Black Gate – Page 877 – Adventures in Fantasy Literature

Vintage Treasures: The Worlds of A.E. Van Vogt

Friday, November 14, 2014 John ONeill Comments 6 comments

We haven’t discussed A.E. Van van Vogt at Black Gate very much, and that’s probably a significant oversight.

True, he’s primarily thought of as a science fiction writer (when he’s thought of at all these days.) But however you categorize him, van Vogt was one of the most important writers of the pulp era. I looked at one of his most famous novels, a fix-up of his early pulp stories from Astounding Science Fiction, The Voyage of the Space Beagle, back in September, but that’s really the first time we discussed van Vogt at any length.

Well, that leaves us a lot of ground to cover, so we better get started.

Van Vogt’s longer works include some of the most famous early novels in the SF canon, including Slan (1946), The World of Null-A (1948), and The Weapon Shops of Isher (1951). If you’re interested in sampling his shorter work, there are a lot of collections to choose from — including Transfinite: The Essential A. E. Van Vogt (2003), the deluxe, 576-page hardcover collection of his best work from NESFA Press (still in print, you lucky dog.) If you’re looking for something a little more economical, I highly recommend Transgalactic (2006), a handsome trade collection containing eleven short stories and a short novel, The Wizard of Linn, still in print from Baen.

Of course, you know how I feel. If you want to experience Van Vogt in the pure state, the way his original fans did, you should collect pulps, like any decent person. Failing that, I recommend tracking down a few of his most important paperbacks. Besides, that’s the truly economical approach.

I suggest starting with The Worlds of A.E. Van Vogt, a generous sampling of his short fiction spanning 1941 – 1971. It was originally published in 1974 and is still easy to find and very inexpensive. Twelve of the stories within (plus Forrest J. Ackerman’s one-page introduction) appeared in a smaller paperback, The Far-Out Worlds of A. E. van Vogt, in 1968; but this edition includes all of those stories plus three long novelettes, adding over 100 pages. It’s the one you want.

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New Treasures: Burnt Black Suns by Simon Strantzas

Friday, November 14, 2014 John ONeill Comments 7 comments

Another interesting thing about exploring the Dealer’s Room at the World Fantasy Convention was meeting all these marvelous small press publishers, and discovering just how many delightful books they’ve produced. Hippocampus Press, whom I’m not really familiar with, had a table packed high with books by H.P. Lovecraft, Clark Ashton Smith, S. T. Joshi, Wade German, Algernon Blackwood, William F. Nolan, Donald Wandrei, and Thomas Ligotti, as well as several copies of their journals, Dead Reckonings, Spectral Realms, and The Lovecraft Annual.

I had to try at least one. I was sorely tempted by John Langan’s collection The Wide, Carnivorous Sky and Other Monstrous Geographies and Clint Smith’s Ghouljaw and Other Stories. But the one I eventually settled on was Simon Strantzas’s most recent collection, Burnt Black Suns, mostly because I was drawn to the cover and the story descriptions on the back. Adam Nevill’s quote on the back cover (“In Burnt Black Suns Strantzas casts far into time and space to find the alien, and what comes back wriggling inside his net is ghastly”) didn’t hurt, either. The first story, “On Ice,” described as “a grim novella of arctic horror,” will be the story I read this weekend.

In this fourth collection of stories, Simon Strantzas establishes himself as one of the most dynamic figures in contemporary weird fiction. The nine stories in this volume exhibit Strantzas’s wide range in theme and subject matter, from the Lovecraftian “Thistle’s Find” to the Robert W. Chambers homage “Beyond the Banks of the River Seine.” But Strantzas’s imagination, while drawing upon the best weird fiction of the past, ventures into new territory in such works as “On Ice,” a grim novella of arctic horror; “One Last Bloom,” a grisly account of a scientific experiment gone hideously awry; and the title story, an emotionally wrenching account of terror and loss in the baked Mexican desert. With this volume, Strantzas lays claim to be discussed in the company of Caitlín R. Kiernan and Laird Barron as one of the premier weird fictionists of our time.

Burnt Black Suns was published by Hippocampus Press on May 1, 2014. It is 310 pages, priced at $20 in trade paperback and $6 for the digital edition. The Foreword is by Laird Barron. The cover art is by Santiago Caruso. Burnt Black Suns is available for half price on the Hippocampus Press website this month — check out their November specials here.

Firefly Friday: Better and Not-So-Better Days in Serenity Comics

Friday, November 14, 2014 Andrew Zimmerman Jones Comments 0 Comment

Next week will mark the release of the hardcover collection of the Serenity: Leaves on the Wind (Amazon) limited series, which marks the first official story set in the post-film Serenity ‘Verse.

However, this is actually the fourth collection of Serenity comics. I previously reviewed the Serenity: Those Left Behind comic story, which was published before the release of the film Serenity. Two additional stories have been released as comics to tell further adventures of the Serenity crew since the film came out, but these were telling stories that took place before the film.

Serenity: Better Days (Amazon)

The second limited series to get collected together, Better Days tells the story of a mission that goes surprisingly right for the Serenity crew. It sets them on a path where they all might be able to live their wildest dreams. More importantly, though, the series is set before the events of Serenity – so the series includes characters who don’t make it out of the film alive. We get yet another glimpse of some of our favorite characters all together.

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Monsters, Lobster Women, and Creepy Cats: Explore the Dark Side of the Circus in Nightmare Carnival

Friday, November 14, 2014 James McGlothlin Comments 2 comments

Depending on your perspective, a carnival or a circus can generate a host of pleasant or not-so-pleasant associations. You may have been thrilled by lions and elephants performing tricks, riding the Ferris wheel and Tilt-A-Whirl, or even eating popcorn and hotdogs. Or perhaps you mainly associate carnivals and circuses with less pleasant things… like creepy clowns, freak shows, spooky fortune-tellers, and carnies. (No offense to the people that make carnivals possible!)

A newly released anthology, Nightmare Carnival, tends to present carnivals and circuses from this darker end of the scale. This new collection of dark fantasy and horror is edited by the inestimable Ellen Datlow, editor of scores of genre anthologies and the winner of many, many awards, including the Hugo, the Bram Stoker, the Shirley Jackson, and most recently the World Fantasy Award for Life Achievement. Datlow continues to show her impeccable ability for spotting good and chilling stories with Nightmare Carnival.

I’m a huge fan of Datlow’s horror anthologies. I raved about her latest Year’s Best Horror volume just a few months ago at Black Gate. Some of her efforts are better than others, and Nightmare Carnival is definitely one of Datlow’s better anthologies. As usual, she has corralled an impressive list of authors, as well as a few lesser known (at least to me). I’ll discuss a few of the best stories here.

I’m not familiar with N. Lee Wood, but her story “Scapegoats,” the leadoff story, was excellent. It is mainly told from the perspective of Mae, “The Amazing Lobster Woman,” part of the World Famous Bishop Brothers Traveling Carnival. Through Mae, we become acquainted with the various characters of this train-traveling carnival/circus, particularly a gentle elephant named Madelaine. The story focuses upon the carnival’s arrival in a small town, where an unjust incident involving Madelaine ends with a local man’s death, and the unfair consequences for the carnival. I won’t spoil the ending, but the title should give you some idea. And let me say that the ‘scapegoat’ scene is fairly traumatic. However, the ending offers something of a just desert, at least by some moral compasses.

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Future Treasures: Archivist Wasp by Nicole Kornher-Stace

Thursday, November 13, 2014 John ONeill Comments 0 Comment

One of the great things about the World Fantasy Convention — or any decent convention, really — is the opportunity to attend readings. Just think about that for a second. You get to sit back in a comfortable chair in an intimate setting, while some of the finest fantasy writers in the field personally read their stories to you. Why would you waste your time doing anything else? (Except trolling the Dealer’s Room, of course.)

This year was especially rewarding, as I got to attend readings by Frederic S. Durbin, the delightful Liz Argall, Helen Marshall, Nathan Ballingrud, Christopher Barzak, Peter V. Brett, Guy Gavriel Kay, Tiffany Trent, Sharon Shinn, Bradley Beaulieu, Jeffrey Ford, Mike Allen, Elwin Cotman, Kathryn Sullivan, Andy Duncan, Kelly Link, and many others. But the reading that surprised and delighted me the most was by a new writer named Nicole Kornher-Stace, who read from her upcoming novel to be published by Small Beer this spring. A fast-paced and beautifully written story of ghosts, a mysterious post-apocalyptic world, and a young woman of extraordinary bravery, I predict Archivist Wasp will make a major splash when it arrives next May.

Wasp’s job is simple. Hunt ghosts. And every year she has to fight to remain Archivist. Desperate and alone, she strikes a bargain with the ghost of a supersoldier. She will go with him on his underworld hunt for the long-lost ghost of his partner and in exchange she will find out more about his pre-apocalyptic world than any Archivist before her. And there is much to know. After all, Archivists are marked from birth to do the holy work of a goddess. They’re chosen. They’re special. Or so they’ve been told for four hundred years.

Archivist Wasp fears she is not the chosen one, that she won’t survive the trip to the underworld, that the brutal life she has escaped might be better than where she is going. There is only one way to find out.

Archivist Wasp will be published by Small Beer Press on May 12, 2015. It is 256 pages, priced at $14 in trade paperback and $9.95 for the digital edition.

Goth Chick News: Monster Energy Drinks Come from… SATAN??

Thursday, November 13, 2014 Sue Granquist Comments 3 comments

Normally, I do my darndest to avoid topics that aren’t entertaining, at least on some level. I mean, anyone who has ever dropped by the Black Gate headquarters knows we’re nothing around here if not fun. In fact, I’ve heard tell that somewhere in the fine print of the Black Gate bylaws, our leader John O has expressly forbade the broaching of subjects such as politics, religion, or the addictive properties of Robotech.

Then again, you need only be a regular reader here to know anything with the faintest odor of a “rule” amounts to an open invitation to take copious liberties – just ask serial violator Scott “Art” Taylor.

Which is why when I got wind of this little gem, I literally had no choice but to share.

You may have already seen it elsewhere – since it was posted on Youtube November 9th, it has received over 5 million hits. It was clearly filmed at some sort of convention (not the sort Goth Chick News would be invited to cover) and the presenter was an exhibitor who was offering a “show special” for $10. What that special actually was is kind of haunting me in light of the presenters’ subject matter.

There really isn’t anything more to say in way of introduction, mainly because I still remain a bit speechless. So go ahead and watch…

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The Original Science Fiction Stories, November 1958 and May 1960: A Retro-Review

Thursday, November 13, 2014 Rich Horton Comments 1 comment

Recently, our esteemed editor John O’Neill blogged about having bought a set of copies of The Original Science Fiction Stories… so it occurred to me that a Retro-Review of a couple of those issues might be interesting. And here it is — something I wrote a few years ago, slightly polished.

Perhaps a long article about Robert A. W. Lowndes’s editorial career would be interesting. His career was rather odd. Off and on for some two decades, he edited two magazines in various combinations: Future, and Science Fiction Stories. For a time, they were the same magazine, called Future Combined With Science Fiction Stories.

Actually, for a couple of different times, they were the same magazine under that title. Charles Hornig was editor for the first few issues of both magazines, from 1939-1941, then Lowndes took over and, as far as I can tell, he was the only editor until the magazines finally limped to an end in 1960.

There were two main phases of publishing these titles: from 1939 through 1943, then from 1950 through 1960. I don’t think there is another example of a single editor being associated, for so long, through so many title changes and hiatuses, with the same publications. He apparently never had much of a budget to work with, either. The publisher, I suppose throughout these magazines’ history, was Columbia Publications. (In the 60s, Lowndes edited one more magazine, the Magazine of Horror.)

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Exploring the Naval Museum in Madrid, Spain

Wednesday, November 12, 2014 Sean McLachlan Comments 2 comments

The good old days, when scientific instruments were works of art.

This week I intended on doing part two of my history of Somalia, but I haven’t had time to do the research. I got bogged down in finishing an archaeology booklet I was contracted to write, as well as dealing with National Novel Writing Month (22,332 words and counting!). So we’ll talk about the medieval empires of Somalia next week. This week I want to share some photos I took at the Museo Naval here in Madrid.

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Can You Really Role Play on a Board?: Pathfinder: Rise of the Runelords

Wednesday, November 12, 2014 John ONeill Comments 5 comments

Fantasy board games have tried to capture the addictive nature of role playing for decades, but without much real success. In the past few years though, a number of dungeon-delving games have come close, including Descent, Talisman Fourth Edition, Castle Ravenloft, Legend of Drizzt, Claustrophobia, and a few others. In his recent review of Paizo’s second Adventure Card Game Base Set, Skull & Shackles, Scott Taylor fingered another contender, this one from Paizo:

Of late Paizo had expanded their market with several new product lines, the most intriguing of which are their Boxed Set Card Games. These sets ingeniously combine card building with role-playing with table-top (Think D&D meets Magic the Gathering meets anything done by Fantasy Flight!) Indeed, it is an amazing breakthrough by the Paizo design team, and guess what, it actually works!

Bob Byrne was even more positive in his assessment of the first title in the series, Rise of the Runelords, in his August article on “RPGing with a board”

By far, the best board/card game I’ve found that emulates the role-playing experience is the Pathfinder Rise of the Runelords Adventure Card Game. The adventures get more difficult, you level up and the gear gets better. You maintain your items, spells, and levels from scenario to scenario through an entire Adventure Path, rather than start over each game play session. I’m sure I’ll post on that excellent game in the future.

While I wait impatiently for Bob’s full review, I went ahead and ordered a copy. It arrived a few days ago and, while I haven’t had a chance to play a full game yet (mostly because I haven’t figured out how to do that without tearing the shrinkwrap), it looks very promising indeed.

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New Treasures: We Are All Completely Fine by Daryl Gregory

Wednesday, November 12, 2014 John ONeill Comments 7 comments

Well, I’m back from the 2014 World Fantasy Convention and I had a terrific time. Matthew Wuertz did a fine job with his daily convention reports… just don’t ask me where he found the time to write them. It certainly looks like he had fun, anyway, what with all the sight-seeing, panels, autograph sessions, readings, and whatnot. Me, I headed right for the Dealer’s Room, where I spent four days ogling books.

And what marvelous books! You’d think that running a website like Black Gate, I’d be more or less on top of major genre releases, right? Not so, apparently. While wandering the floor, I came across dozens (and dozens) of marvelous new titles from such splendid publishers as Prime, American Fantasy Press, Small Beer Press, Hippocampus, ChiZine, Midnight Books, Tachyon, Fairwood Press, Borderlands Press, and many others. I’ll be reporting on the most intriguing books right here over the next few weeks — starting with Daryl Gregory’s We Are All Completely Fine, the tale of a support group for people who have survived horror-movie traumas. It’s a book that’s received a great deal of attention over the past two months, and it went right to the top of my reading pile.

Harrison was the Monster Detective, a storybook hero. Now he’s in his mid-thirties and spends most of his time popping pills and not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by unreadable messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. Martin never takes off his sunglasses. Never.

No one believes the extent of their horrific tales, not until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these seemingly-insane outcasts form a support group? Together they must discover which monsters they face are within — and which are lurking in plain sight.

Daryl Gregory is also the author of Pandemonium, Afterparty, and The Devil’s Alphabet. We Are All Completely Fine was published by Tachyon Publications on August 12, 2014. It is 192 pages, priced at $14.95 in trade paperback and $9.99 fo the digital edition.