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In the Hot Seat: The Reviewer Gets Grilled: An Interview with Fletcher Vredenburgh

In the Hot Seat: The Reviewer Gets Grilled: An Interview with Fletcher Vredenburgh

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Fletcher is no stranger to the readers and fans of Black Gate. His articles and reviews are not only well-written, insightful and entertaining, they are extremely popular, as well. He is the “reviewer extraordinaire,” and his reviews have led me to read many books. I trust his opinion and his taste in what makes for a good novel. Fletcher is also one of the most voracious readers I have ever met; even in my prime, when I was reading about 2 books a week, I couldn’t top him. Tireless and energetic, Fletcher amazes me with his wonderful reviews, which are also very well written. He is not a “book critic,” however, as you’ll find out when you read my interview with him. He is a reviewer of books. A Master Review Writer. I’m happy I met him through social media, proud to call him my friend, and grateful to him for his great reviews of my books.

So let’s begin, shall we? Let’s see if we can find out what makes him tick, what he likes to read and his whole process for reviewing a book.

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Thrill-Power Overload: A History of the British Comic 2000 AD

Thrill-Power Overload: A History of the British Comic 2000 AD

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Thrill-Power Overload-1

I love comic book history. I’ve got a few books at home of the golden and silver age of American comics I reread every so often.

I recently got the chance to check out Thrill-Power Overload, the history of the British comic book series 2000AD in honor of their 40th anniversary.

I usually read only American comics, but over the last two years, I’ve been reading 2000AD and Judge Dredd comics, both the recent ones, and some of the their collected volumes, so this was a timely discovery for me, and a fascinating one.

2000AD was an experiment when it launched in 1977. British comic books were weekly publications, and not glossy, and until the launch of 2000AD, they were very much targeting younger readers with pretty tame, conservative stories with production and artistic values that didn’t even credit the creators.

2000AD‘s editorial and creative team had a vision of a far edgier anthology science fiction comic book, one whose tone I can best describe as punk rock sensibilities seen in sequential story, or an anti-authoritarianism giving the finger to the world. The creators of the time call the tone comedy and violence.

It featured genetically-engineered soldiers, robot fighters (and fighting robots), soldiers, assassins, and most importantly, Judge Dredd, a futuristic police officer of centuries in the future, stopping crime in the combined roles of police, judge and executioner.
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I’m Ready For My Close-Up, Mr. DeMille: A Look at Image’s Glitterbomb

I’m Ready For My Close-Up, Mr. DeMille: A Look at Image’s Glitterbomb

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Last fall, Image released a new comic book series by Jim Zub (Wayward and Thunderbolts) and Djibril Morissette-Phan (The Ultimates, All-New Wolverine) called Glitterbomb, a horror story about fame and failure.

The first four issues are out, and a collected trade paperback of those 4 issues is hitting comic book shops and book stores in March. I read Glitterbomb, really enjoyed it, and got a chance to talk with the creators.

Here’s the synopsis:

Farrah Durante is a middle-aged actress hunting for her next gig in an industry where youth trumps experience. Her frustrations become an emotional lure for something horrifying out beyond the water…something ready to exact revenge on the shallow, celebrity-obsessed culture that’s led her astray. The entertainment industry feeds on our insecurities, desires, and fears. You can’t toy with those kinds of primal emotions without them biting back…

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Modular: Who Would Win? John McClane and James Bond versus a Tribe of D&D Goblins

Modular: Who Would Win? John McClane and James Bond versus a Tribe of D&D Goblins

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Knights of the Dinner Table 142-smallI came across a fascinating piece by Noah J.D. Chinn in Knights of the Dinner Table issue 142 (August 2008). Chinn’s guest editorial for the “Gamer’s Pulpit” column is an intriguing analysis of how the realism bar for heroes has shifted radically from the days of our youth (us Gen Xers) until now.

The single most interesting fact he presents is a piece of data generated by Mike Hensley charting how many goblins a first level fighter could kill before dying across all iterations of Dungeons & Dragons (at that point there were 6 versions, 5th Edition not yet having debuted). He ran the combats at least 1,000 times for each fighter in a Javascript simulation program, with the fighter facing the goblins one at a time, producing an average for each version. This is what the data reveals:

  • OD&D: 2.7 goblins killed
  • BD&D: 4.1
  • AD&D1: 4.3
  • AD&D2: 7.3
  • D&D 3e: 10.1
  • D&D 4e: 23.4 Holy Crap!

(It would be interesting to further extrapolate from this data: Does it suggest that a 4e first-level fighter could, one-on-one, take out 4 or 5 OD&D fighters before succumbing? Or that a first-level 4e fighter is roughly equivalent to a third-level fighter in Basic?)

Chinn argues that this hero power inflation cuts across popular culture. He uses the Die Hard movies as an apt illustration:

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Goth Chick News: A Penny for More Dreadfuls

Goth Chick News: A Penny for More Dreadfuls

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Penny Dreadful Titan Comics-small Penny Dreadful Issue 1-small

You may not be familiar with the term “penny dreadful.” And no one would blame you considering that, until 2014, the term had not been in popular use since the 1890’s.

Back to the 1830s, “penny dreadfuls”were serial stories published weekly on cheap wood-pulp paper aimed at young, working-class men. Each costing one penny, the subject matter of these publications typically focused on the sensationalized and bloody (or “dreadful”) exploits of detectives, criminals, or supernatural entities. Varney the Vampire, a precursor to Dracula, as well as Sweeny Todd made their first appearances in print as subjects of the penny dreadful.

However in 2014, Showtime launched a very successful series by the same name starring Eva Green, Timothy Dalton and Josh Hartnett. Penny Dreadful featured classic characters from Victorian gothic literature such as the Frankenstein’s monster, the wolfman, Dorian Gray and Dracula as well as a host of new human characters including Vanessa Ives, Sir Malcolm Murray and Ethan Chandler. The series ran for three seasons, coming to what many fans (me included) felt was a highly unsatisfying end in 2016 .

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Jack Kirby’s Fourth World: 45 Years Later

Jack Kirby’s Fourth World: 45 Years Later

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I’ve been discussing comic books with a friend of mine who moved to Ottawa. Based on a stray comment of his, I committed to tracking down and reading Jack Kirby’s 4th World comics.

I obviously know about Darkseid and the New Gods, but from later works at DC, like the classic Great Darkness Saga in The Legion of Super-Heroes (check it out!).

And I’d read lots of 1960s Marvel Kirby as well as Machine Man and The Eternals at Marvel in the 1970s (I even blogged about The Eternals here).

Kirby was *huge* in the 1960s, having been a major creator of the current Marvel Universe. But by 1970, he was looking for a change and DC signed him to a 5-year exclusive deal.

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Star Wars Comic Spin-Offs: Poe Dameron and Doctor Aphra

Star Wars Comic Spin-Offs: Poe Dameron and Doctor Aphra

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Even since before Star Wars: Rogue One (which I reviewed here), I’ve had Star Wars on my mind. The Force Awakens was a good addition to the canon and I think I’m just generally optimistic about the franchise because George Lucas finally sold it to Disney. I appreciate George Lucas, but recognize (as we all did) that other creators would be able to do a lot more with it.

Dark Horse had the comic license to Star Wars for a long time, but Marvel (also owned by Disney) has had it for the last few years and they’ve been busy.

By my count, the main Star Wars title is past two years, and they’ve had successful and acclaimed miniseries, like Leia, Han Solo, Vader, Vader Down and so on, all helmed by great writers and art teams.

I’ve been reading two interesting spin-off series: Poe Dameron and Doctor Aphra.

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Hammers, Chemo and Disapproving Dads: Marvel’s Thor

Hammers, Chemo and Disapproving Dads: Marvel’s Thor

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Working on novels and such took me away from some of the main Marvel storylines just before Secret Wars until just after Civil War II (so I just missed a lot). I’m in the process of catching up on some Marvel real estate.

Lately I’ve been reading The Mighty Thor (they’re up to issue #13) and The Unworthy Thor (they’re up to issue #2).

For you completists, Thor goes way back to Journey Into Mystery #83, when Stan Lee and Jack Kirby made up the Asgardian god and made him fight aliens. Thor has been a popular character in Marvel who, along with Hercules, brought the divine to the Marvel Universe.

Asgard and Tales of Asgard brought in a ton of new characters into Thor’s orbit in the 1970s. The 1980s gave Thor a huge boost under creator Walt Simonson who defined the character for many modern readers.

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Rogue One: I Am One With the Force and the Force Is With Me

Rogue One: I Am One With the Force and the Force Is With Me

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A most excellent hero for this movie

When I was eight years old, some friends of the family gave me The Star Wars Storybook. Back in 1979, there was just one movie (and a confusing, once-seen Christmas special), and the action figures.

Everything I could learn of the larger universe of the movie that had changed my life was in that book. I wanted to know about the rebels, the past of Darth Vader and Kenobi, and who were these alliance pilots and Grand Moff Tarkin?

Some questions were answered in Empire, and Return of the Jedi, and others I got through comic books (I really enjoyed the Marvel Star Wars comic series started in 1977). And of course, we have the Jar-Jar infected prequels, which, with just enough denial, can be watchable for the light saber fights, or shown to children, who love them.

But it was only yesterday, when I saw Rogue One, that I saw the world I’d glimpsed when pressing my face against the glass as an eight-year old. I watched Rogue One with my brother, his eleven-year old son, and my own eleven-year old. And I really enjoyed it, in a complex way.

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Red Sonja 0

Red Sonja 0

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red-sonja-0Red Sonja first appeared in the pages of Conan the Barbarian back in the 1970s. Her distinct red hair, iconic chain mail bikini, and total indifference to absurdity quickly made her a fan-favorite. She next appeared in a string of solo adventures for Marvel Feature before getting promoted to her own series. Unfortunately, stories about a woman in a bikini fighting psychedelic monsters just became too silly and sexist as the She-Devil with a Sword made her way into the 1980s. A few years back, some hack wrote a bunch of articles for Black Gate about the glory days of Red Sonja, lamenting that she would never again be as crazy or as fun as she was in her 70s heyday.

Never say never.

Amy Chu and Carlos Gomez are heading up a new Red Sonja series in 2017 and, as a sort of pre-holiday treat, they’re offering a sixteen-page intro story at the super-low price of 25 damned cents. That’s cheaper than a lot of the original Red Sonja issues ran and I’m pretty sure they’re losing money due to printing costs alone. But they’re hoping that potential new readers will risk a quarter on a story that motivates them to stick around for the regular series. Will this gambit pay off? Time will tell.

The issue starts off with a splash page of Red Sonja running up a crumbling stairway, sword drawn in either hand, threatening a Godzilla-sized demon. It’s a badass introduction to our heroine. Or it would be, except for the fact that our first view of the She-Devil with a Sword is an upskirt shot. And Sonja’s not wearing panties. And that’s why I won’t be including panel shots with this review.

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