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PRIMORDIA: The Hardcover Arrives

PRIMORDIA: The Hardcover Arrives

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How about a nice graphic novel?

It’s been a long time coming, but it’s finally here: The ultimate hardcover collected edition of PRIMORDIA, the “stone-age faerie tale” written by me and illustrated by the amazing Roel Wielinga.

The original series was released by Archaia in 2007, but the hardcover is the ultimate edition of the tale. It also includes tons of extras: a new wrap-around cover, a new short story by Yours Truly, new illustrations and sketches from Roel, a groovy pin-up gallery, my original PRIMORDIA ashcan, and other behind-the-scenes goodness, as well as an introduction by the great Kat Rocha (Titanium Rain).

Here’s an extensive preview from Archaia: http://www.archaia.com/archaia-titles/primordia/

The hardcover hit comic shops across America yesterday, but is available from Amazon for a cool 15 bucks:

http://www.amazon.com/Primordia-John-R-Fultz/dp/1932386262/ref=sr_1_1?ie=UTF8&qid=1331856517&sr=8-1


Goth Chick News: The Best of The Haunted Attractions Show

Goth Chick News: The Best of The Haunted Attractions Show

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Ernie
Ernie
“You brought back a what?”

“A shrunken head.”

“A shrunken head of what?”

“Umm…supposed to have been a person I guess.”

“And you’re happy about this acquisition?”

“More like ecstatic, actually.  I mean as souvenirs go…”

Sometimes the Black Gate staff still isn’t sure what I’m doing in their offices or whether they just left the front door unlocked once too often and I somehow just wandered in; left behind by a traveling midnight showing of  The Rocky Horror Picture Show.

Still, when I returned from my St. Louis road trip, fresh from attending the 2012 Haunted Attractions Show, the curiosity was palatable and far be it from me to disappoint.

The 17th annual gathering of all things disturbing and their creators was a huge success, cram-packed with enough material to keep me in posts for several weeks to come.

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Art of the Genre: Jean Giraud ‘Moebius’ 1938-2012

Art of the Genre: Jean Giraud ‘Moebius’ 1938-2012

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moebius-flightThis week I take on the sad task of doing the obituary piece for the passing of another great industry artist. I don’t think these things hit me quite as much when I simply read about the death of an artist until I started doing Art of the Genre, but now that I take the time to look back and speak about a career, it’s somehow even more of a loss.

To me, Jean Giraud was simply a man with a strange alias, Moebius. I didn’t know him well, or his work for that matter. He was a Frenchman, a comic guy, and the two didn’t run into my creative circle of artistic knowledge as well I they probably should have.

Still, Moebius was ever my enigma, and when I did my list of the Top 10 Fantasy Artists of the Past 100 Years back in 2011, Moebius might not have made the final list but he did receive a healthy number of votes from all the industry insiders I polled. This fact wasn’t lost on me, but as time is ever crunched and fleeting I went about with other work and never got back to studying why it was that Moebius had placed so highly on knowledgeable people’s lists.

Today, as I write this, I’ve finally come to realize why. I may not have known Moebius in his personal art, but that isn’t to say I don’t know him in so much of the art I love. You see, Moebius, for all the wonderful things he did with his own hand, was perhaps better known for those he influenced with that work.

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John Carter of Mars Post-Game: Six Reasons to Feel Better

John Carter of Mars Post-Game: Six Reasons to Feel Better

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tars-tarkas-cheers-up-john-carter-of-marsJohn Carter of Mars (yes, I have chosen to flat-out call the film by that name going forward, as per its end title card) drew in approximately $30.6 million in domestic box-office over the weekend according to online tracker Box Office Mojo. This is better than some of the gloomier Cassandra predictions, and even superior to the lowered tracking numbers from the days right before the film’s release that pegged it at $25 million.

But I won’t sugarcoat this for fans or lie based on my long experience tracking box-office results: these numbers do not augur well. (If you want to hear a more objective — and therefore grimmer — analysis, read Box Office Mojo’s take on this. It isn’t pretty.) The new film couldn’t even best last week’s #1 film, The Lorax, which held over to take the top spot despite a standard a 44% drop in attendance. It performed $5 million less than last year’s Battle: Los Angeles, a more modest film that cost a third of John Carter of Mars’s $250 million budget.

In the contemporary crowded marketplace, films live and die based on opening weekends. Only occasionally can a film continue to coast for weeks at a time on steady attendance. But this sort of support doesn’t usually happen for big event films, which tend to be front-loaded. Smaller movies like The Help can get a slow-burn going, but not $250 million tent pole epics and hopeful franchise catalysts like John Carter of Mars.

The film did pull in an impressive $70 million at overseas markets, and in the long run the movie will turn a profit for Disney, albeit not a huge one. But the chance of us seeing Andrew Stanton direct The Gods of Mars feels remote at this point. Prince of Persia did similar numbers in 2010, with a $30 millions U.S. opening leading to a poor $91 million overall domestic gross, while pulling in big international coin — and you aren’t hearing about a sequel to that coming out next year. Disney will probably announce during this week that they will go ahead with a John Carter sequel, but that’s standard promotional talk to make a show to the public that the company has confidence in the film, and perhaps get a few more folks into the cinemas during the second weekend. Remember, Disney immediately announced a sequel to Tron: Legacy, and Warner Bros. for Green Lantern — and neither of those will happen.

At this point, the best hope that filmgoers have to see more Barsoom is for John Carter of Mars to keep steady attendance through the next few weeks. With The Hunger Games poised to take a big bite out of its demographic in two weeks, this battle will be fought uphill against a raging horde of warriors from Warsoon on thoat chargers.

But in the face of this negative news, there are some reasons for pulp literature, science-fiction, and fantasy fans to feel good about John Carter of Mars. Taking the path of the Stoic, I present six things to consider that might give you some cheer about the film’s performance:

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New Treasures: Allen K’s Inhuman Magazine #5

New Treasures: Allen K’s Inhuman Magazine #5

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inhuman-magazine-5Allen Koszowski is almost supernaturally talented.

I first hired him more than a decade ago, when I was desperate to find an artist who could capture the eldritch horrors of Edmond Hamilton’s classic “The Monster-God of Mamurth,” a tale of ancient desert ruins and unlucky explorers from the August 1926 Weird Tales, which I reprinted in Black Gate 2. Allen’s work for Cemetery Dance, Whispers, and Weird Tales convinced me he was the guy.

He delivered three knockout pieces of art (see the first here). And the envelope they arrived in was stuffed with additional pieces which he offered for free. It was remarkably generous, and I was glad I was able to hire him again for Black Gate 3.

Since 2004 Allen has been publishing his own horror magazine, Allen K’s Inhuman Magazine. Every issue he assembles the top names in dark fantasy and horror, and he handles the art for each story personally.

The results have been consistently excellent, but with Issue 5 Allen has outdone himself. This issue Centipede Press has taken over production, and the magazine looks better than ever. To showcase other artists Allen has added a gallery, highlighting the Lovecraft Mythos work of Randy Broecker, Bob Eggleton, Jill Bauman, David Carson, and others, although Allen still handles the cover and interiors. Click on the image at left to get a closer look at his cover art for this issue.

This issue features fiction by Michael Shea, Darrell Schweitzer, Tim Curran, Tim Waggoner, James S. Dorr, Christopher M. Cervasco, John Pelan, and many others. The magazine is huge — 208 pages! — and copiously illustrated. It is perfect bound for the criminally low price of just $6.95, which makes it the single best buy you’ll hear about all week.

My thanks to my buddy Chris Cervasco for tipping me off that the magazine was available. Like many beautiful and precious things, copies can be hard to come by. I bought mine from the excellent online seller The Overlook Connection, who still have most issues in stock. There’s also ordering information on Allen’s website.

Support an excellent magazine, and discover a terrific source of quality dark fantasy. It’s a win-win. Buy your copy today!

Apex #34 and Black Static #27

Apex #34 and Black Static #27

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apexmag03_12

This month’s Apex Magazine features ”A Member of the Wedding of Heaven and Hell” by Richard Bowes  and ”Copper, Iron, Blood” by Mari Ness; the classic reprint is “Lehr, Rex”  by Jay Lake, who is interviewed by Maggie Slater.

Julie Dillon provides the cover art: Julia Rios and editor Lynne M. Thomas penned nonfiction columns round out the issue.

429_large1Further details about this on-line publication can be found here.

The February-March Black Static features new horror fiction from Simon Bestwick (”The Churn”), Gord Sellar (”Empty of Words, thePage”), Jacob Ruby (”The Little Things”), V.H. Leslie (”Family Tree”) and Stephen Bacon (”Cuckoo Spit”).

Nonfiction by the usual suspects, Peter Tennant, Christopher Fowler, Tony Lee, and Mike Driscoll.
The editor is Andy Cox.

Black Static alternates monthly publication with sister SF and fantasy focused Interzone.

Retro Movie Posters

Retro Movie Posters

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nimoy-in-die-hardOver at his blog, artist and designer Peter Stults has been having fun with “What If…” movie posters, depicting retro versions of great modern films — complete with a re-imagining of the entire cast and crew.

This sort of thing has been done before, but I’ve rarely seen it done with such a deft touch, both artistically and in his spot-on cast selections.

Probably my favorite is Leonard Nimoy as New York cop John McClane in the re-imagined Die Hard.

But I also greatly enjoyed seeing Sean Connery and Christopher Lee in The Fifth Element; Dean Martin, Jerry Lewis and Jack Lemmon in The Hangover; Steve McQueen and Faye Dunaway in The Terminator; and especially Frank Zappa as The Big Lebowski.

Stults has shown more than some fine skill with Photoshop, however. His design sense  is terrific, and he unerringly mimics a wide range of Hollywood advertising styles through the decades. One of his best is the faux poster for Fritz Lang’s magnum opus 2001: A Space Odyssey (written in German, naturally).

He’s been adding more posters each month. Check out the latest here.

It’s worth the click just to see John Wayne as Superman (and who else but a young Clint Eastwood as the menacing General Zod?).

Bram Stoker’s Dracula Reconsidered

Bram Stoker’s Dracula Reconsidered

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200px-dracula1stbram-stoker-dracula-1Bram Stoker’s Dracula (1897) has gradually won acceptance in literary circles over the past few decades as a legitimate work of literature after years of being dismissed as an influential work in a genre unworthy of serious consideration. Horror, much like mystery and fantasy, has always been dismissed as lowbrow entertainment. If mass acceptance is any measure of success, the book’s place has long since been secured. It is the only one of Stoker’s titles that has never fallen out of print at any point in the past 115 years. Public domain copies abound alongside dozens of editions from popular presses.

Most readers who happen upon this article are likely familiar with the book. Enthusiasts can be divided into two camps, although this division is rarely spoken of in polite company. The deciding factor that divides the two elitist camps is based solely on the matter of whether or not one chooses to accept “Dracula’s Guest,” the posthumously published excised chapter of an earlier draft of the novel, as an integral part of the story.

For most, the inclusion of the fragment is the deciding factor that determines whether one is obliged to purchase a particular edition of the book to sit alongside the others that inevitably collect upon one’s shelf. The more discerning consumer will also consider the placement of the story before or after the text of the novel as a deciding factor for a purchase. Contrarians will inevitably dismiss the fragment for the minor continuity errors it introduces to the narrative. Their smug dismissal sits rather uncomfortably in the face that the novel itself contains several other quibbling points of equal inconsequence. Sadly, the enlightened defender of “Dracula’s Guest” is invariably the more rational and less vocal of the two groups. Needless to say, I choose not to reveal which camp I fall into so as to preserve my objectivity and not alienate those heathen who fail to appreciate it.

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Goth Chick News: 17th Annual Halloween and Attractions Show

Goth Chick News: 17th Annual Halloween and Attractions Show

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image003It’s that time of year again.

You can tell because the blender in the underground offices of Goth Chick News is cranking out frozen adult beverages at a terrific clip, fueling the preparations for TransWorld Exhibits’ annual bacchanalia of special effect grossness.

This weekend one lucky Black Gate photographer and I will sign out one of the company vehicles (which I assure you with not be that oft-mentioned zeppelin) and head south toward St. Louis, MO in search of the latest trends in all things Halloween and horror.

Though I have been known to lose members of my team in the Leg Avenue adult costume section, and I myself have been known to become woozy when hob-knobbing with some of Hollywood’s lords of gore, the HAA never fails to yield amazing content and must-have products.  This year my personal holy grail consists of an autograph and interview with Tony Moran, who played the original Michael Myers.  And then there’s all the swag we collect from vendors in pursuit of a coveted “5 Bat Award” for best in show products (for instance, who can forget the Blood Energy Drink dispensed in blood donation hang bags?).

Attending the HAA is a job perk of working at Black Gate as it’s an “industry only” event not open to the public.

But fear not!

We’ll make sure you don’t miss a thing and to hold you over, here’s a little video clip from the 2011 show.

Is there something in particular you’re looking for to add to your own Halloween decorations?  Ever wonder how a particular movie horror effect is done? What to know if Michael Myers is boxers or briefs? Post your question here and I’ll ask the experts at the HAA.

Art of the Genre: Top 10 Fantasy Swords

Art of the Genre: Top 10 Fantasy Swords

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montoya-300One of the things I’ve always enjoyed in the realm of fantasy has been the sword. There’s just something so pure about a good blade at your side, and if that weapon is somehow touched with magic or fate then all the better.

Something so ancient and primal is attached to a sword, and even when the world has outdated their use they still find their way into science fiction just because of the nostalgic power they evoke. Space pirates have swords ala Captain Harlock, and Jedi carry their glowing Lightsabers ‘which are not as clumsy or random as a blaster‘, to name just a couple of instances where time couldn’t deny man’s need for a blade at their side.

I myself have dreamed of blades, forged them with my imagination and made them come alive in both my writings and my games over the past thirty years. There is a power in such creation, and it goes back beyond my ability to remember my early childhood yet I see my own reflection in the actions of my son as he started swinging sticks in phantom duels as early as age three.

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