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From the Celluloid Cellar: Star Wars

From the Celluloid Cellar: Star Wars

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Star Wars poster Long-time science fiction fans will likely be familiar with Star Wars, if only by its reputation. Initially a flop at the box office, it survives today mostly as a midnight movie curiosity. Indeed, it took studios over a decade to invest in another big-budget science fiction film after the massive failure of George Lucas’s love letter to the movie serials of the 1930s. But an objective review shows that it’s not nearly as bad as word-of-mouth makes and, once the plot finally gets moving, is actually a lot of fun, despite (maybe a little because of) its many flaws.

So, the plot? In a distant galaxy, an evil empire rules the many inhabited worlds with an iron fist. Cue the ragtag rebellion trying to free the galaxy from the Empire’s control. First problem with the plot? The Galaxy, Empire, and Rebellion are unnamed in this film, each going simply by a definitive article.

The leader of the Rebellion is Princess Leia (played by Carrie Fisher, daughter of Debbie Reynolds and Eddie Fisher), dressed all in white like a virgin sacrifice, but carrying a bad-ass ray gun. The main bad guy? There is an Emperor (mentioned, but never seen) and General Tarkin (played by Peter Cushing as a delightfully over-the-top space nazi); but the clear face of evil is Tarkin’s chief lieutenant, Darth Vader. A seven-foot tall wizard dressed in head-to-toe black armor, face covered by a black Shogun skull mask and voiced as pure hate incarnate by James Earl Jones, it’s hard to imagine this film was ever marketed to children with this walking nightmare engine chewing the scenery. The scenes between eighteen year-old wisp Fisher and this creepy heavy-breathing monster are especially disturbing.

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Doctor Who and the Daemons – the Novel!

Doctor Who and the Daemons – the Novel!

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Daemons002 More than once on Black Gate, I’ve heard that the seventies were a dead zone for science fiction and fantasy. For teens in search of readily available genre “gateway drugs,” I suppose this might have been true for many, but my particular experience of growing up managed, against all odds, to be different. Ohio was my home base, a vanilla environment for “culture” of the fantastical sort, but luckily I had a smorgasbord of British relatives. One especially perceptive and sibylline aunt started sending me Doctor Who novelizations.

Doctor Who and the Dinosaur Invasion, that was the first I tried. Next, one of the best offerings in the canon, Doctor Who and the Auton Invasion.  I was in third grade and after facing down those blank-eyed Autons and their Nestene masters, I was hooked.

Note that I wasn’t in any way watching the TV show. In Columbus, Ohio, it simply wasn’t available, not until the early eighties, and then, when PBS did pick up a few random episodes, it was Tom Baker’s roost to rule. The Jon Pertwee, Patrick Troughton, and William Hartnell adventures I first encountered were absent entire.

What Tom Baker’s run taught me is that talented actors can be mired forever in substandard scripts and even worse special effects. This was a total and unpleasant surprise, because the novelizations were fast-paced genre gems, especially those penned by Terrance Dicks.  (Malcolm Hulke was the other regular adapter for the Doctor Who franchise, with a rotating cast of fellow contributors including Gerry Davis, Ian Marter, and David Whitaker.) How could such pacey, adrenaline-filled books arise from such hokey, hamstrung screen material?

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The Top Five Differences Between HBO’s Game of Thrones and George R.R. Martin’s A Game of Thrones

The Top Five Differences Between HBO’s Game of Thrones and George R.R. Martin’s A Game of Thrones

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Game of Thrones-smallIt’s rare a show comes along that leaves readers wondering whether the book or screen version is better.

Generally speaking, film and television adaptations rarely live up to the complexity and depth of novels. In an effort to condense plot and keep things moving relatively quickly, and understandably, shows and films often act as the tip of the iceberg.

The original works, however, are more likely to reveal the underlying complexities (the rest of the iceberg, you might say) and true personalities of most of the characters. And, as expected, whole scenes are generally chopped from the film version due to lack of time.

So, of course, when a show like Game of Thrones comes along (the fourth season of which will be starting next week), that has some fans claiming the show is as good, perhaps even better, than George R.R. Martin’s A Game of Thrones, then we have no choice but to examine the merits of each.

In my opinion, the show lacks in several major areas. First: relationships.

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Do You Have the Time?

Do You Have the Time?

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Time-MachineSpider Robinson, in his brilliant and moving story “The Time-Traveler,” pointed out that we’re all time travellers really. We’re all moving into the future at the rate of one second per second.

As those of you who read last week’s post might realize, Robinson’s talking – in a way – about a subjective experience. The protagonist of the story experienced the passage of ten years of time in a manner completely different from that of the rest of the world. To the other characters (and the readers) the present is merely the present, because they (and we) had experienced the intervening years in the normal way. Because the protagonist hadn’t, it felt to him as though he’d stepped ten years into the future.

If that sounds a bit confusing, I urge you to find the story (it’s collected in Callaghan’s Crosstime Saloon) and read it for yourself.

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Goth Chick News: Something Wicked Is Coming Back This Way…

Goth Chick News: Something Wicked Is Coming Back This Way…

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Something Wicked this way comes poster-smallOkay, at this point it’s pretty clear that Hollywood is out to remake every story that ever freaked us out as kids.

Last month, we heard Cary Fukunaga (True Detective) is finally set to direct an IT remake after five years in development hell. That was OK, since it’s not like clowns were ever going to be funny and harmless again anyway.

But this week, we learn that Disney is taking another run at their 1983 film version of Something Wicked This Way Comes and once again I heave that sigh which basically says ‘there they go f’ing up another classic.’

Not that the movie version of Something Wicked is entirely a “classic” that did well the first time around – because it didn’t.

Bradbury actually scripted the original film, but he and the director Jack Clayton had a difference of opinion over the tone of the movie. Clayton wanted something more “family-friendly” and Disney had a revised draft produced without Bradbury; but the first cuts of the film tested poorly. Additional effects and a new score were added and Bradbury was brought back in to write new material.

But it was too little too late. Bradbury always claimed much of his intentions for the movie were destroyed and Disney barely broke even.

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Firefly, A Retrospective — Part 7

Firefly, A Retrospective — Part 7

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The Firefly cast, out of uniform
The Firefly cast, out of uniform

Hey Independents! Well, today we get to the end of the first and only season of Firefly. Alas, it’s a bittersweet experience, but let’s load up and dig in for the last three shows.

The Message (Episode 12)

The crew is at a bazaar, with Simon and Kaylee having a date until Simon ruins it by being Simon. Mal is having a hard time finding a fence for the Lassiter pistol (see last week’s installment, episode 11). They check the local post office, where Jayne has a package from his mom – it’s the hat!!! (You Browncoats know what I mean. For everyone else, just Google “Jayne’s hat.”)

Mal and Zoe receive a crate. A sarcophagus, actually. Inside is the corpse of a young man. His name was Tracy. Mal and Zoe fought beside him in the war. In a brief flashback, we get the distinct impression this kid was kind of a dunce, but a lovable one.

Mal takes the coffin onboard Serenity and finds an audio recording. It explains that Tracy got into trouble and expected to be killed. He wanted Mal and Zoe to take his body home. While the ship and crew take off for the kid’s homeworld, some scruffy-looking federal agents bust into the post office looking for the sarcophagus. The post master tells them who took it.

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Hurry Up With That Doctor Strange Movie, Marvel

Hurry Up With That Doctor Strange Movie, Marvel

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Mesmeretics Doctor Strange poster-smallMarvel Studios has certainly been dragging its feet with the long-delayed Doctor Strange feature film. It still doesn’t have a release date. (Or a star. Or a director.)

That hasn’t stopped enthusiastic fans from trying to nudge the project along with fake trailers and posters, like the fan-made effort from Mesmeretics at left. C’mom, Marvel. If fans can make something that looks that sharp, so can you.

I consider Doctor Strange to be the last major untapped Marvel property and I’m a little cranky that C-listers like Ant Man and Rocket Raccoon are making it to the silver screen before he is. It wouldn’t surprise me if Baron Mordo was behind it all, somehow.

Doctor Strange was created by Stan Lee and Steve Ditko (the same team that created Spider-man) in 1963. He has flirted with live action versions before… there was a 1978 TV movie starring Peter Hooten, which I watched after school and thought perhaps was the coolest thing in the history of ever. In 2005 Paramount acquired the rights to Doctor Strange from Miramax and in 2008 reports surfaced that Guillermo del Toro was attached to direct and that he’d approached Neil Gaiman to do the script. Never happened.

More recently, in June 2010, Marvel Studios hired Thomas Dean Donnelly and Joshua Oppenheimer, the team behind the underrated Sahara and the 2011 reboot of Conan the Barbarian, to produce a script, and in January of last year Marvel Studios president Kevin Feige confirmed that Doctor Strange would be part of “Phase Three” of the so-called Marvel Cinematic Universe. In November, he confirmed that a Doctor Strange feature is in development, but so far no additional details have emerged. And so we wait.

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The Public Life of Sherlock Holmes: The Case of the Short-Lived Holmes

The Public Life of Sherlock Holmes: The Case of the Short-Lived Holmes

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HouseofCardsNetflix’s House of Cards redefined what can be achieved by a web series. Everything about it, from casting to story to visuals, screams “quality.” The fact that it was intended to run for only a single season yet has already been renewed for a third testifies to the success that the show has had. It’s tough to maintain viewership when there’s almost nobody to root for, but they’ve done it.

But I wonder how many people realize that it is a remake of a 1990 British miniseries (apparently lust for power transcends decades. And centuries…)? Ian Richardson plays the Kevin Spacey role. Francis Urquhart has a disarming smile that makes him seem more warm than Spacey’s Frank Underwood. Don’t be fooled!

HouseofCardsRichardsonThe original House of Cards has a few Holmes ties. Female lead Susannah Harker appeared opposite Charlton Heston in the TV version of Crucifer of Blood, a modified version of The Sign of the Four.

She was also the client in Jeremy Brett’s version of The Adventure of the Dying Detective. Also, Colin Jeavons was Brett’s Inspector Lestrade. But it is Richardson’s brief tenure as Sherlock Holmes that we will look at now.

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Goth Chick News: Walker Stalker Con Drags into Chicago

Goth Chick News: Walker Stalker Con Drags into Chicago

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Walker-Stalker-Con-2014“It’s some kind of zombie convention, did you know about this?”

This is GCN photog Chris Zemko calling me last Friday night with a hot bit of industry news. Apparently a very significant event in the Chicago horror scene had eluded us (let me show you my shocked face) and Chris had just done a diving catch.

A little bit of digging turned up the information that yes indeed, Walker Stalker Con was taking place in Chicago, at one of the larger convention centers, that very weekend.

Walker Stalker Con is the brain child of podcasters James Frazier and Eric Nordhoff, who at one point apparently road tripped to Senoia, GA, where they were able to view the set of The Walking Dead and meet the actors from the show. As a result of this experience, they began The Walker Stalkers podcast to discuss the show twice weekly during its seasonal runs – and from that sprouted the inspiration for a convention.

Kicking off first in Atlanta last year, the convention focused on recreating James’s and Eric’s original experience with The Walking Dead’s cast and crew, along with actors and artists from other zombie shows, movies, and art. Due to the overwhelming response it received in 2013, James and Eric decided to host an additional annual event beginning in Chicago this year.

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Firefly, A Retrospective — Part 6

Firefly, A Retrospective — Part 6

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Firefly cast-smallHey there! I’m back this week with part 6 of my examination of the Firefly series. So far, we’ve covered the pilot in Part 1, episodes two and three (“Train Job” and “Bushwhacked”) in Part 2, “Shindig” and “Safe “ in Part 3, “Our Mrs. Reynolds” and “Jaynestown” in Part 4, and “Out of Gas” and “Ariel” in Part 5.

We’re into the second half of the season, where I really feel the show finds its stride.

First up, War Stories!

War Stories (Episode 10)

It starts with Simon and Shepherd Book (who was absent last episode during the hospital heist) discussing River’s condition. Simon thinks he’s closing in on what the Alliance did to her. River is struggling, though, because the treatments aren’t working all the time.

The crew is feeling good after their last job, though Wash gets irritated with Zoe for not backing his plan to cut out the middlemen when selling their loot. Instead, she takes the captain’s side in the discussion, and Wash feels Mal and Zoe are too close. Meanwhile, Inara’s attractive female client arrives on the ship. Jayne sees them and announces that he’ll be in his bunk. Classic Jayne!

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