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Top Choice October: Dracula ‘58 (Horror of Dracula)

Top Choice October: Dracula ‘58 (Horror of Dracula)

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dracula-58-title-on-coffin-with-bloodOctober films come in two flavors for me: Universal and Hammer. I have affection for almost any Gothic horror films these studios produced during their Golden Ages (1930s and ‘40s for Universal, 1950s and ‘60s for Hammer), even the lesser entries. The studios have such opposite visual approaches to similar material — the black-and-white shadows of Universal, the rococo lurid colors of Hammer — that they create a perfect Yin and Yang for Halloween, a Ghastly Story for Whatever Suits Your October Mood.

And what suits my mood best, most of the time? Hammer’s 1958 Dracula, released in the U.S. as Horror of Dracula. This isn’t my top pick of the Hammer canon — I lean toward two 1968 films for that honor, Frankenstein Must Be Destroyed and The Devil Rides Out — but it is the film I turn to more than any other when the calendar changes into the deep orange and serge hues of the Greatest Month.

Dracula ‘58 is my favorite version of the Dracula story, and perhaps my favorite vampire anything — with the possible exception of Matheson’s novel I Am Legend. It has flaws, but scoffs at me for even thinking that they exist. It is so desperately alive, so exploding with its own entertainment value, and so rich in execution that it never fails to be “exactly what I wanted to watch tonight.” I can say that about few films, even objectively better films.

Dracula is the cornerstone of the Hammer Film Productions legend, and an icon of the Anglo-Horror revival that seized the 1960s. Hammer had already entered the field of horror with their science-fiction “Quatermass” films, the intriguing spiritual spin-off X the Unknown, and the unusual creature-search adventure The Abominable Snowman. In 1957, the studio made their first color period horror movie, The Curse of Frankenstein, which whirled far away from both standard source materials — Mary Shelley’s novel and the 1931 James Whale film starring Boris Karloff — to represent an accidental manifesto of the new terror. It also introduced the horror-watching world to the double-team of Peter Cushing (Doctor) and Christopher Lee (Monster).

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Wormy: The Dragon‘s Dragon

Wormy: The Dragon‘s Dragon

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WormyIt begins with an imp, some dwarves, a stolen set of bowling balls, and a cigar-smoking dragon in a flat newsboy cap. It gets stranger from there, sprawling through an epic of long-jawed mudsuckers, oddly literate stonedrakes, bad puns, bounty hunters, and some of the most spectacular color comics pages you can imagine.

I’m talking about Wormy, a comic by David Trampier which ran in the back of Dragon magazine, one to four pages per month, from 1977 to 1988. Trampier, whose artwork helped define the feel of First Edition Dungeons & Dragons, created a lush, memorable tale, one that deserves to be better known today. You can see a large chunk of it here, though most of the comic seems to be offline.

What was it about? As I said, it began with Wormy, a green dragon with a cigar, who’d stolen some bowling balls from a group of dwarves. The dwarves show up to try and get them back, which leads to complications involving a group of brutal but occasionally cunning card-playing ogres (Wormy steals their poker pot when they’re not looking), a minotaur, a talking bear in a Robin Hood hat, a whole community of trolls, and a Brooklyn-accented imp. Then somewhere in there one of the balls gets broken, and a demon comes spilling out. So when we cut to a wizard named Gremorly, “somewhere at the end of this weird world,” plotting to steal the dwarven treasure, we’re not that surprised.

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Apex Magazine 17 Arrives

Apex Magazine 17 Arrives

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apex-oct-10aThe October issue of Apex Magazine is now available.

Apex is a magazine of Dark Fiction, publishing science fiction, fantasy, horror, and “mash-ups of all three.”  Single issue price is $2.99, and they are available in ePub/PDF/LIT/PDB/ LRF/mobi/RB/prc formats, which is more formats than I knew existed. A lot more, if I’m honest about it.

They have an October Financial Goal meter right on the website, so you can see exactly how your purchase impacts the bottom line, which is fairly gratifying.  If I did that, I’d have to have a separate meter for the uncontrolled pulp purchases currently depleting the Black Gate bank account. Stupid eBay.

Original fiction this issue is from Ian Tregillis and Brenda Stokes Barron, and there’s a special reprint by Ekaterina Sedia. Poetry is by Rose Lemberg and Elizabeth McClellan.

Their September issue apparently snuck past us, but we did profile August.  So we’re not completely asleep.

Apex Magazine is edited by the lovely and tireless Catherynne M. Valente.

The E-book Revolution

The E-book Revolution

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star-soldier1An atomic bomb has exploded in the world of writing. The mushroom cloud expanding over us awes some and terrifies others. Many claim it’s a passing thing and will blow away in time.

“Fah! I’ve seen other explosions before,” say the critics. “This, too, will fade.”

“Look,” they add, “only ten percent of readers will use Kindle, Nook, iPad or read on their computers. Everyone else will stick with print.”

The critics have a masterful argument, too. Smell. “A book smells sooo good,” they say. “I love the odor.”

I call them snifffers. Until the E-book Revolution, I had no idea so many people lovingly lifted their books to their nose like a bouquet of roses and inhaled the odor.

“Ahhh, just smell this, honey. Oooo, it gets me in the mood.”

Like Guttenberg’s printing press, the E-book Revolution is changing the dynamics of the game.

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Short Fiction Roundup

Short Fiction Roundup

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cover002-150Salon Futura is a recently launched online non-fiction magazine for essays and reviews about science fiction and fantasy. Therehugo-12 have been several attempts to do this sort of thing, most of which have had short life spans (anyone remember the Internet Review of Science Fiction?), but with Cheryl Morgan on the masthead, whose Emerald City book review blog was up for 12 years, this perhaps might have more staying power. On the other hand, this is a paying market, so if you’re interested in critical discussions of SF/F genre, you might want to consider hitting the donate button. Here’s the short fiction review for the October issue by Karen Burham.

Morgan, by the way, is also the non-fiction editor of 2010 Hugo award winner Clarkesworld magazine. Publisher Neil Clarke (oh, that’s why the magazine is called that) writes about winning the Hugo and other developments here.

A Peek at The Way of the Wizard

A Peek at The Way of the Wizard

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WAY OF THE WIZARD hits stores on Nov. 16.
The Wizard hits stores on Nov. 16.

It’s almost here! Next month Prime Books releases its new fantasy anthology paperback, THE WAY OF THE WIZARD. It features 32 stories of sorcerers, wizards, magicians and the like. In addition to luminaries like Neil Gaiman,  George R. R. Martin, Robert Silverberg, and Peter S. Beagle (among others) it features my own story, “The Thirteen Texts of Arthyria.”

Editor extraordinaire John Joseph Adams just announced the book’s complete table of contents:

WAY OF THE WIZARD

– Table of Contents –

-Introduction by John Joseph Adams
–In the Lost Lands — George R.R. Martin
–Family Tree — David Barr Kirtley
–John Uskglass and the Cambrian Charcoal Burner — Susanna Clarke
–Wizard’s Apprentice — Delia Sherman
–The Sorcerer Minus — Jeffrey Ford
–Life So Dear Or Peace So Sweet — C. C. Finlay
–Card Sharp — Rajan Khanna
–So Deep That the Bottom Could Not Be Seen —  Genevieve Valentine
–The Go-Slow — Nnedi Okorafor
–Too Fatal a Poison — Krista Hoeppner Leahy
–Jamaica — Orson Scott Card
–The Sorcerer’s Apprentice — Robert Silverberg
–The Secret of Calling Rabbits — Wendy N. Wagner
–The Wizards of Perfil — Kelly Link
–How to Sell the Ponti Bridge — Neil Gaiman
–The Magician and the Maid and Other Stories — Christie Yant
–Winter Solstice — Mike Resnick
–The Trader and the Slave — Cinda Williams Chima
–Cerile and the Journeyer — Adam-Troy Castro
–Counting the Shapes — Yoon Ha Lee
–Endgame — Lev Grossman
–Street Wizard — Simon R. Green
–Mommy Issues of the Dead — T. A. Pratt
–One Click Banishment — Jeremiah Tolbert
–The Ereshkigal Working — Jonathan L. Howard
–Feeding the Feral Children — David Farland
–The Orange-Tree Sacrifice — Vylar Kaftan
–Love is the Spell That Casts Out Fear — Desirina Boskovich
–El Regalo — Peter S. Beagle
–The Word of Unbinding — Ursula K. Le Guin
–The Thirteen Texts of Arthyria — John R. Fultz
–The Secret of the Blue Star — Marion Zimmer Bradley

So I’m sandwiched in between Ursula K. LeGuin and Marion Zimmer Bradley. Not a bad place to be!

You can pre-order WAY OF THE WIZARD at Amazon.com

Cheers!
John

Mary Shelley’s Frankenstein and the Power of Myth-Making

Mary Shelley’s Frankenstein and the Power of Myth-Making

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wrightson-frankensteinMary Shelley’s Frankenstein: or, The Modern Prometheus is a remarkable work. The book had its origin as a ghost story concocted during a weekend gathering of the literati on Lake Geneva. It became the modern myth best reflecting the ethical and moral issues that arise when technology consistently outpaces its maker’s ability to reconcile progress with the established strictures of society. It remains a classic cautionary tale that has lost none of its relevance nearly 200 years since its publication. Despite this fact, it is an intensely personal story with strong autobiographical touches.

frankenstein2Mary Wollstonecraft Godwin was born in the late eighteenth century to outspoken liberal political theorist William Godwin and pioneering feminist Mary Wollstonecraft. Her mother died of complications giving birth to Mary. She grew up revering her parents’ work and was encouraged by it to ceaselessly question authority in any form. At age 16, Mary began an affair with one of her father’s most ardent followers, the poet Percy Bysshe Shelley who was five years her senior and married with small children.

Percy left his wife and family to travel the continent with Mary and her stepsister, Claire. He enjoyed affairs with both young women. Their unconventional living arrangement engendered much public outrage and ostracism wherever they went. Mary became pregnant with Percy’s child, but the little girl died shortly after birth. Mary’s father, who had criticized the institution of marriage in his writings, inexplicably turned his back on his unwed daughter for her licentious behavior.

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Goth Chick News: Let the Screaming Commence

Goth Chick News: Let the Screaming Commence

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image004It’s the first of October and that means the countdown has started.

For the next thirty days there will a lineup of great stuff on TV, a schedule full of movie festivals and new theater releases, a litany of themed events and a virtual plethora of options for combining adult beverages and questionable behavior.

In short, it’s thirty days until my favorite date on the calendar: Halloween.

For the next month I will average approximately four hours of sleep per night in a manic attempt to juggle my intrusive day job with all the after-dark activities available only this time of year. Soon I will begin to resemble the pale and sallow creatures of my Midnight Movies and bug-eyed demons of the local haunted attraction, but it matters not. I will sleep on November the first.

You don’t have to be utterly obsessed with All Hallow’s Eve to enjoy October. With an internet connection and a little tenacity, you can expend as much or a little cash as you wish and still have a ripping good time.

Here are my top three suggestions for ways to enjoy the only time of year when adults can act like juvenile delinquents in public, and no one cares.

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Art Evolution 4: David Deitrick

Art Evolution 4: David Deitrick

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In my ongoing Art Evolution series, I explained my plan to collect ten of the greatest fantasy role-playing artists of all time for a shared project. They were to illustrate a single character in their most recognizable style. So far, the list has included Jeff Laubenstein, Eric Vedder, and Jeff Dee, with this week adding again to that prestigious list.

a-doomsday-254Three down, and I now had a “1st Edition D&D Lyssa”, but I’d only scratched the surface of my goal and all the artists I’d collected so far weren’t cold calls. These were people I’d already worked with, friends and partners, and the list that remained loomed much larger than this current success. I kept asking myself, ‘do you want this for you, or do you want it for something greater?’

I chewed on that as I read through an old Dragon magazine one afternoon in late August [a pastime I strongly suggest doing once a month to anyone still role-playing]. While reading, I stumbled on a beautiful advertisement for the Traveller RPG.

I recognized the art as something I’d loved in my teens, but had no idea who drew it. Going to my bookshelves I pulled down a copy of FASA’s House Davion supplement for Battletech and managed to put a name to a style… David Deitrick.

I remembered him from a hundred different pictures that had shaped my role-playing life in the late eighties. Everything about his work screamed military, and that style lent so well to the science-fiction bent of the companies he helped characterize.

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Seventy-Eight Cards to a Better October: The Halloween Tarot

Seventy-Eight Cards to a Better October: The Halloween Tarot

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halloween-the-worldhalloween-back-of-cards1October has come, my favorite time of the year. I have my special rituals during this season, such as reading classic weird tales (Algernon Blackwood and M. R. James are among my top picks for seasonal fun) and evenings watching Universal and Hammer Horror films.

Another tradition I have is dragging out of the sock draw my Essential October Totem: Kipling West’s The Halloween Tarot, published by U.S. Game Systems, Inc. If I ever needed to describe to someone all the wonders of my favorite holiday, all of its joys and sensations and beauties and cross-cultural marvels, I would simply hand them this deck of seventy-eight colorful cards with their black-and-orange silhouetted backs and say, “Look through that. Then you’re ready for October. Now, where’s the candy? You got Pixy Stix? Okay, then I’ll take a Baby Ruth.”

Collecting tarot decks is a minor hobby of mine, one I don’t indulge in that often, but over a decade has brought into my hands about forty different decks, ranging from historical reproductions of the original tarocchi decks of fifteenth-century Italy (back when tarot was simply a game, the origin of the modern playing deck) to utter modern weirdness like The Tarot of Baseball, where The Devil has become The Manager. Tarot, for me, is strictly an art hobby with some historical interest and potential for creating stories from the images. I know the meanings of the archetypal symbols on the cards and the history of how these meanings got invested into a deck of playing cards (there’s some fascinating Renaissance history and 18th and 19th-century occult revival stuff behind it), but have zero belief in the New Age “fortune-telling” aspect of tarot. I just love seeing how different artists interpret the symbolism.

The Halloween Tarot deck is an idealized nostalgic childhood look into Halloween traditions—which include fortune-telling games at parties. Kipling West’s artwork is simple, sturdy, and extremely autumnal and affecting. She based the images on the most famous of modern tarot decks, the Waite-Smith—sometimes called Rider-Waite, after the Rider Card Company that first published it in 1910—that was developed by Arthur Edward Waite and illustrated by Pamela Coleman Smith. This is the deck that almost everyone thinks of when they imagine tarot; Smith’s images, especially for the numbered cards (which were rarely fully illustrated in older decks) have become the standard template for most modern deck interpretations.

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