Black Gate

I picked up a copy of Susan Klaus’s debut novel over the weekend, and so far have been intrigued. It’s romantic fantasy dressed up as science fiction, in which a young woman returns to the jungle planet of Dora, where long ago she was saved by a male harpy with beautiful golden coloring. But the human colonists of Dora treat harpies like dangerous animals and hunt them like wild game.

This morning, I read a guest post by Klaus at SF Signal, where she reveals that Flight of the Golden Harpy was inspired by an encounter with Brad Pitt while she was an extra on Oceans Eleven:

The guy wasn’t a disappointment… Brad is even more gorgeous in person. After 12 hours of gawking and drooling, I learned he was also a nice, down-to-earth guy. But his looks and personality had nothing to do with my book dedication or why he’s my main man and character in my books. It came from how Brad was treated when he first walked on the set. The extras immediately mobbed him. He smiled, signed their autographs, and [posed] for their little cameras, desperately trying to appease the crushing crowd. It was sad. Even on a closed set, he was smothered and harassed. Going out in public must be a nightmare for him. Sure he’s handsome and has fame, and fortune, but is it worth a hectic stressful life with the press and fans constantly stalking and pursuing him like wild game…

I drove home and realized that good-looks can have drawbacks, especially in his case. That night I started writing my fantasy about a jungle planet with the point of view of the beautiful winged harpies, half-bird, half-human creatures that can’t understand mankind or why humans hunt and kill them for their wings that become mounted trophies on a wall. I gave Brad Pitt credit because he inspired the story, and the novel is also dedicated to our vanishing wildlife.

Flight of the Golden Harpy was published by Tor Books on June 17, 2014. It is 400 pages, priced at $26.99 in hardcover and $12.99 for the digital edition.

I have a real fondness for horror novels, but sadly I haven’t paid much attention to the horror market recently. Adam Nevill’s latest novel The House of Small Shadows just arrived and it looks like just the thing to entice me back in.

Catherine’s last job ended badly. Corporate bullying at a top antiques publication saw her fired and forced to leave London, but she was determined to get her life back. A new job and a few therapists later, things look much brighter. Especially when a challenging new project presents itself — to catalogue the late M. H. Mason’s wildly eccentric cache of antique dolls and puppets. Rarest of all, she’ll get to examine his elaborate displays of posed, costumed and preserved animals, depicting bloody scenes from World War II. Catherine can’t believe her luck when Mason’s elderly niece invites her to stay at Red House itself, where she maintains the collection until his niece exposes her to the dark message behind her uncle’s “Art.” Catherine tries to concentrate on the job, but Mason’s damaged visions begin to raise dark shadows from her own past. Shadows she’d hoped therapy had finally erased. Soon the barriers between reality, sanity and memory start to merge and some truths seem too terrible to be real… in The House of Small Shadows by Adam Nevill.

Nevill’s first three novels were Banquet for the Damned, Apartment 16, and The Ritual; he also contributed to the recent anthologies End of the Road and The Best British Fantasy 2013. We discussed him last on the occasion of his fourth novel Last Days, a Blair Witch style creep-fest in which a documentary film-maker investigates an apocalyptic cult, discovering some nasty secrets in the process.

The House of Small Shadows will be published by St. Martin’s Press on July 15, 2014. It is 384 pages, priced at $25.99 in hardcover and $12.99 for the digital edition.

I used to tell folks submitting to Black Gate that the easiest way to grab my attention was with a unique setting. Writers — especially beginning writers — make greats efforts to impress with prose and plot, but very few seem to have the ability to imagine some place other than Middle Earth or a tavern in a D&D game.

It’s the same when I’m choosing a new novel. It’s the ones with the most imaginative settings that really win me over. And Michael R. Underwood’s Shield and Crocus — set in a city built on the bones of a fallen giant, ruled by five criminal tyrants — has by far the most intriguing setting I’ve come across this year.

The city of Audec-Hal sits among the bones of a Titan. For decades it has suffered under the dominance of five tyrants, all with their own agendas. Their infighting is nothing, though, compared to the mysterious “Spark-storms” that alternate between razing the land and bestowing the citizens with wild, unpredictable abilities. It was one of these storms that gave First Sentinel, leader of the revolutionaries known as the Shields of Audec-Hal, power to control the emotional connections between people — a power that cost him the love of his life.

Now, with nothing left to lose, First Sentinel and the Shields are the only resistance against the city’s overlords as they strive to free themselves from the clutches of evil. The only thing they have going for them is that the crime lords are fighting each other as well — that is, until the tyrants agree to a summit that will permanently divide the city and cement their rule of Audec-Hal.

It’s one thing to take a stand against oppression, but with the odds stacked against the Shields, it’s another thing to actually triumph.

In this stunning, original tale of magic and revolution, Michael R. Underwood creates a cityscape that rivals Ambergris and New Crobuzon in its depth and populates it with heroes and villains that will stay with you forever.

Michael R. Underwood is the author of Geekomancy and Celebromancy. I was much impressed with his reading at Wiscon 2012. He was also the North American Sales Manager for Angry Robot Books (in which capacity he’s sold me a book or two.)

Shield and Crocus was published by 47North on June 10, 2014. It is 416 pages, priced at $14.95 in trade paperback and just $4.99 for the digital edition.

In 2003, I was on a panel on classic SF and fantasy with Charles N. Brown, the esteemed editor of Locus, when the conversation turned to Robert A. Heinlein (as it does).

I don’t know much about Heinlein, really. I read a small handful of his books when I was younger, but I was never really a fan. I was more an Asimov guy. Brown however, was a dedicated Heinlein reader, and when Heinlein died in 1988, Brown famously wrote that there had never really been “the Big Three SF writers,” (meaning Asimov, Clarke, and Heinlein.) There had only ever been Heinlein, towering over the field.

Heinlein’s first novel, For Us, The Living, written in 1939 but unpublished until 2003, would appear later that year. I had received an advance proof, but I hadn’t read it. Brown had, however, and the book was major news. The rest of us on the panel deferred to Charles as he smoothly warmed to his topic, lecturing the assembled crowd on the importance of the novel in Heinlein scholarship, and indeed, to literature itself.

“The thing to remember,” Charles said, “is that Heinlein never intended the novel to be published –”

“Yes he did,” I said.

Charles looked startled. He seemed to have forgotten that there was anyone else on the panel. He looked around, obviously annoyed at the interruption.

…

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