Black Gate – Page 936 – Adventures in Fantasy Literature

Vintage Treasures: Two Decades of Interzone

Sunday, May 18, 2014 John ONeill Comments 0 Comment

Interzone is the leading British science fiction magazine and has been for over 30 years. It was founded in 1982 and editor David Pringle remained at the helm for 193 issues, until he stepped down in 2004. Since then, it has been part of the TTA Press stable, with the capable Andy Cox as editor; their latest issue — Interzone 252, May–June 2014 — arrived earlier this month. In fact,the only thing not marvelous about Interzone is that it’s so hard to come by here in the US. Barnes & Noble imports issues every two months (although at the prohibitively high price tag of $11.95), but back issues are almost impossible to find. Even eBay isn’t much help.

Enter 2013 Windy City Pulp & Paper last month. I made some terrific purchases at the show, and I’ll be telling you about them over the next few weeks. But hands down, my best find of the weekend was a vast collection of fanzines and assorted 70s and 80s fantasy magazines in a $1 bin at the Adventure House booth — including 64 issues of Interzone, most of them unread. I ended up buying all of them… by far the largest collection of Interzone I’ve ever purchased. I bought about 30 recent issues from a UK seller a few years ago, but these were much older, and much less expensive: a beautiful assortment of issues between 75 and 191, with original fiction from Michael Bishop, Paul Di Filippo, Michael Moorcock, Tony Ballantyne, Paul Park, Thomas M. Disch, Eric Brown, Jon Courtenay Grimwood, Geoff Ryman, Tanith Lee, Ian Watson, Richard Calder, and many, many others.

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Can SF Save the World From Climate Change?

Sunday, May 18, 2014 Garrett Calcaterra Comments 13 comments

Since its inception in the 19^th Century, science fiction has inspired technological innovation and progress, utilizing creativity to prod the minds of scientists and engineers into designing wonders beyond the factories and smokestacks of the Dickensian world. Jules Verne and H.G. Wells, the godfathers of SF, imagined submarines, airships, rockets, spacecraft, and even atomic energy, and their “science fantasy” stories inspired generations of scientists, inventors and engineers, not to mention countless artists and writers.

In the early 20^th Century, the Golden Age of SF helped pioneer many of the modern technologies we now take for granted. Arthur C. Clarke conceptualized the geostationary satellite. Isaac Asimov laid the groundwork for robotics and artificial intelligence. E.E. “Doc” Smith’s Lensmen novels inspired the US Navy to create the first naval combat information center. In the early 1980s, at a time when personal computers were still in their infancy, William Gibson imagined cyberspace.

At the same time, SF writers have also warned us about the dangers of our rapidly changing world. Pre-dating Verne and Wells, Mary Shelley’s Frankenstein is a bleak cautionary tale of what can happen when scientists try to alter life itself (a warning that seems more prescient than ever in an age of cloning and GMOs). In response to the Second Industrial Revolution, E.M. Forester wrote the first modern dystopia, The Machine Stops, a short novel that depicts a future race of humans that have become helpless, fat, and slug-like due to their complete reliance on technology.

And then, of course, there are the classic dystopian tales, warning us of the dangers of taking social and political ideologies to their extreme ends: A Brave New World, 1984, Animal Farm, and Yevgeny Zamyatin’s We. Similarly, the post-apocalyptic novel A Canticle for Leibowitz, penned by Walter M. Miller during the height of the Cold War, warns of the dangers of nuclear proliferation coupled with imperialism.

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2013 Nebula Award Winners Announced

Sunday, May 18, 2014 John ONeill Comments 4 comments

The 2013 Nebula Awards were presented yesterday at a solemn SFWA ceremony in downtown San Jose. Folklore tells us these events occur at carefully planned intervals every year, but I suspect the truth is that Nebula Awards erupt spontaneously whenever a critical mass of science fiction and fantasy writers gather together. Like bar fights and flash mobs.

Here’s the complete list of winners.

Novel

Ancillary Justice, Ann Leckie (Orbit)

Novella

“The Weight of the Sunrise,” Vylar Kaftan (Asimov’s SF, February 2013)

Novelette

“The Waiting Stars,” Aliette de Bodard (The Other Half of the Sky, Candlemark & Gleam)

Short Story

“If You Were a Dinosaur, My Love,” Rachel Swirsky (Apex, March 2013)

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New Treasures: The Dark Rites of Cthulhu edited by Brian M. Sammons

Saturday, May 17, 2014 John ONeill Comments 6 comments

I first met Neil Baker over a decade ago and was surprised by how much we had in common, including our shared love of genre films. He told vastly more entertaining stories than I did — especially his tales of the British film industry, and working on films like Lifeforce. So I wasn’t at all surprised when he told me late last year that he was joining the noble and distinguished brotherhood of small press publishers.

In an article for Black Gate last month, Neil told us that his first release, The Dark Rites of Cthulhu, was a collection of stories dealing with “the more magical aspects of Lovecraft’s tales, smaller, more intimate stories that explored the consequences of humans meddling in powers beyond their understanding.” In a marketplace crowded with a multitude of Cthulhu volumes, this one stands out, with terrific reviews, fabulous design, and excellent interior art by Neil himself. Here’s the book description.

For centuries, students of the forbidden arts have probed the inky recesses of the spaces inbetween. Hapless mortals have invoked monstrous entities from beyond through foul magicks, incantations and rituals. When will they learn that there can be no profit nor joy to be gained through relations with the insidious old ones? These sixteen tales of depravity, sorcery and madness may offer some illumination, but ultimately there can be no salvation for those who dabble in The Dark Rites of Cthulhu.

Featuring terrifying new stories by Glynn Owen Barrass, Edward M. Erdelac, John Goodrich, Scott T. Goudsward, T. E. Grau, C.J. Henderson, Tom Lynch, William Meikle, Christine Morgan, Robert M. Price, Pete Rawlik, Josh Reynolds, Brian M. Sammons, Sam Stone, Jeffrey Thomas and Don Webb and edited by Brian M. Sammons, The Dark Rites of Cthulhu shares cautionary tales set in a multiverse of jealousy, greed, desperation and naivety and is guaranteed to delight students of the Dark Arts and followers of the Great Old Ones alike.

The Dark Rites of Cthulhu was edited by Brian M. Sammons and published by April Moon Books on March 28, 2014. It is 224 pages, priced at $18.99 in trade paperback and just $2.99 for the digital version. Buy it directly from the April Moon website. It gets our highest recommendation.

The Technology of Medieval China

Saturday, May 17, 2014 Derek Kunsken Comments 1 comment

I just spent a few weeks in Beijing as a tourist with my son. We hit a lot of temples and museums to see the classical medieval Chinese architecture and technology. I was struck by the beauty and strangeness of some medieval technology, especially astronomy and the measurement of time.

Concept of Time

Medieval Beijing tracked time for lots of reasons and they divided their night into five blocks of two hours:

First Geng       Xu (dog) Shi: 19:00-21:00
Second Geng Hai (pig) shi: 21:00-23:00
Third Geng     Zi (rat) shi: 23:00-1:00
Fourth Geng Chou (ox) shi: 1:00-3:00
Fifth Geng      Yin (tiger) shi: 3:00-5:00

Two towers, the Drum Tower and the Bell Tower, signaled time for the city. The 1.4m in diameter drums were beaten and 7m-tall bell rung with a log as a clapper at the first and fifth gengs. The other gengs were marked by bell alone, and at the first geng, the city gates were closed and streets cleared.

But how did they know what time it was in medieval Beijing?

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Future Treasures: Traitor’s Blade by Sebastien de Castell

Saturday, May 17, 2014 John ONeill Comments 5 comments

There’s been a lot of pre-publication buzz about Canadian Sebastien de Castell’s debut novel Traitor’s Blade. Dave Duncan called it “A wild dance of fights, treachery, and jaw-dropping surprises,” and Fantasy Book Critic said it was “The first ‘new’ fantasy of 2014 that met and even exceeded my expectations.”

But it was Niall Alexander’s review over at Tor.com that really piqued my curiosity. He called it “A bunch of fun from one cover to the other. Recommended especially to readers who’ve had it up to here with unhappy heroes.” Sounds like just what I need. Here’s the book description.

Falcio is the first Cantor of the Greatcoats, the elite corps of 144 men and women whose mission is to travel the land and uphold the King’s Law. Highly trained in the sword-fighting, diplomatic, and judicial arts, the Greatcoats are heroes. Or at least they were heroes, until the powerful Dukes, feudal noblemen with ambitions of their own, overthrew the king and placed his head on a pike as a warning to his supporters.

In the power vacuum left by the death of the king, Tristia is on the verge of collapse and the barbarians are sniffing at the borders. As the power struggle among the Ducal powers brings chaos to the land, the Greatcoats are scattered far and wide; reviled as traitors to the king they failed to protect, their reputation and legendary leather coats are both in tatters.

All the Greatcoats have left is the secret set of instructions given to each one by King Paelis before his death. If Falcio and his best friends Brasti and Kest have any hope of fulfilling the king’s final mission, the Greatcoats must reunite — or else they must stand aside and watch as the world they were sworn to protect burns.

Traitor’s Blade will be published July 1, 2014 by Jo Fletcher Books, a division of Quercus. It is 372 pages, priced at $26.99 in hardcover and $13.99 for the digital edition.

Spotlight on Interactive Fiction: Choice of the Deathless by Max Gladstone

Friday, May 16, 2014 alanajoli Comments 2 comments

Between keeping up with my usual webcomics, Marvel: Agents of S.H.I.E.L.D., and several writing projects (one of them my own current work for Choice of Games), I haven’t had as much time to play games (or review them) as I’d like. But back in my December 20 post, I promised an upcoming review of Choice of the Deathless by Max Gladstone. Max is a writer friend of mine and I’m not shy about proclaiming my love for his Craft Sequence — of which Choice of the Deathless is a corollary. Since Max is currently a John W. Campbell nominee, and his Three Parts Dead just made Reddit’s list of under-read fantasy, I thought now would be a great time to spend some time on Choice of the Deathless — and mention his novels as well.

Choice of the Deathless, art by Ron Chan

The world of the Craft Sequence is one in which human wizards — usually necromancers, most of whom wear pin striped suits and run corporations called Concerns — rose up against the gods in a huge war and won, leaving most of the gods dead. Lest you think this means the conceit of the world is all about the virtues of Progress over Faith, I assure you I don’t read the stories at all that way. Progress has its own failings, Faith has its strengths, and the stories told in Max’s books and game strike me as being about characters who try to find a way to reconcile the two to make the world a better place. Also: necromancers who are, effectively, lawyers, and fantasy novels that are also legal thrillers. Sometimes about ecoterrorism, corporate espionage, or just trying to find a good cup of coffee. What’s not to love?

Choice of the Deathless gives the player a chance to take part in that world of exciting corporate magic, beginning at the low rung of a Concern’s ladder with hopes of climbing all the way up to Partner. But while student loans, crappy apartments, and a lack of sleep all add flavor to the game, things really start to get interesting when the PC starts dealing with literal demons. In one case, the PC needs to keep demons from finding a contractual loophole that would allow them to gain an unlimited foothold in the human world. In another, an oppressed demon wants out of an abusive contract, without getting sent back to the demon lands. In a third, the PC must decide whether to advise a minor goddess to seek out her own lawyer or take her to court for everything she has. And the larger story arc gives PCs the chance to eventually become a skeletal, undead, master of magic — if they play their cards right.

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Vintage Treasures: Galactic Derelict by Andre Norton

Friday, May 16, 2014 John ONeill Comments 4 comments

I came too late to science fiction and fantasy to catch Andre Norton’s true heyday in the 50s and 60s, when she published over two dozen novels — including early classics like Star Man’s Son (1952), Star Rangers (1953), Star Gate (1958), The Time Traders (1958), The Beast Master (1959), Witch World (1963), Three Against the Witch World (1965), and Year of the Unicorn (1965).

True, she continued to publish books steadily throughout the 70s, 80s, and even the 90s — though by the last decade of her life (she died in 2005), she was writing almost solely in collaboration with other authors. But it was her early Ace paperbacks that really stirred my collector’s soul. Perhaps it was the splendid covers. Here’s the back cover copy from the 1961 Ace paperback Galactic Derelict — with one of those splendid covers — reprinting a review from Galaxy:

“All the classic elements are present in full measure in Galactic Derelict. It suffers not at all in being a sequel to Andre Norton’s excellent Time Traders.

“The U.S. Army’s race with the Russians through and against Time remains Norton’s background. Both search for abandoned wrecks of a race that had interstellar travel back in man’s infancy.

“Travis Fox, Apache, joins Ross Murdock and Dr. Gordon Ashe, time agents, in attempting the transfer, intact, of an alien ship through 20,000 years to present. Inadvertently, controls are activated and the group is launched on an involuntary galactic tour. Their efforts to return to Here and Now constitute a top-notch science-adventure yarn.” – Galaxy Magazine

Galactic Derelict is part of Norton’s Forerunner universe. The other books in the series include The Time Traders (1958), The Defiant Agents (1962), Key Out of Time (1963), and others.

Galactic Derelict was published in 1959 by the World Publishing Company and has been reprinted in eight different editions over the last half-century. It first appeared in paperback from Ace Books in 1961. It is 192 pages in paperback, priced at 35 cents. The cover is by Ed Emshwiller. If I have a few moments this weekend, I may assemble some of the other covers to display them here.

So We Were In This Bar . . .

Friday, May 16, 2014 Violette Malan Comments 11 comments

There’s a long tradition in western literature of the “framing device” – think Chaucer and The Canterbury Tales … or the Thousand Nights and a Night if we want something more obviously in our genre. Or Asimov and his Black Widower Mysteries.

My personal favourite among short story framing devices, however, is the bar story -– and I don’t mean the kind that starts, “We were in this bar…” Though, come to think of it, that’s how all my vacation stories start. Hmmm.

The device itself is fairly straightforward. The bar is a gathering place of disparate, but like-minded, people who exchange stories and anecdotes, usually involving people not present at the time. Sometimes the patrons of the bar take turns telling tales and sometimes, as with PG Wodehouse’s collections Meet Mr. Mulliner and Mr. Mulliner Speaks, one person in particular is the storyteller.

Undoubtedly because the storytellers are in a bar, the stories themselves can get a bit far-fetched, leading to such well-known formats as the Shaggy Dog Story and even the Tall Tale itself.

Which seems tailor-made for SF and Fantasy stories, don’t you think?

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The Resurrection of Dr. Mabuse, Part Two

Friday, May 16, 2014 William Patrick Maynard Comments 0 Comment

Less than six months ago, I reviewed indie wunderkind Ansel Faraj’s 21st Century update of Dr. Mabuse. The Rondo-nominated film garnered more attention from genre fans for Faraj’s stunt casting of veterans of the 1960s Gothic soap opera Dark Shadows than it did for his faithful recreation of Expressionism in the digital age of indie filmmaking.

I won’t claim Faraj is the equal of Fritz Lang or that his Hollinsworth Productions offers the resources of UFA at its peak, but this is a young man who impresses in spite of the limitations of budget and time. There is a dreamlike quality to his work which is helped rather than hindered by the Spartan production values. One wonders just what he would be capable of rendering given studio backing.

Faraj’s latest production, Etiopomar, is the second half of his Dr. Mabuse reboot and deftly blends elements of Norbert Jacques’s original novel that Fritz Lang and his screenwriter wife Thea Von Harbou jettisoned from their 5-hour two-part adaptation of the book in 1922, while incorporating characters from Lang and Von Harbou’s Metropolis (1927). When one considers Lang’s silent masterpieces, the visionary Metropolis easily supersedes his Mabuse pictures. Metropolis is a stunning sci-fi epic that is still influential nearly 90 years on.

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