Black Gate – Page 1034 – Adventures in Fantasy Literature

Goth Chick News: Max Brooks Takes on Walking Dead with Extinction Parade (Maybe…)

Thursday, November 7, 2013 Sue Granquist Comments 0 Comment

Anyone who thinks the whole zombie thing is at risk for falling out of pop-culture-vogue is underestimating the undead super powers of Max Brooks.

The World War Z: An Oral History of the Zombie War writer continues his current reign as king of the reanimated by reportedly signing his latest comic Extinction Parade to a TV deal, offering up what may be the first real, small-screen competition to The Walking Dead.

Bleeding Cool reports Brooks is in talks with “one of the most successful production companies in Hollywood,” though no one is even hinting at who that could be yet. But to really get our attention, Extinction Parade is going to need the no-holds-barred approach of someone like HBO rather than a network treatment.

NBC is resurrecting the made-for-CBS undead series Babylon Fields and The Sundance Channel is currently airing The Returned, both of which take a less violent look at zombies. But now with vampires in the mix, Brooks’s story definitely needs the creative freedom to back up the tanker of fake blood.

As explained in Extinction Parade’s first issue:

As humans wage their loosing fight versus the hoards of the subdead, a frightening realization sets in with the secretive Vampire race: our food is dying off. This is the story of Vampires’ decent into all-out war with the mindless hungry hordes of the zombie outbreak as humanity tries to survive them all. Three species in mortal conflict. This is how a species dies.

Oh yes please.

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The Sword Folk Are Coming!

Thursday, November 7, 2013 Comments 5 comments

The Gemmell Award ceremony at the World Fantasy Convention was a hoot. It was also illuminating.

Out of the five contenders for the Morningstar Award (Best Debut Novel), two appeared with weapons in the brochure: John Gwynne (who won!), with a nice non-fantasy looking longsword, and Miles Cameron, in Hundred Years War era armor.

Miles Cameron, in Hundred Years War era armor

Cameron is obviously a part-time sword person. Mr Gwynne, when I asked him, ‘fessed up to being a collector only, but still interested in authentic historical combat.

Later in the bar, I got talking to a journalist and the conversation turned to my obsession with Historical European Martial Arts, especially the superiority of the German Longsword tradition.

“Ah,” said the journalist, backing away and holding up his hands defensively. “You should chat to Adrian Tchaikovsky. He talks about that.”

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Galaxy Science Fiction, June 1951: A Retro-Review

Thursday, November 7, 2013 Matthew Wuertz Comments 8 comments

The June, 1951 edition of Galaxy Science Fiction featured several longer works: two novelets and the second part of a serial novel. That only left room for one short story.

In his editorial remarks, H. L. Gold writes of his discovery of science fiction and how his love for it helped him realize what he wanted for a career.

Unfortunately, the dream of editing as good a magazine as possible does not include production difficulties. Because buying paper these days is like being mugged on a dark street, GALAXY has been late much too often… Other headaches are distribution, newsstand display, rocketing costs, ruckuses over ads, sweating good stories into better stories, and improving art, which has been the biggest single gripe of readers.

Regardless of the hassles, Gold found a way to keep the magazine going, and the June issue is another strong showing.

“Hunt the Hunter” by Kris Neville — Ri and Mia act as scouts for humanity’s leader, Extrone, helping him to successfully hunt a farn beast. Extrone is an intimidating figure who will risk confrontations with hostile aliens for the chance at killing a farn beast, something so rare in the systems humanity controls. Ri and Mia try to hide their traitorous thoughts as they lead Extrone toward the beasts, hoping to complete their mission quickly before Extrone’s impatience leads to wrath.

I loved Extrone’s character in this story. By far, it overshadows everyone else, but it works. I could picture Jeff Bridges playing the role, if this was a movie, barking out commands and delivering the slow, menacing dialogue.

I read a little about Neville, and it seems he was one who quickly vaulted into several of the big magazines. But he apparently felt that his work extended beyond the accepted boundaries of science fiction at the time. So he withdrew from science fiction and instead wrote texts in the field of epoxy resins. Yes, I’m serious.

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New Treasures: Star Trek Catan

Thursday, November 7, 2013 John ONeill Comments 20 comments

Star Trek what?

You heard me. Star Trek Catan. The game of building, trading, and… well, I’m not sure exactly. But the moment I saw that cover graphic of the starship Enterprise hovering over a futuristic medieval village (uh, what?), I knew I had to have a copy.

And now I do. I’m still puzzling over it, to be honest. Exactly how the Star Trek license in any way enhances the basic mechanics of a resource-trading colonization game that sold 15 million copies in its original incarnation is still very unclear to me.

But it comes with 60 little model spaceships, including replicas of the Enterprise. 60! In a bunch of different colors. The rules are almost superfluous at this point. I was happy the moment I unpacked the box and started pushing little starships around the board, making warp engine noises.

Here’s the box copy, since you may pay more attention than I did:

SPACE… the Final Frontier. The many resource rich planets within the limits of Federation territory await exploration and settlement. Build outposts and star bases to extract the resources. Using your fleet of starships, establish supply routes that enable you to boldly go further into deep space. Avoid resource shortages by trading with your opponents and Federation neighbors. If your opponents venture too far into your space, though, you might need to divert the Klingons to drive them away. because in the end, only one can be the Federation’s greatest hero. Take up the challenge!

Star Trek Catan transports the timeless game concept of the world’s most acclaimed board game — The Settlers of Catan — into the exciting Star Trek universe. The popular characters of the Starship Enterprise come into play through novel new “support cards.” Build, trade and settle where no one has gone before. Since 1966, millions of Star Trek fans all over the world have watched the adventures of the Starship Enterprise, Captain Kirk and Mr. Spock. And since 1995, millions of enthusiastic players all over the world have played Klaus Teuber’s The Settlers of Catan — a board game classic. It’s time to bring them all together on the Final Frontier.

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Pacific Rim and the Culture of Rip-Off Vs. Homage

Wednesday, November 6, 2013 Alex Bledsoe Comments 6 comments

“This is not a rip-off, it’s an homage!”–Peter Swan (Liam Neeson) in The Dead Pool

Watching the special features on Guillermo del Toro’s Pacific Rim this past weekend, I was struck by something the director said. Paraphrased, he told the design crew not to take any elements from previously-existing kaiju (such as Godzilla, Gamera and so forth), but to pay tribute to the spirit of those films. In other words, it’s a classic homage.

"And I would do anything for loooove...." — “And I would do anything for loooove….”

Now, bear with me on this. I’m a fan of Asian cinema, particularly the 80s and 90s classics such as The Bride with White Hair, Jet Li’s Once Upon a Time in China series, The Heroic Trio and its amazing sequel Executioners, and so forth. I’m not obsessive about it — there’s a lot I haven’t seen — but I know the high points.

So when I see something like Crouching Tiger, Hidden Dragon, or Quentin Tarantino’s Kill Bill films, I see exactly what the lnfluences are. Except in this case, they’re not homages: they’re recreations of some of the exact moments from the films that influenced them, only couched so that you (the general American audience who’s never seen them before) will think they’re Tarantino’s or Ang Lee’s original ideas.

That, my friends, is a rip-off.

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Goodbye, Blockbuster

Wednesday, November 6, 2013 John ONeill Comments 11 comments

The Chicago Tribune is reporting today that Blockbuster will close all of its remaining brick-and-mortar outlets.

And so we bid a fond goodbye to an earlier, simpler way of life. When Friday nights meant leaving work a few minutes early to get in line at the rental store, before all the new releases were gone and you were stuck with an Andrew Dice Clay picture.

This is just one more thing that will confuse the hell out of me when I’m old and senile and wander away from the home. I’ll be standing in the parking lot of Best Buy with five bucks in my hand, trying to rent the first season of Kolchak the Night Stalker. Just you wait.

End of an era, for sure. The last remnants of the Old Republic have been swept away. (But how will Google maintain control without the bureaucracy?)

Blockbuster filed for bankruptcy in September 2010. It was purchased by DISH Network Corp. in a bankruptcy auction for $320 million in 2011, back when they were trying to seriously compete with Netflix. The company says it will close all of its 300 remaining U.S. stores by early January and shut down the Blockbuster By Mail service in mid-December.

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What I Learned From A New Hope

Wednesday, November 6, 2013 Jon Sprunk Comments 4 comments

I was seven years old when the first Star Wars movie, A New Hope, hit the theaters. That was a magical summer in my childhood, a time when the future was gigantic bubble of fun and optimism that seemed to be moving closer to me day by day.

Years later, when I started penning my own stories, I flailed about like most fledgling writers, not really sure what I was doing. Eventually, I got my act together, but it wasn’t until later as I looked back on what worked, and what didn’t, that I started to realize that the most important lessons about storytelling were the ones I unwittingly learned at the movie theater, watching heroes battle an evil empire in a galaxy far, far away.

Motivation

It’s vital for characters to have deep and compelling motivations, so when I think of this topic, I always go back to the basics. Luke, our main hero, begins the movie yearning to get off his desert homeworld and find adventure among the stars. That seems simple, and it is, but it’s also a motivation that so many people share. Who among us didn’t yearn for personal freedom when we were growing up, the chance to get away from our ordinary lives and do something exciting?

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The Blinding Knife by Brent Weeks Wins the 2013 David Gemmell Legend Award

Tuesday, November 5, 2013 John ONeill Comments 0 Comment

Brent Weeks’s The Blinding Knife, the second volume of The Lightbringer Saga, has won the David Gemmell Legend Award for Best Fantasy Novel of 2012.

The David Gemmell Legend Award is a fan-voted award administered by the DGLA. This is the fifth year for the Legend Award; it was first granted in 2009 to Andrzej Sapkowski’s Blood of Elves; in 2010 to Graham McNeill’s Empire: The Legend of Sigmar, in 2011 the winner was Brandon Sanderson’s The Way of Kings, and last year The Wise Man’s Fear by Patrick Rothfuss received the honors.

The nominees for the 2013 award also included The Red Country by Joe Abercrombie, Stormdancer by Jay Kristoff, King of Thorns by Mark Lawrence, and The Gathering of the Lost by Helen Lowe.

The Morningstar Award for Best Fantasy Debut was awarded to Malice by John Gwynne.

The Ravensheart Award for best Fantasy Book Jacket Artist went to Didier Graffet & Dave Senior for the cover of The Red Country by Joe Abercrombie.

Our man-on-the-scene, roving reporter Harold M. Page, will report in with complete details on the ceremonies right here on Thursday.

Complete details are available at the DGLA website.

Congratulations to all the winners!

Insanity in Pictures

Tuesday, November 5, 2013 James Maliszewski Comments 3 comments

Though I can’t be completely certain, I think the first time I encountered the name of H.P. Lovecraft was sometime during the course of 1980, not long after I’d discovered Dungeons & Dragons. The thin blue rulebook contained inside the Basic Set included a single reference to “Cthulhu” as a deity alongside Crom and Zeus (two names I already knew). Back in those days, hobby shops were ground zero for the burgeoning roleplaying hobby. Bearded wargamers, nerdy college kids, heavy metal-loving teens, and fantasy fans of all sorts rubbed shoulders in these peculiar little stores, swapping stories of their characters and campaigns, as well as holding forth on a variety of topics. To a young person such as myself, hobby shops were amazing places filled with amazing people, whose company I sought out as often as I could.

There was a strange camaraderie among the hobby shops’ patrons – or so it seemed to me anyway. We were all a little strange by the standards of the time, taking interest in things that were still many years from mainstream recognition, let alone acceptance. Consequently, the usual distinctions of age didn’t matter much and I regularly found myself chatting with people years older than myself about gaming and fantasy and science fiction. I can’t begin to convey what a big deal this was to me. I was a shy, bookish sort and didn’t make friends easily, yet here I was gabbing with teenagers and university students as if we were old comrades.

That’s when I heard someone mention Cthulhu again and, callow youth that I was, asked just who (or what) Cthulhu was. Little did I know that that innocent question would lead to a lifelong interest in the life and works of H.P. Lovecraft.

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An Addendum on Tie-In Fiction

Tuesday, November 5, 2013 eeknight Comments 5 comments

I wanted to add a couple comments to John’s brief post about tie-ins. Much of the commentary revolved around Alan Dean Foster. He’s a favorite of mine and influenced my writing and career. He and King were the only two authors I took with me to college, and those battered collections are still on my shelves. I’ve corresponded with him over the years, but the only personal contact was when my wife and I shared a pizza with him at Archon (Stephanie did most of the talking, I was hopelessly tongue-tied at sharing pizza grease with a guy who wrote so many books I read to bits). I though I’d expand a little on him as well.

First, to get the curmudgeonly “back in my day” village elder/idiot stuff out of the way . . .

Some of the younger readers of Black Gate might have a hard time imagining how starved we were back then for more of our favorite SF movie worlds. These days, well before a major movie or game comes out, there is almost always a web presence filled with “Would You Like To Know More?” media goodness. But even for a big 20th Century Fox production like Alien, we didn’t have anything beyond a few brief TV spots, reviews, and the same press packet that went to every major paper in the country. If we wanted to know more about the movie’s world, rather than how Sigourney Weaver got along with the cat on-set, all we had to cling to were the tie-ins.

In this, we were very lucky to have a guy like Foster writing the tie-in. In most of his books, he filled in plot holes he spotted with a little business somewhere or other (like why putting the crew of the Nostromo in a single, relatively safe location and turning the rest of the ship into a vacuum wasn’t an option). He also liked to add some flavor to the movie universe, the Alien tie-in memorably begins with a description of the business of recording dreams for entertainment. Since he was usually working from a script, his tie-in also served as a form of “additional scenes” for those days before the advent of DVDs with bonus features. It was from Foster that I first experienced Ripley finding Dallas in the alien’s cocoon, with Brett turning into a facehugger egg next to him. It’s also the only place, even today I believe, where you can get the full scene of the crew getting lucky for a change and Parker almost blasting the damn thing out of an airlock. No need to tell you who sabotages that, I’m sure.

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