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The Final Battle Comes: The White Rose by Glen Cook

The Final Battle Comes: The White Rose by Glen Cook

oie_2935357GGMS7DGhWith The White Rose (1985), Glen Cook brought the original Black Company trilogy to an end. Taking place six years after the escape of the Black Company’s survivors in Shadows Linger, TWR contains three distinct stories. The foremost is Croaker’s account of the final days of the rebellion led by the White Rose against the Empire of the Lady. The second concerns the mysterious Corbie’s efforts to uncover what is happening in the Barrowlands where the Dominator, the North’s erstwhile Dark Lord and husband of the Lady, remains trapped. Finally, jumping back in time nearly a century, Cook presents the story of Bomanz, the wizard who released the Lady and her servitors from their shackles in the first place.

Under the leadership of Darling — revealed at the end of The Black Company to be the foretold champion, the White Rose — the rebellion consists mostly of spies scattered across the empire and a few dozen veterans holed up in caves in the middle of the Plain of Fear. The plain is an exotically magic-infused region where menhirs talk and move on their own and giant manta-like beasts fly from their roosts on the backs of thousand-foot-long windwhales. Those and lots of other strange things all bow down to the voiceless direction of Old Father Tree.

Sagey scents trickled across my nostrils. Air chuckled and whispered and murmured and whistled in the coral. From farther away came the wind-chimes tinkle of Old Father Tree.

He is unique. First or last of his kind, I do not know. There he stands, twenty feet tall and ten thick, brooding beside the creek, radiating something akin to dread, his roots planted on the geographical center of the Plain. Silent, Goblin, and One-Eye have all tried to unravel his significance. They have gotten nowhere. The scarce wild human tribesmen of the Plain worship him. They say he has been here since the dawn. He does have that timeless feel.

With the protection of the denizens of the Plain, the rebellion has survived. Now, though, even there its survival is in doubt. After two years of neglect, the Lady has ordered a massive assault on the Plain, surrounding it with five armies under the leadership of the Company’s greatest enemy, Limper. The only surviving member of the original Taken, victim of several plots led by the Company, and left for dead at the end of Shadows Linger, his hatred for them is boundless.

The only hope for the Company lies in discovering the Lady’s true name. Equipped with it, even the relatively minor wizards of the Black Company would be able to strip her of her powers. Long ago the Company captured — and lost — a cache of papers that might have contained that secret. Soon a race to recover those papers becomes central to any hope for the Company’s and the rebellion’s survival.

The account of Corbie’s detective work serves as the connector between the past and the present. Endeavoring to find out how the Dominator is attempting to free himself, Corbie must uncover the true nature of Bomanz’s own explorations. Secretly, he begins sending his findings to Croaker to help the Company.

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Announcing the Black Gate Book Club: Downbelow Station by C.J. Cherryh

Announcing the Black Gate Book Club: Downbelow Station by C.J. Cherryh

oie_2755519pv4ckfCiLast year, when I reviewed C.J. Cherryh’s The Pride of Chanur, Adrian Simmons mentioned he had been thwarted by her Hugo-winning Downbelow Station (1981). That led to him suggesting another go at it, but this time with the impetus of a reading group to spur him on and to discuss it. Thus the idea of the Black Gate Book Club was born. It’s taken a year to actually get around to getting this off the ground, but here we are.

For forty years, C.J. Cherryh has been a powerful voice in science fiction. Her work is noted for its “intense third person” style, where only things noticed by or of importance to the point of view character are included in the narration. Her science fiction is notable for its complex and detailed societies and its relative hardness.

Many of her books are set in the Alliance-Union universe. By the 24th century, humanity has spread to the stars. While Earth, overpopulated and culturally and economically stagnant, is ostensibly in charge of the merchant space stations and the few planetary colonies, that is not actually the case. Under the direction of a scientific elite, the planet Cyteen has declared its independence. In response, Earth has built a massive fleet of military vessels and sent them out to retake Cyteen.

Downbelow Station opens in the late days of the consequent war, when the forces of Earth are in retreat from the seemingly invincible fleets of Cyteen. Downbelow Station, a trading orbital above a planet in the Tau Ceti system, becomes the focal point of both military forces as well as a nascent third one: the independent merchants.

The plan is to read Downbelow Station over the month of June and post a discussion of it each Monday afternoon. This time around, the Book Club participants will include Adrian Simmons, Charlene Brusso, Chris Hocking, and me. We’d love it if you’d read along with us and join in the conversation.

 

With a (Black) Gat: Some Harboiled Anthologies

With a (Black) Gat: Some Harboiled Anthologies

The Black Lizard Big Book of Pulps-small(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

There are a lot of anthologies out there that collect old pulp stories and I’m using several for the With a (Black) Gat series. While my hard-boiled collection doesn’t remotely rival my Sherlock Holmes library (or even my Nixon/Watergate, Civil War and Constitutional Convention of 1787 libraries), I’ve managed to amass quite a bit of good reading.

Of course, I have novels and individual short story collections from Black Lizard, Mysterious Press, Hard Case Crime and other imprints, as well as anthologies of stories from just one author. But for this post, I thought I’d talk about a few of the multi-author anthologies I’m drawing on. I’ll do a similar post with a few of the reference books I’m tapping.

The Black Lizard Big Book of Pulps

I got the idea for the new column from this book. It’s one of a series of ‘Big Books’ edited by Otto Penzler. We talked about The Big Book of Sherlock Holmes Stories (which, of course, I own) here at Black Gate earlier. It’s a great series for collecting a wide variety of stories in a particular genre. This bad boy has more than 50 stories covering over 1,100 pages, including multiple tales from such pulpsters as Dashiell Hammett, Raymond Chandler, Paul Cain and Roger Torrey.

I like the interior artwork, which includes original illustrations from Black Mask, Dime Detective and Detective Fiction Weekly. I try to include at least one piece in each With a (Black) Gat post.

You can go to the book’s Amazon page and ‘Look Inside’ to see the Table of Contents. Quite frankly, I can’t imagine any pulp fan not finding this anthology to be an excellent buy. And if you were just starting out, this is probably my very first recommendation. It’s a fantastic collection and I’ll be talking about quite a few of the stories in With a (Black) Gat.
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A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

Rogue Moon Gold Medal-small Rogue Moon Gold Medal-back-small

Fawcett Gold Medal paperback original, November 1960. Art by Richard Powers

There are just too many books out there to read, too many still to get to, (too many that you’ll never get to!) and sometimes when you finally do read one of those older “classics,” the inevitable allowances you have to make for the style, the ideas, and the attitudes of an earlier era can make you come away feeling dissatisfied. You feel guilty even asking the question, but really, what was all the fuss about? What the hell was so “classic” about The Moon Pool anyway? So many vintage books seem to require the qualifying quotation marks.

There’s probably no genre as vulnerable to this sort of thing as science fiction. SF was always supposed to be the cutting edge, but let’s be honest; some of its most famous books — through no fault of anyone but Father Time — feel old. When the “door to tomorrow” starts to creak so loudly that you can hear the sound all the way across the parking lot, it can be pretty embarrassing. This is why it’s such a great pleasure to come across a “classic” (especially a neglected one) that lives up to and even exceeds its reputation, an older book that still has a dangerous edge that time has yet to dull.

Algis Budrys’ 1960 story of exploration, mortality, and the mystery of identity, Rogue Moon, is, I think, one of the most brilliant science fiction novels ever written, employing as it does some dusty old “gosh-wow!” pulp science fiction props with a new ambition and a deeper, more serious purpose.

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Future Treasures: The Year’s Best Military and Adventure SF, Volume 4 edited by David Afsharirad

Future Treasures: The Year’s Best Military and Adventure SF, Volume 4 edited by David Afsharirad

The Year's Best Military and Adventure SF Volume 4-smallOne of the things I’ve appreciated about David Afsharirad’s Best Military and Adventure SF, now in its fourth year, is that he seeks out the kind of fiction that routinely gets overlooked by the editors of the other Year’s Best SF books. The newest volume, coming in trade paperback next week from Baen, is no exception. Check out the table of contents.

Contest
Preface by David Afsharirad
“The Secret Life Of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
“The Snatchers,” by Edward Mcdermott (Analog Science Fiction and Fact, March/April 2017)
“Imperium Imposter,” by Jody Lynn Nye (Infinite Stars, 2017)
“A Thousand Deaths Through Flesh And Stone,” by Brian Trent (The Magazine of Fantasy & Science Fiction, May/June 2017)
“Hope Springs,” by Lindsay Buroker (Beyond the Stars: New Worlds, New Suns, 2017)
“Orphans Of Aries,” by Brad R. Torgersen (Rocket’s Red Glare, 2017)
“By The Red Giant’s Light,” by Larry Niven (The Magazine of Fantasy & Science Fiction, November/December 2017)
“Family Over Blood,” by Kacey Ezell (Forged in Blood, 2017)
“A Man They Didn’t Know,” by David Hardy (Rocket’s Red Glare, 2017)
“Swarm By Sean,” by Patrick Hazlett (Terraform, December 2017)
“A Hamal In Hollywood,” by Martin L. Shoemaker (Rocket’s Red Glare, 2017)
“Lovers,” by Tony Daniel (Forged in Blood, 2017)
“The Ghost Ship Anastasia,” by Rich Larson (Clarkesworld, January 2017)
“You Can Always Change The Past,” by George Nikolopoulos (Galaxy’s Edge, March 2017)
“Our Sacred Honor,” by David Weber (Infinite Stars, 2017)
Contributors

To see what I mean, you can compare Afsharirad’s selections versus other Year’s Best volumes coming out this year. Here’s a list with Tables of Contents for the other major 2018 volumes from Rich Horton, Gardner Dozois, Jonathan Strahan, Neil Clarke, John Joseph Adams, Paula Guran, Jane Yolen, and Michael Kelly.

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Birthday Reviews: Caitlín R. Kiernan’s “Glass Coffin”

Birthday Reviews: Caitlín R. Kiernan’s “Glass Coffin”

Silver Bird Blood Moon-small Silver Bird Blood Moon-back-small

Cover by Tom Canty

Caitlín R. Kiernan was born on May 26, 1964.

Kiernan novel The Drowning Girl was nominated for the Nebula Award, the World Fantasy Award, the Bram Stoker Award, the British Fantasy Award, the James Tiptree, Jr. Award, the Shirly Jackson Award and the Mythopoeic Award. It received the Tiptree and Stoker Awards. Kiernan also won a Stoker Award for the graphic novel Alabaster: Wolves. She won two World Fantasy Awards in 2014 for her collection The Ape’s Wife and Other Stories and the short story “The Prayer of Ninety Cats.” Kiernan has won four International Horror Guild Awards for her novels Silk and Threshold and for her short fiction “Onion” and “Le Peau Verte.”

“Glass Coffin” was originally published in Ellen Datlow and Terri Windling’s 1999 fairy tale anthology Silver Birch, Blood Moon. It is part of her Salmagundi Desvernine series of short stories. It was reprinted, along with the other three stories in the sequence, in Kiernan’s 2000 collection Tales of Pain and Wonder, along with several other short stories.

Although part of a series of stories featuring Salmagundi Desvernine and Jimmy DeSade, “Glass Coffin” can be read and understood on its own, although that understanding may be quite different for readers familiar with Kiernan’s other stories. “Glass Coffin” itself is a retelling of Snow White and the Seven Dwarfs. Replacing the woodland cottage of the more familiar setting is a salvage yard that was formerly Salmagundi’s family’s shipyard. The Dwarfs are replaced by the foster children Salmagundi has taken in. Each of the six children described have their own personality and abilities, with the seventh off stage. While they all await Jimmy DeSade’s return, Salmagundi cuts herself and dies for all intents and purposes.

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Wrestling with Genre: Robert V. S. Redick on Master Assassins

Wrestling with Genre: Robert V. S. Redick on Master Assassins

The Red Wolf Conspiracy-small

AN INTRODUCTION

I think I stumbled on my first Robert V. S. Redick book in the Westerly Public Library. Oh, those Halcyon days where I wandered at whim through the SFF stacks, idly selecting titles and reading first pages. If they happened to catch my interest, well then! Together we went to the Self-Checkout, and thence for home — and blissful, blissful book-chomping time.

Is this how Red Wolf Conspiracy came to my hand? I seem to remember thinking, for whatever reason: “Probably not for me!”… and then, like two seconds later, it’s dawn of the third day, and my eyeballs are twitching, and I’ve just finished it.

At which point, knowing me, I probably friended him on Facebook.

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Birthday Reviews: Vera Nazarian’s “Salmon in the Drain Pipe”

Birthday Reviews: Vera Nazarian’s “Salmon in the Drain Pipe”

Vera Nazarian After the Sundial-small

Vera Nazarian was born on May 25, 1966.

Nazarian was nominated for a WSFA Small Press Award for her short story “Port Custodial Blues” in 2007. The following year she received a nominated for the Nebula Award for Best Short Story for “The Story of Love.” She also received a Nebula nomination in 2009 for her novella The Duke in His Castle. In addition to writing, Nazarian has worked as the editor and publisher of Norilana Books since the company’s founding in 2006.

“Salmon in the Drain Pipe” was published as an original story in Nazarian’s collection After the Sundial, in 2010. The story has not been reprinted.

Nazarian’s “Salmon in the Drain Pipe” is a relatively short piece that has her protagonist looking at the wonders of nature in an unspecified future. As he looks more closely, however, he discovers that rather than being flora or fauna, what he is really seeing is the detritus of civilization filling lakes and grasslands. Fish moving through algae have been replaced by collections of bottlecaps.

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io9 on 28 New Sci-fi and Fantasy Books to Add to Your Shelves in May

io9 on 28 New Sci-fi and Fantasy Books to Add to Your Shelves in May

The Glory of the Empress-small Compulsory Games-small Wrath of Empire-small

Cheryl Eddy at io9 has a gift for you folks who’ve run out of things to read already this month (Seriously, how does that happen?? Whatever, we don’t judge.) A tidy list of 28 New Sci-fi and Fantasy Books to Add to Your Shelves.

28! How does she do that, and with astonishingly little overlap with John DeNardo’s list of the Best Science Fiction, Fantasy & Horror in May? I have no idea, but perhaps dark magics were involved, and maybe we shouldn’t question it. Let’s just dive into the list, and see what grabs us.

The Glory of the Empress by Sean Danker (Ace, 352 pages, $4.99 digital, May 1, 2018)

Amid a raging interstellar war, a group of soldiers develops a new weapon they hope will turn the tide in their side’s favor — not realizing their test runs in a far-off pocket of the galaxy will have unexpectedly towering consequences.

The Glory of the Empress is the third book in the series that began with Admiral (2016), which was selected by Amazon as one of the Best Books of 2016, and continued with Free Space (2017). While the first two were published in print and digital formats, this one is only available digitally.

Eeep! Is that a thing now? Hope that doesn’t frustrate too many old school readers… I’m frustrated, and I haven’t even read the first one yet.

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Vintage Treasures: Razored Saddles, edited by Joe R. Lansdale and Pat LoBrutto

Vintage Treasures: Razored Saddles, edited by Joe R. Lansdale and Pat LoBrutto

Razored Saddles-small Razored Saddles-back-small

Razored Saddles is the first Weird Western anthology I can recall. It was published as a limited edition hardcover from Dark Harvest in September 1989; I don’t usually buy limited edition hardcovers, but for this I made an exception.

I wasn’t even aware there was a paperback edition until I came across a copy three years ago at the Windy City Pulp and Paper Show. I loved the spooky new Avon cover by Lee MacLeod, but that copy was priced at $25 — more than I paid for the hardcover! I’m pretty good at tracking down paperbacks though, and now that I knew it existed, I figured I could find one at a reasonable price. And sure enough, I did, although it took longer than I expected. With the help of an eBay Saved Search, I finally found the unread copy above in March… priced at $7, less than a brand new paperback.

Razored Saddles had two co-editors. Joe R. Lansdale needs no introduction; these days he’s best known as the author of the Hap and Leonard series, crime novels made into the highly regarded series on SundanceTV. But he’s also the author of over 50 novels and 26 collections, including The Nightrunners (1987), By Bizarre Hands (1989), and The Bottoms (2000). He has won ten Bram Stoker Awards. Pat LoBrutto began working with a summer job in the mailroom of Ace Books, and soon graduated to editing the US editions of Perry Rhodan with Forrest J. Ackerman in 1974. He won the World Fantasy Award for editing in 1986, and co-edited Full Spectrum 2 (1989). He is currently an acquiring editor for Tor Books.

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