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The Blinding Knife by Brent Weeks Wins the 2013 David Gemmell Legend Award

The Blinding Knife by Brent Weeks Wins the 2013 David Gemmell Legend Award

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The Blinding Knife-smallBrent Weeks’s The Blinding Knife, the second volume of The Lightbringer Saga, has won the David Gemmell Legend Award for Best Fantasy Novel of 2012.

The David Gemmell Legend Award is a fan-voted award administered by the DGLA. This is the fifth year for the Legend Award; it was first granted in 2009 to Andrzej Sapkowski’s Blood of Elves; in 2010 to Graham McNeill’s Empire: The Legend of Sigmar, in 2011 the winner was Brandon Sanderson’s The Way of Kings, and last year The Wise Man’s Fear by Patrick Rothfuss received the honors.

The nominees for the 2013 award also included The Red Country by Joe Abercrombie, Stormdancer by Jay Kristoff, King of Thorns by Mark Lawrence, and The Gathering of the Lost by Helen Lowe.

The Morningstar Award for Best Fantasy Debut was awarded to Malice by John Gwynne.

The Ravensheart Award for best Fantasy Book Jacket Artist went to Didier Graffet & Dave Senior for the cover of The Red Country by Joe Abercrombie.

Our man-on-the-scene, roving reporter Harold M. Page, will report in with complete details on the ceremonies right here on Thursday.

Complete details are available at the DGLA website.

Congratulations to all the winners!

New Treasures: Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

New Treasures: Pathfinder Tales: Stalking the Beast by Howard Andrew Jones

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Pathfinder Tales Stalking the Beast-smallIt’s funny. I talked to Howard nearly every day while he was writing this book, and heard the blow-by-blow as he devised the plot and fleshed out the characters, recognized the growing excitement in his voice as the novel came together and he contributed his own unique talents and fine narrative gifts to the collaborative bit of gaming genius that is Pathfinder. It almost felt like reading the book would be superfluous.

And then I read the description below and realized hearing all the behind-the-scenes details meant absolutely nothing. It’s like saying you know how a gourmet dish will turn out because you’ve seen all the ingredients. I may have watched Howard lay all the pieces out on his writing table, but the true magic comes in how they all fit together. I’m excited to find out and I know I’ll be delighted.

When a mysterious monster carves a path of destruction across the southern River Kingdoms, desperate townsfolk look to the famed elven ranger Elyana and her half-orc companion Drelm for salvation. For Drelm, however, the mission is about more than simple justice — it’s about protecting the frontier town he’s adopted as his home, and the woman he plans to marry.

Together with the gunslinging bounty hunter Lisette and several equally deadly allies, the heroes must set off into the wilderness, hunting a terrifying beast that will test their abilities — and their friendships — to the breaking point and beyond. But could it be that there’s more to the murders than a simple rampaging beast?

From critically acclaimed author Howard Andrew Jones comes a new adventure of love, betrayal, and unnatural creatures, set in the award-winning world of the Pathfinder Roleplaying Game.

Interested? Paizo has promised us enough free copies for a giveaway. Stay tuned for details and you could win your own copy.

Pathfinder Tales: Stalking the Beast was published this week by Paizo. It is 400 pages, priced at $8.99 in paperback. No word on the digital edition yet. Howard’s previous Pathfinder book was Plague of Shadows, released in 2011. His most recent novel was The Bones of the Old Ones.

Vintage Treasures: The Best of Fredric Brown

Vintage Treasures: The Best of Fredric Brown

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The Best of Fredric Brown-smallWelcome to the 13th installment of my ongoing examination of one of the most influential book series of my youth, Lester Del Rey’s Classics of Science Fiction line. This time, we’re looking at the 1977 release, The Best of Fredric Brown, edited by Robert Bloch (who had his own entry in the series eleven months after this one, which I discussed back in July.)

The Classics of Science Fiction line was my introduction to many of the major SF and fantasy writers of the 20th Century (well, that and The Hugo Winners, which first introduced me to Poul Anderson, Walter C. Miller, Arthur C. Clarke, and others, and of course the various volumes of The Science Fiction Hall of Fame).

All that education didn’t teach me much about Fredric Brown, however. A week ago, I probably could have named only one Fredric Brown short story from memory, “Arena” — which, admittedly, I dearly loved. I first read it in The Science Fiction Hall of Fame, Volume One, where it was selected as one of the finest short stories ever written, but even before that, I knew it as the Star Trek episode of the same name.

You probably think of it as, “Isn’t that the one where Kirk throws styrofoam rocks at the Gorn?”

Yes. Yes it is. And even though it has been much-parodied (including a brilliant video game commercial starring an 80-year old William Shatner and an aged Gorn in a re-match), it’s still one of the finest episodes of the original series.

So before I sat down to assemble my notes for this article, I took my paperback copy of The Best of Fredric Brown with me on a business trip, to a banking show in Las Vegas, and used the opportunity to reacquaint myself with the author. Honestly, I wasn’t expecting all that much. Not every installment in the Classics of Science Fiction could be a winner.

My mistake.

The Best of Fredric Brown is one of the best short story collections I’ve read in years. Brown is frequently compared to O. Henry for his gift for twist endings and the comparison is apt. Even when you’re on the alert, Brown manages to constantly surprise and delight you in a way that very few authors — in the genre or out — can pull off.

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2013 World Fantasy Award Winners Announced

2013 World Fantasy Award Winners Announced

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alif-the-unseenYou’d think that, since I’m unable to attend World Fantasy this year, they’d keep the convention low key. I mean, no sense rubbing it in, right?

No such luck. I hear there was just as much excitement, just as many panels, and just as many fabulous parties as always. It’s like they don’t care.

They even gave out just as many awards as usual. Well, even if I couldn’t attend, at least I can read the same award-winning fantasy as everyone else. See, that’s what’s great about awards — they’re fair to everybody.

This year’s winners of the World Fantasy Awards are:

Novel:

Novella:

  • “Let Maps to Others,” K.J. Parker (Subterranean, Summer 2012)

Short Story:

  • “The Telling,” Gregory Norman Bossert (Beneath Ceaseless Skies, Nov 29, 2012)

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New Treasures: The Justice Trade

New Treasures: The Justice Trade

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The Justice Trade-smallIt’s been a good couple of years for science fiction role players, especially if you like your settings dark and gritty.

Last month, Chronicle City released Cold & Dark, a game of horror in the depths of unexplored space, and last year Pelgrane Press’s Ashen Stars won the 2012 ENnie Award for Best Setting.

I have to admit that what usually attracts me to a new game is the setting and especially the adventures. I’m rarely lured in by elegant system design or the promise of new character feats or something similar. But show me a tantalizing mystery on the perimeter of known space, involving derelict spacecraft or the last desperate transmissions from a lonely mining outpost, and I’m ready to suit up.

That’s one reason I’ve been so drawn to Ashen Stars. I was much impressed by the first major campaign for the system, a 140-page book of linked adventures by Gareth Hanrahan, which I raved about in my August review, “Some Mysteries You Don’t Want to Solve: Exploring Dead Rock Seven.” Here’s what I said, in part:

Dead Rock Seven contains four stand-alone adventures that can be used independently to add variety to your campaign. And variety is the keyword here… players will be investigating mysterious deaths on an old asteroid mine, plunging into the underworld of the high-tech planet Andarta in search of a missing shareholder of the shady Loghos Corp, discovering the strange secrets behind a cooking contest on a space station, and more.

Dead Rock Seven left me impatiently waiting for additional adventures for Ashen Stars and Pelgrane Press finally accommodated me with the release of The Justice Trade, a brand new collection of intriguing scenarios written by Leonard Balsera, Robin D. Laws, Bill White, and Kevin Kulp.

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Mind Meld: Worthy Media Tie-ins

Mind Meld: Worthy Media Tie-ins

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Splinter of the Mind's Eye-smallI was honored to be invited to participate in a Mind Meld article at SF Signal earlier this month. The topic was “Worthy Media Tie-ins,” so of course I took the chance to expand on my love of James Blish’s Star Trek books — particularly Star Trek 2, one of the very first books I ever owned, which I first mentioned a few weeks back in my review of The Best of James Blish.

What made James Blish’s Star Trek tie-in books so great? They were fun, fast-paced, and most of all, familiar. Before I plucked Star Trek 2 off the rack, the adult section of the bookstores was a strange and unfriendly place, filled with covers of stiff, formally attired men and much less stiff, partially-attired women. In short, Blish’s books were a gateway drug to a much wider world. With phasers.

But the book I was really dying to talk about was Alan Dean Foster’s Splinter of the Mind’s Eye, the very first Star Wars tie-in novel and the book that launched an entire publishing empire:

Splinter Of The Mind’s Eye isn’t just a media tie-in novel. It’s sort of an alternate-world, parallel-universe media tie in novel. A tie-in novel for a Star Wars universe in some time-stream that has nothing at all to do with our universe.

This is because Splinter Of The Mind’s Eye was written well before the release of The Empire Strikes Back. Before we knew that Vader was Luke’s father, before Han and Leia started making goo-goo eyes at each other, and before Leia traded in her princess gowns for a blaster with a full clip.

So Luke and Leia get a little more frisky in this book than you would reasonably expect from long-lost siblings, and Leia is a bit more of a helpless princess than you would anticipate after seeing Empire. Also, Darth Vader is a total dick, and has no compunctions at all about carving Luke up with his glowy red light sabre. Clearly, the paternity results had not arrived yet.

It’s not all about me, of course. There are some excellent discussions of other classic media tie-ins. John Mierau — who also has fond memories of Splinter of the Mind’s Eye — talks about Eric Nylund’s much-loved Halo novel The Fall of Reach; Aaron Rosenberg highlights Max Allan Collins’s Dark Angel trilogy, which tied up the dangling storylines after the TV series was canceled; James L. Sutter explores Richard A. Knaak’s classic DragonLance series The Legend of Huma; and Chadwick Ginther celebrates David Annandale’s entry in the Warhammer 40,000 universe, Death of Antagonis — among many others.

Enjoy the entire article here. Thanks to Andrea Johnson at SF Signal for the invite — I had a blast doing this one.

New Treasures: Man Made Boy by Jon Skovron

New Treasures: Man Made Boy by Jon Skovron

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9780670786206_ManMadeBoy_JK.inddParanormal romance has been the biggest trend in modern fantasy in the last decade. As Eddie so succinctly put it in Knight of the Dinner Table: The Java Joint, “Publishing today is all about getting hot and heavy with the unholy.”

But while it certainly may seem that modern publishing has jettisoned all the old taboos and explored every conceivable relationship and forbidden love triangle with the monsters that once terrified us — sexy vampires, sultry demons, brooding werewolves, enigmatic fae, horny spirits, shy zombies, and on and on — one classic creature has been sorely neglected. One of the great cinematic monsters, who has unfairly been overlooked in this modern pageant of passion.

You know where I’m going with this.

Sure, maybe Frankenstein’s monster isn’t really leading man material. But let’s face it — he’s gotta be a cut above zombies and ghosts (and, depending on the quality of parts we’re talking, possibly well above werewolves and demons too). Thus, I was well pleased to see Man Made Boy cross my desk earlier this month, a major fantasy release that looks to rectify this cruel oversight.

Love can be a real monster.

Sixteen-year-old Boy’s never left home. When you’re the son of Frankenstein’s monster and the Bride, it’s tough to go out in public, unless you want to draw the attention of a torch-wielding mob. And since Boy and his family live in a secret enclave of monsters hidden under Times Square, it’s important they maintain a low profile.

Boy’s only interactions with the world are through the Internet, where he’s a hacker extraordinaire who can hide his hulking body and stitched-together face behind a layer of code. When conflict erupts at home, Boy runs away and embarks on a cross-country road trip with the granddaughters of Jekyll and Hyde, who introduce him to malls and diners, love and heartbreak. But no matter how far Boy runs, he can’t escape his demons—both literal and figurative — until he faces his family once more.

This hilarious, romantic, and wildly imaginative tale redefines what it means to be a monster — and a man.

Man Made Boy was written by Jon Skovron, published on October 3 by Viking. It is 368 pages, priced at $17.99 in hardcover and $10.99 in digital format.

Try a Free Cold and Dark Adventure

Try a Free Cold and Dark Adventure

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Cold and Dark-smallLast week, I talked about a promising new RPG of science fiction horror, Cold and Dark, from Chronicle City Games.

I say promising because any time an RPG includes stats for alien beasts that scuttle around remote asteroids, deadly secrets from ancient star-faring civilizations, and the threat of genocide through an infectious madness, you know you’re in for some great gaming.

Shortly after the post went live, I heard from Angus Abranson at Chronicle City:

The article on Cold & Dark is great, thanks. The only thing I’ll add is that (yesterday) we posted up a free 65-page Quickplay for the game which also includes an adventure so people can ‘try before they buy.’

You can download the Quickplay via our webstore here.

Woo-hoo! What makes a great game even better? Free stuff! Thanks, Chronicle City. You’re all right.

It’s our duty to pass this news along to you, naturally. Because we look out for you. Especially in regards to great games and free swag.

Now you have no excuse not to check out Cold & Dark. I expect a steady stream of reader reports on epic gaming sessions. Especially ones in which you neglected to bring along sufficient ordinance and your team ran out of ammo somewhere in a dark corridor far, far below the surface. Those are my favorite.

Good hunting, people.

Black Gate Online Fiction: Dark Muse by David C. Smith

Black Gate Online Fiction: Dark Muse by David C. Smith

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Dark Muse-smallBlack Gate is very pleased to offer our readers an exclusive excerpt from Dark Muse, the new noir thriller from David C. Smith.

Jack Mathis, a bright young book editor in Chicago, has found the next great American writer. Yet this anonymous genius is inspired to create in the darkest way imaginable: he picks his victims carefully, murders them gruesomely, then gives them new life in the best stories Jack has ever read.

The writer knows all about Jack. All about his wife. Knows everything. He has more stories in mind, too. Jack wants them. What is he willing to do to get them?

David C. Smith is the author of twenty-two novels, primarily in the sword-and-sorcery, horror, and suspense genres, including The Witch of the Indies (1977), Oron (1978), The Sorcerer’s Shadow (1978), and The West is Dying (1983).

David is the co-author, with Joe Bonnadonna, of Waters of Darkness, also available from Damnation Books. Read a free excerpt here.

The complete catalog of Black Gate Online Fiction, including stories by David Evan Harris, Janet Morris and Chris Morris, John C. Hocking, Michael Shea, Peadar Ó Guilín, Vaughn Heppner, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, E.E. Knight, C.S.E. Cooney, Howard Andrew Jones, and many others, is here.

Dark Muse was published by Damnation Books on December 1, 2012. It is 206 pages and currently available in trade paperback for $17.99, and $5.95 for the digital version.

Read a complete sample chapter of Dark Muse here.

Vintage Treasures: Greg Stafford’s Pendragon

Vintage Treasures: Greg Stafford’s Pendragon

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Pendragon Chaosium-smallBack in August, I wrote a mini-history of one of my favorite gaming companies, Chaosium, in the middle of a review of Pavis: Gateway to Adventure.

That was fun. Plus, it was a great excuse to wax nostalgic about the brief period between 1981 and 1986, when Chaosium released some of the finest RPGs and RPG supplements ever created. Published in handsome boxed editions, they started with Thieves’ World and continued with Stormbringer in 1981, Borderlands (1982), Worlds of Wonder (1982), Superworld (1983), Pavis (1983), Masks of Nyarlathotep (1984), Cthulhu by Gaslight (1986), H.P. Lovecraft’s Dreamlands (1986), Spawn of Azathoth (1986), Arkham Horror (1984), Ringworld (1984), Elfquest (1984), Hawkmoon (1986), and the fabulous Horror on the Orient Express.

Wonderful stuff. Masks of Nyarlathotep is frequently cited — even today — as one of the finest adventures released for any game system, and Arkham Horror is considered a classic board game, still in print today in a new edition from Fantasy Flight Games. Many titles were expanded and reprinted in later editions, including Stormbringer, Cthulhu by Gaslight, and Dreamlands.

But perhaps the most celebrated release, of a fabulous line up, was the title that legendary game designer Greg Stafford — founder of Chaosium and creator of the fantasy world Glorantha — considered his masterpiece: the Arthurian role-playing game Pendragon.

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