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The Public Life of Sherlock Holmes: ‘Dirk Gently’ is Not ‘Timeless’

The Public Life of Sherlock Holmes: ‘Dirk Gently’ is Not ‘Timeless’

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gently_circleI love Dirk Gently’s Holistic Detective Agency, the novel by Douglas Adams. Which you know because you read my Black Gate post about it. And I liked the sequel, The Long Dark Tea Time of the Soul. And there were some good bits in the third novel, unfinished at Adams’ death.

And, I thought that the BBC miniseries starring Houdini & Doyle’s Stephen Magnon was worth watching. I own audio books of Adams reading Dirk Gently and the excellent BBC radio play of it. So, I’m a fan. I was leery after seeing the trailer for the new BBC miniseries starring Elijah Wood (not as Gently, however). It didn’t look like it was very true to the style of Adams’ books.

I’ve watched the first two episodes. Except for discussing BBC’s Sherlock post-season two, I’m usually pretty positive with my Black Gate posts here. If you are looking for more of that sunshine, skip the following and scroll on down to my review of the new show, Timeless.

With six of eight episodes yet to air, the new Dirk Gently is a festering pile of tripe. It bears almost no resemblance to Adams’ character, and even disregarding that, it’s a ridiculous mess of a show in its own right. Max Landis, who it appears wanted to imitate Quentin Tarentino while showing everyone how talented he is, all but completely ignores Adams’ work.

There is barely a shadow of the actual Dirk Gently in this series. Samuel Barnett’s character is totally clueless, almost completely helpless and neither clever nor funny. He just rolls along with no real insights or ability to influence events. That sound like Adams’ character? And, he’s not even the star, as the show is really about Gently’s reluctant assistant, Todd, played by Wood.

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The Doctor Is In: Marvel’s New Doctor Strange Movie

The Doctor Is In: Marvel’s New Doctor Strange Movie

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doctor-strangeOK. I may have let on that I like Dr Strange when I wrote two blog posts about his early development in Marvel Comics:

Dr. Strange, Part I: Establishing the Mythos: Master of the Mystic Arts in The Lee-Ditko Era
Dr. Strange, Part II: Becoming Sorcerer Supreme and Dying in the Englehart Era.

I just watched the movie (here’s a trailer) and have to say I really enjoyed it. I’m not going to do anything spoilery here.

Nor do I have strong feelings about the change in the Ancient One other than to say I don’t care what gender the character is, but a Himalayan mystic should have stayed Asian, despite all the stereotype problems built in the Ancient One figure anyway.

But I am doing some puzzling over what kind of Dr. Strange I just saw. Doctor Strange as a 53-year old intellectual property of Marvel Comics has stayed remarkably faithful to the origin tone, no matter what decade, or what cross-over event he’s been involved with.

Cyclops and Professor X had their turns at being evil. Magneto had his turn at being good. The Fantastic Four has rotated its lineup. Tony Stark was a carefree millionaire who got drunk and lost his company. Steve Rogers became Nomad for a time.

But other than a few failings built into the character early in the game, Strange has remained pretty consistent. But this movie didn’t hit the tone I expected.

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An Open Letter To George R. R. Martin and the Producers of Game Of Thrones

An Open Letter To George R. R. Martin and the Producers of Game Of Thrones

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game-of-thrones-daenerys-stormbornDear George & Co.,

I was wrong.

Back in 2011, when the first season of Game Of Thrones aired, I watched up until the episode where Ned Stark gets speared in the leg during a street fight. (His opponent? That bastion of modesty and ethics, Jaime Lannister). And then I gave up. I stopped watching despite the fact that the storytelling was excellent, the acting superb, the locations first-rate, the camera and tech work all but faultless. I gave up because I was tired of seeing the female characters on the show abused, one after the next. I began to suspect the worst of both you and the show runners.

Call me a pig-headed liberal progressive if you must, but I’d like to see the arts, both commercial and fine, be aspirational, which I realize is a very millennial sort of term, but I like it. I’m with Gene Roddenberry: I want at least some of our creative output to showcase what we could be as a society, not merely depict what we are (i.e., barbarous and brutal). Of course the particular world of A Song Of Ice and Fire and Game Of Thrones demands its share of brutality, but it became my position, following those early episodes, that the show was reveling in the violence rather than merely depicting what was necessary to develop the story. It was my considered opinion that I was once more in the throes of a TV show where female agency was, at best, a limp afterthought.

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Another Term: Bound in Blood by P.C. Hodgell

Another Term: Bound in Blood by P.C. Hodgell

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oie_13432gaur4x7bWith Bound in Blood (2010), P.C. Hodgell continues to blow me away with her talent for telling tales. It’s the fifth book in the Kencyrath series, and the second one about our heroine Jame’s time at military school, the randon academy at Tentir. It’s not the most compelling novel so far. In fact, it’s more of a collection of stuff that happens to Jame or stuff she does. That the book manages to hold a reader from cover to cover proves just how good Hodgell is.

First, the mandatory recap:

Thirty thousand years ago, Perimal Darkling began to devour the series of parallel universes called the Chain of Creation. To fight against it, the Three-Faced God forged three separate races into one: feline-like Arrin-Ken to serve as judges; heavily-muscled Kendar to serve as soldiers and craftsmen; fine-featured humanoid Highborn to rule them. For 27,000 years, the Kencyrath fought a losing battle; one universe after another falling to the darkness. Three thousand years ago, the High Lord Gerridon, fearful of death, betrayed his people to Perimal Darkling in exchange for immortality. Fleeing yet again, the Kencyrath landed on the world of Rathilien. Since then, they haven’t heard from their god, and Perimal Darkling has seemed satisfied to lurk at the edges of their new home. Monotheists trapped on an alien world with many gods, the Kencyrath have had to struggle to make a life on Rathilien.

Now, the power of the Three-Faced God seems to be reappearing. The Kencyrath believe that only the Tyr-ridan, three Highborn reflecting the three aspects of their god — destroyer, preserver, and creator — will be able to defeat Perimal Darkling. Jame, raised in the heart of Perimal Darkling, is fated to be the Regonereth, That-Which-Destroys.

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The Public Life of Sherlock Holmes: Holmes for Halloween

The Public Life of Sherlock Holmes: Holmes for Halloween

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halloween_arcanumI don’t really do horror. Now, I am a huge Robert R. McCammon fan and of F. Paul Wilson’s Repairman Jack. Of course, I’ve read a fair amount of H.P. Lovecraft’s Cthulhu stuff (man, that creeps me out). And bits here and there from Robert E. Howard, Les Daniels, Anne Rice and a few others. But overall, I don’t really enjoy the genre, so it’s not an area I have a lot of experience with.

However, I have come across several examples of Holmes in the genre. And it being Halloween, let’s take a quick look at few titles that involve horror or the supernatural. Those two things aren’t always the same, you know.

The Unopened Casebook of Sherlock Holmes (John Taylor) There was a time when Holmes pastiches were relatively uncommon and, pre-Amazon, you grabbed what you could when you saw them on the shelves. I still remember being excited to buy books from Richard Boyer, L.B. Greenwood and Frank Thomas. Another was a short story collection by John Sherwood, a writer for the BBC. “The Wandering Corpse,” “The Battersea Worm,” “The Paddington Witch,” “The Phantom Organ,” “The Devil’s Tunnel” and “The Horror of Hanging Wood” are all supernatural-tinged stories. The last one remains a favorite of mine and something I wish I’d thought up.  Taylor wrote four more Holmes adventures, which were read aloud by Benedict Cumberbatch. I’ve not heard them, but every couple of years, around this time, I read a few stories from his book.

Gaslight Anthologies (edited by J.R. Campbell & Charles Prepolec) In 2008, Canadians Campbell and Prepolec put out Gaslight Grimoire, a collection of eleven creepy Holmes tales. It was followed by thirteen more in Gaslight Grotesque, and finished up with another dozen in Gaslight Arcanum. That’s 36 stories of horror and weirdness. You can certainly tell what you’re getting from the covers of the last two books. If you’re a Holmes fan and really like the horror genre, these three anthologies are just what you’re looking for.

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My Top Ten Novel-to-Movie Adaptations

My Top Ten Novel-to-Movie Adaptations

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3-musketeers-posterLast time I was having a look at William Goldman, both his screen and novel writing. You can see the whole post here, but for my review of my top ten movie adaptations, I’d like to repeat what Goldman says about writing screenplays:

Here is one of the main rules of adaptation: you cannot be literally faithful to the source material.

Here’s another that critics never get: you should not be literally faithful to the source material. It is in a different form, a form that does not have the camera.

Here is the most important rule of adaptation: you must be totally faithful to the intention of the source material.

— from Which Lie Did I Tell?

In another spot, and I’m paraphrasing here, because now I can’t find the quotation, he tells us how a book has maybe 400 pages, and a screenplay has around 135 pages, and not full pages at that, so what do you think happens between one version and the other?

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Black Gate’s Closet: Gourdgeous Pumpkin Clothes

Black Gate’s Closet: Gourdgeous Pumpkin Clothes

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Hear ye, hear ye, THE GREAT PUMPKIN COMETH!

To please the Orange Overlord it is requested that you stock yer wardrobe in her minions.

Worried that you don’t have enough Halloweenery to gladden the Frightening Foreman? Panic not, inhabitants of the Hocus Pocus. Here be a starter list of gourd garb to grab goodwill.

  1. For those of you that wish Flashdance was just a wee bit more autumnal:

flashdance-pumpkin-shirt

Get your shoulder shimmy on, here.

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One Last Time into the Primal Land: Sorcery in Shad by Brian Lumley

One Last Time into the Primal Land: Sorcery in Shad by Brian Lumley

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oie_242034314rvenvucAll good things must come to an end. I get that, and as I’ve gotten older I appreciate that more than ever. However, they do not all have to end badly. Sometimes, though, as with Brian Lumley’s Primal Lands stories, they do. Despite some rough-hewn edges and some too-purple prose, I completely enjoyed the first two collections in the series, The House of Cthulhu and Tarra Khash: Hrossak! (follow the links to my Black Gate reviews). I looked forward to the culmination of these tales in the final volume, Sorcery in Shad (1991). Unfortunately, it’s a bit of a flop. Only Lumley’s easy-going style, colorful world-building, and a clear love for his characters kept its reading from being drudge work.

Lumley is a controversial figure in the world of Lovecraft Mythos fiction. By inclination, he is a writer of action and adventure. What he brought to Mythos stories were heroes who fought back, unwilling to acquiesce in the face of existential dread (and monsters), which didn’t always work very well.

It served him splendidly here, though, in his stories set on Theem’hdra, the continent-sized remnant of a gigantic volcano, in the earliest days of Man on Earth. House of Cthulhu introduced the setting and several recurring characters, most notably the sorcerer, Teh Atht, through a series of mostly independent short stories. Tarra Khash, through several linked stories, told the escapades of its titular good-hearted barbarian wanderer. By the end, Tarra Khash and his friends had saved the world from demonic domination and he had decided to head back home.

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An Experiment in Gor: What Are John Norman’s Books About, Really? The Hidden Secret of the Counter-Earth Saga is an Over-Abundance of…

An Experiment in Gor: What Are John Norman’s Books About, Really? The Hidden Secret of the Counter-Earth Saga is an Over-Abundance of…

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tarnsman_of_gor_vallejo_coverI’m positive that I read the first book in the [Counter-Earth Saga/Tarl Cabot Saga/Chronicles of Counter-Earth/Gorean Cycle/Gorean Saga/take your pick], sometime back in junior high. That would be Tarnsman of Gor, first published in 1966 by Ballantine, which recounts how Earth professor Tarl Cabot is mysteriously transported to our solar system’s hidden tenth planet orbiting the sun in a position exactly counter to Earth’s. There he encounters a Barsoomian-inspired sword-and-planet environment. He quickly adapts, becoming a Gorean swordsman and assimilating into the culture of his adopted planet.

If I read any of the sequels, I can’t recall — although I remember enjoying the first book, at least the first part of it recounting Talbot’s strange experiences (involving a mysterious package, I believe) and subsequent relocation to another world. As The Encyclopedia of Fantasy (1997), a huge tome sitting here on my bookshelf, notes, the first Gor books were passable Edgar Rice Burroughs pastiches, and that’s the impression I came away with too. As a boy, I was a huge fan of ERB’s John Carter of Mars stories and was looking for something else along those lines.

The Encyclopedia goes on to condemn later volumes in the series (which now total 34), noting that they “degenerate into extremely sexist, sadomasochistic pornography involving the ritual humiliation of women, and as a result have caused widespread offence.” DAW, which published the series from volumes 7 through 25, apparently dropped Norman for this reason (Naughty Norman!), and the subsequent 9 volumes are only available in e-book editions.

As a collector and purveyor of vintage sci-fi and fantasy paperbacks, I happen to have several Gor books sitting in a pile here beside my office desk. I will be posting them to eBay soon. I have, on occasion, picked one up and opened it at random to read a paragraph or two.

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The Public Life of Sherlock Holmes: Poul Anderson’s “The Archetypal Holmes”

The Public Life of Sherlock Holmes: Poul Anderson’s “The Archetypal Holmes”

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Poul's wife Karen, also a sccifi author and Sherlockian, drew these for his essay.
Poul’s wife Karen, also a scifi author and Sherlockian, drew this for his essay.

As far as Sherlockians go, I have a rather large Joseph Campbell library. I’ve even written about Holmes and the Monomyth (“The Hero’s Thousand-and-First Face”). Through Campbell, I discovered Carl Jung’s The Archetypes and the Collective Unconscious. However, all attempts to read it were abandoned rather quickly. I found it tough going. I do have a decent handle on archetypes from Role Playing Games, though.

Anywhoo…The late Poul Anderson was one of the giants in the field of science fiction: he was racking up Hugo Awards when that meant something.  He was also a devotee of Sherlock Holmes and a member of The Baker Street Irregulars. For good measure, he was also a Solar Pona fan and a Praed Street Irregular. Anderson wrote some odd Holmes pastiches and some, insightful, erudite Sherlockiana about the great detective.

In September of 1968, The Baker Street Journal included “The Archetypical Holmes,” a fine essay by Anderson and the kind of excellent Sherlockiana that is sadly all too rare these days – made obsolete by pop-centric, culture-appeasing works. Take it away, Poul!

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