A Novel Superman
Media tie-in novels are common nowadays, and people have debated how good tie-in novels are and how good they can be. I don’t have any strong opinions, other than to note that a) the usual conditions under which tie-ins are written don’t seem encouraging; b) on the other hand, great books can be and have been written under much less encouraging conditions and much greater restrictions; and c) I’m really looking forward to reading Michael Moorcock’s Doctor Who novel.
But I will say this: when the question of the quality of media tie-in novels arises, there are two books I think of as both tie-in novels and excellent fiction in their own right. There may be more, but these two have stuck with me from a young age, and every time I re-read them (as I do every few years), I find they’re still powerful and resonant work. The language is tight, terse and moving. The characters are strong. The world is well-conceived, feeling fresh and new.
The books are Superman: Last Son of Krypton and Superman: Miracle Monday, by Elliot S! Maggin (follow the link to uncover the mystery of the exclamation point). Published to accompany the release of the first two Superman movies, the books have little to no connection with the movies as such, being instead original and utterly fascinating stories.





A little context: I am a huge fan of the old-school Stan Lee/Jack Kirby THOR run from the 1960s. Not the entire run, mind you, just the really good second half when Kirby was really off the hook. The Origin of Galactus, Ego the Living Planet, the ManGog, Tales of Asgard, just amazing and timeless Kirby goodness. There’s a reason this guy was called the King of Comics, and this series shows it like no other.


It gives me great pleasure, now, to invite Leah here to talk to us about Ideomancer and its exciting current issue.
Confession: I watch almost no TV. Well, that’s not quite true: NFL football, an occasional news program, and the odd episode of The Simpsons aside, I watch no TV. Lost is lost on me. There aren’t enough hours in the day for 24. The Sopranos? Fuggedaboutit. There are too many good books to be read in the world and not enough time for television.
During the course of the past few days I’ve had the pleasure of chatting with a goodly number of writers. It’s been good for my soul to talk shop with knowledgeable peers. But one question that invariably cropped up concerned my method of writing. How did I prepare my drafts? And as I explained it, curious looks would blossom over the visages of my brother-and-sister scribes.