Doctor Who and the Daemons – the Novel!

Doctor Who and the Daemons – the Novel!

Daemons002 More than once on Black Gate, I’ve heard that the seventies were a dead zone for science fiction and fantasy. For teens in search of readily available genre “gateway drugs,” I suppose this might have been true for many, but my particular experience of growing up managed, against all odds, to be different. Ohio was my home base, a vanilla environment for “culture” of the fantastical sort, but luckily I had a smorgasbord of British relatives. One especially perceptive and sibylline aunt started sending me Doctor Who novelizations.

Doctor Who and the Dinosaur Invasion, that was the first I tried. Next, one of the best offerings in the canon, Doctor Who and the Auton Invasion.  I was in third grade and after facing down those blank-eyed Autons and their Nestene masters, I was hooked.

Note that I wasn’t in any way watching the TV show. In Columbus, Ohio, it simply wasn’t available, not until the early eighties, and then, when PBS did pick up a few random episodes, it was Tom Baker’s roost to rule. The Jon Pertwee, Patrick Troughton, and William Hartnell adventures I first encountered were absent entire.

What Tom Baker’s run taught me is that talented actors can be mired forever in substandard scripts and even worse special effects. This was a total and unpleasant surprise, because the novelizations were fast-paced genre gems, especially those penned by Terrance Dicks.  (Malcolm Hulke was the other regular adapter for the Doctor Who franchise, with a rotating cast of fellow contributors including Gerry Davis, Ian Marter, and David Whitaker.) How could such pacey, adrenaline-filled books arise from such hokey, hamstrung screen material?

That’s a massive question and I’m going to avoid it — for today, at least.

Instead, I want to champion the one Doctor Who book that demanded to be re-read and that clings best to memory all these many years later.

It’s Doctor Who and the Daemons by Barry Letts (1974).

Three significant facts: Letts served as Doctor Who’s producer throughout the Jon Pertwee years (Pertwee played Doctor Number Three); this was Letts’s only novelization for the show; and Letts developed the Daemons scenario himself, so this was his project from the get-go.

Daemons PertweeThe set-up is alarmingly simple and wholly British. On national television, one Professor Horner proceeds to open a Celtic barrow called the Devil’s Hump, in the aptly-named village of Devil’s End. The Doctor, watching together with companions Jo Grant and UNIT officer Mike Yates, realizes that Horner is being manipulated: something wants him to open that barrow and to do it precisely at midnight on Beltane.

Of course the barrow gets opened, releasing a Daemon, Azal. Unlike most of the Doctor’s vintage enemies, Azal isn’t out to seize control of the universe. Instead, Azal has risen to pass judgment on humanity and, maybe, pass on his wisdom and intellect. Not that he’s in a very good mood. “My race destroys its failures,” he tells the Doctor’s nemesis, a Time Lord gone bad called the Master, “and this planet smells to me of failure.”

The key points that make the story really crackle are that Azal sets up a force field around the barrow (and the village church), thus locking the Doctor in, but most of UNIT out, and then Azal must decide which of two superior minds will receive his gift of knowledge: the Master’s or the Doctor’s.

Add in a white witch, Morris Dancing, and an animated church gargoyle and you have a feast of all things Albion.

Of course, Azal’s rather rigid sense of duty can’t be precisely fulfilled and the humanistic elegy that forces the action is very much the close cousin of any number of Captain Kirk’s Star Trek speeches, but the whole thing feels unified, a yarn made of strong and homogenous material from start to finish.

daemons7Does the prose hold up, now that my hyper-critical adult self is on the case? I think it does. One excerpt:

Down the steep track leading from the Goat’s Back flew a strange figure, cloak fluttering behind like the wings of a giant moth, and uttering occasional weird cries such as “Ha!” or “Fool, fool, fool!” Miss Hawthorne on her bicycle. Swooping through the spinney at the corner of Longbottom farm and out into Shady Lane, she narrowly avoided the Ransomes’ ginger cat and never even noticed—this being most odd as Marmalade was a personal friend—so exhilarated was she still by her righteous anger at that idiot Horner.

“My giddy godfathers, but I told him!” she thought to herself…

Lively and quick, this writing. Heck, I may have to stop all this blogging so I can curl up in a favorite armchair, a cup of milky British tea and a biscuit or three at my elbow. It’s Doctor time!

Doctor Who novelizations are now available in many forms, but once upon a time, they came only from Target Books, in the U.K.  My copy of The Daemons cost my aunt all of 75 pence. In Malta, it would have cost 80 cents. I know, because it says so, right there on the cover. Higher costs pertain in Australia, Canada, and New Zealand. No U.S. price appears.

Perhaps fantasy and sci-fi were far-flung archipelagos back in the seventies, but given a near infinite supply of Doctor Who novelizations to wade through, my elementary and early teen years were anything but bereft. I had good guides and strong stories to carry me and the best came courtesy of Barry Letts, who died in 2009 at the age of 84. He had a long and productive career; check his name on IMDB or Wikipedia if you’d care to learn more.

Meanwhile, do me a favor and pass the biscuits, yes? Thank you, there’s a love.

It was twilight in Devil’s End.  All over the village shutters were being fastened…

Mark Rigney has published three stories in the Black Gate Online Fiction library: ”The Trade,” “The Find,” and “The Keystone.” Tangent called the tales “Reminiscent of the old sword & sorcery classics… once I started reading, I couldn’t stop. I highly recommend the complete trilogy.” In other work, Rigney is the author of “The Skates,” and its haunted sequels, “Sleeping Bear,” and Check-Out Time, forthcoming in 2014.

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Ty Johnston

Mark, sounds like we had similar childhoods, though mine was just south of you down in Kentucky. In about ’78 or so, right after Star Wars hit big, we suddenly got the Tom Baker episodes through a Chicago channel.

My first Who novel reads were the 10-book series from Pinnacle, and while I enjoyed them, they didn’t offer the variety of the Target editions. Funny enough, I also remember “Doctor Who and The Daemons” as one of my favorite reads. And, maybe it was just me, but for some reason I always preferred the novelizations of Pertwee’s Doctor over those of the other Doctors. Maybe it had something to do with Pertwee generally being considered the “action” Doctor, at least for the time.

Ty Johnston

And, ya know, a whole Blackgate series about these novels would be quite interesting.

— hint, hint —

Robert Mammone

And his hair got better as his time in the role progressed. Check out his basic short back and sides in his first story, Spearhead from Space and compare with the ultra bouffant in Planet of the Spiders. Those 70s, eh?

The problem with the novelisations is that the first few are very well written, then during the late 80s/early 80s, they were being pumped out every month, so the quality of the writing and length faltered badly, only for them to pick up markedly right at the end of the run, which more or less coincided with the tv series coming to an end in 1989. So what I’m saying is any reviews may suffer in the middle third.


Oh hell, yes!

I was watching Tom Baker (4th Doctor) on local PBS. I had the some of Pinnacle prints, as well. But amazingly, my junior high school library had some of the TARGET novelizations to.

For Pertwee, I remember the ‘Carnival of Monsters’ novel.

I highly recommend the first novel – ‘Doctor Who and the Daleks,’ because it is a real novel (or attempt at one.) It is the 1st Doctor and combines the opening of “An Unearthly Child” with “The Daleks” serials. It really opened my eyes to the world and vistas of ‘Doctor Who’ that I knew nothing about. It also gives a great story unencumbered by low budgets, over acting, poor effects, etc.

It was reissued last year and is available as an ebook (with intro by Neil Gaiman.)

In fact, a handful of them were re-released with various intros. (5oth anniversary and all.)

Robert is right about the sag, though. Later the novelizations were scarcely words around the teleplay. (still, though, considering the lost episodes of Hartnell and Troughton, they are the only form to get the stories -which is why I own all of them 😉 )

There was a brief upswing of the novelizations before the original novels started. John Peel returned them to form with real novel adaptations of ‘Power of the Daleks’ and ‘Evil of the Daleks.’ (under Virgin/TARGET) I also recommend those highly – if you can find them.

Robert Mammone

At the risk of slightly hijacking the discussion, a friend and I do a twice monthly Doctor Who podcast, and we recently discussed the Pertwee era.

The link is:

And the title of the episode is Let’s Squee for Pertwee (don’t blame me, it was my co-host who came up with the title!) We look at what made his era work, highs and lows in terms of stories and Pertwee’s impact on the show after he left.

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