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The Original Science Fiction Stories, November 1958 and May 1960: A Retro-Review

The Original Science Fiction Stories, November 1958 and May 1960: A Retro-Review

The-Original-Science-Fiction-Stories-November-1958-small2Recently, our esteemed editor John O’Neill blogged about having bought a set of copies of The Original Science Fiction Stories… so it occurred to me that a Retro-Review of a couple of those issues might be interesting. And here it is — something I wrote a few years ago, slightly polished.

Perhaps a long article about Robert A. W. Lowndes’s editorial career would be interesting. His career was rather odd. Off and on for some two decades, he edited two magazines in various combinations: Future, and Science Fiction Stories. For a time, they were the same magazine, called Future Combined With Science Fiction Stories.

Actually, for a couple of different times, they were the same magazine under that title. Charles Hornig was editor for the first few issues of both magazines, from 1939-1941, then Lowndes took over and, as far as I can tell, he was the only editor until the magazines finally limped to an end in 1960.

There were two main phases of publishing these titles: from 1939 through 1943, then from 1950 through 1960. I don’t think there is another example of a single editor being associated, for so long, through so many title changes and hiatuses, with the same publications. He apparently never had much of a budget to work with, either. The publisher, I suppose throughout these magazines’ history, was Columbia Publications. (In the 60s, Lowndes edited one more magazine, the Magazine of Horror.)

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Exploring the Naval Museum in Madrid, Spain

Exploring the Naval Museum in Madrid, Spain

The good old days, when scientific instruments were works of art.
The good old days, when scientific instruments were works of art.

This week I intended on doing part two of my history of Somalia, but I haven’t had time to do the research. I got bogged down in finishing an archaeology booklet I was contracted to write, as well as dealing with National Novel Writing Month (22,332 words and counting!). So we’ll talk about the medieval empires of Somalia next week. This week I want to share some photos I took at the Museo Naval here in Madrid.

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Can You Really Role Play on a Board?: Pathfinder: Rise of the Runelords

Can You Really Role Play on a Board?: Pathfinder: Rise of the Runelords

Pathfinder Rise of the Runelords-smallFantasy board games have tried to capture the addictive nature of role playing for decades, but without much real success. In the past few years though, a number of dungeon-delving games have come close, including Descent, Talisman Fourth EditionCastle RavenloftLegend of DrizztClaustrophobia, and a few others. In his recent review of Paizo’s second Adventure Card Game Base Set, Skull & Shackles, Scott Taylor fingered another contender, this one from Paizo:

Of late Paizo had expanded their market with several new product lines, the most intriguing of which are their Boxed Set Card Games. These sets ingeniously combine card building with role-playing with table-top (Think D&D meets Magic the Gathering meets anything done by Fantasy Flight!) Indeed, it is an amazing breakthrough by the Paizo design team, and guess what, it actually works!

Bob Byrne was even more positive in his assessment of the first title in the series, Rise of the Runelords, in his August article on “RPGing with a board

By far, the best board/card game I’ve found that emulates the role-playing experience is the Pathfinder Rise of the Runelords Adventure Card Game. The adventures get more difficult, you level up and the gear gets better. You maintain your items, spells, and levels from scenario to scenario through an entire Adventure Path, rather than start over each game play session. I’m sure I’ll post on that excellent game in the future.

While I wait impatiently for Bob’s full review, I went ahead and ordered a copy. It arrived a few days ago and, while I haven’t had a chance to play a full game yet (mostly because I haven’t figured out how to do that without tearing the shrinkwrap), it looks very promising indeed.

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Ancient Worlds: Killing Humbaba

Ancient Worlds: Killing Humbaba

Gilgamesh and Enkidu battle Humbaba, here portrayed as a creature with an eagle's wings and the body of a horse. Also, a little short for a storm trooper.
Gilgamesh and Enkidu battle the Bull of Heaven

We have a hero: Gilgamesh.

We have his best friend and sidekick: Enkidu.

Logical next step: find big monster and kill it.

Luckily, the Epic of Gilgamesh has one handy. This monster comes in the form of Humbaba, a being who is massive and terrifying, who was created to be “a terror to human beings” and who acts as a guardian of the Cedar Forests.

And frankly, he’s a really weird monster. As I’ve noted before, Mesopotamian myth feels very strange to us. Four-thousand years may be a blip geologically but anthropologically it’s a massive gulf. And as illustration, I offer up the fact that Humbaba’s face is usually depicted as being constructed out of intestines.

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Epic Fantasy from the Father of Sword & Soul: Abengoni: First Calling by Charles R. Saunders

Epic Fantasy from the Father of Sword & Soul: Abengoni: First Calling by Charles R. Saunders

oie_105284GMwxHNOHAfter DAW killed the fourth Imaro novel, for nearly twenty years Charles R. Saunders’s published swords & sorcery output was limited to only a few short stories. Since 2006, starting with the reprinting of Imaro, new books from him have been appearing at a furious rate. In addition to new novels starring his established S&S characters, Imaro and Dossouye, he introduced a new pulp hero, Damballa.

Abengoni: First Calling (A:FC) is the first book in Charles R. Saunders’s foray into epic fantasy. From one of the masters of the 1970s golden age of swords & sorcery comes a project in the works for the past decade. And thanks to Milton Davis’s MVmedia, it’s seeing the light of day.

Full disclosure here: Milton Davis asked me to preview this book earlier this year and give him a blurb if I felt like it. Well, I jumped at the chance to read a new Charles Saunders book. That’s like asking if I want to hear some unreleased Led Zeppelin tracks before they hit the general public. There was no way I was going to say no. And before I go any further, I love the book and gave Milton this blurb I totally stand by:

“In Abengoni: First Calling, Charles Saunders writes the sort of epic fantasy I want to read. He tells the tale, with its large cast of sharply drawn characters and complex history, in a wonderfully spare and fast-paced style that doesn’t waste time getting to where it’s going. I can’t wait for the next book.”

When Saunders first created Imaro, his literary inspiration was Robert E. Howard. In this book, the influence of J.R.R. Tolkien is at work. He has specifically cited the two authors as his main influences. But in both cases, what he wrote was inspired by larger issues as well.

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In Praise Of Pavane

In Praise Of Pavane

Pavane hardcover-smallThe power of place. Where we’ve been, what we see, the lighting and the weather. These things hold us, sink roots into our nervous system; they unfurl massive Yggdrasils that coil within, then twist into memory.

So it must have been for author Keith Roberts, and his encounters with Corfe Castle, in southwest England. He built his story cycle Pavane around Corfe, almost as an homage.

I understand, I do, for I first saw Corfe – indeed, the only time I have ever seen Corfe – in 1976, in the rain, with my family. I was nine, but I have never forgotten that tusk of a castle, the last spike of it spearing skyward from a sharp, steep hill, the flanks yellow-green with shaggy, unkempt grass. A chain-link fence enclosed the base of the hill, and we could not get in.

My father was furious. Rain and all, he’d had plans to hike us up that hill, to see the ruin for ourselves, up close and appropriately personal. Instead, we never got out of our rented car – it really was the soggiest of days, British to the core — but I see that spike of mortared stone to this day, standing proudly in the storm and refusing, absolutely refusing to come down.

So it is for Keith Roberts, as his stories swirl around and finally come to roost at Corfe, a rebuilt Corfe, a Corfe in an alternate history where the keep’s motte and donjon have stood the test of time, and war now, against mighty odds, with Holy Rome.

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The Public Life of Sherlock Holmes: Was Holmes Fooled in The Abbey Grange?

The Public Life of Sherlock Holmes: Was Holmes Fooled in The Abbey Grange?

Abbey_FDSI wrote about Playing the Game in a prior post about “Charles Augustus Milverton.” I much prefer this kind of Holmes speculation to the currently trendy erotic fan fiction that BBC Sherlock seems to have inspired in frightening amounts. As Holmes himself said, “unmitigated bleat!”

WARNING – THIS ENTIRE POST IS A SPOILER. If you haven’t read “The Abbey Grange,” click here and do so before continuing on.

In “The Five Orange Pips,” Holmes says “I have been beaten four times – three times by men, and once by a woman.” Might not “The Adventure of the Abbey Grange” provide us the opportunity to add one to that count?

The facts as Holmes accepts them in this case: Sir Eustace Brackenstall is presented as an abusive husband when drinking. Lady Brackenstall (real name, Mary Fraser) had met First Officer Jack Croker on a voyage from her native Australia to England.

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2014 World Fantasy Convention: Sunday — World Fantasy Award Winners Announced

2014 World Fantasy Convention: Sunday — World Fantasy Award Winners Announced

World Fantasy Award Lovecraft-smallI was able to attend the World Fantasy Convention this year, for the first time since 2011, and I really had a terrific time. It was fabulous to attend all the panels, readings, parties, and events — and especially to re-connect with so many old friends, and make so many new ones. Years ago, Mark Kelly at Locus Online called World Fantasy “a reunion,” and I think that’s really the best description.

The highlight of the convention is the Sunday banquet, where the World Fantasy Awards were presented. The toastmaster for the event was the delightful Mary Robinette Kowal, who gave a highly entertaining speech about rejection, and the awards themselves were presented by Gordon van Gelder and David Hartwell. I sat at Table 25 with my new friends Amanda C. Davis and Matt O’Dowd, where we had a great view of the proceedings.

The World Fantasy Award itself is a cartoonish bust of H.P. Lovecraft sculpted by the brilliant Gahan Wilson (seen at left). It’s an extremely distinct award that honors the contributions of perhaps the finest American horror writer of the 20th Century. But using Lovecraft as the poster child for the awards has also caused some recent controversy (that surfaced twice during the proceedings.) I’ll get to that in a minute.

But first, the Awards themselves. This year’s winners of the World Fantasy Awards are:

Novel:

  • A Stranger in Olondria, Sofia Samatar (Small Beer)

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2014 World Fantasy Convention: Saturday Wrap-Up

2014 World Fantasy Convention: Saturday Wrap-Up

This will be our final post about the World Fantasy Convention in 2014. Tomorrow, we will be leaving early to drive back to Indianapolis.

Today, I slept in a bit more and didn’t join the convention activities until 11. I attended readings by Joe Haldeman, Kelly Link, Mary Robinette Kowal (my close friend), and Lee Martindale.

Joe Haldeman

Joe Haldeman

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Modular: The Warlords of the Accordlands

Modular: The Warlords of the Accordlands

Accordlands_CodexI’m going to try to periodically post some reviews of RPG modules and supplements. If you see “Modular” in the title line, that’s such a post. And here’s one!

Warlord: Saga of the Storm was a d20-based collectible card game from AEG. I’ve never played it and know as much about it as I’ve read on Wikipedia. But I do know that in 2006, AEG released four books that made up a fine d20 RPG setting and campaign.

The World Atlas is the best starting point. There’s a long history of the world of Larisnar, going back to The Great Dragon, which destroyed gods and nations before finally being slain. But the essence of the Dragon escaped into the air and became The Storm. While its body fell deep into the earth and produced demon-like Abyssals. Most of the remaining nations and races signed The Accord as a means to survive the changed world.

The Atlas profiles each of the major nations, including those of the dwarves and elves. As part of The Accord, the Dwarves agreed to leave the surface (the Dragon had destroyed their lands) and head underground to protect against the Abyssals. They stayed down so long that the surface dwellers forgot they existed and their selfless dedication.

Meanwhile, the Elves had become short-lived, barely lasting thirty years, so they turned to necromancy. These ain’t Tolkien’s elves!

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