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Author: Bob Byrne

The Public Life of Sherlock Holmes: What Story Should You Read First?

The Public Life of Sherlock Holmes: What Story Should You Read First?

FirstStory_LionsMane
One of my favorites: Frederic Dorr Steele for The Lion’s Mane

Recently a post in a Holmes Facebook group caught my eye. A woman was a fan of one of the current TV shows (I don’t recall if it was Elementary or BBC’s Sherlock), but she loved it and wanted to read the stories. She wondered where to start.

First, I think it’s a bit interesting that there are Holmes fans that have never read Sir Arthur Conan Doyle’s stories. They only know the detective through television shows set in the modern day. I suppose this also happened a bit with the first Robert Downey Jr. movie, but that had a shorter shelf life. Anyhoo…

There’s a bit of a divide in the Holmes community these days between the ‘old school’ and the newer generation. One characterization is between those who study the stories and those who write speculative fan fiction that has little to no relationship with Doyle’s actual writings. To some extent, there’s always been an old guard/new fans distinction, but social media has exploded it.

While I’ve long been a fan of Holmes pastiches and enjoy most movies and films, I do look askance at all the doey-eyed swooning over Benedict Cumberbatch as Holmes. And they’ll pry my calabash pipe from my cold, dead hands before I recognize merit in this Sherlock Meta stuff.

But moving off the grumpy old man ruminations, the question the woman asked was a good one. The initial responses seemed to go with the standard ‘read them in the order they were written.’ That’s logical. But I don’t think it’s the best way to go.

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The Public Life of Sherlock Holmes: Terry Pratchett’s ‘City Watch’

The Public Life of Sherlock Holmes: Terry Pratchett’s ‘City Watch’

CityWatch_GuardsCoverAs readers of this column are certainly aware, I’m quite the fan of detective and private eye novels. Beyond just the guy that the whole thing is named after. As I mentioned in last week’s post on Isaac Asimov’s Caves of Steel, I’ve made several posts about the genre.

Related yet distinct is the police procedural (though some stories, like the aforementioned Caves, fit in both genres). As you can guess from the name, these focus on police officers, rather than private operatives. They are all over television, such as Castle, CSI (insert name here), Hill Street Blues, and brand new shows like Battle Creek. Ranging from Dragnet and The Streets of San Francisco to Hawaii Five O (which lasted 12 seasons before coming back in its current incarnation).

The literary police procedural, while popular, has a lower profile than its television version and is definitely overshadowed by the private eye story.

Evan Hunter (better known as Ed McBain), who I consider THE master of the mystery short story, wrote more tales of New York’s 87th Precinct than I can count: and I can count to one, two, three, many (that’s a Terry Pratchett joke). Probably my favorite straight police procedurals are Tony Hillerman’s novels about The Navajo Tribal Police. The subject of a future post, they are superb police mysteries, set in the Indian reservation lands of the Four Corners. (I ended up doing a pretty solid three-part series on those fantastic books)

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The Public Life of Sherlock Holmes: Asimov’s The Caves of Steel

The Public Life of Sherlock Holmes: Asimov’s The Caves of Steel

caves of steelIn 1953, Isaac Asimov combined the science fiction and mystery genres with a three-part serial. In The Caves of Steel, Asimov painted a bleak future for humanity that served as more than just the background of a murder investigation.

Earth became overpopulated and civilization had to adapt to the massive resource needs. Cities became densely populated collectives. Efficiency drove everything. Section units (one, two and three room apartments) rather than houses. Group eating areas, rather than individual kitchens. Common shower and bath units instead of one (or more) per family. Hundreds of miles of high-speed conveyer belts, rather than roads and cars. The ancient, underground roadways were used by official forces to fight fires, to move about to quell riots and such.

Towns and cities were absorbed by ever-growing CITIES. The huge Cities were roofed in by domes until “Outside” became a terrible place that city dwellers never went to: they stayed in their caves of steel, eating mass produced yeast and hydroponics. Direct sunlight was not experienced. As Asimov says, “There was no doubt about it: The City was the culmination of man’s mastery over the environment.”

Then the Spacers came. Man had colonized other planets but those inhabitants eventually rebelled and broke free. They then returned and easily defeated Earth’s defenses.

The Spacers lived on other planets in wide-open spaces, with many robot servants. Asimov essentially paints a picture of the rich, upper class, living indolently, and the poor, lower class, packed together like sardines.

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The Public Life of Sherlock Holmes: REH Goes Hard Boiled

The Public Life of Sherlock Holmes: REH Goes Hard Boiled

Steve Harrison's CasebookYou know how people say “No offense intended,” and then offend like it’s an Olympic sport? I’m a major Robert E. Howard fan. In fact, I think his writing in the Conan stories is the best you’ll find in the entire genre.

However, he was not much of a hardboiled writer. The pulpster did (half-heartedly) give it a try, with nine completed Steve Harrison stories, as well as one unfinished tale and a synopsis.

In February of 1934, Strange Detective Stories introduced Steve Harrison in “Fangs of Gold.” It also included another Harrison story, “Teeth of Doom:” except that it didn’t. Not wanting to include two stories from the same author in one issue, the magazine renamed the hero Brock Rollins, changed the title to “The Tomb’s Secret” and used a Howard pseudonym, Patrick Ervin!

The next month, “Lords of the Dead” (retitled “Dead Man’s Doom”) was going to appear in Strange Detective, but alas, the publication folded. That story remained unprinted until 1978. Though, oddly enough, its sequel, “Names in the Black Book,” was included in the May, 1934 issue of Super Detective Stories. Those readers were probably looking for some history on Erlik Khan, the villain in both stories.

The fourth and final story to see publication during Howard’s lifetime was “Graveyard Rats,” appearing only four months before the writer committed suicide in 1936.

“The House of Suspicion” was printed in 1976. In that one, Fred Blosser completed Howard’s “The Mystery of Tannernoe Lodge” and added Khan in to make it a trilogy with Harrison’s antagonist. “The Black Moon,” “The Silver Heel” and the untitled synopsis all saw first printings in the nineteen eighties.

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The Public Life of Sherlock Holmes: Post Index #2

The Public Life of Sherlock Holmes: Post Index #2

VAlley_wilesCipherBack on September 29th of last year, I created a linked index of all The Public Life of Sherlock Holmes posts up to that date, plus a few extras that I’d written here at Black Gate. Well, since this column debuted on March 10, 2014 (yep, a year ago tomorrow!), I figured I’d create an index of all the posts written since that first index.

As the past year has shown, I’m not just about Holmes. I’ve looked at other mystery topics, including my love of hard boiled private eyes. And I’ve touched on fantasy, science fiction, true crime and gaming.

There’s lots more to come (Robert E. Howard’s Steve Harrison is currently in the research stage). Hopefully you’ll keep checking in on Monday mornings. Thanks!

Sherlock Holmes/Arthur Conan Doyle

William Gillette – The first great Holmes on stage or screen.

The List of Seven – Mark Frost’s Conan Doyle pastiche.

Elementary – America’s modern-day version of Holmes returns to televisions.

The Abbey Grange Examined – Did Holmes get played in this story?

Solar Pons – The greatest Holmes successor and pastiche of them all.

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The Public Life of Sherlock Holmes: The Lords of Dus

The Public Life of Sherlock Holmes: The Lords of Dus

Dus_BasiliskThe eighties was full of epic fantasy series’ by the likes of David Eddings, Raymond Feist, Stephen R. Donaldson, Terry Brooks and Katherine Kurtz, to name a few. While many remain giants in the history of the genre, Lawrence Watt-Evans wrote a largely forgotten series: The Lords of Dus.

Watt-Evans has written quite a bit of fantasy, science fiction and horror and is probably best known for his Ethshar series. Ethshar was created as a role-playing game world and he ended up writing many novels and short stories using the setting.

Watt-Evans had flunked out of Princeton’s architectural school and had to wait a year before he could re-apply. He had heard (the possibly apocryphal story) that Larry Niven started his career by deciding to write for one year and if he sold something, continue on: if he didn’t, he’d give it up. Watt-Evans decided to do the same and wrote a slew of short stories, selling one.

He did go back to school, but he wrote a novel (The Cyborg and the Sorcerer) on a summer break and after two years of college, gave it up to make a living with the typewriter (as a writer, not a typewriter salesman).

Influenced by Robert E. Howard, Michael Moorcock and Lin Carter’s anthologies (Flashing Swords, anyone?), he was ready to spin a fantasy saga featuring a non-human (but less effete than a Melnibonian) hero. Thus, the race of overmen.

He wanted to write a ‘quest’ series, so he needed somebody to tell Garth what to do. He borrowed from Robert Chambers and came up with The King in Yellow (yes, people were influenced by Chambers before HBO’s True Detective). So, we had a sort of Elric meets the Labors of Hercules.

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The Public Life of Sherlock Holmes: New Holmes Story Found! Well….

The Public Life of Sherlock Holmes: New Holmes Story Found! Well….

Found_scheduleLast week, the Sherlockian world was abuzz with news that a new Holmes story had been discovered: One that was written by Sir Arthur Conan Doyle himself back in 1903.

A few basics: On March 5, 1927, “The Adventure of Shoscombe Old Place” appeared in Liberty Magazine. There would be no more Holmes tales from Doyle’s pen. Thus, the official Sherlockian Canon came to a close at 60: 56 short stories and 4 novels (novellas, really).

Doyle had previously written two short shorts featuring his erstwhile detective. 1896’ “The Field Bazaar” was written to raise funds for Edinburgh University. While in 1924, Doyle wrote and donated “How Watson Learned the Trick” to the Queen’s Dollhouse project.

Hesketh Pearson, when going through Doyle’s papers for a biography, found the outline of a Holmes tale that may or may not have been written by Sir Arthur. Involving a man on stilts, pastiche authors have written the story to less than stellar results.

Of course, being a devout reader of The Public Life of Sherlock Holmes, you already know about the “lost” found Doyle story that was actually written by Arthur Whitaker.

Add in a couple of plays Doyle wrote and you’ve got the official writings by the original author. Though Walter Elliot claims there’s one more.

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The Public Life of Sherlock Holmes: The Case of George Edalji

The Public Life of Sherlock Holmes: The Case of George Edalji

Doyle_EdaljiIn the Old Testament, Nehemiah is the cupbearer to the king of Persia. His people, the Israelites, had been conquered by the Babylonians and sent into captivity years before. Groups of exiles had been allowed to return to Jerusalem, but the walls, which signified security and nation in those days, hadn’t been rebuilt.

When Nehemiah learned of the plight of his brethren, he wept, mourned, fasted and prayed. Such was the depth of his feeling for them.

In December of 1906, Sir Arthur Conan Doyle came across the case of George Edalji. Though he had no ties whatsoever to the disbarred solicitor from the village of Great Wyerly, Doyle was so outraged at the obvious injustice he perceived, that for over half of a year, he dedicated himself to exonerating the recently freed man.

There had been a series of cattle, horse  and sheep maimings in the Wyerly area in 1903. Based on specious circumstantial evidence, the twenty-seven year old Edalji (son of the local reverend), poor of vision and with a spotless record, was convicted and sentenced to seven years in prison. Edalji’s father was from Bombay and there is no doubt that prejudice played a huge part in the story. The Dreyfus Affair comes to mind. Edalji was released after three years with no pardon, no explanation and no recompense.

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The Public Life of Sherlock Holmes: The Best I’ve Ever Read…

The Public Life of Sherlock Holmes: The Best I’ve Ever Read…

BoysLife_Cover

See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out.

And so begins the best piece of writing I’ve come across.

In the seventies and the eighties, Robert R. McCammon was a successful horror author. Usher’s Passing (a sequel to Poe’s classic), Wolf’s Hour (World War II werewolf yarn) and Swan Song (post-apocalyptic epic) were among his excellent works. 1990’s Mine was a different kind of terror tale, as was 1992’s Gone South.

To oversimplify, McCammon wanted to move out of horror and into new genres. And he was told to forget it: to not mess with the formula (shades of Brian Wilson and Pet Sounds). So he wrote two historical novels that weren’t published, and he quit.

A decade later, that first historical book, Speaks the Nightbird finally saw the light of day in 2002 and has spawned seven sequels and one short story collection. The next book is under way. I read the first two and enjoyed them. But they grow continually darker and I quit after book three. Too much for me.

McCammon has written a few other novels and novellas, back in the horror genre. But he returned on his own terms, and not with a major publishing house.

Two thousand is a low estimate of how many books I’ve read, and the single finest piece of writing I’ve ever come across is in the introduction to his 1991’s Boy’s Life. Which isn’t really too surprising, because that is the finest book I’ve ever read; in any genre. It’s not a horror book: it’s a coming-of age tale. It’s a book about the magic of our youth. And what happens to that magic.

One of my favorite authors, Tony Hillerman, said that Fly on the Wall, was his attempt at writing The Great American Novel. He feels he came up short. He would know, though it’s in my Top Five Novels list. But I’m gonna say that Boy’s Life is McCammon’s Great American Novel. And it’s in the running for THE Great American novel You ask me for only one book to read (beyond the Bible), and I’m telling you Boy’s Life.

Here’s the rest of that snippet from the opening that has stayed with me for going on three decades:

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The Public Life of Sherlock Holmes: Massey’s ‘The Speckled Band’

The Public Life of Sherlock Holmes: Massey’s ‘The Speckled Band’

Massey_IntroI’ve posted about the stage play that Sir Arthur Conan Doyle wrote, based on his Holmes short story, “The Speckled Band.” In 1931, it was brought to the screen (though it had been filmed a few times before), with Canadian actor Raymond Massey in his first credited role.

Band was only the third Holmes “talkie,” following Clive Brook’s The Return of Sherlock Holmes (1929) and Arthur Wontner’s The Sleeping Cardinal (also 1931).

The film incorporates several of the play’s variations, including the name changes (Roylott to Rylott; Julia to Violet), the inquest, adding an Indian manservant, etc. One significant change from the original story is that Watson is a friend of the girl’s dead mother and is the one who brings the case to Holmes. This gives Athole (yep: that’s really his first name) Stewart’s Watson a meatier part in the story.

Stewart plays a more Doyle-like Watson, as compared to Ian Fleming, who played a doofus Doctor in Wontner’s Cardinal: the type of portrayal that, sadly, would be all to common in the coming decades. It’s nice to see a black and white era Watson who wasn’t there for comic relief.

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