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Mortals, Meet the Dark and Twisty: A Review of Goblin Fruit, Part III

Mortals, Meet the Dark and Twisty: A Review of Goblin Fruit, Part III

header2Hallo again, Ye Faithful Paladins of the Black Gate!

So nice to hobnob with you here, with every mother’s child of you looking so ruddy and so spry. Ah. I notice that since last we met you’ve invested in cold iron and a few sprigs of rowanberries. Protective charms. Hedge-witchery. Well done! I mean, it probably won’t protect you from the wrath of the mighty Goblin Hordes in the long run, but nice try anyway! You’re learning.

So, look. In Part I and Part II of this here saga, I introduced y’all to the myth, mischief and magic that is Goblin Fruit Magazine. In my final homage to the Goblin Queens, editrices Amal El-Mohtar and Jessica P. Wick, I feel it worth mentioning their literary endeavors independent of Goblin Fruit, both prose and poetry, which may be found in such places as Strange Horizons (Amal’s “And Their Lips Rang with the Sun, for example, and Jess’s “How Wizards Duel”), Mythic Delirium, and Cabinet des Fées.

That’s just the beginning of their genre-spanning conquest, of course, but this is the 21st Century. Our friend “Google” will take you the rest of the way.

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Return of the Monster…

Return of the Monster…

NOTE: Regular readers of this blog will notice I’ve been somewhat absent of late…the reasons for this are several, mainly the fact that I’m working to finish the revisions on a new novel. But tonight I’m so excited that I just had to share this post from my personal blog with my Black Gate pals…

Cover art for the new Monster Magnet album "Mastermind", coming to planet earth on Oct. 25. The BullGod is the band's space-rock mascot.

Oh, my brothers and sisters. There comes a time when all the Rock Dreams and Psychedelic Fantasies of your life emerge and blend with a shifting reality paradigm that manifests something truly Great and Special. There is a time when the Cosmos opens its starry mouth and smiles at us, spitting glorious glowing meteors through transistorized frequencies. There comes a time when the Sonic Threshold dilates and gives birth to a continuum of swirling planetoids and the Music of the Spheres resonates like colliding asteroids to thunder in the chambers of the mind with the pulsing of rogue supernovae…and we must open our ears and let the Big Beautiful Universe spill into our consciousness on waves of Almighty Sound…

That time has come around again…the time of a brand-new album release from the gods of psychedelic space-rock, the great and powerful MONSTER MAGNET. In an age of declawed radio, corporate-manufactured psuedo-rock, and the celebration of mediocrity that is mainstream music, the MONSTER rises once more from its crucible of dead stars to light up the cosmos with a new dose of sonic fury.

The new album is called MASTERMIND. The first single is “Gods and Punks”, and the video tells a lurid tale of a down-and-out supervillain roaming the back alleys of Los Angeles trying to recapture his lost glory.

Check it out right here.

 

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Max Headroom Re-re-returns

Max Headroom Re-re-returns

downloadedfile1If you don’t understand the headline, you’re probably too young to remember Max Headroom, originally a British television movie that became a short-lived series for American broadcast (1987-1988) featuring a computer generated talking head–that would be Max–who later became a music video host, a “spokesperson” for New Coke (and if you don’t know what New Coke was, you’re really too young to care about this), and later brought out of retirement in the United Kingdom to explain the switch from analog to digital TV (this, you might remember). Though, today, any 12 year old with a cheap laptop could probably program a character like Max, back in the 1980s this was beyond the technical reach and budget constraints of broadcast television; Max was played by Canadian actor Matt Frewer outfitted in a latex get-up to make him appear pixalated.

I was excited to learn that the series had recently been released for the first time on DVD: I vaguely remembered the program from its initial broadcast (because, yeah, I’m that old) and was eager to revisit something I remember as being very cool.

Alas, as Tom Wolfe used to say, you can’t go home again.

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Blogging Alex Raymond’s FLASH GORDON, Part Four: “Caverns of Mongo”

Blogging Alex Raymond’s FLASH GORDON, Part Four: “Caverns of Mongo”

caverns-mongo

 “Caverns of Mongo” was the fourth installment of Alex Raymond’s FLASH GORDON Sunday comic strip serial for King Features Syndicate. Originally printed between March 3 and April 14, 1935, “Caverns of Mongo” picked up the storyline where the third installment, “Tournaments of Mongo” left off with Emperor Ming having made Flash a royal King of Mongo and awarded him and Dale the savage uncharted cave kingdom of Kira to rule.caverns_mongo_book1

Flash and Dale are accompanied on their journey by Captain Khan and a squad of loyal Hawkmen who were ordered by Vultan to aid them. The kingdom of Kira is wonderfully prehistoric peopled with Neanderthal-like cliff-men, winged dactyl-bats, carnivorous plants, and a man-eating sauropod. This may be standard lost world fare, but with the introduction of the cannibalistic lizard-men as the true villain of the piece, there is no mistaking the influence of Edgar Rice Burroughs.

While Jules Verne and Sir Arthur Conan Doyle had popularized the concept of lost prehistoric lands that survived to the modern age, it was Burroughs who perfected the mixture of lost world and pseudo-science in both his Caspak and Pellucidar series. The latter in particular are the strongest influence on Alex Raymond here with the lizard-men portrayed as not only the more advanced culture, but a decidedly evil one. The scene where Flash (rendered unconscious in the lizard-men’s ambush) is taken to their lair and prepared as the tribe’s meal is particularly chilling.

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Goth Chick News: Satan Took the Elevator, But I Took the Stairs

Goth Chick News: Satan Took the Elevator, But I Took the Stairs

image0043“For the love of God, not another one!”

I was in the midst of exchanging text messages with my regular movie-date crowd, trying to decide what we were going to see. At the top of my list was a new release called Devil which to its apparent detriment, had M. Night Shyamalan’s name attached to it.

You remember him, right? He’s the director who once told us amazing stories such as The Sixth Sense and Signs, but of late has attempted to force feed us unpalatable drivel like The Happening and The Last Air Bender.

M. Night is an amazing teller of tales. Were we all sitting around a campfire while he scared the crap out of us with masterful plot twists, I would never want to go home.

But apparently when he’s handed an all star cast and a multi-million dollar studio budget, what might have been an unforgettable fable makes me want to slit my wrists, at least lately.

If only M. Night would stick to the story-telling and leave the movie making to someone else…

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Art Evolution 3: Jeff Dee

Art Evolution 3: Jeff Dee

t1-254

In the first installment of this series, I explained my plan to collect ten of the greatest fantasy role-playing artists for a shared project to illustrate a single character in their best known style. For that one I chose Earthdawn and Shadowrun artist Jeff Laubenstein.

And now the Art Evolution blog series continues into Week 3, after last week’s contribution from Exalted artist Eric Vedder.

OK, so two down and I had an ‘Exalted Lyssa‘. As pleasing as that was, I still needed more ammunition before I started blind solicitations.

In another stroke of ‘luck’ I was already a horrible failure as a writer. As such, I’d spent time marketing a wretched book I’d written in 2006 that I’d worked with Jeff Dee on some illustrations for.

To me, Dee was a must for the article, all of his work at TSR a kind of Holy Grail of RP art.

My imagination still wonders if the zombie on the cover of T1: The Village of Hommlet has grappled or bit the unfortunate warrior pictured there.

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Batman: Under the Red Hood

Batman: Under the Red Hood

batman_under_the_red_hood_posterBatman: Under the Red Hood (2010)
Directed by Brandon Vietti. Featuring the Voices of Bruce Greenwood, Jensen Ackles, Neil Patrick Harris, John DiMaggio, Jason Isaacs, Wade Williams.

Warner Bros. Animation’s series of straight-to-video PG-13 releases set in the DC Comics universe has been a great success. Starting in 2007 with Superman: Doomsday (which completely embarrassed the previous year’s live-action Superman Returns) the team at Warner Bros. that originally kicked off the DC Animated Universe with Batman: The Animated Series has turned out high quality, adult-slanted fare that has even excited me about characters that I don’t usually care much about, like Wonder Woman and the Green Lantern.

But, no surprise, much of the new DVD series has featured Batman, the hottest property in Warner Brothers’ DC catalog because of the huge success of the Christopher Nolan-directed movies. Batman got his own compilation disc with Batman: Gotham Knight (set in the Nolan-verse and featuring a round-robin of top anime-directing talents), co-starred with Superman in Superman/Batman: Public Enemies (an adaptation of the Jeph Loeb-written arc in the popular Superman/Batman ongoing comic), and played a major part in Justice League: The New Frontier and Justice League: Crisis on Two Earths.

Now Batman has his second solo-starring release in the series. Based on a recent popular storyline in Batman’s eponymous comic book that tied into the mega-crossover event “Infinite Crisis,” Batman: Under the Red Hood brings PG-13 to the small screen in a big way. In fact, the film flirts with a “soft R” rating, and it’s definitely not for children—unless you don’t mind your children watching not one but two brutal beatings with a crowbar.

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Black Gate 14 Sneak Peek: “The Price of Two Blades” by Pete Butler

Black Gate 14 Sneak Peek: “The Price of Two Blades” by Pete Butler

twobladesclrWe finally reach the novellas as we commence Part II of our online inventory of the massive Black Gate 14, and we start with Pete Butler’s “The Price of Two Blades,” one of the most acclaimed stories we’ve published in some time. Here’s what Luke Reviews said:

A story-teller and entertainer sits down to learn a new story for his repertoire, and finds much more. This is an absolutely brilliant piece. The novella flew by, playing both with action fantasy and the art of telling stories. One of the best pieces of short fiction I’ve read from 2010, it would be an injustice for this one not to win some awards.

Over at SF Site, Sherwood Smith says:

Butler’s well-crafted, deceptively simple frame-tale holds its own with dark, convincing emotional resonance. A wandering bard arrives at a village, and is curious about its cemetery, which is full of beautiful marble headstones of the sort that only the rich can afford. When he sees that most of the headstones share the same death date, he’s determined to get the locals to give him the story… and he hears the tale of the cost people paid in evoking magic, and the gods, to get rid of a bandit lord. The story builds to a solid double-punch that lingers effectively.

And John Ottinger III at Grasping for the Wind gushes:

Spectacular… a story of a pact made with old gods that costs a high and terrible price… Butler’s clever build of suspense and mystery, use of religious magic that costs a price, and multiple viewpoint telling of the story keep the reader glued to the action as it unfolds. This is undoubtedly one of the best stories of this issue, perhaps one of the best Black Gate has yet published.

 “The Price of Two Blades” appears in Black Gate 14. You can read an excerpt here, and the complete Black Gate 14 Sneak Peek is available here. You can find additional reviews of the entire issue here.

Art by Malcolm McClinton.

The Weather: Part Art, Part Science, and Part… Magic?

The Weather: Part Art, Part Science, and Part… Magic?

poison-study2Predicting the weather is an art and a science… yes, really, it’s a science, believe me. I spent four years at Penn State University learning chemistry, calculus, physics, thermodynamics, and fluid dynamics to earn my Meteorology Degree – I should know.

Did that transform me into a great forecaster? Er…no. So I must have relied more on my artistic side, right? Er… no again. Good thing for the masses of people that might have relied on me to forecast their daily weather that I decided to go into environmental meteorology, and work with air quality and air pollution instead. Did you hear that sigh of relief? I did.

Eventually, I ended up changing careers and becoming a writer (long story, but it involves boredom, rage, despair, dissatisfaction, and sex… you really don’t want to know, trust me). But it seems my initial love of weather and storms wouldn’t just die quietly.

No, it found ways into my writing without my conscious consent. My first book, Poison Study, has a very rare weather phenomenon that my one friend (a meteorologist that can forecast – imagine that!) has been the only person to recognize.

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Reconsiderations: The Book of The Dun Cow and The Book of Sorrows

Reconsiderations: The Book of The Dun Cow and The Book of Sorrows

The Book of the Dun CowOne of the characteristics of a great book is that you can go back to it at different times in your life and get different things out of it. But then sometimes the reverse happens: you read a book before you’re ready. If you’re lucky, though, the book hangs around in the back of your mind, and eventually you pick it up again and find out what you weren’t able to grasp the first time around.

When I was in elementary school, someone gave me a copy of The Book of the Dun Cow, by Walter Wangerin, Jr. I read it, but I didn’t particularly appreciate it. Many years later, I bought another copy, and was much more impressed. I also understood why I didn’t care for it as a child. Not long ago, I found a copy of the sequel The Book of Sorrows. Reading the books together I was impressed again.

The books are an animal fantasy, set when “the earth was still fixed in the absolute center of the universe. It had not yet been cracked loose from that holy place, to be sent whirling — wild, helpless, and ignorant — among the blind stars. And the sun still traveled around the moored earth, so that days and nights belonged to the earth and to the creatures thereon, not to a ball of silent fire. The clouds were still considered to flow at a very great height, halfway between the moon and the waters below; and God still chose to walk among the clouds, striding, like a man who strides through his garden in the sweet evening.”

Humans have not yet been made, and the world is inhabited by animals, who talk and think. And they have a purpose, which is to act as Keepers against Wyrm, the evil that dwells in the heart of the earth and wants to ruin all creation. It is the connection between the animals — their community — that keeps Wyrm from rising. The two books describe two particularly vicious assaults by Wyrm against his keepers, and what happens to the animals as a result.

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