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New Treasures: Cthulhu Lives!, edited by Salomé Jones

New Treasures: Cthulhu Lives!, edited by Salomé Jones

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Cthulhu Lives-smallI don’t know much about Ghostwood Books, but I know they produce attractive books. They have a small but intriguing back catalog, including the story cycle/anthology Red Phone Box, with contributions from Warren Ellis and Salomé Jones, and Marion Grace Woolley’s Iranian historical fantasy Those Rosy Hours at Mazandaran.

Jones has assembled a diverse array of contributors for her new anthology Cthulhu Lives!, including Michael Grey, Tim Dedopulos, G. K. Lomax, and many others. There’s also an afterword by Lovecraft scholar S.T. Joshi. Here’s the book description.

“That is not dead which can eternal lie, and with strange aeons even death may die.”

At the time of his death in 1937, American horror writer H.P. Lovecraft was virtually unknown. The power of his stories was too vast to contain, however. As the decades slipped by, his dark visions laid down roots in the collected imagination of mankind, and they grew strong. Now Cthulhu is a name known to many and, deep under the seas, Lovecraft’s greatest creation becomes restless…

This volume brings together seventeen masterful tales of cosmic horror inspired by Lovecraft’s work. In his fiction, humanity is a tiny, accidental drop of light and life in the vast darkness of an uncaring universe a darkness populated by vast, utterly alien horrors. Our continued survival relies upon our utter obscurity, something that every fresh scientific wonder threatens to shatter.

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The New York Times on Andrew J. Offutt

The New York Times on Andrew J. Offutt

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My Lord Barbarian-smallAndrew J. Offutt had a lengthy and successful career as a fantasy writer before his death on April 30, 2013 (which we reported on here.) He was one of the most popular writers in the Thieves World collective, with a trio of novels (Shadowspawn, Deathknight, and The Shadow of Sorcery), and his Conan pastiches, including Conan and the Sorcerer (1978) and Conan: The Sword of Skelos (1979), were highly regarded.

He also had an excellent reputation as an editor, in part due to his sword and sorcery anthology series Swords Against Darkness.

Offutt published fantasy under his own name, but the greater part of his output — chiefly early pornography — was written under a variety of pseudonyms. When he died he left his papers to his son Chris Offutt, who reports on his father’s unusual career in the Feb 5 issue of The New York Times Magazine, in an article titled “My Dad, the Pornographer.”

At 12, Dad wrote a novel of the Old West. He taught himself to type with the Columbus method — find it and land on it — using one finger on his left hand and two fingers on his right. Dad typed swiftly and with great passion. In this fashion, he eventually wrote and published more than 400 books. Two were science fiction and 24 were fantasy, written under his own name; the rest were pornography, using 17 pseudonyms… His primary pseudonym [was] John Cleve…

In the 1980s, John Cleve’s career culminated with a 19-book series for Playboy Press, the magazine’s foray into book publishing. The Spaceways series allowed him to blend porn with old-time “space opera,” reminiscent of the 1930s pulps, his favorite kind of science fiction. Dad’s modern twist included aliens who possessed the genitalia of both genders. Galactic crafts welcomed the species as part of their crews, because they were unencumbered with the sexual repression of humans and could service men and women alike. The books were popular, in part, because of their campiness, repeating characters and entwined stories — narrative tropes that later became standard on television.

Read the complete article here.

Vintage Treasures: Starshine by Theodore Sturgeon

Vintage Treasures: Starshine by Theodore Sturgeon

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Theodore Sturgeon Starshine Pyramid-small Theodore Sturgeon Starshine Pyramid 2-small Theodore Sturgeon Starshine Pyramid 3-small

For this installment of Vintage Treasures, we’re going to set the Wayback Machine for that far distant era of American publishing, when it wasn’t at all unusual for a midlist science fiction writer to publish a paperback collection clocking in at a slender 174 pages… and have it go through nearly a dozen printings in as many years. Ah, for the days when the American public had a greater appetite for short stories!

Starshine was Sturgeon’s thirteenth collection (thirteen short story collections! It boggles the mind). It included three novelettes and three short stories, spanning just over two decades of his career: 1940 to 1961. I’ve captured the covers of all the paperback editions in this article — if you’re an old-timer like me, maybe one of them will jog your memory.

The first edition of Starshine was the December 1966 Pyramid paperback (above left, cover by Jack Gaughan.) It was back in print less than two years later, in March 1969, with a new cover by Gaughan again (above middle). Why it needed a new cover, I dunno – I much prefer the original one.

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New Treasures: The Emerald Spire Superdungeon

New Treasures: The Emerald Spire Superdungeon

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The Emerald Spire-smallI’ve been playing AD&D with my kids and their friend Will a few days a month (yes, that’s first edition Advanced Dungeons and Dragons. It’s the only version I know how to play. Plus, used copies of the rules are still cheap.)

As I mentioned in my 2013 article, I’ve been gradually running them through Gygax’s classic adventure modules, and setting them on the Outdoor Survival map, just as Gygax used to do. Right now we’re in the middle of G2: The Glacial Rift of the Frost Giant Jarl, which is just as much fun as I remember it.

I mention this because they’ll soon be done with Gygax’s Against the Giants adventure modules, and I’ve been on the hunt for another epic adventure to involve them in. These days it’s superdungeons that get all the good press, and I can understand why. Nothing gets players excited like a truly epic adventure they can sink their teeth into.

I’ve been extremely impressed with the Pathfinder adventures I’ve purchased in the past — including the massive 420-page Rise of the Runelords, a gargantuan hardcover collection of the first six Adventure Path modules — so when I heard Paizo was releasing a standalone supermodule, I thought it would be worth checking out.

The Emerald Spire Superdungeon (yes, Superdungeon is part of the actual title — how cool is that?) was released last summer, and it’s as ambitious and as gigantic as I could have hoped. The dungeon spans a whopping 16 levels, designed by superstars like Ed Greenwood, Frank Mentzer, Michael Stackpole, Lisa Stevens, Sean K. Reynolds, and many others.

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Don’t Panic! It’s Nice to Know Douglas Adams Read Beyond Page 10!

Don’t Panic! It’s Nice to Know Douglas Adams Read Beyond Page 10!

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HHguide
Douglas Adams lived at a dark time…

So, Douglas Adams claimed: “I’ve started most science fiction books but only got to about page 10, I’m afraid, usually.”

Yet Hitchhiker’s Guide to the Galaxy is not only squarely Space Opera, it’s also part of the Space Opera tradition. Without the 10-page statement we’d just assume Douglas Adams had read the likes of Edmond Hamilton and, given the resonances, it’s fairly obvious that he did at some point and perhaps forgot about it (read first entry in this series for details).

Does this matter?

Adams probably wasn’t dissembling. Memory is untrustworthy.

However, if he was dissembling — if you reread the statement, he hedges a little (“most…. usually”) — then he had every right to.

Douglas Adams lived at a dark time when the cultural establishment, and thus those who looked to it for guidance, had a patronising attitude to popular entertainment in general and SF in particular. My old High School English teacher — who in all other ways was fantastic — actually had a poster on the wall explaining that real literature was about character and… literary stuff… and thus Science Fiction wasn’t literature.

SF was skin to put over magical realism or fairy tales, or just “a bit of fun” (chortle). Meanwhile anything that was SF&F but had forced itself into mainstream educated culture was treated as “not really genre”. Tolkien was treated as a sort of modern fabulist, not a Fantasy writer. Writers like Vonnegut were “literary” and “satirical”. Books like 1984 were “political allegories” or something else clever… and so on.

The logic was that SF&F was rubbish, so anything good could not be SF&F. Small wonder then if Douglas Adams wasn’t rushing to flaunt his imaginative roots.

But, was he actually laughing at us?

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The Future of Fantasy: February New Releases

The Future of Fantasy: February New Releases

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The Wide World’s End-small The Way Into Darkness-small Fortune's Blight-small

February is packed with a stellar line up of fantasy releases. If you’ve got a ski trip or high school reunion coming up, we recommend you cancel. If you seclude yourself in your room immediately, you may just have enough time to read a small fraction of the great books coming you way.

No way you can even keep up with them all without help, however. No worries — that’s what we’re here for. Sit back and relax, and we’ll fill you in on the top new releases in fantasy scheduled for February.

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Sequel to To Kill a Mockingbird to be Published After 55 Years

Sequel to To Kill a Mockingbird to be Published After 55 Years

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To Kill a Mockingbird Harper Lee-smallThis is the kind of story you want to fact check several times to make sure it’s not a hoax. But it appears to be legitimate.

AP is reporting that a long-lost novel by Harper Lee, written in the 1950s and believed lost, has been rediscovered and will be published in a 2-million print run by Harper (the publisher, not the writer) on July 14. It is a loose sequel to her Pulitzer Prize-winning To Kill a Mockingbird, one of the most popular novels in the English language. The 88-year old author released a statement through her publisher today:

In the mid-1950s, I completed a novel called Go Set a Watchman… It features the character known as Scout as an adult woman, and I thought it a pretty decent effort. My editor, who was taken by the flashbacks to Scout’s childhood, persuaded me to write a novel (what became To Kill a Mockingbird) from the point of view of the young Scout.

I was a first-time writer, so I did as I was told. I hadn’t realized it (the original book) had survived, so was surprised and delighted when my dear friend and lawyer Tonja Carter discovered it. After much thought and hesitation, I shared it with a handful of people I trust and was pleased to hear that they considered it worthy of publication. I am humbled and amazed that this will now be published after all these years.

Go Set a Watchman is 304 pages, and will be published as it was written over 50 years ago. It will be Lee’s second novel, and her first new release since To Kill a Mockingbird.

Read the complete AP article here.

What Price Immortality? In Yana, the Touch of Undying by Michael Shea

What Price Immortality? In Yana, the Touch of Undying by Michael Shea

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oie_34161QIl911YLAs I was rushing to get out of the house the other morning I remembered that I had to pick a book to read and review for this week. Nothing in the front row of my swords & sorcery shelves caught my eye so I started going through the books stacked in the back and still, nothing called out to me (that was short enough to read in just a couple of days). Finally I snagged the late Michael Shea’s In Yana, the Touch of Undying (1985). I saw the print was big, so even though it’s just over three hundred pages I knew it would be a quick read. I can’t believe that such lame criteria led me to this dynamite book.

Last year John O’Neill wrote that a friend had told him this book would change his life, though I didn’t remember that when I took up In Yana last Thursday. What I knew, from the back cover, was that the book featured a student named Bramt Hex searching for the secret of immortality in a world filled with ogres, ghosts, vampires, and lots of magic. From reading Shea’s very good Nifft the Lean, I expected a similar work of Vancian fantasy — dark, bizarre imagery laced with humor.

For the first chapter or two, In Yana appears to be just that. At 28, Bramt Hex has been a student for much of his life. He’s fat, worried about failing his final examination, and coming to dread what he assumes will be a life of day-in day-out dreariness in academia. When a wealthy dowager, the Widow Poon, enters the inn where he’s dining, Bramt allows a wave of romantic dreaming to sweep over him.

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Dual Structures in Fritz Leiber’s Fafhrd and the Gray Mouser Stories and Robin Wayne Bailey’s Swords against the Shadowland

Dual Structures in Fritz Leiber’s Fafhrd and the Gray Mouser Stories and Robin Wayne Bailey’s Swords against the Shadowland

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BaileyShadowlandRecently I completed my reading of all of Fritz Leiber’s Fafhrd and the Gray Mouser stories. After I had put down the second or fourth collection (this depends on how you approach the editions from White Wolf, which collected the books doubly in single volumes, and these are the publications with which I began my survey), I made some faintly denigrating comment on Goodreads (if I remember it correctly), something about the quality of these stories being like flies caught in amber. This was a metaphor for Leiber’s soupy, languid, highly embellished prose style.

But a year or so later, as I got to the end of The Knight and Knave of Swords and then the termination of Swords and Ice Magic, I found that I had really begun enjoying these stories. I had even begun to admire the writing style. So I bought, without question, Robin Wayne Bailey’s Swords against the Shadowland out of interest to see who possibly could be so foolish as to try to meet Leiber on his own brilliant terms.

Before I get to a review of Leiber and then, specifically, to Bailey, I want to detail the kind of place I come from. As I become a regular contributor to Black Gate, I realize that there are quite a number of books that I really should have read while I was growing up. Now, I’ve read a lot of fantasy. That will be apparent. But sometimes I pick up a new volume, open the cover, begin reading, and ask myself, “Why didn’t I read this twenty-five years ago?” One of the answers might be because of my intense snobbishness, a youthful shortcoming that I slightly touched on last entry. Another reason is because, at the beginning of eleventh grade, I artificially arrested the sheer volume of my high fantasy reading by consciously “growing up” and turning my back on the genre in preference for established “literary” pursuits. But also, as I cast my memory back through the years, I’m coming to believe that I didn’t read a lot of these works then because a lot of these weren’t all that visible.

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The Ballantine Adult Fantasy Series: Figures of Earth by James Branch Cabell

The Ballantine Adult Fantasy Series: Figures of Earth by James Branch Cabell

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Figures of Earth-smallFigures of Earth
James Branch Cabell
Ballantine Books (290 p, November 1969. $0.95)
Cover art by Robert Pepper

Okay, this one is probably going to be the last Cabell I read for a while. It turned out to be more of a slog than I expected. I’ll elaborate below.

Figures of Earth was the second volume of James Branch Cabell’s Chronicles of Fabled Poictesme, published as part of the Ballantine Adult Fantasy series. It is the story of how the swineherd Dom Manuel came to be the Count of Poictesme.

Poictesme is of course a fictional province in France. Cabell freely mixes real and imaginary locations in his work.

The story begins with Dom Manuel leaving his pigs to rescue the kidnapped daughter of a count from the sorcerer Miramon Lluagor. He hasn’t really been paying much attention to the pigs. Instead he’s been making human figures from clay because his mother told him from her deathbed that he should make a figure in the world. I suspect he misunderstood what she meant.

Anyway, Manuel sets off on his quest. Along the way, he meets the young woman Niafer, who is the one who actually gets them through the various magical traps along the way. Once they reach the sorcerer’s castle, they learn that things aren’t quite what they seem. The quest to rescue the princess is actually Miramon’s idea. She’s his wife, and he’s tired of her. Manuel and Niafer manage to reconcile the couple and start back down the mountain.

At the bottom of the hill, they are met by Grandfather Death. He is riding a black horse and has a white horse with him. Grandfather Death says that one of them must ride his white horse. Dom Manuel promptly volunteers Niafer to be the rider. She goes to her death without protest.

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