Musical Mayhem and The Black Fire Concerto

Musical Mayhem and The Black Fire Concerto

Black Fire HarpMy first post about my novel, The Black Fire Concerto, discussed the monsters. (It’s only fitting, I think, that the first library filing I’ve seen for the book categorized it under “Monsters – fiction.”)

Yet obviously music’s important to the story too and Black Gate overlord John O’Neill has asked me to share my musical inspirations. Once again, I’m grateful to him for allowing me a platform.

If you asked me to hum the concerto that’s central to the book, I couldn’t do it; though I like to think I’d know it if I heard it.

My heroine Olyssa plays a magical pipe that doubles as a rifle that never misses (and if you’re wondering how that works, this excerpt at the Haunted Stars Publishing website will tell you everything you need to know.)

Her sidekick Erzelle plays a harp formed of magical energy that manifests as black fire. I can at least share an illustration my wife Anita and I created to approximate what the harp looks like.

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Haunt the House: The Music and Art of Will Houlihan

Haunt the House: The Music and Art of Will Houlihan

BGTentacleBalloon
I covet this tentacle-zeppelin. Will says it’s not for sale, but I’m determined to get a print. Somehow. I mean, not only for myself. I can think of at least three people who ought to have a copy hanging up in their living rooms.

Sometimes on rainy days, Westerly, Rhode Island reminds me of Stephen King’s fictional town of Derry, Maine.

You get that eerie sensation that there might be balloons in the sewer, blood in the bathtub, voices down the drain. And it is oddly full of musicians.

(Not that Derry was full of musicians; Derry’s claim to fame seems to be precocious preteens.)

That was one of the first things I noticed when I moved here. You can’t walk a block but you stub your toe on a musician.

Sometimes they travel in clumps.

There are as many singer-songwriters here as there are policemen. And there are a lot of policemen. Possibly because of all the musicians.

Anyway, one of my favorite musicians, almost since I moved here, is Haunt the House.

Is it still a musician if it is both a person and a band? Singer-songwriter Will Houlihan is both, and a visual artist besides. He is Haunt the House. He and his guitar and his harmonica and his words. Not to mention his doodles.

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J.K. Rowling Green Lights New Films in Harry Potter Universe

J.K. Rowling Green Lights New Films in Harry Potter Universe

Fantastic Beasts and Where to Find Them-smallWord is bouncing around literary and media circles that the most popular franchise of the 21st Century — indeed, perhaps the most popular book series of all time — will be extended with new films.

Warner Bros. announced Thursday that the Harry Potter media franchise will expand with a series of spin-off films, inspired by Fantastic Beasts and Where to Find Them. Written by (fictional) author Newt Scamander, Fantastic Beasts was the textbook  introduced by Hagrid in his Care of Magical Creatures class in Harry Potter and the Prisoner of Azkaban — and later written and published by Rowling in a slender 42-page edition in 2001, shortly after Prisoner of Azkaban was released.

CEO of Warner Bros. Entertainment  Kevin Tsujihara elaborated in a statement:

Fantastic Beasts and Where to Find Them will be an original story. It is planned as the first picture in a new film series. Set in the wizarding world, the story will feature magical creatures and characters, some of which will be familiar to devoted Harry Potter fans.

I have to be honest and admit that I didn’t even know Rowling had written a real version of Fantastic Beasts and Where to Find Them and I had to look it up to make sure it was real (it is). It’s available in a combo-pack with Quidditch Through the Ages from Scholastic Books.

The movie is unusual in another respect — it will be the first one with a screenplay written by Rowling. The films will focus on the adventures of Newt Scamander and be set long before Harry’s birth. Here’s part of Rowling’s statement:

I already knew a lot about Newt. As hard-core Harry Potter fans will know, I liked him so much that I even married his grandson, Rolf, to one of my favourite characters from the Harry Potter series, Luna Lovegood… Fantastic Beasts and Where to Find Them is neither a prequel nor a sequel to the Harry Potter series, but an extension of the wizarding world… Newt’s story will start in New York, 70 years before Harry’s gets underway.

The release date for the first film has not been announced.

New Treasures: The Grim Company by Luke Scull

New Treasures: The Grim Company by Luke Scull

The Grim Company-smallI admit I can be a little lazy when putting together these New Treasures articles. For one thing, my scanner gave up the ghost months ago and I can’t be bothered to walk aallll the way down the hall to use Alice’s. It’s usually easier to search for an image online. I’ll spend 20 minutes searching every nook and cranny of the web, trying to save the six minutes it takes to do a scan. Go figure.

Sometimes, though, the search is fruitless — as was the case with The Grim Company, the first novel from Bioware game designer Luke Scull. There were versions of the cover out there — lots of them. But most appeared to be early versions of the final cover I was holding in my hot little hands, courtesy of the publicity department of Roc Books.  Barnes & Noble, Amazon.com, Goodreads — all of them were showing the same cover. Sure, it’s very similar to the final cover, but there were subtle differences (the actual final cover is here — see if you can spot them all).

Well, I don’t have a whole lot of scruples as an entertainment blogger, but that’s one of them. At Black Gate, we try to show you the real cover. Hurray for us. So I had to troop all the way down to Alice’s office, interrupt her game of solitaire, and take six minutes to scan the cover. It’s shown at right, in all its glory (click for a bigger version). You’re welcome.

The Gods are dead. The Magelord Salazar and his magically enhanced troops, the Augmentors, crush any dissent they find in the minds of the populace. On the other side of the Broken Sea, the White Lady plots the liberation of Dorminia, with her spymistresses, the Pale Women. Demons and abominations plague the Highlands.

The world is desperately in need of heroes. But what they get instead are a ragtag band of old warriors, a crippled Halfmage, two orphans and an oddly capable manservant: the Grim Company.

The Grim Company (the opening volume in a series also titled The Grim Company) was released by Roc Books on September 3. It is 389 pages, priced at $26.95 for the hardcover, and $12.99 for the digital version.

See all of our recent New Treasures here.

“A Sudden Entrance is a Good Way to Break Up Exposition”

“A Sudden Entrance is a Good Way to Break Up Exposition”

Citizen of the Galaxy-smallOr so said Walter Jon Williams as he rushed, late, into the World Con panel I was telling you about last week. And he’s right, breaking up an extended piece of exposition with bits of action (or dialogue) is a great way to handle it. Besides, we’ve already cut the exposition down to the necessary, right? We’re not just putting stuff in to let the reader know how much research we did. I mean, I love swords and I’ve watched them being made, but you’re never going to learn how to make one from one of my books.

We’ve talked about using first person and that might be the easiest way to make exposition interesting for your readers, but plenty of writers – like Jack McDevitt – never use it, so what do they do instead? Whichever narrator you use, make the voice interesting and, perhaps most important, interested. If the information is vital to your character, it’ll be vital to the readers. This is why the stranger-in-a-strange-land trope works: the readers learn at the same time and pace that the character does. We take it all in.

Internal monologue, though, doesn’t work as well as you might think. Whenever my beta readers tell me that things feel a bit flat in a particular part, it’s almost always because I’ve got my characters mulling something over. That’s just about the worst way to show the readers character, and not so hot for other things either. Need the readers to know that slavery exists and that the main character might be in danger of same? Include a scene that shows it; don’t just have the character think about it.

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Excavating The Lost Novels of Bram Stoker

Excavating The Lost Novels of Bram Stoker

51pMBAY14rL__SY300_7147091565_7a7c1898aaLast year, Skyhorse Publishing commemorated the centennial of Bram Stoker’s death by collecting his three lesser known horror novels in one massive volume, edited by Stephen Jones and published under the title The Lost Novels of Bram Stoker. The title is a bit of a misnomer, since none of these books can really claim to have been lost. Although having recently read all three in sequence, one may be able to make a convincing argument that at least a couple of them deserve to be buried.

The Jewel of the Seven Stars (1903) opens the collection and is far and away the best of the three titles. Often referred to as Stoker’s Mummy novel; the story concerns reincarnation, possession, obsession, and even a Biblical damning of those who dare too much. This well-written novel recalls Sir Arthur Conan Doyle’s writing style far more than Stoker’s earlier triumph with Dracula, but that is hardly a fault. The style is more modern and the pacing and characterization are excellent until the stilted finale, which falls surprisingly flat.

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Goth Chick News: Music for Seducing Your (Dead or Partially Dead) Date

Goth Chick News: Music for Seducing Your (Dead or Partially Dead) Date

image002I have no explanation for why a fairly cheesy Bride of Frankenstein remake from 1985 popped into my head while listening to this, but it did.

There I was in my headphones, taking in what can only be described as seductively creepy orchestrations, when suddenly Sting appeared in my subconscious, leaning over his “monster” in the form of a dewy-eyed Jennifer Beals.

Maybe this is normal when you finally eat red meat after a long hiatus…

Perhaps I’d better back up and explain.

In celebration of the upcoming “season,” musician Ken Elkinson had sent over a copy of his new release, Halloween Ambient, and I was giving it a listen prior to approving it for play over the sound system in the Black Gate offices.

The last time I allowed my seasonal music to be played without previewing it first, Howard Andrew Jones and John O’Neill were moved to go shirtless, don fake fangs and red contact lenses, and hang around the interns’ canteen asking everyone’s blood type. After that incident, I promised the Black Gate lawyers there would be no further public playing of music which had the potential of inciting poor staff behavior.

Halloween Ambient was definitely not getting played.

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Lynne M. Thomas steps down as Editor of Apex Magazine

Lynne M. Thomas steps down as Editor of Apex Magazine

Apex Magazine 45-smallLynne M. Thomas has resigned as editor of Apex Magazine, effective at the end of the year. She made the announcement yesterday on the Apex blog:

While the past two years of editing Apex Magazine have been deeply satisfying both personally and professionally, I will be stepping down as the Editor-in-Chief of Apex Magazine after the December 2013 issue. I’m in need of break, after which I’m looking forward to exploring new opportunities and projects. Managing Editor Michael Damian Thomas will be stepping down with me.

Publisher Jason Sizemore plans on continuing the magazine. Michael and I are working closely with the incoming editor to ensure a smooth transition…

I’d especially like to thank our contributors and readers. You’ve embraced us, and I just want to hug you all back. When we took over, we had no idea that the magazine would grow the way it did. We didn’t expect two Hugo Award nominations.

Lynn has edited Apex since issue 30, when she took the reins from Catherynne M. Valente. The new editor has not been announced.

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Win One of Five Copies of King of Chaos by Dave Gross

Win One of Five Copies of King of Chaos by Dave Gross

Pathfinder Tales King of Chaos-smallIt’s time to give away some books.

Black Gate has five copies of the brand new Pathfinder Tales book from Dave Gross, author of Prince of Wolves, Master of Devils, and Queen of Thorns, compliments of the great folks at Paizo Publishing. And we want to get them into your hands.

To avoid the usual methods of selecting winners (hand-to-hand combat, best impromptu rendition of Aragon’s speech at the Black Gate of Mordor, etc.), we’ve decided to award the copies to five randomly-selected qualifying entrants. How do you qualify? Easy! Just send us a one-paragraph review of your favorite Pathfinder product, novel, or  short story.

Unfamiliar with Pathfinder? No problem! You can check out the latest right here at Black Gate — including the first chapters of both King of Chaos and Queen of Thorns, Bill Ward’s complete four-part story “The Box,” and the 4-part mini-epic “The Walkers from the Crypt” by Howard Andrew Jones. If you want to try a complete novel, may we suggest Howard’s Plague of Shadows, or Tim Pratt’s Liar’s Blade?

You can read Dave’s introduction to King of Chaos here, and his free stories “Killing Time” and “The Lost Pathfinder” at Paizo.com. In fact, check out the complete collection of free Pathfinder Tales web fiction, with stories from Elaine Cunningham, Richard Ford, Tim Pratt, Ari Marmell, Robin D. Laws, James L. Sutter, Monte Cook, Ed Greenwood, Erik Mona, Richard Lee Byers, and many others.

To enter our contest, just send an e-mail to john@blackgate.com with the title “King of Chaos,” and your one-paragraph entry, before October 1, 2013.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Terms and conditions subject to change. Sorry, US entrants only. Not valid where prohibited by law. Eat your vegetables.

New Treasures: Wisp of a Thing by Alex Bledsoe

New Treasures: Wisp of a Thing by Alex Bledsoe

Wisp of a Thing-smallI caught Alex Bledsoe reading from Wisp of a Thing at a small Chicago convention earlier this year, and was immediately riveted. Seriously, if you get the chance, ask Alex to come to your house and read the first chapter. Or just stop him when you run into him at the mall, and impose on him to read a few pages. You won’t regret it (though you may have to buy him lunch).

The first volume in the series, The Hum and the Shiver — which gets my vote for best book title of 2011 — was named one of the Best Fiction Books of 2011 by Kirkus Reviews. The second, Wisp of a Thing, takes us back to the isolated hollows of the Smoky Mountains for another spooky tale of music and very old magic.

Touched by a very public tragedy, musician Rob Quillen comes to Cloud County, Tennessee, in search of a song that might ease his aching heart. All he knows of the mysterious and reclusive Tufa is what he has read on the internet: they are an enigmatic clan of swarthy, black-haired mountain people whose historical roots are lost in myth and controversy. Some people say that when the first white settlers came to the Appalachians centuries ago, they found the Tufa already there. Others hint that Tufa blood brings special gifts.

Rob finds both music and mystery in the mountains. Close-lipped locals guard their secrets, even as Rob gets caught up in a subtle power struggle he can’t begin to comprehend. A vacationing wife goes missing, raising suspicions of foul play, and a strange feral girl runs wild in the woods, howling in the night like a lost spirit.

Change is coming to Cloud County, and only the night wind knows what part Rob will play when the last leaf falls from the Widow’s Tree… and a timeless curse must be broken at last.

Alex’s article on the Appalachian fantasy of Manly Wade Wellman, “How I Discovered Silver John,” appeared at Tor.com back in March. He is the author of the Eddie LaCrosse novels The Sword-Edged Blonde, Dark Jenny, Wake of the Bloody Angel and Burn Me Deadly.

Wisp of a Thing was published by Tor Books on June 18. It is 349 pages, priced at $25.99 in hardcover and $12.99 for the digital version.