward.

–Gene Wolfe, “The Best Introduction to the Mountains”

J.R.R. Tolkien has so many readers, and his works have become so pervasive in the broader culture, that coming to his defense hardly seems necessary anymore. Haven’t we established Tolkien’s credentials by now? Magazines like Time have selected The Lord of the Rings as one of the top 100 novels ever written, according to Wikipedia it’s one of the top 10 best-selling books of all time with 150 million copies sold, and the movies upon which it’s based won several Academy Awards, including Best Picture. Tolkien has made it onto several college syllabi and there are academic journals and numerous critical studies devoted to his works, including Tom Shippey’s par excellence works Author of the Century and The Road to Middle-Earth.

But someone always comes along to attack Tolkien on the basis of his conservatism or religion, his perceived racism, and/or the perceived shallowness/non-literary nature of The Lord of the Rings, and I’m reminded of why we need to vigilant. For example, David Brin of Salon.com, Science fiction/fantasy author Richard Morgan (author of The Steel Remains), and Philip Pullman (author of the His Dark Materials trilogy) have all taken shots at The Lord of the Rings and/or Tolkien himself in recent years, calling him outdated and dangerously conservative (Brin), a refuge for 12-year-olds and adults who have never grown up (Morgan), and shrunken and diminished by his Catholicism (Pullman).

Now I’m not saying Tolkien is above criticism, but critics like Brin and Morgan have essentially gutted The Lord of the Rings, attacking it on an existential basis and more or less claiming it should be placed in the dustbin of history. When people take aim at classics like Ulysses or Moby Dick you rarely see criticism elevated to the level of calling into question the very existence of these works. Yet Tolkien criticism for whatever reason frequently ascends to shrill peaks of outrage.

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Luke Reviews looks at Black Gate 14, Part III

Luke Reviews looks at Black Gate 14, Part III

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lasenorodleoro-277Luke Forney wraps up his detailed, three-part examination of Black Gate 14 with a look back at Part II:

The novellas really took the cake for the middle section, and had me really excited about the last part of this juggernaut of a magazine.

In the closing section he singles out “La Señora de Oro” by R.L. Roth:

This epistolary tale of a man out seeking gold to buy his farm from the bank is very engaging, playing with some nice horror themes, and really drawing out the protagonist’s character. The story races to a conclusion that was plenty rewarding.

And “Building Character” by Tom Sneem:

An entertaining tale of a character being run through a novice writer’s series of stories, this one manages to be both engaging and funny. A nice piece to build towards the end.

He closes coverage of the issue with:

The volume wraps up, as usual, with a Knights of the Dinner Table: The Java Joint comic strip, in which one of the characters plans on confronting Neil Gaiman for stealing his ideas. The extra-long strip was a fun way to close such a large issue, and manages to be plenty funny.

You can find the complete text of Part III here; Part I and Part Two are also still available. The complete TOC for Black Gate 14 is here.

Art by Malcolm McClinton for “La Señora de Oro.”

Goth Chick News: I Can’t Believe I’m Writing This, But…

Goth Chick News: I Can’t Believe I’m Writing This, But…

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rocky-horror2No seriously, I can’t believe I’m writing this. But here goes.

I live next door to a twenty-something, just out of college couple I’ve referred to here before as “Mr. and Mrs. Disney.” Though you probably wouldn’t immediately come to this conclusion, I am truly fond of them; I just think they’re a little too cute together, and they think I’m personally responsible for knocking out Sleeping Beauty and Snow White (with a spindle and an apple, respectively).

That being said, they are generally pretty tuned into pop culture — they even attended last year’s Chicago ComicCon, along with several movie and sci-fi conventions. It is in this context that I plan to couch my mortification.

A week ago Mr. and Mrs. Disney showed up on my doorstep in a driving rain to return some borrowed items. Side-by-side as always, they stood there on the stoop sharing an open newspaper as a makeshift umbrella, and when I opened the door I couldn’t help myself. I broke out into the first verse of “There’s A Light (Over at the Frankenstein Place)” and Mr. and Mrs. Disney’s starred at me like I had bats crawling out of my ears. They asked me why I was singing to them; was it like a “Singing in the Rain” thing?

The reality of what I was facing started sinking in, but slowly.

“No, it’s just that the two of you standing there under an open piece of newspaper in the rain made you look like Brad and Janet.”

Blank stares. This can’t be happening.

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