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New Treasures: The Revisionaries by A. R. Moxon

New Treasures: The Revisionaries by A. R. Moxon

I made my monthly pilgrimage to Barnes & Noble today, to pick up the latest issues of Asimov’s SF and Analog, and the last print issue of Interzone. And also to browse the SF section to see what was new.

I found a deep-sea horror novel by Mira Grant that I’ll probably write about later, the opening novel in a new Iron Druid spin-off series by Kevin Hearne, and The Revisionaries, a 600-page debut novel by A.R. Moxon that sounded very intriguing. When I came home and did a quick search, I found a lot of acclaim and tantalizing plot summaries — none of which gave me a true sense of what the book was about.

Martin Seay (author of The Mirror Thief) calls it “A headlong adventure yarn set in a vividly-imagined cityscape,” and The New York Times labeled it “A spectacular invention… One shudders to imagine what Moxon would do with the means to make a horror movie.” And writing at NPR, Black Gate blogger emeritus Amal El-Mohtar says “I’m almost irritated by how much I enjoyed it… I’m astonished by how compulsively readable it is.” Here’s a clip from her full review.

The Revisionaries takes place in at least three locales across at least four levels of reality and is composed in at least five typefaces. It is, by turns and often at once, surreal, absurd, horrifying, earnest and satirical….

I could say that it begins in a derelict place called Loony Island, with the sudden release of patients from a mental hospital, and becomes a retelling of the Biblical story of Jonah by way of a travelling circus and heaps of metafictional meditation on the difference between gods and authors, and that would be a start. It’s a literary puzzle-box that also put me in mind of a tidier, more self-conscious The Filth, and if I keep making comparisons to comics it’s because the book invites them, from its epigraph at the beginning quoting Scott McCloud to the transformation of a key character into a villainous caricature of Superman to the literal appearance, on page 415, of a really good cartoon.

Given all that, I’m astonished by how compulsively readable it is… Moxon’s a genuinely wonderful storyteller.

The Revisionaries was published by Melville House on December 1, 2020. It is 608 pages, priced at $19.99 in trade paperback. Get all the details here.

See all our recent New Treasures here.

Space Opera That Reshapes the Genre: A Desolation Called Peace, Book Two of Teixcalaan by Arkady Martine

Space Opera That Reshapes the Genre: A Desolation Called Peace, Book Two of Teixcalaan by Arkady Martine

The first two novels in the Teixcalaan series from Tor Books. Covers by Jaime Jones

Arkady Martine’s debut novel A Memory Called Empire was published in 2019, and was nominated for major awards, including both the Nebula and Hugo. Debuts don’t usually win awards, but that didn’t stop Martine — her first book won the Hugo Award for Best Novel, beating out competition from Seanan McGuire, Tamsyn Muir, Kameron Hurley, Charlie Jane Anders, and others. Andrew Liptak summed up some of the reasons in his rave review at The Verge, which called it “a brilliant blend of cyberpunk, space opera, and political thriller.” Here’s an excerpt.

Ambassador Mahit Dzmare, an emissary from the distant Lsel Station, is called to the center of the vast Teixcalaanli Empire after her predecessor winds up dead… The novel is set in the very distant future: humanity has spread throughout the stars, traveling from system to system by way of a stargate-style network. That’s allowed the Teixcalaanli Empire — a hungry, expansion-minded society — to spread its influence throughout inhabited space, its culture and knowledge stretching from system to system. Mahit Dzmare is the ultimate fish-out-of-water when she’s abruptly assigned to replace Ambassador Yskandr Aghavn, who perished in the empire’s capital city. Her home, a self-sustaining habitat, has remained free of the empire’s oversight, something of paramount importance to the inhabitants of Lsel station…

Unbeknownst to the Teixcalaanlis, the inhabitants of Lsel Station have a particularly advanced technology at their disposal: an Imago, a thumb-sized device implanted in their brainstem that essentially grafts a digital persona into their mind…

It’s an excellent, gripping novel with a brisk plot, outstanding characters, and plenty to think about long after it’s over.

The much anticipated sequel, A Desolation Called Peace, will be published by Tor Books on March 2, 2021. It is 496 pages, priced at $26.99 in hardcover and $13.99 in digital formats. The cover is by Jaime Jones. Publishers Weekly calls the second volume “A dizzying, exhilarating story of diplomacy, conspiracy, and first contact… This complex, stunning space opera promises to reshape the genre.” Read an excerpt at Gizmodo.

See all our recent coverage of the best new series SF and Fantasy here.

Future Treasures: Machinehood by S.B. Divya

Future Treasures: Machinehood by S.B. Divya

Machinehood (Saga Press, March 2, 2021). Cover by Richard Yoo and Zi Won Wang

S.B. Divya was nominated for a Hugo award for her groundbreaking work with Mur Lafferty on the hugely popular Escape Pod podcast. She’s published over a dozen short stories since 2014 in top-tier markets like Lightspeed, Tor.com, and Uncanny magazine, but her breakout book was Runtime (Tor.com, 2016), which was nominated for a Nebula Award for Best Novella.

Her latest is a near-future thriller with plenty of cyberpunk elements, set in a gritty futurescape run mostly by AIs. Publishers Weekly called Machinehood “stunning” in a rave review; here’s an excerpt.

Bodyguard Welga Ramírez is a disillusioned former Special Forces soldier who makes her living protecting CEOs and celebrities, using mechanical implants and a course of high-tech drugs to enhance her combat skills… Welga especially enjoys the opportunity to perform for the ubiquitous microdrone swarms that film and broadcast her every move. She even adds stylish action moves to her fights to improve her tips from her viewers. But when a job goes wrong, Welga faces a mysterious pro-AI terrorist group called The Machinehood. Determined to learn who they are and what they want, Welga heads into the very heart of The Machinehood’s operation… Divya keeps the pace rapid, and her crack worldbuilding and vivid characters make for a memorable, page-turning adventure, while the thematic inquiries into human and AI labor rights offer plenty to chew on for fans of big idea sci-fi. Readers will be blown away.

Machinehood will be published by Saga Press on March 2, 2021. It is 404 pages, priced at $27 in hardcover, $9.99 in digital formats, and $44.99 on audio CD. The cover was designed by Richard Yoo and feature 3D art by Zi Won Wang.

See all our recent coverage of the best upcoming SF and fantasy releases here.

The Art of Things to Come, Part 2: 1958-1960

The Art of Things to Come, Part 2: 1958-1960

The Fantastic Universe Omnibus, featured in the
September-October 1960 issue of Things to Come. Art by Virgil Finlay

As I mentioned in Part One of this series, like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976.

The bulletin of the SFBC, Things to Come, which announced the featured selections available and alternates, sometimes just reproduced the dust jacket art for the books in question. However, in many cases the art was created solely for the bulletin, and was not used in the book or anywhere else. Nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, and as a result hasn’t been seen by many SF fans. In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while this installment covers 1958-1960, presented chronologically.

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New Treasures: The Best of R. A. Lafferty, edited by Jonathan Strahan

New Treasures: The Best of R. A. Lafferty, edited by Jonathan Strahan

Two years ago, when The Best of R.A. Lafferty was published by Gollancz SF Masterworks, I wrote an excited New Treasures article that began like this:

Fabulous! Lafferty is one of my favorite short story writers, and far too much of his work — virtually all of it, really — is either long out of print, or available only in very expensive collector’s editions from Centipede Press. The prospect of a generous collection of his best short fiction in a compact and affordable trade paperback edition… seemed too good to be true.

It almost was. The Gollancz edition was very hard to acquire in the US (and it still is). Fortunately Tor Books saw fit to reprint the book as part of their own Tor Essentials line earlier this month, and it’s now widely available in a handsome and affordable trade paperback edition. Here’s the publisher’s description.

Tor Essentials presents science fiction and fantasy titles of proven merit and lasting value, each volume introduced by an appropriate literary figure.

Acclaimed as one of the most original voices in modern literature, a winner of the World Fantasy Award for lifetime achievement, Raphael Aloysius Lafferty (1914-2002) was an American original, a teller of acute, indescribably loopy tall tales whose work has been compared to that of Avram Davidson, Flannery O’Connor, Flann O’Brien, and Gene Wolfe.

The Best of R. A. Lafferty presents 22 of his best flights of offbeat imagination, ranging from classics like “Nine Hundred Grandmothers” and “The Primary Education of the Cameroi” to his Hugo Award-winning “Eurema’s Dam.”

Introduced by Neil Gaiman, the volume also contains story introductions and afterwords by, among many others, Michael Dirda, Samuel R. Delany, John Scalzi, Connie Willis, Jeff VanderMeer, Kelly Robson, Harlan Ellison, Michael Swanwick, Robert Silverberg, Neil Gaiman, and Patton Oswalt.

This is a joyous, wonderful, and wholly surprising book that belongs in the collection of every serious science fiction reader. Here the complete Table of Contents.

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L. Frank Baum’s Oz Series #3: Ozma of Oz

L. Frank Baum’s Oz Series #3: Ozma of Oz

I’ve been doing more reading with my 10-year old niece and book 3 of L. Frank Baum’s Oz series was a real treat. While I’d seen the Wizard of Oz of course, Ozma of Oz was the first book I’d read and luckily it can be read entirely fine with nothing more than the 1939 movie as an introduction. This book was also my introduction to the otherworldly art of John R. Neill.

Ozma of Oz was published in 1907, and as I’ve noted in my previous posts, L. Frank Baum’s series is really the first major American fantasy world. The story begins with Dorothy travelling with Uncle Henry on a steamer to Australia. A storm picks up and Dorothy is washed overboard.

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Vintage Treasures: Nebula Award Stories 17 edited by Joe Haldeman

Vintage Treasures: Nebula Award Stories 17 edited by Joe Haldeman

Nebula Award Stories 17 (Ace Books, 1985). Cover by Jeffrey Ridge

I’ve covered a few noteworthy anthologies here in the last few weeks, including Isaac Asimov’s surprising Tin Stars, and Donald A. Wollheim’s excellent 1989 Annual World’s Best SF. It’s sharpened my appetite for good anthologies, and when I found Nebula Award Stories 17 in a small collection of vintage paperbacks I bought in eBay last month, I knew I’d found my next weekend read.

The Nebula Awards anthologies have been published continuously for over five decades, ever since Damon Knight launched the series in 1966 to raise money to fund the Nebula Awards for the Science Fiction Writers of America. Volume 17 was the first (and only) one to be edited by Joe Haldeman, who by then had won a Nebula for his groundbreaking novel The Forever War (1975), and would win it again for the novella “The Hemingway Hoax” (1990), the short story “Graves” (1993), and the novels Forever Peace (1998) and Camouflage (2004).

Nebula Award Story 17 appeared in hardcover in 1983, but wasn’t published in paperback by Ace until 1985. It contains stories still remembered warmly today, including William Gibson’s “Johnny Mnemonic,” made into a Keanu Reeves film in 1995, Poul Anderson’s Hugo and Nebula-award willing novella “The Saturn Game,” Michael Bishop’s Hugo and Nebula nominee “The Quickening,” an excerpt from Gene Wolfe’s classic novel The Claw of the Conciliator, and a lot more. There are two stories from Terry Carr’s Universe 11, two each from Omni and F&SF, and the rest from magazines and anthologies like Asimov’s SF, Analog, and More Wandering Stars. Here’s the complete TOC, and a look at some of the magazines the stories originally appeared in.

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Ghost Lovers with Educated Minds: Ghosts of the Chit-Chat, edited by Robert Lloyd Parry

Ghost Lovers with Educated Minds: Ghosts of the Chit-Chat, edited by Robert Lloyd Parry

Ghosts of the Chit-Chat (Swan River Press, December 2020).
Cover by John Coulthart

Ghosts of the Chit-Chat
Edited by Robert Lloyd Parry
Swan River Press (255 pages, December 2020)
Cover by John Coulthart

There are books and BOOKS. And this one is of the latter. Not simply an anthology of supernatural  and ghost stories, but also the faithful, fascinating description of a Society (or Club) flourishing at Cambridge University, the Chit-Chat, members of which included famous authors of dark fiction such as Montague Rhodes James, the three Benson brothers and others.

The volume includes profiles of the more distinguished members, their activity at Cambridge and their consequent literary achievements. For each of these writers,  examples of their fictional output are featured. 

MR James’ work is represented here by the two “ghost” stories he read at the Chit-Chat meeting on October 28, 1893 ( “The Scrap-book of Canon Alberic” and “Lost Hearts”) in slightly different versions from those included in his subsequent collections. The stories are too well known to require any specific comment in the present review.

EF Benson’s contribution is “ The Other Bed,” a classic ghostly tale conveying a strong sense of dread, set in a hotel room where a suicide had taken place.

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Eternity vs. Infinity: Isaac Asimov’s The End of Eternity

Eternity vs. Infinity: Isaac Asimov’s The End of Eternity

The End of Eternity by Isaac Asimov; First Edition: Doubleday, 1955.
Cover art Mel Hunter.

The End of Eternity
by Isaac Asimov
Doubleday (191 pages, $1.95, Hardcover, August 1955)
Cover art Mel Hunter

Just as Arthur C. Clarke’s The Deep Range, which I reviewed here last time, was one of the latter novels of Clarke’s early period (which I defined as everything from his first novel Prelude to Space in 1951 to 2001 in 1968), so is The End of Eternity one of the latter novels of Isaac Asimov’s early period (which I’ll define as everything from his first books I, Robot and Pebble in the Sky in 1950 through the 1960s, before Asimov “returned” to writing science fiction with the first of his later novels, The Gods Themselves, in 1972). (We can see that Asimov’s and Clarke’s early and later periods were virtually contemporaneous, since Clarke also “returned” to SF with Rendezvous with Rama in 1973.)

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Future Treasures: Transgressions of Power, Book 2 of The Broken Trust by Juliette Wade

Future Treasures: Transgressions of Power, Book 2 of The Broken Trust by Juliette Wade

Mazes of Power and Transgressions of Power (DAW, 2020/21) Covers by Adam Auerbach

I admit I got a little excited by the release of Mazes of Power last year, mostly because it’s set in a thousand year-old cave city (and if I have to explain why that’s so cool, we can’t be friends). But the series has become even more interesting with the impending release of the sequel, Transgressions of Power, arriving in hardcover in two weeks. Here’s an excerpt from the starred review at Publisher’s Weekly for the opening volume.

Wade’s excellent high fantasy debut, the first in the Broken Trust series, invites readers into an intricately constructed and morally ambiguous world full of complex political maneuvering and familial pressure. For centuries, the cavernous city of Pelismara has housed the 12 Great Families that comprise the noble class of the city’s strict caste system, who cling to the glory of a long-faded golden era. When a mysterious illness known as Kinders fever kills the city’s Eminence, the 12 families vie to fill the power vacuum. It’s up to 17-year-old Tagaret to represent his family in the competition to become heir to the throne, but his sociopathic brother Nekantor’s twisted attempts to help their family ascend to power threaten to tear down everything… The impressively winding plot, layered worldbuilding, and psychologically acute characterizations are sure to hold readers’ attention. Wade is an author to watch.

The sequel picks up the tale of the deadly battle for succession, in which brother is pitted against brother in a desperate bid for power. Transgressions of Power will be published by DAW Books on February 23, 2021. It is 480 pages, priced at $27 in hardcover, $14.99 in digital formats, and $29.99 for the audio version. Read the first seven pages of the first book here.

See all our coverage of the best upcoming science fiction and fantasy here.