Black Gate – Page 890 – Adventures in Fantasy Literature

The Public Life of Sherlock Holmes: Munchkin

Monday, November 24, 2014 Bob Byrne Comments 5 comments

Today, we’re going off topic to talk about the funnest (Most fun? More fun than any other?) game I play, Munchkin.

Those of us old enough to remember micro games recognize the name Steve Jackson as the creator of OGRE. This tiny little “board game” with the flimsy cardboard pieces launched the micro game market. As the founder of Steve Jackson Games, Jackson has produced a great many board and role playing games, including his own RPG system, GURPS (Generic Universal Role Playing System).

Back in 2001, Jackson released Munchkin, a fantasy parody card game with the motto, ‘Kill the monsters, steal the treasure, stab your buddy.’ For several years, I looked down on Munchkin as a cheap attempt to cash in on the RPG field. Then a friend bought the original Munchkin game last year. Boy, was I wrong!!

Munchkin (which comes in several variations), is flat out the most fun I’ve ever had playing a board or card game. It can be played by two, but as I’ll explain below, it really only clicks with at least three. The ‘helping’ dynamic doesn’t have nearly as great an impact in a two player game and things can get a bit flat. But with a third, it’s no holds barred.

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“It Is Neither Allegory Nor Fable But A Story To Be Read For Its Own Sake”: E.R. Eddison, The Worm Ouroboros, and Zimiamvia

Monday, November 24, 2014 Matthew David Surridge Comments 8 comments

Last August, John O’Neill noted that HarperCollins would be reprinting four classic fantasies by E.R. Eddison: The Worm Ouroboros (first published in 1922), Mistress of Mistresses (from 1935), A Fish Dinner in Memison (1941), and The Mezentian Gate. Gate was unfinished when Eddison died, but he prepared it as best he could for publication before his death, writing a detailed synopsis for the chapters he hadn’t completed. The book was published in 1958 as the synopsis with some finished chapters. A 1992 one-volume reprinting of Mistress, Fish Dinner, and Gate, which together make up a sequence called the Zimiamvia trilogy, added several fragments of chapters found since Gate’s first publication. I have not seen the new printing, so can’t tell if anything more has been added to Gate for the Harper edition. But, as the new printings of the books came out in October, I thought I’d take a look back at Eddison’s best-known fantasy stories.

The Worm Ouroboros is widely and justly acclaimed as a classic. It deals, broadly, with the conflict on the planet Mercury (any resemblance between this Mercury and the real planet Mercury is purely coincidental) between Demonland and Witchland. The Demons and Witches — and Imps and Goblins — are all basically human, but their kings and champions are legendary heroes on a Homeric or Arthurian scale, while the setting echoes the Elizabethan and Jacobean era in its culture and especially its elaborate language. The plot follows four great heroes of Demonland as they quest across deep seas and high mountains for a means to defeat the armies of the Witch-king Gorice, while the in-fighting of his scheming court provides a kind of counter-plot centering around the ambiguous figure of the exiled Goblin Lord Gro.

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When Stellar Empires Clash: GDW’s Dark Nebula and Imperium

Sunday, November 23, 2014 John ONeill Comments 4 comments

In this new Golden Age of science fiction and fantasy board games, when all the chatter is about the latest and greatest mega-games (when it isn’t about the big Fantasy Flight Holiday Sale), I’d like to take a moment to appreciate two classic games of interstellar combat: GDW’s Imperium and Dark Nebula, originally published in 1977 and 1980.

Both may appear simplistic compared to modern games of empire-building in space, like Eclipse, EVE Conquests, or Empires of the Void. At first glance, they may seem more comparable to fast-action games like Perry Rhodan: The Cosmic League, Astra Titanus, or the Warhammer 40K game Relic.

But just because both are packaged in relatively small boxes with a slender set of rules doesn’t mean they aren’t ambitious and nuanced games. Both are set in the Traveller universe designed by Marc Miller and, if you’re familiar with that game, they’re a great way to play out some of the far-ranging conflicts that shaped The Third Imperium.

Although it’s probably more accurate to say that Dark Nebula shared a setting with Imperium, which gradually became part of the Traveller universe. Imperium, an ambitious two-player game of space empire conflict set in 22nd Century, was released by GDW in 1977 — the same year the company also published Traveller. Imperium had a very intriguing backstory, with two great empires in conflict, hints of failed diplomacy, and a vast stellar empire in slow decline.

Conversely, the original boxed edition of Traveller didn’t really have a setting — it was sort of a generic system for role playing in space, and it drew on the popular vision of a galaxy-spanning human civilization found in the science fiction of the time by Poul Anderson, Isaac Asimov, Keith Laumer, H. Beam Piper, and others. (James Maliszewski did a splendid job of re-constructing the formative SF behind Traveller in “Appendix T.”) It was a game desperately in need of a rich setting, and it found one in Imperium.

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Vintage Treasures: Gateway to Elsewhere by Murray Leinster / The Weapon Shops of Isher by A. E. van Vogt

Saturday, November 22, 2014 John ONeill Comments 3 comments

And now we come to one of my favorite Ace Doubles: Murray Leinster’s Arabian Nights fantasy Gateway to Elsewhere, paired with the classic science fiction novel The Weapon Shops of Isher by A. E. van Vogt.

Of the two, Gateway to Elsewhere is significantly lesser known. It was Leinster’s first fantasy novel, although he’d previously published two SF novels, The Murder of the U.S.A. (as Will F. Jenkins, in 1946) and The Black Galaxy (in Startling, March 1949). Gateway to Elsewhere originally appeared in a two-part serial in the seventh issue of the small circulation digest Fantasy Book in 1950/51 under the title Journey to Barkut. The entire novel was reprinted in the January 1952 issue of Startling Stories, still under the title Journey to Barkut, with a handsome cover by Earle Bergey (see below).

Two years later, it appeared as half of Ace Double D-53, with the new title Gateway to Elsewhere, and a splendid cover by Harry Barton.

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New Treasures: Hidden by Benedict Jacka

Saturday, November 22, 2014 John ONeill Comments 0 Comment

Benedict Jacka’s first Alex Versus novel, Fated, was published by Ace on February 28, 2012. He’s kept up a regular schedule since, with four more following over the last two years: Cursed, Taken, Chosen, and now Hidden.

They’ve gradually been gathering some acclaim, too. In a starred review of Chosen, Publishers Weekly said “Jacka puts other urban fantasists to shame.” It called Cursed “An even more impressive tale of gunplay and spellcraft in present-day London… [a] tasty blend of magic, explosions, and moral complexity.” And Patricia Briggs, author of Shifting Shadows, called the opening volume in the series “A stay-up-all-night read.” I haven’t been able to keep up with the latest in urban fantasy over the past five years, but the Alex Versus novels are definitely near the top of my list.

With his talent for divining the future, Alex Verus should have foreseen his friends’ reactions to the revelations about his previous life. Anne Walker no longer trusts him—and has also cut all ties with the mage community after getting kicked out of the apprentice program. As a favor to Luna, Alex’s own apprentice and Anne’s best friend, he checks in on her only to be told to leave her alone.

Then Anne gets kidnapped. The Council Keepers of the Order of the Star believe Dark mages from her past may be involved. Working with the Keepers, Alex and Luna discover that Anne has been taken into the shadow realm of Sagash, her former Dark mage mentor, and they must find a way to rescue her.

But another shadow from the past has resurfaced—Alex’s former master may be back in London, and Alex has no idea what his agenda is…

Hidden was published by Ace Books on September 2, 2014. It is 293 pages, priced at $7.99 in paperback and $6.99 for the digital edition.

Game Books, Epic Fantasy, and Military Science Fiction: The Multiple Identities of R.A.V. Salsitz

Saturday, November 22, 2014 John ONeill Comments 0 Comment

Do you enjoy the fantasy novels of Emily Drake, author of the popular The Magickers series? What about the contemporary horror of Anne Knight, author of Death Storm? Perhaps you’re more partial to the light fantasy of R.A.V. Salsitz, author of Night of Dragons and The Unicorn Dancer novels. Or the military science fiction of Charles Ingrid, author of the long-running Sand Wars series. Or maybe the dark fantasy of Jenna Rhodes (The Dark Ferryman).

Possibly the contemporary science fiction of Elizabeth Forrest (Phoenix Fire, Dark Tide) is more your thing. Or the fantasy novels of Rhondi Vilott Salsitz (The Twilight Gate). Perhaps the eleven volumes in Rhondi Vilott’s Dragon Roads gamebook series have fired your imagination.

Possibly you’ve enjoyed them all, as they’re all written by the same person.

It’s not unusual for popular writers to use a pseudonym in this industry — indeed, even multiple pseudonyms. But in a field where almost everyone seems to have a secret identity or two, R.A.V. Salsitz still stands out. She has an amazing number of pseudonyms, and has published successfully in numerous genres, including epic fantasy, horror, mystery, game books, YA, military science fiction, romance, and urban fantasy. Her first novel was Her Secret Self, published by Bantam in 1982; since then she’s published dozens more.

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Future Treasures: The Wide World’s End by James Enge

Friday, November 21, 2014 John ONeill Comments 10 comments

Turn off the television, unplug the phone, and disconnect the wireless. We just received an advance proof of The Wide World’s End, the latest Morlock novel from James Enge and our friends at Pyr Books. Don’t bother us for two days, okay? Unless you’re going to send food.

The tale of the early days of Morlock Ambrosius — master of all magical makers, wandering swordsman, and son of Merlin — concludes!

From beyond the northern edge of the world, the Sunkillers (undying enemies of everything that lives and breathes and is an individual) are reaching into the sky of Laent to drain out its light and warmth. Their hope is to scrape sky, land, and sea clean of mortal life and return to where they once dwelled, before the first rising of the sun. Against them stand only the Graith of Guardians, defenders of the peaceful anarchy of the Wardlands. But the agents of the Sunkillers are abroad even in the Wardlands: plotting, betraying, murdering among the Graith.

Married now for a century, Morlock Ambrosius and Aloê Oaij will take different paths to counter the threat. As Aloê ferrets out the enemy within the Graith, Morlock joins forces with his sister, the formidable Ambrosia Viviana, and crosses the monster-haunted plains of the deep north to confront the Sunkillers in their own realm. Morlock and Aloê think their parting is temporary, but it is final. They may or may not save the world, but they will not save each other, or themselves.

The Wide World’s End is the third volume of A Tournament of Shadows, the origin story of Morlock Ambrosius. It follows A Guile of Dragons (2012) and Wrath-Bearing Tree (2013). James’s tales of Morlock first appeared in Black Gate magazine, starting with BG 8.

The Wide World’s End will be published by Pyr Books on February 17, 2015. It is 409 pages, priced at $18 in trade paperback and $11.99 for the digital edition. The cover is by Steve Stone.

Firefly Friday: Leaves on the Wind Comic

Friday, November 21, 2014 Andrew Zimmerman Jones Comments 0 Comment

The film Serenity brought a fair amount of closure to fans of Firefly, but as with any great story it didn’t end there. Each character goes through events in the film that transforms them in some way, and the story is never over. The classic hero’s journey ends not with the climactic battle, but with the return. The hero comes back to where he (or she) began and, through the events, has been transformed. Indeed, often their home itself has been transformed in some way, even if only in the way they view it.

The 6-issue limited comic book limited series, now collected together in Serenity: Leaves on the Wind (Amazon) completes the “Return” aspect of the hero’s journey for our crew … and since it’s a story in its own right, it also contains a full journey within it, with a new call to action, a new conflict, a new shift under the feet of the heroes. New allies and enemies are introduced, and the crew continues to change.

The series begins in the aftermath of Serenity, where the revelations about the origins of the Reavers spark heated debate across the ‘Verse. While pundits debate the veracity of the allegations, both the Alliance and a growing New Resistance movement are looking for the man who started it all: Malcolm Reynolds.

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Methodology: Not Just For Scientists Anymore

Friday, November 21, 2014 Violette Malan Comments 5 comments

I’ve been known, via Twitter and Facebook, to let people know how my writing is going. So I’m apt to say things like “chapter 16 is going feral on me, I need a net.” This prompts some of my writer friends to say “been there, done that” and others to say “you write in chapters?”

This isn’t to say that they themselves don’t write in chapters, per se. What I think this particular friend actually meant is that she just writes, and lets the chapters appear where they may. After all, we know that, with very few exceptions, all novels end up being divided into chapters. Exactly when and how that division occurs is part of each individual’s methodology. Or perhaps the sensibilities of their editor.

And all advice on writing tells you the same thing: there’s no right or wrong way, there’s only the way that works for you.

I tend to work and think in chapters of about 25 to 30 pages, or somewhere between 5000 and 6000 words. Why? Because when I was starting to write my dissertation (don’t ask, you don’t want to know) the Chair of the Department gave me this advice: “Make your chapters about 25 pages long, Violette. No one wants to read longer ones.”

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What Old Futures Can Teach Us About What SF and SciFi is Really For

Thursday, November 20, 2014 Comments 8 comments

In EC Tubb's imagined future... Security means men with guns. And I don't care! — In EC Tubb’s imagined future… Security means men with guns. And I don’t care!

So, last week I talked about how old Science Fiction and most media SciFi fails to portray realistic futures. They often do well at predicting specific technical advances, for example speech recognition, but underestimate the way humans will exploit any technology to its limits and use it in conjunction with other technologies.

What’s interesting is that (almost) nobody cares.

For example, I’m reading EC Tubb’s Dumarest books. The technology is wildly inconsistent. Conspirators have devices to block eavesdropping, electronic and human, but use landlines without worrying about phone taps.

Did I mention people use landlines?

In EC Tubb’s imagined future, it’s possible to steal a flyer without somebody tracing it through an ID chip, and without it being spotted on radar or by satellite as you cross the sea. Security means men with guns.

And I don’t care!

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