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Author: Vaughn Heppner

A Look behind Lod’s World, or How to Strike Gold

A Look behind Lod’s World, or How to Strike Gold

Lod in "The Oracle of Gog," by Vaughn Heppner (from Black Gate 15). Art by Mark Evans.
Lod in "The Oracle of Gog," by Vaughn Heppner (from Black Gate 15). Art by Mark Evans.

Believable world creation lends greater enjoyment to fantasy and science fiction stories. One need merely consider some of the classics like The Lord of the Rings or Robert E. Howard’s Conan the Barbarian to see how vital this is. Dune also comes to mind or Asimov’s Foundation series. In fantasy, Tolkien is the accepted master at world creation, having invented alphabets and entire new languages for his books.

Edgar Rice Burroughs added another trick to this in the Pellucidar and John Carter of Mars novels. Usually in the introduction, Burroughs went to great length to tell us how he received the various manuscripts from the hero of the tale. In this way, he helped create the illusion of reality. It was a powerful practice and was copied by such different authors as Lin Carter and John Norman, both ERB imitators.

It seems that the more one can attach the fantasy world to the real world, the greater becomes the reader’s ability to suspend his disbelief. This temporary suspension of disbelief is considered critical in order for the reader to enjoy a fantasy story.

Howard’s Hyborian Age chronicle helped give the impression that the Conan stories and the earlier Kull tales had taken place in man’s distant past. This feel of reality gives the story greater depth. Instead of feeling as if the hero walks on a cardboard stage, we feel as if he moves through a genuine world and thereby we enjoy the tale more.

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The E-book Revolution

The E-book Revolution

star-soldier1An atomic bomb has exploded in the world of writing. The mushroom cloud expanding over us awes some and terrifies others. Many claim it’s a passing thing and will blow away in time.

“Fah! I’ve seen other explosions before,” say the critics. “This, too, will fade.”

“Look,” they add, “only ten percent of readers will use Kindle, Nook, iPad or read on their computers. Everyone else will stick with print.”

The critics have a masterful argument, too. Smell. “A book smells sooo good,” they say. “I love the odor.”

I call them snifffers. Until the E-book Revolution, I had no idea so many people lovingly lifted their books to their nose like a bouquet of roses and inhaled the odor.

“Ahhh, just smell this, honey. Oooo, it gets me in the mood.”

Like Guttenberg’s printing press, the E-book Revolution is changing the dynamics of the game.

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