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Future Treasures: Bridging Infinity, edited by Jonathan Strahan

Future Treasures: Bridging Infinity, edited by Jonathan Strahan

bridging-infinity-smallJonathan Strahan’s Infinity books have gradually earned a reputation as the finest ongoing anthology series in the genre — and perhaps, one of the finest in the history of the genre. In my June article The Most Successful Anthology of 2015, I pointed out that over half of the contents of the fourth book in the series had been selected for Year’s Best volumes. If that’s not a record, it has to be close.  In just two weeks the fifth volume in the series, Bridging Infinity, arrives in trade paperback from Solaris, and I am very much looking forward to it.

BUILDING TOWARDS TOMORROW

Sense of wonder is the lifeblood of science fiction. When we encounter something on a truly staggering scale – metal spheres wrapped around stars, planets rebuilt and repurposed, landscapes re-engineered, starships bigger than worlds – the only response we have is reverence, admiration, and possibly fear at something that is grand, sublime, and extremely powerful.

Bridging Infinity puts humanity at the heart of that experience, as builder, as engineer, as adventurer, reimagining and rebuilding the world, the solar system, the galaxy and possibly the entire universe in some of the best science fiction stories you will experience.

Bridging Infinity continues the award-winning Infinity Project series of anthologies with new stories from Alastair Reynolds, Pat Cadigan, Stephen Baxter, Charlie Jane Anders, Tobias S.Buckell, Karen Lord, Karin Lowachee, Kristine Kathryn Rusch, Gregory Benford, Larry Liven, Robert Reed, Pamela Sargent, Allen Steele, Pat Murphy, Paul Doherty, An Owomoyela, Thoraiya Dyer and Ken Liu.

The previous volumes in the series are:

Engineering Infinity (2010)
Edge of Infinity (2012)
Reach For Infinity (2014)
Meeting Infinity (2015)

And here’s the complete Table of Contents.

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The B&N Blog on Nine New Horror Books to Keep You Terrified Until Halloween

The B&N Blog on Nine New Horror Books to Keep You Terrified Until Halloween

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Sam Reader at the Barnes & Noble Sci-Fi & Fantasy Blog has assembled a delicious list of nine new horror books to keep you terrified until Halloween — including several we’ve already covered here at Black Gate, such as The Fisherman, by John Langan, Disappearance at Devil’s Rock by Paul Tremblay, and Hex, by Thomas Olde Heuvelt.

But he’s also highlighted several intriguing selections we overlooked, like Brom’s new novel Lost Gods, Ellen Datlow’s collection Nightmares, and The Graveyard Apartment, by Mariko Koike.

The Graveyard Apartment tells something of a conventional story: a troubled couple, their adorable daughter, and their pets move into an apartment that seems too good to be true. Naturally, the apartment happens to be in a building surrounded on three sides by a graveyard and a crematorium. On the day they move in, their pet bird dies. Other tenants quickly move out of the building. It doesn’t take a horror aficionado to tell the place is haunted and that things will go downhill quickly, but Koike brings a sense of claustrophobia and progressive isolation to a story that keeps the dread ticking right along, as its stubborn protagonists refuse to follow the example of their neighbors and leave the creepy apartment.

See the complete list here.

Get Cozy with Tor.com Publishing’s Winter 2017 Titles

Get Cozy with Tor.com Publishing’s Winter 2017 Titles

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Tor.com Publishing has given us a peek at their upcoming fall and winter titles, and it looks like another dynamite line-up, with novellas by Black Gate author Ellen Klages (“A Taste of Summer,” BG 3), Seanan McGuire, Caitlín R. Kiernan, Adam Christopher, Emma Newman, Paul Cornell, Maurice Broaddus, and many others — including the sequel to the Nebula Award-winning Binti by Nnedi Okorafor. Here’s the complete line-up:

Dusk or Dark or Dawn or Day by Seanan McGuire (192 pages, $15.99, January 10, designed by Jamie Stafford-Hill)
The Fortress at the End of Time by Joe M. McDermott (268 pages, $19.99/$4.99 digital, January 17, cover by Jaime Jones)
Passing Strange by Ellen Klages (220 pages, $14.99, January 24, cover by Gregory Manchess)
Binti: Home (Binti #2) by Nnedi Okorafor (176 pages, $14.99, January 31, cover by David Palumbo)
Idle Ingredients (Sin du Jour #4) by Matt Wallace (192 pages, $15.99, February 7, designed by Peter Lutjen)
Cold Counsel by Chris Sharp (368 pages, $21.99/$4.99, February 21, cover by David Palumbo)
Agents of Dreamland by Caitlín R. Kiernan (128 pages, $11.99, February 28, designed by Christine Foltzer)
Standard Hollywood Depravity (L.A. Trilogy) by Adam Christopher (176 pages, $14.99, March 7, cover by Will Staehle)
Brother’s Ruin by Emma Newman (160 pages, $14.99, March 14, cover by Cliff Neilsen)
Chalk by Paul Cornell (260 pages, 17.99/$4.99, March 21, designed by Peter Lutjen)
Buffalo Soldier by Maurice Broaddus (168 pages, $14.99. March 28, cover by Jon Foster)
Winter Tide (The Innsmouth Legacy, Book 1) by Ruthanna Emrys (368 pages, $25.99 in hardcover/$12.99 digital, April 4, cover by John Jude Palencar)
Proof of Concept by Gwyneth Jones (176 pages, $14.99, April 11, designed by Drive Communications)
Lightning in the Blood (Cold-Forged Flame #2)  by Marie Brennan (112 pages, $11.99, April 25, cover by Greg Ruth)

All are published in trade paperback. Unless otherwise noted, the digital prices for each is $2.99. See all the details here.

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Uncanny Magazine Issue 12 Now on Sale

Uncanny Magazine Issue 12 Now on Sale

uncanny-issue-12-september-october-smallCharles Payseur at Quick Sip Reviews has some high praise for the latest issue of Uncanny,

This month’s offerings from Uncanny Magazine bring a bit of everything. Two original fiction pieces, two poems, and two works of nonfiction covering fairy tales and AI insurrections and ghosts and desires and distorted realities and lineages of SFF. The fiction is gripping and challenging, difficult and unflinching. The poetry is moving and all about desire and nostalgia and looking back. And the nonfiction is about perception and how it can be changed, either in the brain or by those around you, and how that can effect the inroads to SFF. It’s a full month and a nice balance of the strange, the heartbreaking, and the affirming….

“The Witch of Orion Waste and the Boy Knight” by E. Lily Yu (5,868 words)

This story takes an interesting look at fairy tale tropes and humanizes them in interesting ways, casting a goose girl as a witch and a cursed boy as a knight and weaving a complex tale of hope and disappointment and longing. The story does an excellent job capturing the feel of the witch, who is blown across her own life, going where inclination leads. She is inquisitive and never truly satisfied and when given the opportunity to be a witch she jumps on it, only to find that not all things are what she expects. She ends up following a knight on his quest, hoping to keep him safe and also stay with him, but the way that power and curses work in this story is strange and interesting. It twists things. And that’s part of what I love about it.

Read his complete review here

The issue includes fiction by Sarah Pinsker, Carmen Maria Machado, Tim Pratt, E. Lily Yu, Ferrett Steinmetz, and a reprint by Sofia Samatar, and non-fiction by Una McCormack, Mary Anne Mohanraj, Dominik Parisien, and Aidan Moher, plus poetry, interview, and an editorial. All of the content became available for purchase as an eBook (PDF, EPUB, MOBI) on September 1, 2016.

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Get a Fresh Take on Dungeons & Dragons in Volo’s Guide to Monsters

Get a Fresh Take on Dungeons & Dragons in Volo’s Guide to Monsters

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There have been 18 different iterations of the Dungeons & Dragons Monster Manual since Gary Gygax authored the first one in 1977. Over at Polygon.com, Charlie Hall has authored a fascinating article about the upcoming 5th Edition resource book Volo’s Guide to Monsters, which takes a fresh angle to the D&D monster book — by adding a story. Hall talked to lead designer Mike Mearls to get the scoop.

This time around, [Mearls] and his team have decided to do something a little bit different. Their next take on the Monster Manual will be called Volo’s Guide to Monsters and, for the first time, it will have a lot more character to it.

“It’s risky,” Mearls said. “In the end, it’s still a giant book full of monsters. No one would argue with that. But I just think that if that’s all the Monster Manual is, then we’re selling ourselves short. So the idea was, the kind of genesis of it, was that want to do something that’s more story oriented.”

Volo’s Guide will have a narrator — two actually. One will be Volothamp Geddarm, an over-the-top, braggadocious explorer. The other will be Elminster, the wise Sage of Shadowdale. And the two will often be at odds with one another. Their differing accounts will be scattered throughout the book, and take the shape of comments scribbled in the margin.

Put simply, the goal is to create a book that high-level players and dungeon masters will enjoy reading. The goal, in the end, is to inspire new stories at the table, not simply reinforce the lore of the Forgotten Realms and ram storylines down player’s throats.

“I have this pet phrase I use,” Mearls said. “I like to say that we’re living in a post Game of Thrones world. Fantasy has changed.”

Read the complete article, “Dungeons & Dragons is changing how it makes books,” here. It includes several full-color sample pages from the upcoming book.

Volo’s Guide to Monsters will be published by Wizards of the Coast on November 15, 2016. It is 224 pages, priced at $49.95 in hardcover. There is no digital edition.

New Treasures: A City Dreaming by Daniel Polansky

New Treasures: A City Dreaming by Daniel Polansky

a-city-dreaming-daniel-polansky-smallDaniel Polansky is a writer on the move. His novel Low Town was called “A fantasy-crime hybrid with serious noir chops… festooned with sorcerers and demons in a pre-industrial otherworld setting” by the Winnipeg Free Press, and his Tor.com novella The Builders was nominated for a Hugo Award.

His newest novel, in which a powerful magician returns to New York City and reluctantly finds himself in the middle of a war between the city’s two most powerful witches, was released in hardcover from Regan Arts earlier this month. David S. Goyer, screenwriter for the Dark Knight Trilogy and Man of Steel, says “Imagine a mash-up of Trainspotting and Harry Potter and you might end up with something as wonderfully gonzo as A City Dreaming.”

“It would help if you did not think of it as magic. M certainly had long ceased to do so.”

M is an ageless drifter with a sharp tongue, few scruples, and the ability to bend reality to his will, ever so slightly. He’s come back to New York City after a long absence, and though he’d much rather spend his days drinking artisanal beer in his favorite local bar, his old friends — and his enemies — have other plans for him. One night M might find himself squaring off against the pirates who cruise the Gowanus Canal; another night sees him at a fashionable uptown charity auction where the waitstaff are all zombies. A subway ride through the inner circles of hell? In M’s world, that’s practically a pleasant diversion.

Before too long, M realizes he’s landed in the middle of a power struggle between Celise, the elegant White Queen of Manhattan, and Abilene, Brooklyn’s hip, free-spirited Red Queen, a rivalry that threatens to make New York go the way of Atlantis. To stop it, M will have to call in every favor, waste every charm, and blow every spell he’s ever acquired—he might even have to get out of bed before noon.

Enter a world of Wall Street wolves, slumming scenesters, desperate artists, drug-induced divinities, pocket steampunk universes, and demonic coffee shops. M’s New York, the infinite nexus of the universe, really is a city that never sleeps — but is always dreaming.

Our previous coverage of Daniel Polansky includes Those Below, the second book of The Empty Throne, Low Town, and The Builders.

A City Dreaming was published by Regan Arts on October 4, 2016. It is 304 pages, priced at $25.95 in hardcover, and $9.99 for the digital edition.

The Best British Fantasy & Horror from Salt Publishing

The Best British Fantasy & Horror from Salt Publishing

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With the surprising number of Years Best anthologies on the market these days — nearly a dozen, by my count — it takes something pretty darn special to get me to pry open my wallet for another one.

Salt Publishing has accomplished exactly that with their dual series, The Best British Fantasy, edited by Steve Haynes. and Best British Horror, edited by Johnny Mains. Where the other Years Best series mine the same American magazines and anthologies for the same batch of writers year after year, these books have the compelling advantage of drawing from a wholly different market. Featuring top-notch authors like Lavie Tidhar, Mark Morris, Ramsey Campbell, Sam Stone, Steph Swainston, Nina Allan, Guy Hayley, V.H. Leslie, Robert Shearman, Michael Marshall Smith, Helen Marshall, and many others, these books offer a refreshing change of pace for jaded SF and fantasy readers.

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Future Treasures: Boy Robot by Simon Curtis

Future Treasures: Boy Robot by Simon Curtis

boy-robot-smallSimon Curtis is a young musician who’s had a lot of success as an independent recording artist. His debut novel introduces us to seventeen-year-old Isaak, who discovers he’s not truly human…  and that there’s a secret government organization dedicated to eradicating those like him. Boy Robot is is fast-paced science fiction debut from SImon & Schuster’s teen imprint, Simon Pulse, arriving in hardcover at the end of the month.

There once was a boy who was made, not created.

In a single night, Isaak’s life changed forever.

His adoptive parents were killed, a mysterious girl saved him from a team of soldiers, and he learned of his own dark and destructive origin. An origin he doesn’t want to believe, but one he cannot deny.

Isaak is a Robot: a government-made synthetic human, produced as a weapon and now hunted, marked for termination. He and the Robots can only find asylum with the Underground — a secret network of Robots and humans working together to ensure a coexistent future.

To be protected by the Underground, Isaak will have to make it there first. But with a deadly military force tasked to find him at any cost, his odds are less than favorable.

Now Isaak must decide whether to hold on to his humanity and face possible death… or to embrace his true nature in order to survive, at the risk of becoming the weapon he was made to be.

Boy Robot will be published by Simon & Schuster on October 25, 2016. It is 415 pages, priced at $17.99 in hardcover and $10.99 for the digital edition. The cover is by Will Staehle.

October/November 2016 Asimov’s Science Fiction Now on Sale

October/November 2016 Asimov’s Science Fiction Now on Sale

asimovs-sf-october-november-2016-smallThe October/November double issue of Asimov’s Science Fiction is the annual “Slightly Spooky” Halloween special, “jam-packed with stories about ghosts, angels, demons, souls, curses, and a couple of aliens.” Here’s Sheila’s full description:

October/November is our traditional “slightly spooky” issue, and the 2016 edition is no exception. The magazine is jam-packed with stories about ghosts, angels, demons, souls, curses, and a couple of aliens. Alexander Jablokov’s bold new novella brings us a tale of death and danger, a woman with a rather unusual occupation, and “The Forgotten Taste of Honey.”

Sandra McDonald’s cheerful tone belies the horror that lurks for “The People in the Building”; the souls of the damned are captured in Susan Palwick’s poignant “Lucite”; death and another odd job play a part in Michael Libling’s amusing and irreverent tale of “Wretched the Romantic”; “Project Extropy” uncovers new mysteries in Dominica Phetteplace’s ongoing series; S. N. Dyer draws on history and folklore to explain what happens “When Grandfather Returns”; seeds of hurt and mistrust are sewn in Rich Larson’s “Water Scorpions”; new author Octavia Cade invites us to spend some time “Eating Science With Ghosts”; Will Ludwigsen examines the curse of “The Leaning Lincoln”; and Michael Blumlein’sheartfelt novella asks us to “Choose Poison, Choose Life.”

Robert Silverberg’s Reflections column dabbles in some “Magical Thinking”; James Patrick Kelly’s On the Net prepares to “Welcome Our Robot Overlords!”; Norman Spinrad’s On Books takes on “Short Stories” in a column that features the Nebula Awards Showcase anthologies as well as The Fredric Brown Megapack and Harlan Ellison’sCan & Can’tankerous; plus we’ll have an array of poetry and other features you’re sure to enjoy.

The cover is fabulous, but I couldn’t find any info anywhere on the website on who painted it. It’s by Karla Ortiz (karlaortizart.com/illustration).

In her editorial, Sheila Williams talks about the annual tradition of the “slightly spooky” issue, saying that she saves the best creepy stories each year for Halloween. She also talks about some of her favorites over the years.

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New Treasures: High Stakes: A Wild Cards Novel, edited by George R.R. Martin & Melinda M. Snodgrass

New Treasures: High Stakes: A Wild Cards Novel, edited by George R.R. Martin & Melinda M. Snodgrass

wild-cards-high-stakes-smallWild Cards is one of the longest-running shared universes in existence, outlasting Robert Asprin’s Thieves World, Emma Bull and Will Shetterly’s Liavek, C. J. Cherryh’s Merovingen Nights, and many others (the only one with a comparable run I can think of is Janet and Chris Morris’ Heroes in Hell, which began in 1986). The first volume, Wild Cards, was published in 1987 by Bantam Books; there have been 23 novels and anthologies since then, from 31 authors and four different publishers. That’s a heck of a run.

The premise of the series is pretty appealing for anyone who likes superheroes or pulp fiction.

In the aftermath of World War II, an alien virus struck the earth, endowing a handful of survivors with extraordinary powers. Some were called aces – those with superhuman mental & physical abilities. Others were termed jokers – cursed with bizarre mental or physical disabilities. Some turned their talents to the service of humanity. Others used their powers for evil.

Wild Cards is their story.

It’s been in the news recently primarily because it’s the next big series licensed to television by George R.R. Martin, hot on the heels of his globe-spanning success with Game of Thrones. Universal Cable Productions (The Magicians, Mr. Robot) acquired the rights this summer, and brought on co-editor Melinda Snodgrass as executive producer.

The 23rd book (excuse me, “mosaic novel” — really an anthology with a fancy name) in the series is High Stakes, written by Melinda M. Snodgrass, John Jos. Miller, David Anthony Durham, Caroline Spector, Stephen Leigh, and Ian Tregillis, and edited by George R.R. Martin and Melinda M. Snodgrass. It was released in hardcover by Tor on August 30.

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