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Category: Vintage Treasures

Vintage Treasures: Pirates and Plunder

Vintage Treasures: Pirates and Plunder

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Pirates and Plunder box-smallBack in the early 80s, publishers were still exploring the boundless possibilities of role playing.

It occurred to more than one designer that sword & sorcery — the tiny genre Gygax and Arneson had chosen to build their fabulously successful Dungeons & Dragons upon — was a niche market at best, with very limited widespread appeal.

Yet if D&D had managed to come so far with source material of such limited public familiarity, what might a game with much broader appeal accomplish?

And so the early 80s was a time when we had an astounding array of new role playing games promoted by a host of hopeful publishers, in a wide range of genres — science fiction, action, spy thrillers, mystery, superhero, and many others. There were gangster games (Gangbusters), Arthurian games (Pendragon), games based on popular action films (Indiana Jones, James Bond), and westerns (Boot Hill). There were horror games (Chill, Beyond the Supernatural), post-apocalyptic survival games (Twilight 2000, Gamma World), games based on prime time soap operas (SPI’s infamous Dallas), and bestsellers like Richard Adams’ Watership Down (Bunnies & Burrows).

Virtually all of them failed. Turns out that D&D didn’t succeed in spite of the fact that it drew inspiration from the classic heroic fantasy listed in the famous Appendix N, but in fact because of it. Sword & sorcery offered the kind of larger-than-life heroes players wanted to play — and more importantly, no other genre came so readily pre-packaged with a catalog of terrific opponents, from orcs to vampires to dragons.

But while most of those games are long forgotten today, a handful are still fondly remembered. Pirates and Plunder, a role playing game set in the golden age of piracy, is one of the latter. At least, it’s fondly remembered by me.

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Manly Wade Wellman, Fletcher Pratt, and Appendix N: Advanced Readings in D&D

Manly Wade Wellman, Fletcher Pratt, and Appendix N: Advanced Readings in D&D

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Who Fears the Devil-smallI’ve been waiting for Mordicai Knode and Tim Callahan at Tor.com to get to both Manly Wade Wellman and Fletcher Pratt as part of their ongoing exploration of Gary Gygax’s famous Appendix N — and not very patiently, either.

Manly Wade Wellman is consistently one of the most beloved authors we feature here at Black Gate. Just three days ago Fletcher Vredenburgh reviewed his Battle in the Dawn: The Complete Hok the Mighty, and a while back new Black Gate blogger Alex Bledsoe offered a fine reminiscence of Wellman’s Appalachian fantasy tales in “How I Discovered Silver John.” The most popular contest in our history was our call for The Best One-Sentence Reviews of Manly Wade Wellman, and the winners received a copy of Haffner Press’ gorgeous The Complete John Thunstone.

And Fletcher Pratt? He wrote The Well of the Unicorn, one of the 20th Century’s most acclaimed heroic fantasy novels (none other than Lester del Rey called it “The best piece of epic fantasy ever written.”) With his frequent collaborator L. Sprague de Camp, he was also the author of the very popular Incomplete Enchanter and Gavagan’s Bar series.

So I’ve been looking forward to both authors receiving the Appendix N treatment. And now at last the wait is over.

Sadly, Tim doesn’t seem to fully briefed on the greatness that is Manly Wade Wellman:

I didn’t know anything about Manly Wade Wellman before Mordicai and I embarked on this project. I had never heard of the author, outside of the mention of his name in Appendix N.

Ouch. Well, I’d read almost nothing by Clark Ashton Smith prior to last week (when I read his brilliant pulp horror story “The Vault of Yoh-Vombis“), so I guess we all have our blind spots.

The real question is: What does Tim think of Wellman now?

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Lin Carter and the Ballantine Adult Fantasy Series

Lin Carter and the Ballantine Adult Fantasy Series

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Beyond the Fields We KnowMany fantasy fans don’t realize how good they have it these days. Fantasy stories dominate the best seller lists, set box office records, and are some of the highest rated programs on television.

This hasn’t always been the case. In the years following the Second World War, fantasy in popular culture went into a decline. The reasons for this are beyond the scope of this post, primarily because I don’t want to write a doctoral thesis. Once was enough.

What I’d like to address in this and following posts is the resurgence of fantasy in the 1960s and 1970s, specifically fantasy published by Ballantine Books in what became known as the Adult Fantasy Series.

The catalyst that led to the current fantasy boom was J. R. R. Tolkien’s Lord of the Rings, of course. Although initially published by Ace in editions not authorized by Tolkien, Ballantine Books ended up as the publisher of the authorized editions. The books were a tremendous success. Readers began clamoring for more fantasy.

Ian and Betty Ballantine followed up The Lord of the Rings with, in addition to some other work by Tolkien, the Gormenghast trilogy by Mervyn Peake, four novels by E. R. Eddison (The Worm Ouroboros, Mistress of Mistresses, A Fish Dinner in Memison, and The Mezentian Gate), A Voyage to Arcturus by David Lindsay, and The Last Unicorn and A Fine and Private Place, the latter two by Peter S. Beagle. Considered precursors to the actual Adult Fantasy series itself, many of these books were later reprinted as part of the series with the unicorn head colophon.

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The Hero’s Struggle

The Hero’s Struggle

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The Swords of Lankhmar-smallConan the Barbarian. Elric of Melnibone. Fafhrd and the Gray Mouser. Gilgamesh. Hercules. Hector of Troy.

These giants of heroic fantasy (and the mythology from whence it springs) strode across the landscape of my imagination as a young man. They were my guiding stars when I started to write my own stories. But what were they teaching me?

When I think about these heroes, one thing that comes through is their incredible lust for life. Even when they lapse into melancholy, they never stop striving, never stop fighting, and that struggle is the essence of life. Whether it’s Conan carving out a place for himself in the kingdoms of Hyborea, or Elric fighting to keep his fragile body alive with potions and sorcery, or Hector facing the dread Achilles to protect his home, these heroes confront the challenges of their ages.

Their struggles say a lot about humanity. How far would we go to protect our own? Where is the line between justice and vengeance? Is violence ever warranted?

So when it came time to create the heroes for my own stories, I didn’t set out to emulate these characters, but time and time again I noticed certain parallels. For instance, Caim (the main character of my Shadow Saga) has many of the physical traits of the Gray Mouser, but married to a personality more like Conan. Caim is direct in his sneakiness, deliberate in his dealings, and he possesses a code of honor that, although rather bleak and brutal to most people, elevates him above his peers.

Heroes often fight. They tend to love and mourn with superhuman passion. But first and foremost, they struggle. With their enemies, with their societies, with the gods, and oftentimes even with themselves. They struggle, and so must our contemporary heroes who wish to tread in their titan-sized footsteps.

Battle in the Dawn: The Complete Hok the Mighty by Manly Wade Wellman

Battle in the Dawn: The Complete Hok the Mighty by Manly Wade Wellman

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oie_1743857GRCQJimHHistorical adventure fiction is one of the primary roots of swords & sorcery. From it you get the same fast-paced adventure in exotic settings.

Some writers of S&S, Robert E. Howard and Sprague de Camp for example, wrote historical adventure fiction alongside their more fantastic stories. Often the tales involve battling Crusaders and Saracens, high seas Viking adventures, swashbuckling freebooters, or Roman centurions fighting Teutonic hordes. Sometimes, though, they star cavemen.

Manly Wade Wellman spent his childhood in a primitive village in Portuguese West Africa. Till he died Wellman spoke of a young boy forced to kill a leopard in order to protect cattle. Other boys had been less lucky and had fallen prey to leopards. His time and experience in Angola was perhaps the greatest influence on his life, but most certainly on his prehistoric stories.

In 1939, after a decade of writing pulp science fiction with titles like “The Disc-Men of Jupiter” and “Outlaws on Callisto,” Manly Wade Wellman introduced his Cro-Magnon hero, Hok the Mighty, in the novelette “Battle in the Dawn.” Four stories followed before he retired the character. While there’s a strong anthropological component to the Hok stories, with footnotes explaining then-current thoughts on the discoveries made by early man, these five tales get progressively more fantastic.

In 2010 Paizo collected all the Hok stories, along with several fragments and the cavenmen vs. Martians mini-epic “The Day of the Conquerors,” in Battle in the Dawn: The Complete Hok the Mighty for their Planet Stories line.

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New Treasures: Assassin’s Dawn: The Complete Hoorka Trilogy, by Stephen Leigh

New Treasures: Assassin’s Dawn: The Complete Hoorka Trilogy, by Stephen Leigh

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Slow Fall to Dawn-small Dance of the Hag-small A Quiet of Stone-small Untitled-3

[Click on any of the images above for bigger versions.]

Paperback publishing has come a long way since the early 80s. Improved binding and glues have made producing thicker books much more economical. Or something, I dunno. But we’re definitely living in the golden age of the omnibus, when publishers are cramming shelves with big, fat paperbacks collecting forgotten fantasy and SF series from prior decades, all for about the same price as every other dopey paperback.

Is that a great deal, or what?  I certainly thought so on Saturday, when I found a handsome volume collecting all three novels in Stephen Leigh’s long out-of-print science fantasy Hoorka Trilogy on the shelves at Barnes & Noble. Assassin’s Dawn includes Slow Fall to Dawn (1981), Dance of the Hag (1983), and A Quiet of Stone (1984). The Hoorka are a guild of assassins with a strict code: any victim that can survive until dawn may go free, unmolested. But the consequences of this law can be harsh, especially when the client has no such scruples, as their leader Gyll discovers as he tries to take his guild offworld, into the newly thriving Alliance, a star-spanning organization attempting to put together the pieces of a once-great empire.

Stephen Leigh is also the author of The Crystal Memory, Dark Water’s Embrace, Dinosaur Planet, Speaking Stones, The Bones of God, and The Abraxas Marvel Circus. His publisher DAW has been something of a pioneer in the fantasy omnibus biz, with a nice assortment from Terry A. Adams, Tanya Huff, Marion Zimmer Bradley, C. J Cherryh, Jennifer Roberson, S. Andrew Swann, Peter Morwood, and many others.

Assassin’s Dawn was published May 2013 by DAW. It is 610 fat pages, priced at $8.99 for both the paperback and digital versions.

The Crawling Horrors of Mars: Clark Ashton Smith’s “The Vaults of Yoh-Vombis”

The Crawling Horrors of Mars: Clark Ashton Smith’s “The Vaults of Yoh-Vombis”

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Xiccarph-smallI have a confession to make. I’ve read almost nothing by Clark Ashton Smith.

I know. I suck. CAS was one of the most important fantasy writers of the pulp era. Alongside H.P. Lovecraft and Robert E. Howard, he established Weird Tales as the most important and influential fantasy magazine of the early 20th Century.

It’s not like I haven’t had plenty of folks on the BG staff trying to steer me right. Ryan Harvey’s epic four-part examination of The Fantasy Cycles of Clark Ashton Smith, starting with The Averoigne Chronicles way back in 2007, was a terrific bit of scholarship, and I was proud to publish it. More recently, John R. Fultz offered a detailed study of Smith’s poem “The Hashish Eater,” and Matthew David Surridge joined the discussion with his 2012 article “A Few Words on Clark Ashton Smith.” Just a few examples.

I blame Isaac Asimov for my early ignorance. Asimov strongly disliked Smith’s ornate style, famously relating the tale of the first CAS story he tried to read, in which he encountered the word “veritas,” which Smith used instead of “truth.” Yes, Asimov noted, veritas does mean truth, but he couldn’t fathom why anyone would use it instead of simply using “truth.” He put the story down and never tried Smith again.

Asimov introduced me to most of my early pulp heroes, in books like Before the Golden Age, The Hugo Winners, and The Early Asimov. His prejudice must have stuck with me, since I read almost nothing by Clark Ashton Smith for my first few decades as an SF reader.

Fortunately, this genre gives you lots of chances. Back in September I purchased a marvelous collection of 28 vintage paperbacks. One of the prizes in the lot was Xiccarph, part of Lin Carter’s highly collectible Ballantine Adult Fantasy library. Before putting it away I decided to dip into it. Here’s what I found on page two of Carter’s intro:

Since Weird Tales quite logically had a right to prefer tales that were weird, Smith conformed. In doing so he invented a minuscule sub-genre all his own.

To see precisely what I mean, turn to the story called “The Vaults of Yoh-Vombis,” which is included in this book.

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Vintage Treasures: Prince of Foxes by Samuel Shellabarger

Vintage Treasures: Prince of Foxes by Samuel Shellabarger

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Prince of Foxes-smallIf you’ve been reading my Vintage Treasures posts for any length of time, you’re probably aware I have a weakness for buying small collections. Especially vintage paperback collections.

There are a few ways to find interesting lots on online auctions sites like eBay, but I’ve had the most success recently searching for Bantam Giants, a line which repackaged a lot of popular historical adventure fiction in paperback with terrific covers — and without chopping it up first to fit the smaller format, a common practice in the early days of paperbacks.

Bantam Giants are a great way to learn about new writers (okay, old writers, but new to me), and they’re ridiculously cheap. They sold — by the tens of thousands — on newsstands for 35 cents in the early 1950s. Generally speaking, copies in fine condition are still fairly common, and don’t cost much more than that now.

Last year I talked about discovering the works of Lawrence Schoonover, especially his 13th Century adventure novels The Golden Exile and The Burnished Blade. Tucked into the same collection that contained those volumes was a gorgeous book titled The King’s Cavalier, by someone named Samuel Shellabarger.

My guides through the world of 40s and 50s historical adventures, the Honorable Howard Andrew Jones and John C. Hocking, have been telling me about Shellabarger for years. So I was delighted to find another of his novels in the latest collection of Permabooks and Bantam Giants I acquired last month: Prince of Foxes, a tale of adventure and intrigue in Renaissance Italy.

It follows the exploits of Andrea Orsini, a talented and resourceful peasant who rises through the ranks to become a political agent for the sinister Cesare Borgia. It was filmed in 1949, with Orson Welles as Borgia and Tyrone Power as Orsini.

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Watch the First Trailer for Winter’s Tale

Watch the First Trailer for Winter’s Tale

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Winter's Tale Mark Halprin-smallMark Helprin’s 1983 novel Winter’s Tale was perhaps the prototype for modern urban fantasy. No, it didn’t have vampires or werewolves, but it was a star-crossed love story set in a mythic New York City, with a great villain — and a magical horse.

Mark Helprin isn’t really known as a fantasy writer; he’s chiefly known for his literary novels A Soldier of the Great War, Memoir From Antproof Case, and others. His three books for children — Swan Lake, A City in Winter, and The Veil of Snows — are certainly magical, and not just due to Chris Van Allsburg’s superb illustrations, but Winter’s Tale is his only adult work that crossed over into genre territory.

But Winter’s Tale was joyfully embraced by fantasy fans, and not simply because the main character is a thief. It is a epic tale of love, loss, and the mysteries of death.

The story opens in an imaginary 19th Century Manhattan, an industrial Edwardian-era metropolis that shares some characteristics with the city we know. It centers on Peter Lake, the son of two immigrants denied admission at Ellis Island.

Desperate, Peter’s parents set him adrift in a tiny ship in New York Harbor, where he is eventually found among the reeds and adopted by the rough-and-tumble Baymen of the Bayonne Marsh. Peter grows up to be a mechanic — and a skilled cat burglar. He who stakes out a fortresslike mansion in the Upper West Side and, when he’s certain it’s unoccupied, he breaks in.

But the home isn’t empty. Inside is Beverly  Penn, a shut-in heiress dying of consumption, and the most beautiful woman Peter has ever seen. What begins as a robbery becomes a love story — and a driving quest that spans nearly a century.

Winter’s Tale was adapted for the screen by Akiva Goldsman, who is also directing. It stars Colin Farrell, Jessica Brown Findlay, Russell Crowe, and Jennifer Connelly, and is scheduled for release on Valentine’s Day of next year. Warner Bros. has released the first trailer for the film, and it’s shaping up to be one of the most promising big-budget fantasies of 2014. Check it out below.

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Fredric Brown, Stanley G. Weinbaum, and Appendix N: Advanced Readings in D&D

Fredric Brown, Stanley G. Weinbaum, and Appendix N: Advanced Readings in D&D

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What Mad Universe-smallTime to get caught up with the tireless Mordicai Knode and Tim Callahan, as they trek towards the finish line of their epic Appendix N re-read over at Tor.com.

This time, they take a look at two names very familiar to Black Gate readers: Fredric Brown and Stanley G. Weinbaum, both of whom we’ve discussed recently, and at considerable length.

In fact, just last week I examined The Best of Fredric Brown, calling it “one of the best short story collections I’ve read in years.” Any collection which included “Arena,” “Puppet Show,” and “The Geezenstacks” has to be considered a classic, and I was looking forward to seeing what our intrepid literary explorers thought of it.

Not much, going by Tim’s analysis:

A spaceman single-handedly battles for the fate of the human race. A god plays war games with knights and bishops. Test tube babies become the new anointed ones. A mountaineer comes face-to-face with a yeti. Earth’s first contact with Mars goes horribly awry.

These are things that happen in the stories, often very short stories, of Fredric Brown. I can see why Gary Gygax liked them.

Unfortunately, their connection to Dungeons & Dragons is vague at best. They seem to fall into a category that, after reading most of these Appendix N recommendations, I can now confidently call Somewhat Clever Things Gary Gygax Enjoyed but are Pretty Tedious to Read Today.

Like the works of L. Sprague de Camp and Fletcher Pratt, the stories by Fredric Brown seem to be the kinds of tales that would delight Gygax with their intellectual playfulness and that might be reason enough for their inclusion on his list of recommended reading, but the cleverness only goes so far, and the stories feel pretty thin otherwise.

Bah. I don’t mean to critique the critic, but I think Tim was asleep at the switch here. Maybe he should have read these magical tales on a long plane-ride to Las Vegas, like I did, instead of hunched over his laptop, thirty minutes before deadline.

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