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Future Treasures: Shattered Warrior by Sharon Shinn and Molly Knox Ostertag

Future Treasures: Shattered Warrior by Sharon Shinn and Molly Knox Ostertag

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Sharon Shinn is one of our favorite writers around these parts. I know, I know, we have a lot of favorite writers. But do we have fond memories of mobbing them at breakfast with the entire Black Gate staff, as we do with Sharon? No, we do not.

Sharon has published more than 25 novels over the past two decades, including the Samaria series, Twelve Houses series, and the Elemental Blessings novels. Her latest project is a graphic novel with award-winning webcomic artist Molly Knox Ostertag (Strong Female Protagonist), titled Shattered Warrior. Set on a world conquered by the alien Derichets, it tells the tale of Colleen Cavenaugh, who toils in a factory for her alien masters, until the day her home is invaded by an unlikely band of human resistance fighters.

Here’s a scan of the inside flap, and a few sample pages to showcase some of Ostertag’s colorful art and character design.

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Breaking Into Comics as a Writer: Mucho Opportunities

Breaking Into Comics as a Writer: Mucho Opportunities

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I knew I wanted to be a writer basically when I learned how to write in English. That might have been as young as grade two, but certainly by grade three (I was in immersion school so we learned to read and write in French first).

My mother gave me my first four comic books in the summer between grades four and five, and I remember making plans with my best friend Eric (who liked to draw) about us making comics together.

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The Gestation of Cape and Cowl: Thoughts On Jess Nevins’ The Evolution Of The Costumed Avenger

The Gestation of Cape and Cowl: Thoughts On Jess Nevins’ The Evolution Of The Costumed Avenger

The Evolution of the Costumed AvengerThough he’s written short stories and three self-published novels, Jess Nevins is likely best known as an excavator of fantastic fictions past: an archaeologist digging through the strata of the prose of bygone years, unearthing now pieces of story and now blackened ashes of some once-thriving genre long since consumed and built over by its lineal successor. Across annotated guides (three to Alan Moore and Kevin O’Neill’s League of Extraordinary Gentlemen, one to Bill Willingham and Mark Buckingham’s Fables) and self-published encyclopedias (of Pulps and of Golden Age Superheroes with Pulp Heroes soon to come, as well as 2005’s Monkeybrain-published Encyclopedia of Fantastic Victoriana) Nevins has reassembled old pieces of fantastika, indicating direct influences on modern writing and establishing directories of almost-forgotten story. He’s one of the people broadening the history of genre, in his books, and in articles such as his pieces for io9 on the Victorian Hugo Awards that never were.

Now he has a new book about the development of the superhero and what came before. The Evolution of the Costumed Avenger is subtitled The 4000–Year History of the Superhero, and delivers what it promises. Much that has fallen into obscurity is brought to light in this book. Precedents are unearthed. Archetypal forms are catalogued. But more than that, and perhaps more valuable, known things are recontextualised. Four thousand years of the Western heroic tradition, if not of Western literary tradition, are here imagined in a new way: as prologue to the coming of the superhero. The superhero, lately so central to popular fiction on page and screen, here finds a new apotheosis as the lens through which all preceding heroes are to be perceived. As the end-point of evolution.

And that’s fair enough. That’s what a history often does, foregrounding its subject, putting it at the centre of things. Nevins does his job well, writing in a style that’s academic in its rigour and its careful references to other scholars, while avoiding the jargon and convoluted syntax that mars much academic writing. His prose is clear, yet dense with information, moving quickly while constantly introducing new facts and new ideas. Given the vastness of his subject the book’s quite brief and indeed perhaps too brief: barely 300 pages, though those (like me) who relish discursive and tangential footnotes will appreciate the further 50 pages of endnotes. Nevins’ research is excellent throughout, particularly in the chapters covering the last two or three centuries. As is perhaps inevitable I have some questions and some doubts; most of them revolve around the way that Nevins defines the book in its opening chapter, and around the concluding chapters where Nevins presents a brief history of post–Golden Age superheroes. But The Evolution of the Costumed Avenger is clearly a success, not just an entertaining book but one vital for its field; a work that provides much food for thought to any reader with an even marginal interest in its subject.

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When People Say the British Invasion of Comics, What Do They Really Mean?

When People Say the British Invasion of Comics, What Do They Really Mean?

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I think it’s a truism that either you have no taste as a child (The Golden Age of Science Fiction Is Ages 8-12 Effect) or that you just haven’t read enough to be discerning.

I think I’ve certainly suffered from being 12 as well as not having read enough. There are books and comics I read when younger that don’t do anything for me in my forties.

And there are good books and comics whose tropes have been so over-used that they’ve moved into the cliché.

That all being said, I think some good work was being done in American comics in the 1980s. Chris Claremont, J.M. DeMattis, George Perez, Walt Simonson, John Byrne, Marv Wolfman, Peter David and many others were delivering solid, A-level work. And younger folk like Frank Miller were bringing decidedly different sensibilities and tones to American comics.

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The Top 50 Black Gate Posts in February

The Top 50 Black Gate Posts in February

2000AD Free Comic Day-smallBack in December, Derek Kunsken’s enthusiastic review of Star Wars: Rogue One, “I Am One With the Force and the Force Is With Me,” shot up to #2 on our monthly traffic chart. Last month he claimed the #1 slot, and he didn’t need a blockbuster film to make it happen — he did it the old fashioned way, with a book review. The book in question was Thrill-Power Overload: A History of the British Comic 2000 AD, a detailed history of the legendary comic that launched Judge Dredd, Alan Moore’s D.R. and Quinch, Sláine, Rogue Trooper, Strontium Dog and countless others. Check it out.

Number 2 on the list for February was Mark Finn’s report on the Kickstarter for the first Skelos Press anthology, Chicken Fried Cthulhu, followed by Violette Malan’s survey of My Top Five Sword-Fight Movies, our obituary for GDW founder Loren Wiseman, and Andrew Zimmerman Jones’ interview with Paizo mastermind and Creative Director of their new Starfinder RPG, James L. Sutter.

Howard Andrew Jones’ review of one of his favorite recent games, the solitaire-suitable WWII simulation Heroes of Normandy, came in at #6 for February. At #7 was our report on the new Literary Wonder & Adventure Podcast from Robert Zoltan and his talking raven — featuring a lengthy interview with Black Gate‘s own Ryan Harvey on one of his favorite topics, Edgar Rice Burroughs. And close on its heels was our announcement of the 2017 Nebula Award Nominations.

Rounding out the Top Ten were Steven Brust’s summary of Five Roger Zelazny Books that Changed His Life, and Fletcher Vredenburgh’s January Short Story Roundup.

The complete list of Top Articles for February follows. Below that, I’ve also broken out the most popular overall articles, online fiction, and blog categories for the month.

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Warning: This Comic Will Make You Smarter – Top Cow’s Think Tank

Warning: This Comic Will Make You Smarter – Top Cow’s Think Tank

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Recently I’ve been reading Think Tankby Matt Hawkins and Rahsan Ekedal at Top Cow (under Image Comics). It’s a series that started in 2012, ran for about a dozen issues, has had subsequent small series since, and as of 2016, was under movie development.

It looks like a comic that was written for me.

Warning and apology: There is *no* fantasy in this post or in this comic. The story is based on the technology of right now, and what is easily plausible in the next decade or two. Strictly speaking, I would be hard-pressed to call it science fiction. It’s now, just the parts we don’t see.

But in a very real sense, it fits into the aesthetic of fantasy in that we are looking into an unfamiliar world through a story that tells us a lot about ourselves. So, sorry.

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In the Hot Seat: The Reviewer Gets Grilled: An Interview with Fletcher Vredenburgh

In the Hot Seat: The Reviewer Gets Grilled: An Interview with Fletcher Vredenburgh

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Fletcher is no stranger to the readers and fans of Black Gate. His articles and reviews are not only well-written, insightful and entertaining, they are extremely popular, as well. He is the “reviewer extraordinaire,” and his reviews have led me to read many books. I trust his opinion and his taste in what makes for a good novel. Fletcher is also one of the most voracious readers I have ever met; even in my prime, when I was reading about 2 books a week, I couldn’t top him. Tireless and energetic, Fletcher amazes me with his wonderful reviews, which are also very well written. He is not a “book critic,” however, as you’ll find out when you read my interview with him. He is a reviewer of books. A Master Review Writer. I’m happy I met him through social media, proud to call him my friend, and grateful to him for his great reviews of my books.

So let’s begin, shall we? Let’s see if we can find out what makes him tick, what he likes to read and his whole process for reviewing a book.

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Thrill-Power Overload: A History of the British Comic 2000 AD

Thrill-Power Overload: A History of the British Comic 2000 AD

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I love comic book history. I’ve got a few books at home of the golden and silver age of American comics I reread every so often.

I recently got the chance to check out Thrill-Power Overload, the history of the British comic book series 2000AD in honor of their 40th anniversary.

I usually read only American comics, but over the last two years, I’ve been reading 2000AD and Judge Dredd comics, both the recent ones, and some of the their collected volumes, so this was a timely discovery for me, and a fascinating one.

2000AD was an experiment when it launched in 1977. British comic books were weekly publications, and not glossy, and until the launch of 2000AD, they were very much targeting younger readers with pretty tame, conservative stories with production and artistic values that didn’t even credit the creators.

2000AD‘s editorial and creative team had a vision of a far edgier anthology science fiction comic book, one whose tone I can best describe as punk rock sensibilities seen in sequential story, or an anti-authoritarianism giving the finger to the world. The creators of the time call the tone comedy and violence.

It featured genetically-engineered soldiers, robot fighters (and fighting robots), soldiers, assassins, and most importantly, Judge Dredd, a futuristic police officer of centuries in the future, stopping crime in the combined roles of police, judge and executioner.

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I’m Ready For My Close-Up, Mr. DeMille: A Look at Image’s Glitterbomb

I’m Ready For My Close-Up, Mr. DeMille: A Look at Image’s Glitterbomb

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Last fall, Image released a new comic book series by Jim Zub (Wayward and Thunderbolts) and Djibril Morissette-Phan (The Ultimates, All-New Wolverine) called Glitterbomb, a horror story about fame and failure.

The first four issues are out, and a collected trade paperback of those 4 issues is hitting comic book shops and book stores in March. I read Glitterbomb, really enjoyed it, and got a chance to talk with the creators.

Here’s the synopsis:

Farrah Durante is a middle-aged actress hunting for her next gig in an industry where youth trumps experience. Her frustrations become an emotional lure for something horrifying out beyond the water…something ready to exact revenge on the shallow, celebrity-obsessed culture that’s led her astray. The entertainment industry feeds on our insecurities, desires, and fears. You can’t toy with those kinds of primal emotions without them biting back…

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Modular: Who Would Win? John McClane and James Bond versus a Tribe of D&D Goblins

Modular: Who Would Win? John McClane and James Bond versus a Tribe of D&D Goblins

Knights of the Dinner Table 142-smallI came across a fascinating piece by Noah J.D. Chinn in Knights of the Dinner Table issue 142 (August 2008). Chinn’s guest editorial for the “Gamer’s Pulpit” column is an intriguing analysis of how the realism bar for heroes has shifted radically from the days of our youth (us Gen Xers) until now.

The single most interesting fact he presents is a piece of data generated by Mike Hensley charting how many goblins a first level fighter could kill before dying across all iterations of Dungeons & Dragons (at that point there were 6 versions, 5th Edition not yet having debuted). He ran the combats at least 1,000 times for each fighter in a Javascript simulation program, with the fighter facing the goblins one at a time, producing an average for each version. This is what the data reveals:

  • OD&D: 2.7 goblins killed
  • BD&D: 4.1
  • AD&D1: 4.3
  • AD&D2: 7.3
  • D&D 3e: 10.1
  • D&D 4e: 23.4 Holy Crap!

(It would be interesting to further extrapolate from this data: Does it suggest that a 4e first-level fighter could, one-on-one, take out 4 or 5 OD&D fighters before succumbing? Or that a first-level 4e fighter is roughly equivalent to a third-level fighter in Basic?)

Chinn argues that this hero power inflation cuts across popular culture. He uses the Die Hard movies as an apt illustration:

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