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Year: 2015

One Picture = One Thousand Words . . .?

One Picture = One Thousand Words . . .?

Huff price 1About a month ago Gabe Dybing wrote an excellent post in which he, among other things, praised my Dhulyn and Parno Novels (thanks again, Gabe). I obviously don’t quarrel with anything he had to say, but there was one observation that made me raise my eyebrows, and that was his take on the cover art. The whole post is worth reading (not just the part about my books) but what Dying has to say about my covers is important not just for me, but for any of us involved in the writing and reading of books. Looking at the art from the sales perspective, what it is about the cover that encourages a reader to buy a book, Dybing has two caveats. First, he feels the characters are too “posed,” in that they’re “battle-ready” when nothing is in fact happening. Second, he objects to the photo-realism, since it could restrain the readers in imagining the characters for themselves. As it happens, he feels the artist, Steve Stone, did capture Dhulyn pretty well, except for her skin colour, and her “wolf smile.”

Huff PriceInteresting bit about that. The artist chose his models from modeling/acting agency photos to match the physical descriptions I’d provided to my editor/publisher, Sheila Gilbert at DAW. It wasn’t until the models arrived for the session that Stone realized the woman was black. I know, it does make you wonder what the photos were like, but that’s not a question I can answer. The situation was explained to her, and apparently the model/actress didn’t mind being depicted as a woman from a race noted for the pallor of their skin and the redness of their hair.

As for the wolf’s smile, you don’t really want to see that. Ever. Trust me.

On the whole, I think I’ve been very lucky with my cover art, but before I go on I have to confess a couple of things. First, I have almost no visual memory (except for faces), and don’t really respond to visual cues. Off the top of my head, I couldn’t describe to you the cover of any book, not even the ones I’ve read over and over. Okay, I can recognize the Tenniel drawings from Alice in Wonderland, the original art from the Chronicles of Narnia, and the Dali illustrations from a recent edition of Don Quijote, but there I’m thinking about the artists, not the books. And even there I’m pretty sure I couldn’t tell you what was on the covers.

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Goth Chick News: Goth Chicks in Literature Rock Utterly…

Goth Chick News: Goth Chicks in Literature Rock Utterly…

image010It’s been three years – count them because I sure have – since I crushed on author Steven Roman over his first novel Blood Feud.

Back then I was all enamored due to the fact that Roman’s main character, Pandora (Pan) Zwieback, was a zombie-shooting, werewolf booting, leather clad heroine of a goth chick.

Finally, a book I could relate to.

Never mind that Blood Feud landed in the “young adult fiction” category either. Roman doesn’t insult readers of any age, with lip-nibbling, flannel-wearing whiners. These characters were a dark fantasy cross-over all the way, with nary a “romantic” slipped in there anywhere.

If Roman’s name sounds familiar it may be because before Blood Feud he was responsible for highly successful, but mainly fan-boy facing fare such as X-Men: The Chaos Engine Trilogy and Final Destination: Dead Man’s Hand, as well as appearing in anthologies such as Untold Tales of Spider-Man and Dr. Who: Short Trips.

I’m not knocking Roman’s horror chops – no way, not now.

But when you’re a guy taking on the persona of a sixteen-year-old goth girl and aiming your story at a young adult audience, you’re taking on a whole new level of imagination.

And Roman delivered in spades.

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The Best Pulp Horror and Weird Tales: The Fantasy Catalog of Hippocampus Press

The Best Pulp Horror and Weird Tales: The Fantasy Catalog of Hippocampus Press

Burnt Black Suns-small Ghouljaw and Other Stories-small The Wide Carnivorous Sky-small

When I returned from the World Fantasy Convention in Washington last November, the first thing I did was write about all the great discoveries I made in the Dealer’s Room.

I’m not just talking about rare and wonderful old books (although those were pretty damn cool, too.) I mean the smorgasbord of small press publishers who’d come from far and wide to display an incredible bevy of treasures, piled high on table after table after table. Seriously, it was like walking through Aladdin’s Cave of Wonders, except air conditioned and with decent carpeting.

One of the great discoveries I made was Hippocampus Press, a small publisher founded by Derrick Hussey in New York City in 1999. Their table was groaning under the weight of dozens of fabulous collections, horror anthologies, entertaining and informative journals, and stranger and more marvelous things. They specialize in classic horror and science fiction, with an “emphasis on the works of H. P. Lovecraft and other pulp writers of the 1920s and 1930s,” as well as critical studies of folks like Lovecraft, Clark Ashton Smith, and William Hope Hodgson.

I brought home a copy of their 2014 Simon Strantzas collection, Burnt Black Suns, and told you about it here. Today I’d like to take a few moments to re-create what it was like to stand in front of the Hippocampus table and take in their extraordinary output, the product of over a decade of tireless dedication to classic weird tales (and great cover design.)

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New Treasures: The Supernatural Enhancements by Edgar Cantero

New Treasures: The Supernatural Enhancements by Edgar Cantero

The Supernatural Enhancements-smallI stumbled on Edgar Cantero’s debut novel on Amazon as a bargain book, and I ordered it based on the captivating plot description (and, I must admit, because of the giant eyeball on the cover… I think it looked into my very soul.)

The Supernatural Enhancements begins as a gothic ghost story, and soon evolves into a twisted treasure hunt and modern-day adventure. Author Justin Taylor (Flings) calls it “Eerie… Cantero pays homage to Bram Stoker and H.P. Lovecraft and The Shining, but he’s no less enamored of The X-Files, fax machines, and punk girls with dreads.” Definitely worth a look, I think.

When twentysomething A., the European relative of the Wells family, inherits a beautiful, yet eerie, estate set deep in the woods of Point Bless, Virginia, it comes as a surprise to everyone — including A. himself. After all, he never knew he had a “second cousin, twice removed” in America, much less that his eccentric relative had recently committed suicide by jumping out of the third floor bedroom window — at the same age and in the same way as his father had before him . . .

Together with A.’s companion, Niamh, a mute teenage punk girl from Ireland, they arrive in Virginia and quickly come to feel as if they have inherited much more than just a rambling home and an opulent lifestyle. Axton House is haunted… they know it… but the presence of a ghost is just the first of a series of disturbing secrets they slowly uncover. What led to the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze – and what does the basement vault keep? Even more troubling, what of the rumors in town about a mysterious yearly gathering at Axton House on the night of the winter solstice?

Told vividly through a series of journal entries, cryptic ciphers, recovered security footage, and letters to a distant Aunt Liza, Edgar Cantero has written an absorbing, kinetic and highly original supernatural adventure with classic horror elements that introduces readers to a deviously sly and powerful new voice.

The Supernatural Enhancements was published by Doubleday on August 12, 2014. It is 353 pages, priced at $26.95 in hardcover and $12.99 for the digital edition. The cover is by Michael J. Windsor. A trade paperback edition is scheduled for release on July 21; I bought the hardcover new at a bargain price on Amazon.com.

Play Infocom’s The Hitchhiker’s Guide to the Galaxy Game Online

Play Infocom’s The Hitchhiker’s Guide to the Galaxy Game Online

I was at the Windycon 42 website yesterday, checking to see if the Guest-of-Honor interview I did with author Christopher Moore has been posted yet (it wasn’t). The theme of the convention is The Hitchhiker’s Guide to the Galaxy, and the website has the friendly words Don’t Panic posted right at the top. As long as I was there I poked around a bit, and I was surprised to find a link for “Infocom Game” in the navigation bar.

Now, I’m a huge fan of Infocom’s text-based computer games. Infocom was one of the most acclaimed computer gaming companies of all time, with classic titles like Zork (1980), Enchanter (1983), Planetfall (1983), and the groundbreaking BattleTech game The Crescent Hawk’s Inception. In 1984, legendary Infocom designer Steve Meretzky teamed with Douglas Adams to create The Hitchhiker’s Guide to the Galaxy, one of the most popular games the company ever produced.

Well, that’s all the enticement I needed. I clicked on the link, and lo and behold, I was transported to the BBC Radio website, where the BBC has posted a complete Java-based port of the 30th Anniversary Edition of Infocom’s classic The Hitchhiker’s Guide to the Galaxy. You can play right in your browser! And so I did:

Infocom The Hitchhiker's Guide to the Galaxy

This is well worth checking out yourself. Take a step into the past (and then, uh, into the future) and play the computer gaming classic The Hitchhiker’s Guide to the Galaxy here.

The Fantasy and Science Fiction Films of Thomas Edison

The Fantasy and Science Fiction Films of Thomas Edison

The original Frankenstein's monster from the 1910 Edison film.
The original Frankenstein’s monster from the 1910 Edison film.

In the annals of early silent film, the name Thomas Edison stands out prominently. The American inventor racked up a series of firsts–building the first film studio in the U.S., registering the first copyright for a film in the U.S., making the first sound film in the U.S. (and arguably the world), and many other innovations.

Edison Studios was launched in 1894 and ran until 1918, when an antitrust lawsuit led Edison to sell the company. In that time, the studio’s host of directors made almost 1300 films. The vast majority were shorts, with the earliest efforts being “actualities” such as The Sneeze (1894) and the historically interesting Sioux Ghost Dance (1894). For the first few years of film, simply seeing people moving on screen was enough, but soon audiences wanted stories. Edison Studios churned out dozens of shorts a month, most of them rather forgettable comedies or dramas as well as a few Westerns such as the very first in the genre, The Great Train Robbery (1903).

A few, however, broke new ground in fantasy, science fiction, and horror. The most notable are The Night Before Christmas (1905), Alice’s Adventures in Wonderland (1910), A Christmas Carol (1910), Frankenstein (1910), A Trip to Mars (1910), and the powerful The Land Beyond the Sunset (1912). Click the links to watch the movies. None are longer than 13 minutes. Spoilers are coming.

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April 2015 Lightspeed Magazine Now on Sale

April 2015 Lightspeed Magazine Now on Sale

Lightspeed Magazine April 2015-smallWe kicked off our coverage of John Joseph Adams’ excellent online magazine Lightspeed last month with #58, the March 2015 issue.

Lightspeed publishes fantasy and SF, both new fiction and reprints. Among other stories, the April issue contains a reprint from Ken Liu, author of the breakout fantasy novel The Grace of Kings, just released this month. Now’s your chance to get a taste of his short fiction, and see what all the fuss is about. Here’s the first two paragraphs of “The Ussuri Bear”:

By the time we arrived in the Manchu settlement of Tanbian, the Russian expedition had already left a day earlier.

For the last five days, we have been moving through deep snow and dense primeval forest in the Changbai Mountains, trying to catch up. The superiority of the mechanical horse is becoming clearer with each passing minute.

There’s also a free excerpt from The Grace of Kings in the ebook version.

Here’s the complete fiction contents of the April issue.

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Coode Street Podcast Reveals that K.J. Parker is Tom Holt

Coode Street Podcast Reveals that K.J. Parker is Tom Holt

The Hammer K J Parker-smallBest selling fantasy author K.J. Parker appeared on the scene 17 years ago, when he published Colours in the Steel (1998), the first novel in The Fencer trilogy.

Since then he’s had a stellar career, producing The Scavenger trilogy and the popular The Engineer trilogy (Devices and Desires, Evil for Evil, and The Escapement), plus standalone novels such as The Company (2008), The Folding Knife (2010), and The Hammer (2011).

But Parker has never appeared in public, or even spoken on the phone — not even to accept the two World Fantasy Awards he’s won. It soon became public knowledge that the name was a pseudonym. But despite intense curiosity and conjecture, the identity behind the name remained a closely guarded secret, until Parker decided to reveal it to his long-time editor Jonathan Strahan and his partner Gary K. Wolfe yesterday, on their Coode Street Podcast.

K.J. Parker is actually humorous fantasy writer Tom Holt, whose popular novels include Expecting Someone Taller (1987), Who’s Afraid of Beowulf? (1988), Ye Gods! (1992), Blonde Bombshell (2010), and more than two dozen others.

Over the last 17 years Holt has continued his prolific output under his own name, while simultaneously writing over a dozen novels as K.J. Parker.

Listen to the complete interview here.

Vintage Treasures: Razored Saddles, edited by Joe R. Lansdale

Vintage Treasures: Razored Saddles, edited by Joe R. Lansdale

Razored Saddles-smallI was at the Windy City Pulp and Paperback convention here in Chicago over the weekend — hands down one of my favorite shows, and absolutely the place where I make my best finds, year after year — and I stumbled across a paperback I’d never seen before.

Now, this really isn’t all that unusual. Last year I found Carl Jacobi’s Revelations in BlackThe Bumper Book of Ghost Stories, Stephen E. Fabian’s luscious art book Ladies & Legends, and a bunch more things, just as examples. But I expect to be surprised by odd British books and small print run paperbacks from the 1970s. I don’t expect to discover that a major anthology from the 1990s — from one of the biggest paperback publishers in the country, and edited by no less a personage than Joe R. Lansdale — has completely slipped my radar.

Razored Saddles was originally released in a limited edition hardcover by Dark Harvest in September 1989, and nominated for a World Fantasy Award for Best Anthology. The hardcover is relatively easy to come by, and in fact I’ve seen plenty of them over the years. But the paperback must have come and gone in a flash, because I’ve never come across a copy in over 25 years.

The dealer who was offering it for sale was well aware of its scarcity — he wanted more than I would expect to pay for the limited edition hardcover. Well, I’m loathe to pay more than the cover price of a modern paperback for any vintage paperback, and I didn’t in this case. But I admit I was tempted… Razored Saddles looks like a stellar collection of weird western tales from a Who’s Who of early 90s horror writers, including Neal Barrett, Jr., Robert R. McCammon, David J. Schow, Lewis Shiner, Howard Waldrop, Richard Christian Matheson, F. Paul Wilson, Richard Laymon, and many others. And let’s face it. That cover, with a gun-toting skeletal cowboy mounted against a stark blue sky, very nearly seals the deal.

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Philip Sandifer’s Guided by the Beauty of Their Weapons: An Analysis of Theodore Beale and his Supporters

Philip Sandifer’s Guided by the Beauty of Their Weapons: An Analysis of Theodore Beale and his Supporters

Rabid Puppies logo-smallAuthor Philip Sandifer (The Last War in Albion, TARDIS Eruditorum) has a fascinating take on the ongoing 2015 Hugo controversy, pointing out that debating with the Sad Puppies is a waste of time — not because they don’t have a point, but because they are largely irrelevant. Theo Beale’s Rabid Puppies slate largely dictated the outcome, and it’s Beale ‘s agenda that will shape the outcome in future years.

Relatively unreported — and indeed misreported in most coverage of this, is the fact that the Sad Puppies largely failed… In the only category in which both Beale and Torgersen proposed full slates, Best Short Story, Beale’s nominees made it.

Sandifer’s thesis is that the Sad Puppies, and the groundswell of fans who’ve gathered to support it, are the popular face of a much more tightly controlled effort by Theo Beale.

As we’ve seen, it’s not really Torgersen who is most important here; it’s Theodore Beale…. The Rabid Puppies were the slate that actually dominated the Hugos nominations, but the Sad Puppies give every appearance of having been actively constructed to allow them to… Regardless of Torgersen’s intentions, the practical result is that he’s providing the politely moderate front for a movement that is in practice dominated by Theodore Beale…

Torgersen makes much of empowering fans, saying that the slate “is a recommendation. Not an absolute,” and stressing that “YOU get to have a say in who is acknowledged.” Beale, on the other hand, discourages his readers from exercising any personal preference, saying of his recommendations that “I encourage those who value my opinion on matters related to science fiction and fantasy to nominate them precisely as they are.”

Read the complete article here.