New Treasures: Cold Copper by Devon Monk

New Treasures: Cold Copper by Devon Monk

Cold Copper-smallOne of the best things about editing the print version of Black Gate was discovering great new writers.

Everyone who reads discovers new writers, of course. But I’m talking about finding major new talents while they’re just getting started — still unpublished, or with just a handful of sales under their belts. Trust me, there’s nothing like finding a story that really dazzles you, after long hours slogging through the submissions slush pile. The joy of discovery doesn’t stop after you proudly showcase their work, either. No, you hold your breath, anxious to see what these incredibly talented writers will do next. Where their careers will take them and what wonders they’ll accomplish.

That’s what it was like to publish Devon Monk. I plucked her story, “Stichery,” out of the submission pile in 2000 for Black Gate 2. It was hardly her first sale — she’d sold around a dozen previous stories, to places like Amazing Stories and Talebones — although her name was unfamiliar to me. But the story really impressed me and I knew immediately this was an author who was going places. Her career took off from there; “Stichery” was reprinted in David Hartwell’s Year’s Best Fantasy 2 and many more stories followed. The first novel in her 9-volume Allie Beckstrom urban fantasy series, Magic to the Bone, appeared in 2008, and in 2011 she kicked off a brand new series set in a steam age America where men, monsters, machines, and magic battle for supremacy: Age of Steam. It opened with Dead Iron; Tin Swift followed a year later, and now at last we have the third volume, Cold Copper.

Bounty hunter and lycanthrope Cedar Hunt vowed to track down all seven pieces of the Holder — a strange device capable of deadly destruction. And, accompanied by witch Mae Lindson and the capricious Madder brothers, he sets out to do just that. But the crew is forced to take refuge in the frontier town of Des Moines, Iowa, when a glacial storm stops them in their tracks. The town, under mayor Killian Vosbrough, is ruled with an iron fist — and plagued by the steely Strange, creatures that pour through the streets like the unshuttered wind.

But Cedar soon learns that Vosbrough is mining cold copper for the cataclysmic generators he’s manufacturing deep beneath Des Moines, bringing the search for the Holder to a halt. Chipping through ice, snow, and bone-chilling bewitchment to expose a dangerous plot, Cedar must stop Vosbrough and his scheme to rule the land and sky….

Cold Copper was published by Roc Books on July 2. It is 400 pages, priced at $15 in trade paperback and $9.99 for the digital edition.

Black Gate Online Fiction: “Tsathoggua” by Michael Shea

Black Gate Online Fiction: “Tsathoggua” by Michael Shea

Michael Shea-smallMichael Shea, one of the most acclaimed sword & sorcery and horror writers working today, brings us a chilling novelette of Lovecraftian horror.

Maureen had fallen asleep in her barcalounger, snug in quilts with the clicker at hand and Muffin curled on her lap. It was Muffin’s gentle movements in her lap that awakened her. She had a vague sensation of small, light forms dispersing across her thighs…

Her wakening was hazy and slow, for she’d had one of her nice pills before she and Muffin settled down. She raised her head, so comfy and heavy. Yes, there he was in her lap, his adorable little muzzle thrust up inquiringly towards Maureen’s face, and his little fawn-colored flanks so fluffy. But…

Maureen hoisted herself a little higher. Muffin blinked calmly back at her. But Muffy had no legs. No legs at all. Muffin was only his head, his fat fluffy little torso, and his tail. He looked perfectly sleek, like he’d never had legs… !

Maureen was utterly, albeit groggily, astonished.

And just then she felt a delicate movement across the slipper on her right foot.

Michael Shea is the World Fantasy Award-winning author of A Quest for SimbilisThe Color Out Of TimeNifft the LeanIn YanaThe Extra, and the new Assault on Sunrise, among other novels. His collections include Polyphemus (1987), The Autopsy and Other Tales (2008), and Copping Squid and Other Mythos Tales (2010).

The complete catalog of Black Gate Online Fiction, including stories by Ryan Harvey, Peadar Ó Guilín, Dave Gross, Mike Allen, Vaughn Heppner, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, E.E. Knight, C.S.E. Cooney, Howard Andrew Jones, and many others, is here.

“Tsathoggua” is a complete 12,000-word novelette of weird horror. It is offered at no cost.

Warning: This story involves mature themes. Reader discretion is advised.

Read the complete story here.

Vintage Treasures: The Best of Philip K. Dick

Vintage Treasures: The Best of Philip K. Dick

The Best of Philip K Dick-smallI didn’t know anything about Philip K. Dick when The Best of Philip K. Dick was released in 1977. That was the year Star Wars came out and I was more interested in trying to make a light saber out of my sister’s hair dryer.

I wasn’t alone (about Dick, not my obsession with my sister’s hair dryer). Philip K. Dick was a midlist paperback science fiction writer in the mid-70s, with few awards and only a handful of successful novels to his name, largely unknown except inside the genre. As Robert Silverberg observed in his famous comments on full-time SF writers, “Phil Dick was a full-timer, but lived at the poverty level.”

Dick was an unusual choice for Lester del Rey’s Classics of Science Fiction line for another reason. If you’ve been following the entries so far (see below for a complete list of the titles we’ve covered), you know that a typical volume consists of long out-of-print pulp stories by a writer who later achieved some measure of fame, usually for their novels.

The most recent story in last week’s entry, for example, The Best of John W. Campbell, was “Cloak of Aesir,” originally published in 1939. Similarly with The Best of Henry Kuttner (most recent entry from 1946), C.L. Moore (1946), Stanley Weinbaum (1936), and others.

By contract, the earliest story in The Best of Philip K. Dick, “Beyond Lie the Wub,” originally appeared in 1952. He’d barely been published for two decades by the time this book arrived, which didn’t fit the profile of Del Rey’s other choices at all. In fact, in many ways Dick was the most contemporary subject Del Rey chose for his select line of collections.

I can only conclude that Del Rey saw something special in Dick’s short stories. He wasn’t the only one, either — by the late 70s, the brilliant work being done by Dick at short length was becoming obvious to his fellow writers, even if wider recognition still eluded him. The blurbs on the inside cover reflect this. Here’s Norman Spinrad:

He has produced the most significant body of work of any science-fiction writer.

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The Revelations of Zang: Now In Print

The Revelations of Zang: Now In Print

The Revelations of Zang-small

THE REVELATIONS OF ZANG: Twelve Tales of the Continent is finally available in print format from Fantastic Books. 

The e-book version (from 01 Publishing) has been out for several months, but now readers have their choice of an electronic or good-ol’ paper-and-ink book.

Both versions are now on sale at Amazon.com.

For more info on the collection, see the previous Black Gate posts HERE and HERE.

Enter to Win One of Five Copies of King of Chaos by Dave Gross

Enter to Win One of Five Copies of King of Chaos by Dave Gross

Pathfinder Tales King of Chaos-smallLast week, we announced a contest to win one of five copies of Dave Gross’s new Pathfinder Tales novel, King of Chaos.

You still have a week to enter. All you have to do to be eligible to win is send an e-mail to john@blackgate.com with the title “King of Chaos” and a short 2-3 sentence review of your favorite Pathfinder product, novel or short story, before October 1, 2013.

Need a quick primer on Pathfinder? No problem! You can check out the latest right here at Black Gate — including the first chapters of both King of Chaos and Dave’s previous novel, Queen of Thorns.

Want to read a complete story instead? Try Bill Ward’s 4-part tale, “The Box,” or Howard Andrew Jones’s 4-part mini-epic, “The Walkers from the Crypt,” both available for free at Paizo.com as part of their expansive library of free Pathfinder Tales web fiction — which also includes stories from Elaine Cunningham, Richard Ford, Tim Pratt, Ari Marmell, Robin D. Laws, James L. Sutter, Monte Cook, Ed Greenwood, Erik Mona, Richard Lee Byers, and many others.

If you want to try a complete novel, may we suggest Howard’s Plague of Shadows, or Tim Pratt’s Liar’s Blade?

Interested in the Pathfinder game instead? Read all about the latest releases at the Pathfinder Booth at Gencon last month. We also recently covered Ultimate Campaign, Fey Revisited, and Chronicles of the Righteous.

Dave Gross is the author of Prince of Wolves, Master of Devils, and Queen of Thorns. You can read Dave’s introduction to King of Chaos here and his free stories, “Killing Time” and “The Lost Pathfinder“, at Paizo.com.

And when you’re done, don’t forget to send us an e-mail with your one-paragraph review before October 1, 2013. We’ll draw five winners from all eligible entries and those lucky folks will receive a free copy of King of Chaos.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Terms and conditions subject to change as our lawyers sober up and get back to us. Not valid where prohibited by law. Or anywhere postage for a hefty paperback is more than, like, 5 bucks. Good luck!

A Point of Transition: Andre Norton’s Witch World

A Point of Transition: Andre Norton’s Witch World

Witch WorldSomehow, when I was growing up, I missed Witch World. Some of the books in the series were always around, as I remember it, in my local libraries and bookstores, but I don’t think I ever read one — if only because I always try to read a series in order, and finding Witch World itself was not always easy. Somewhere along the line, though, I picked up a used copy, and set it aside to be read later. As it happens, there’s been a certain amount of talk about Andre Norton lately, here and elsewhere, and that prompted me to finally turn to the original Witch World novel, and see what I could make of it.

The book was first published in 1963 and ultimately gave rise to well over two dozen sequels, some of them collaborations and some written by other hands. That’s an incredible commercial success, particularly given that this was before the real establishment of fantasy as a well-defined commercial genre. Reading the book now, you can see in it much of what came later; but then also elements of what came before. So to me it feels like a kind of transitional or perhaps transformational work, a significant influence on the development of the genre as a genre.

The story begins with ex-colonel Simon Tregarth on the run from a criminal organisation. He escapes them through the Siege Perilous, a gateway which, Tregarth is promised, will lead him to a new world that will perfectly suit his abilities and desires. He ends up in the Witch World. Largely medieval in its social structure and technology — though there are elements of super-science present as well — it’s also home to magic, psychic powers controlled by the witches of the land of Estcarp, who’re seeking to maintain their realm against their aggressive neighbours. Most aggressive are the mysterious folk of Kolder, who have conquered the nearby island of Gorm with unknowable powers of their own. Tregarth signs on with Estcarp and the book follows him as he and the witches go to war with Kolder, throw their enemies back, and learn something about who it is they fight.

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“A Fun Story That Reminded Me of Conan”: Tangent Online on “Stand at Dubun-Geb”

“A Fun Story That Reminded Me of Conan”: Tangent Online on “Stand at Dubun-Geb”

Ryan Harvey-smallLouis West at Tangent Online reviews Ryan Harvey’s newest Ahn-Tarqa tale, published here on September 15th:

Ryan Harvey’s “Stand at Duben-Geb” tells of a fantasy world with ancient Shaper magic, domesticated hadrosaurs and a clan of Mongol-like nomadic peoples desperately trying to survive the genocidal attacks of a rival clan. Holed up in a cleft in the steep Duben-Geb mountains in the middle of drenching rains, what’s left of Clan Molghiz squabbles among themselves as their talahn leader lies dying…

A landslide uncovers an ancient colossus, a forty-foot soulless, dead metal giant. But Khasar’s years with a magic-wielder have given him a sensitivity to the Arts and the craft that could perhaps reawaken this creature… A fun story that reminded me a bit of the old Conan tales.

“Stand at Dubun-Geb” is the second Ahn-Tarqa tale published here, following “The Sorrowless Thief,” an exciting  science-fantasy tale packed with “magically tamed dinosaur beasts… [and] a lot of intrigue.” (Tangent Online).

Ryan Harvey won the Writers of the Future Contest in 2011 for his Ahn-Tarqa story, “An Acolyte of Black Spires.” Ahn-Tarqa is also the setting for his e-book novelette, “Farewell to Tyrn,” and his upcoming novel, Turn over the Moon.

The complete catalog of Black Gate Online Fiction, including stories by Peadar Ó Guilín, Dave Gross, Mike Allen, Vaughn Heppner, Mark Rigney, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, E.E. Knight, C.S.E. Cooney, Howard Andrew Jones, and many others, is here.

“Stand at Dubun-Geb” is a complete 5,500-word short story of heroic fantasy. Read the complete story here.

Vintage Treasures: Hell’s Cartographers, edited by Brian W. Aldiss and Harry Harrison

Vintage Treasures: Hell’s Cartographers, edited by Brian W. Aldiss and Harry Harrison

Hell's Cartographers-smallI’ve been enjoying writing my ongoing series on the Ballantine Best of… books. It’s nice to be able to celebrate all those classic SF and fantasy writers, sure, but it’s also an excuse to talk about how I discovered each of them and what their books meant to me personally.

I don’t think I’m unique in this. SFF readers love to talk about the favorite authors of their youth. Look at the comment threads for any of my Ballantine articles — it’s just a bunch of us old fans yakking about the good old days (and yelling at those kids with their Kindles to get off our lawn).

In truth, this is a long-established tradition. Respected, even. Lots of SF authors did it. Asimov and Damon Knight did it, in Before the Golden Age and Science Fiction of the 30s. So did Brian Aldiss, in Billion Year Spree, and Sam Moskowitz, in Seekers of Tomorrow, Under the Moons of Mars, and just about every book he ever wrote. Perhaps most famously, Kingsley Amis did it in New Maps Of Hell, his celebrated survey of science fiction from 1960.

But probably my favorite example is Hell’s Cartographers, a marvelous collection of “personal histories” from six top science fiction writers: Alfred Bester, Damon Knight, Frederik Pohl, Robert Silverberg, Harry Harrison, and Brian Aldiss. This book is packed with countless anecdotes, fascinating references to SF magazines and ground-breaking stories, and tales of awkward adolescences. And for those of us interested in the history of the field, there is treasure on every page.

There are numerous quotes I could tease you with, but I’ll limit myself to this one, from Damon Knight’s entry, “Knight Piece,” which effectively communicates just how hapless these accomplished young men were around women.

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When is Writing Like a Magic Trick?

When is Writing Like a Magic Trick?

Penn & TellerSimple. When giving the explanation ruins things. When what you don’t tell is as important as what you do tell. Or, at times, when it’s who you tell, not what you tell. After all, magicians’ assistants generally know a great deal more about the trick than the audience does – though there might be things even the assistants don’t know, at least not at first.

Most exposition deals with items and details known to the characters, which then have to be conveyed to the readers. What about things the characters don’t know, but the readers must? When we talk about exposition, and giving explanations, along with the how and the when, we also have to consider the who.

Writers are like magicians in this sense – we’ve got to keep our secrets, at least until the right moment when all (ahem) will be revealed. But here’s what makes our lives trickier than those of stage magicians: our readers are both the audience and the assistants. They’re watching the trick unfold, even while they’re participating in the unfolding.

Probably the most obvious example of this is the use of dramatic irony. You know, when the audience knows something the other characters in the play don’t know, because we’ve witnessed action or events that took place when they were off stage. Plays and movies manage this by, well, moving the other characters off stage – or by soliloquies if it’s Shakespeare (think of the beginning of Richard III, where he tells us what he’s going to do, and the other characters don’t know).

[Aside: ever notice that it’s always the bad guy who tells you his plans? That’s because it’s the bad guys who have plans. Good guys are just minding their own business until the bad guy acts up. I’m sure there’s a language in which “good guy” means “has no particular plans.”]

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Blogging Sax Rohmer’s The Drums of Fu Manchu, Part One

Blogging Sax Rohmer’s The Drums of Fu Manchu, Part One

imagesCA33UWU0imagesCAUEKJGUSax Rohmer’s The Drums of Fu Manchu was first serialized in Collier’s from April 1 to June 3, 1939. It was published in book form later that year by Cassel in the UK and Doubleday in the US. The book marked a welcome return to the first person narrative voice in the tradition of Conan Doyle’s Sherlock Holmes mysteries and constituted a return to the series’ roots with a close re-creation of the very first Fu Manchu episode, “The Zayat Kiss” in the opening chapters of the new novel.

The narrator is Fleet Street journalist Bart Kerrigan, a Dr. Petrie substitute who is an old friend of Sir Denis Nayland Smith from his days as a colonial administrator. As in the first book, our narrator is disturbed one night by the unexpected arrival of Nayland Smith, seeking shelter from the Si-Fan agents on his tail. Smith has once again returned to London to save the life of a man marked for death by the Si-Fan.

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