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The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

The Top 20 Black Gate Fiction Posts in November

The Top 20 Black Gate Fiction Posts in November

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The Black Fire Concerto-smallFor the second month in a row, our exclusive excerpt from Mike Allen’s dark fantasy novel The Black Fire Concerto tops our fiction charts. Those interested in more from the book can listen to our own C.S.E. Cooney read from Chapter One, in a lengthy podcast at HauntedStars.com.

Last month’s third place holder, Dave Gross’ Pathfinder Tales: King of Chaos, moved on up into second place this month. You folks certainly enjoy novel excerpts.

In third place was Mark Rigney’s “The Find,” part of his perennially popular Tales of Gemen series; fourth was E.E. Knight’s “The Terror in the Vale,” his second tale of The Blue Pilgrim, following “That of the Pit.”

Rounding out the Top Five was Vaughn Heppner’s brand new Lod story, “Draugr Stonemaker,” the sequel to “The Oracle of Gog” (Black Gate 15), “The Pit Slave,” and “The Serpent of Thep.”

Also making the list were exciting stories by Joe Bonadonna, John C. Hocking, Martha Wells, Alex Kreis, David C. Smith, Nina Kiriki Hoffman, Howard Andrew Jones, Aaron Bradford Starr, Jamie McEwan, Michael Shea,  Peadar Ó Guilín, Janet Morris and Chris Morris, and David Evan Harris.

If you haven’t sampled the adventure fantasy stories offered through our new Black Gate Online Fiction line, you’re missing out. For the past year we’ve presented an original short story or novella from the best writers in the industry every week, all completely free. Here are the Top Twenty most-read stories in November:

  1. An excerpt from The Black Fire Concerto, by Mike Allen
  2. An excerpt from Pathfinder Tales: King of Chaos, by Dave Gross
  3. “The Find,,” Part II of The Tales of Gemen, by Mark Rigney
  4. “The Terror in the Vale,” by E.E. Knight
  5. “Draugr Stonemaker,” by Vaughn Heppner
  6. “The Moonstones of Sor Lunarum,” by Joe Bonadonna
  7. An excerpt from Pathfinder Tales: Queen of Thorns, by Dave Gross
  8. “Vestments of Pestilence,” by John C. Hocking
  9. The Death of the Necromancer, a complete novel by Martha Wells
  10. “The Renunciation of the Crimes of Gharad the Undying,” by Alex Kreis

     

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New Treasures: Tales From Rugosa Coven by Sarah Avery

New Treasures: Tales From Rugosa Coven by Sarah Avery

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tales-from-rugosa-coven-Avery-smallUnless you’ve ever been a submissions reader, I don’t think you can truly appreciate what it was like to discover Sarah Avery in the slush pile.

The story in question was “The War of the Wheat Berry Year,” a slender and deceptively simple fantasy in which The Traitor of Imlen finds she must face her old instructor on the battlefield at last. After a long day reading amateur tales about unicorns, knights slaying dragons, and teenage girls with vampire boyfriends, it was a revelation — packed with a rich and fascinating back story, subtle characterizations and, like all the best fantasy, the tantalizing sense that you were being given the briefest window into a wider tale.

I bought “The War of the Wheat Berry Year” for Black Gate 15, where it won acclaim from Keith West at Adventures Fantastic and other sites. And believe me, I kept a weather eye out for future work from Sarah.

So I was delighted when my copy of Tales From Rugosa Coven arrived last week. Rugosa Coven shows off Sarah’s talents with a collection of three linked novellas of contemporary fantasy focusing on a coven of modern witches living on the Jersey Shore. If you’re eager to find the next big name in fantasy, do yourself a favor and order a copy today.

Catch a glimpse of a New Jersey even weirder than the one you think you know, as a covenful of very modern Wiccans wrestle challenges both supernatural and mundane — and, occasionally, each other.

The personal injury attorney who chose kitchen-witchery over his family’s five-generation lineage of old school ceremonial magic would like to miss his dead parents, only now that they’re dead they won’t leave him alone. The professional fortuneteller stands out at forty paces, with her profusion of silver amulets glittering over her Goth wardrobe, but nobody has guessed her secret sorrow, especially not the covenmates who see her as their wacky comic relief. And the resident skeptic, a reluctant Pagan if ever there was one, will have to eat her words if her coven sister’s new boyfriend really does turn out to be from Atlantis.

The Jersey Shore’s half-hidden community of Witches, Druids, and latter-day Vikings must circle together against all challenges. It’s a good thing they’re as resilient as the wild rugosa roses that hold together the dunes.

Tales From Rugosa Coven was published by Dark Quest on December 21, 2013. It is 341 pages, priced at $15.95 in trade paperback.

The Finest Sword & Sorcery: Announcing the Winners of the Stalking the Beast Contest

The Finest Sword & Sorcery: Announcing the Winners of the Stalking the Beast Contest

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Pathfinder Tales Stalking the Beast-smallLast month we invited Black Gate readers to tell us about the best sword & sorcery tale they’d ever read, in one paragraph or less.

In return, we offered to award a copy of Howard Andrew Jones’ terrific new Pathfinder Tales book, Stalking the Beast, the follow-up to his hit Pathfinder release Plague of Shadows from Paizo Publishing, to five lucky winners.

Those five winners were randomly drawn from the list of all qualified entrants.

Before we announce the winners, let’s have a look at some of the story suggestions. As much as we’d like to, we can’t reprint all the entries we received, so we’ll limit it to the 10 we found most insightful, well written, or intriguing. In the interest of diversity, we’ll limit our sampling to one entry for each author or major work. (But fret not — all qualifying entries received before December 1st were included in the drawing.)

We’ll start with David Kahler, who kicks things off in excellent fashion with the tales of Fritz Leiber:

My favorite Sword and Sorcery book is Fritz Leiber’s Swords Against Wizardry, a Fafhrd and Grey Mouser tale. From the very beginning, when the pair consult an old hag ( because, according to Fafhrd, before embarking on any great enterprise, it’s customary to consult a warlock or witch”) to the Lords of Quarmall and the battles with Hasjarl’s wizards, Swords Against Wizardry is (IMHO) one of the best of Leiber’s tales. His prose is superb, and the action sequences just as good. Fafhrd and Grey Mouser epitomize the “Neutral-Good” actions of adventurers who (even while they seek to enrich themselves) strive to do the right thing even if the “wrong” course of action would have been easier and more convenient. Thanks for the opportunity to win HAJ’s latest book! I always enjoy finding new reads and authors on your site. Keep up the good work!

You’re most welcome, David. Thanks for the enthusiastic entry — and good luck!

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Vintage Bits: BattleTech: The Crescent Hawk’s Inception

Vintage Bits: BattleTech: The Crescent Hawk’s Inception

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Battletech The Crescent Hawk's Inception-smallInfocom is one of the most revered names in computer gaming history. In fact, for serious collectors of PC games, there’s probably no other company that commands the respect of (or is as collectible as) Infocom.

Their heyday was the early 80s, when they released the most famous text adventure ever written, Zork (1980), alongside other classics like Enchanter (1983), Steve Meretzky’s Planetfall (1983), Brian Moriarty’s Wishbringer (1985), and Dave Lebling’s fabulously creepy Lovecraftian scarefest The Lurking Horror (1987).

But my favorite Infocom game came late in their history — indeed, after the company very nearly collapsed following the failure of their ambitious DOS database, Cornerstone, in 1986. By that time, over half of the employees had been laid off and the remnants of the company sold to Activision in a fire sale. For the first time in their history, Infocom turned to outside developers to help fill their production schedule.

It was a desperate move. Infocom had a nearly flawless reputation in the gaming industry, even as late as 1988, and expecting an untested development shop to deliver product that would meet the public’s exceedingly high expectations for an Infocom title was an exceptionally risky bet.

Fortunately, the outside developer they chose was Westwood Studios, who would later go on to develop some of the most successful games of the 90s, including Dungeons & Dragons: Eye of the Beholder (1990), Command & Conquer (1995), Blade Runner (1997) — and who virtually created the real-time strategy (RTS) genre with their groundbreaking Dune II (1992). Their first game for Infocom, and the one that really put them on the map, was one of the best titles Infocom ever released: BattleTech: The Crescent Hawk’s Inception (1988).

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Rejecting the Golden Age: Gareth L. Powell on Escaping Science Fiction’s Pulp Roots

Rejecting the Golden Age: Gareth L. Powell on Escaping Science Fiction’s Pulp Roots

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The Recollection Garath Powell-smallOver at SF Signal, author Gareth L. Powell has issued a call to stop recommending classic SF and fantasy, and start putting newer works in the hands of readers curious about our genres. His comments apparently arise from his experiences talking to a reading group who hadn’t read any SF written in the last 50 years.

The only way we’ll escape the legacy of our pulp roots is to promote the innovation, literary merit, and relevance of the best modern genre writing. Some fans will always cling to the ‘golden age’ works of the 1950s, 1960s and 1970s, and I can understand why. They provide a magic door back to the simple pleasures of a simpler world – a world before global warming, oil shortages, terrorism, and economic uncertainty; relics of a world where the future was easily understood, and (largely) American, middle class and white in outlook, origin and ethnicity.

Part of me understands and sympathizes with that need for security. I still draw comfort and enjoyment from those old books. Arthur C. Clarke, Larry Niven, Philip K. Dick… These writers are the elder gods in my personal pantheon; but they are neither the beginning nor the end… being a fan’s a bit like being in a marriage. You have to accept that the person you’re with will mature and change, and you have to embrace that, and change with them in order to keep things fresh…

So, the next time a non-SF reader asks you what they should read, resist the temptation to throw them a copy of Foundation or Slan, and point them instead at something published in the last five years… Give them something modern, and they’re more likely to find characters, ideas and attitudes with which they can relate.

Powell is the author of Silversands, The Recollection, Ack-Ack Macaque and its new sequel, Hive Monkey — which he freely notes employs “the furniture of 1930s pulp literature – Zeppelins, Spitfires, cigar-smoking monkey pilots, evil android armies.”

Read the complete article at SF Signal here.

A Fond Look Back at Bluejay Books

A Fond Look Back at Bluejay Books

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Alien Cargo Theodore Sturgeon-smallThe most popular article on the Black Gate website in July was our report on the departure of James Frenkel from Tor Books.

News articles like that are usually good for some decent traffic. It seems everyone had something to say about Frenkel stepping down from his post at the most powerful genre publisher in America and all that attention generated a lot of clicks.

Most conversations, however, dwelled on the circumstances of his departure, and overlooked his many accomplishments. During his years at Tor, Frenkel sure was busy. He acquired and edited some of their most important books, including volumes from Frederik Pohl, Dan Simmons, Jack Williamson, Timothy Zahn, Greg Bear, Andre Norton, Vernor Vinge, and many others.

But even before he joined Tor, Frenkel made major contributions to American SF and fantasy, particularly as publisher at Bluejay Books in the mid-80s. It’s Bluejay, and the beautiful books they produced before going out of business, that I want to talk about today.

Bluejay was active just as I was really discovering American fantasy and SF in the early 80s, haunting bookshops in downtown Ottawa. They were pioneers in the trade paperback market, hired excellent cover artists — including Rowena Morrill, Tom Kidd, Barclay Shaw, John Pierard, Jill Bauman, and others — and published many of the top writers in the field, such as Theodore Sturgeon, Philip K. Dick, Harlan Ellison, Vernor Vinge, and many more.

That was a powerful combination, and it meant that Bluejay was an imprint with enormous prestige — at least in my mind. I kept an eye out for their books on the shelves and always gave them special attention.

That prestige extended to all their titles, not just the authors I recognized (part of the magic of having a strong and easily recognizable visual brand). It also extended to the new authors they discovered and championed.

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The Top 50 Black Gate Posts in October

The Top 50 Black Gate Posts in October

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Worlds of Edgar Rice Burroughs-smallThe top article on the Black Gate blog last month was our look at Mike Resnick and Robert Garcia’s new anthology Worlds of Edgar Rice Burroughs. (A few weeks later Robert Garcia wrote his first Saturday blog post for us, a fond look back at The Pulp Art of Virgil Finlay. Do we bring the heavy hitters, or what?)

Second on the list was E.E. Knight’s open letter to Amy Farrah Fowler, a character on The Big Bang Theory, on her controversial theory that Indiana Jones had no impact on the ending of Raiders of the Lost Ark. Fight the good fight, Eric.

Third was Jon Sprunk’s look at his favorite fantasy films, followed by his article on the use of elves in fantasy lit. Way to hog the list, Jon. Rounding out the Top Five was James Maliszewski’s “Appendix T,” an attempt to craft a hypothetical Appendix N for the great Traveller RPG, listing roughly 20 works of classic science fiction that clearly influenced the game’s creators.

The complete Top 50 Black Gate posts in October were:

  1. New Treasures: Worlds of Edgar Rice Burroughs
  2. An Open Letter to Amy Farrah Fowler, Ph.D
  3. My Favorite Fantasy Movies
  4. To Elf or not to Elf: Races in Fantasy Lit
  5. Appendix T
  6. Richard Kadrey Talks with Black Gate about Dead Set
  7. In Defense of Fantasy Heroes
  8. Campbell’s Reheated Mythopoetic Soup
  9. Remembering Dave
  10. How Many Psychiatrists Does it Take to Change a Genre?

     

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The Top 20 Black Gate Fiction Posts in October

The Top 20 Black Gate Fiction Posts in October

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The Black Fire Concerto-smallOur exclusive excerpt from Mike Allen’s dark fantasy novel The Black Fire Concerto was our most popular work of fiction in October, its first month at the top of the charts. John R. Fultz called it “A post-apocalyptic melody played on strings of Terror and Sorcery,” and apparently word is getting around.

Joe Bonadonna’s “The Moonstones of Sor Lunarum,” in the number 2 slot, has been steadily creeping up the charts since we posted it last December. It is without a doubt the most consistently popular work of fiction we have ever published.

Last month’s chart topper, Dave Gross’ Pathfinder Tales: King of Chaos, came in third, an entirely respectable showing; and John C. Hocking’s new story “Vestments of Pestilence” broke into the Top Ten for the first time, coming in 4th. Rounding out the Top Five was E.E. Knight’s perennial favorite “The Terror in the Vale,” first published in January.

Also making the list were exciting stories by Janet Morris and Chris Morris, David Evan Harris, Martha Wells, Peadar Ó Guilín, David C. Smith and Joe Bonadonna, David C. Smith, Howard Andrew Jones, Michael Shea, Nina Kiriki Hoffman, Mark Rigney, Jamie McEwan, Aaron Bradford Starr, Alex Kreis, and Ryan Harvey.

If you haven’t sampled the adventure fantasy stories offered through our new Black Gate Online Fiction line, you’re missing out. For the past year we’ve presented an original short story or novella from the best writers in the industry every week, all completely free. Here are the Top Twenty most-read stories in October:

  1. An excerpt from The Black Fire Concerto, by Mike Allen
  2. “The Moonstones of Sor Lunarum,” by Joe Bonadonna
  3. An excerpt from Pathfinder Tales: King of Chaos, by Dave Gross
  4. “Vestments of Pestilence,” by John C. Hocking
  5. “The Terror in the Vale,” by E.E. Knight
  6. “The Sacred Band” by Janet Morris and Chris Morris
  7. “The Gentle Sleeper” by David Evan Harris
  8. An excerpt from Pathfinder Tales: Queen of Thorns, by Dave Gross
  9. The Death of the Necromancer, a complete novel by Martha Wells
  10. “The Dowry,” by Peadar Ó Guilín

     

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Vintage Treasures: Pirates and Plunder

Vintage Treasures: Pirates and Plunder

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Pirates and Plunder box-smallBack in the early 80s, publishers were still exploring the boundless possibilities of role playing.

It occurred to more than one designer that sword & sorcery — the tiny genre Gygax and Arneson had chosen to build their fabulously successful Dungeons & Dragons upon — was a niche market at best, with very limited widespread appeal.

Yet if D&D had managed to come so far with source material of such limited public familiarity, what might a game with much broader appeal accomplish?

And so the early 80s was a time when we had an astounding array of new role playing games promoted by a host of hopeful publishers, in a wide range of genres — science fiction, action, spy thrillers, mystery, superhero, and many others. There were gangster games (Gangbusters), Arthurian games (Pendragon), games based on popular action films (Indiana Jones, James Bond), and westerns (Boot Hill). There were horror games (Chill, Beyond the Supernatural), post-apocalyptic survival games (Twilight 2000, Gamma World), games based on prime time soap operas (SPI’s infamous Dallas), and bestsellers like Richard Adams’ Watership Down (Bunnies & Burrows).

Virtually all of them failed. Turns out that D&D didn’t succeed in spite of the fact that it drew inspiration from the classic heroic fantasy listed in the famous Appendix N, but in fact because of it. Sword & sorcery offered the kind of larger-than-life heroes players wanted to play — and more importantly, no other genre came so readily pre-packaged with a catalog of terrific opponents, from orcs to vampires to dragons.

But while most of those games are long forgotten today, a handful are still fondly remembered. Pirates and Plunder, a role playing game set in the golden age of piracy, is one of the latter. At least, it’s fondly remembered by me.

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Vintage Treasures: Prince of Foxes by Samuel Shellabarger

Vintage Treasures: Prince of Foxes by Samuel Shellabarger

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Prince of Foxes-smallIf you’ve been reading my Vintage Treasures posts for any length of time, you’re probably aware I have a weakness for buying small collections. Especially vintage paperback collections.

There are a few ways to find interesting lots on online auctions sites like eBay, but I’ve had the most success recently searching for Bantam Giants, a line which repackaged a lot of popular historical adventure fiction in paperback with terrific covers — and without chopping it up first to fit the smaller format, a common practice in the early days of paperbacks.

Bantam Giants are a great way to learn about new writers (okay, old writers, but new to me), and they’re ridiculously cheap. They sold — by the tens of thousands — on newsstands for 35 cents in the early 1950s. Generally speaking, copies in fine condition are still fairly common, and don’t cost much more than that now.

Last year I talked about discovering the works of Lawrence Schoonover, especially his 13th Century adventure novels The Golden Exile and The Burnished Blade. Tucked into the same collection that contained those volumes was a gorgeous book titled The King’s Cavalier, by someone named Samuel Shellabarger.

My guides through the world of 40s and 50s historical adventures, the Honorable Howard Andrew Jones and John C. Hocking, have been telling me about Shellabarger for years. So I was delighted to find another of his novels in the latest collection of Permabooks and Bantam Giants I acquired last month: Prince of Foxes, a tale of adventure and intrigue in Renaissance Italy.

It follows the exploits of Andrea Orsini, a talented and resourceful peasant who rises through the ranks to become a political agent for the sinister Cesare Borgia. It was filmed in 1949, with Orson Welles as Borgia and Tyrone Power as Orsini.

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