Black Gate – Page 834 – Adventures in Fantasy Literature

Uncanny Magazine Issue 4 Now on Sale

Monday, May 25, 2015 John ONeill Comments 2 comments

With only four issues under its belt, Uncanny Magazine is already becoming a significant presence in the field. It has gorgeous production, great covers, some terrific contents — and it’s published four issues since October. The new issue keeps the success story going, with an eye-catching cover by Tran Nguyen, and original fiction from Catherynne M. Valente, Elizabeth Bear, Lisa Bolekaja, John Chu, and A.C. Wise, and a reprint from Delia Sherman.

Nonfiction this issue includes “It’s the Big One,” a nice historical recap of the Hugos by File 770‘s Mike Glyer, with an on-point summary of the 2015 Hugo drama:

Never before in its history has its future been in greater doubt… there is no precedent for the absolutely public and devastatingly successful effort of two slates to control the 2015 Hugos, Brad Torgersen’s “Sad Puppies 3” and Vox Day’s parallel “Rabid Puppies” campaigns which filled 59 of 85 slots on the final ballot with their choices (and would have had more, but five declined their nominations and the committee ruled two others ineligible.)…

Only by tapping into anger over the culture wars has someone succeeded in motivating the requisite number of fans to buy supporting memberships at $40 a pop and take control of the Hugo ballot.

Among fans who are critical of the outcome there has been widespread talk of voting “No Award” ahead of nominees from the slate (again). There is also a great deal of technical discussion of rules changes designed to limit the influence of voting slates without creating any barriers to new voters.

Read the entire article here.

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The Public Life of Sherlock Holmes: TCM’s Summer of Darkness

Monday, May 25, 2015 Bob Byrne Comments 5 comments

Hard boiled and noir are often discussed together. And while a film or story could fit in both categories, they are two distinct genres. Hard boiled is typified by the stories of Dashiell Hammett and Raymond Chandler, and others from Black Mask and Dime Detective magazines.

Noir is usually (but not always) thought of in terms of film: black and white, shadowy movies with dark characters. Much hard boiled is noir, and vice versa. Far more expert folks have discussed the definitions of the two terms for decades.

One example, to me, are the works of Cornell Woolrich, whose “It Had to Be Murder” became the masterful suspense flick, Rear Window. Woolrich’s stories are noir, but not hard boiled.

Many of Humphrey Bogart’s films were hard boiled, including The Maltese Falcon (also noir), The Roaring Twenties and Bullets or Ballots. One of his later films, In a Lonely Place (based on the novel by Dorothy Hughes) is a noir classic but isn’t hard boiled.

So, just know that many films (usually crime related) from the thirties through the fifties and into the sixties, were hard boiled, noir, or both.

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Vintage Treasures: The Fox Woman by A. Merritt

Monday, May 25, 2015 John ONeill Comments 10 comments

A. Merritt is something of a cautionary tale for authors today.

He was the bestselling American fantasy writer for a generation. His career spanned three decades, from 1917 to the mid-1940s, and his novels — including The Moon Pool (1919), The Ship of Ishtar (1924), The Face in the Abyss (1931), and Creep, Shadow! (1934) — remained in print for more than seven decades after his death. Yet he is virtually forgotten today.

This isn’t a case of an uncaring public ignoring a forgotten genius. Merritt certainly still has his fans, but his day is past. Personally, I find his novels largely unreadable. His short stories, however, are another matter.

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Seeking Revenge Against the Shades of the Dead: S.E. Lindberg’s Lords of Dyscrasia

Sunday, May 24, 2015 Joe Bonadonna Comments 7 comments

Lords of Dyscrasia
By S.E. Lindberg
Ignis Publishing (258 pages, $15.96 in trade paperback, $2.99 digital, July 7, 2011)
Cover and interior illustrations by the author

S.E. Lindberg is an original voice in fantasy. His prose is lush and colorful, and his style leans toward that of classic literature, without being stilted, self-conscious or pretentious. He has a gift for putting words “down on paper” and constructing sentences that flow with a poetic nuance.

Lords of Dyscrasia (an abnormal or disordered state of the body or of a bodily part) is touted as “Graphic Sword and Sorcery,” but to me it has more in common with the dark fantasy of Clark Ashton Smith and the gothic tones of Mervyn Peake’s first two Gormenghast books. There is some nice Lovecraftian shading to this novel, as well, with a touch of Edgar Allen Poe to lend it a feverishness of tone, and even a psychedelic flavor in style.

While Lindberg channels his influences with a deft hand, he has mapped out a beautifully grotesque world that is truly his own unique creation. This book was described to me as being part of the Grimdark subgenre of dark fantasy, and it is indeed a grim, dark tale.

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Escalation to Fight: Understanding Magic in Trial of Intentions

Sunday, May 24, 2015 Peter Orullian Comments 3 comments

War. What is it good for?

For some reason, when I sat down to write this two-part article on war in fantasy fiction, Edwin Starr’s version of the song “War, what is it good for?” popped into my head. There’s probably a reason for that. We’ll see if it bears out as I go.

In the broadest possible terms, there are two ways a people or nation will attempt to deal with war: escalate and fight (with the hope of victory), or do all they can to avert war (without sacrificing their freedom). I admit of the oversimplification here, but it’s a short two-part article series, after all.

For part one, lets hit the first topic: escalation to fight. And I’ll use some examples from my current series to try and illustrate the point.

War is a mainstay in fantasy fiction, and in epic fantasy, particularly. The stakes are high — freedom, the right to rule, stuff like that. To win or defend such things usually requires armies, dangerous political intrigue, and war.

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Future Treasures: Oathkeeper by J.F. Lewis

Sunday, May 24, 2015 John ONeill Comments 0 Comment

Oathkeeper, the second novel in J.F. Lewis’s Grudgebearer Trilogy, will be published in early June by Pyr. It’s an intriguing series that features carnivorous elves, sentient armor, plant people, a newly ascended god, and much more. As Dave Gross puts it, “J.F. Lewis dials high fantasy up to 11.”

Rae’en has taken the place of her father, Kholster, as First of the practically immortal Aern, a race created by the Eldrennai as warrior-slaves to defend them from the reptilian Zaur. Freed from all Oaths by Kholster’s death, Rae’en decides to wage war on the Eldrennai.

Prince Rivvek must claim the Eldrennai throne by completing the Test of Four so he can save as much of his kingdom as possible. Meanwhile, his brother, Prince Dolvek, hatches a plot to enlist the aid of the plant-like Vael to defeat the Zaur horde, who mean to take advantage of the strife between the Aern and Eldrennai.

The inevitable war between the Eldrennai and the Zaur begins, with the Aern an unpredictable force that could save the Eldrennai – or doom them. Torn by rage and grief, Rae’en must decide who is worthy to keep her people’s Oaths.

J.F. Lewis is also the author of the Void City series of urban fantasy novels from Pocket Books, composed of Staked, Revamped, Crossed, and Burned, about a vampire who runs a strip club.

Oathkeeper will be published by Pyr Books on June 9, 2015. It is 381 pages, priced at $18 in trade paperback and $11.99 for the digital edition. The cover is by Todd Lockwood. Learn more at J.F. Lewis’ website.

Editing Indie Comics and Editing Marvel Comics: The Different Worlds of Heather Antos

Saturday, May 23, 2015 Derek Kunsken Comments 0 Comment

I’ve had a chance to e-chat with Marvel Comics editorial staff Xander Jarowey and Jake Thomas, as well as the indie comic creators from Mirror Comics. Now, I’m e-sitting down with Heather Antos, a newly-minted Assistant Editor at Marvel who also spent a year editing indie comics.

Heather got noticed by Marvel with her biggest indie credit, a comic anthology called Unlawful Good: An Anthology of Crime, which mixed together the innovations of creator-owned, anthology format, and Kickstarter crowd-funding. Crowd-funding takes a lot of work; check out its completed Kickstarter page and youtube promo video.

Kickstarter in prose as well as in comics is still relatively new as a business model, so New York Comic Con invited her to speak on a panel, which led to her hiring as assistant editor on Night of the Living Deadpool, Star Wars, Darth Vader, Deadpool and others.

So, some of your indie editor work still hasn’t come out yet. Are you able to talk about any of those works? Can you talk about Unlawful Good and how that was different for the industry?

Sure! My time in the industry as an editor is actually quite short. It was a little over a year ago that I began freelance editing. In fact, the whole point of UNLAWFUL GOOD was a bit of an experiment with myself to see even if comic editing was something I was capable of (I was a recent college grad trying to find ‘my place in the world’).

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Explore the Best of Early SF With Science Fiction From the Great Years

Saturday, May 23, 2015 John ONeill Comments 6 comments

In the early 1950s, after the end of World War II and the beginning of the Space Race, science fiction experienced an almost unprecedented boom. Some 31 new SF magazines began publishing in that decade alone. Hungry to meet the demands of a new audience, publishers mined the pulps of the 1930s and 1940s for titles they could inexpensively reprint in paperback. Countless SF and fantasy writers enjoyed their very first mass market editions as a result — including Isaac Asimov, Robert A. Heinlein, John W. Campbell, Lester del Rey, Jack Vance, Theodore Sturgeon, A.E. van Vogt, and many others. Avon, Ace, Berkely and others built their fledgling enterprises into mighty publishing houses repackaging classic SF and fantasy for a new generation.

By the early 1960s, the boom in SF was essentially over. Nearly 80% of the magazines on the market folded. Publishers drastically cut back on SF titles, and the entire industry re-trenched. By the early 1970s, a new generation of young SF readers was starting to show up in bookstores, clutching their dollar bills and looking for great adventure tales, and Frederick Pohl convinced his publishers at Ace that the time was ripe to repackage the great SF of the early 20th Century one more time.

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The Omnibus Volumes of P.N. Elrod: The Vampire Files

Saturday, May 23, 2015 John ONeill Comments 0 Comment

To tell you the truth, I wasn’t initially interested in P.N. Elrod’s The Vampire Files. A few things happened to change that.

First, I started to hear about Jack Fleming, the investigative journalist in Prohibition-era Chicago who becomes a vampire and private investigator, and whose first case was to solve his own murder. Folks used adjectives like “surprising” and “old fashioned fun” to describe his adventures. That sounded pretty good. By then, the series had gotten pretty far along, and I wondered idly if I should pick one up. But it seemed a little late to jump on board, and I was never really sure what volume to start with. Plus some of the earlier books became harder to find, and it all seemed like just a bit too much effort.

Then Ace Books released the first omnibus volume in 2003, containing the first three Vampire Files novels. And, well, you know what a sucker I am for omnibus collections. All those hard-to-find paperbacks, in one handsome and economical package? It’s too much to resist.

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New Treasures: The Girl With All the Gifts by M.R. Carey

Friday, May 22, 2015 John ONeill Comments 11 comments

I like knowing the premise of a book before I start reading it. I think that’s fairly normal. But what happens when knowing the premise is a spoiler, and the publisher won’t tell you?

That seems to be the case with the trade paperback reprint of M.R. Carey’s The Girl With All the Gifts, which I found on the New Releases table at Barnes and Noble last Saturday. The front and back cover reveal almost nothing about the book, beyond calling it “The Most Original Thriller You Will Read This Year,” and this cryptic text on the back:

Every morning, Melanie waits in her cell to be collected for class.

When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don’t like her. She jokes that she won’t bite. But they don’t laugh.

Instead of a plot synopsis, the book is plastered with blurbs… lots and lots of them. Joss Whedon says “So surprising, so warm and yet so chilling… as fresh as it is terrifying.” Vogue calls it “Haunting, heart-breaking,” Marie Claire says it’s “Tense and fast-paced with a heartwarming tenderness,” and Reader’s Guide gushes with “Propulsive, imaginative.”

Wait a minute. Vogue? Marie Claire? Last time I picked up something Marie Claire called “heartwarming,” I ended up reading Eat, Pray, Love. I don’t want that to happen again.

A little investigation (I have sources) reveals that The Girl With All the Gifts is, in fact, a genre novel. It’s (mild spoiler!) some kind of future dystopia. Revealing more than that would be telling, but suffice to say that I’m very intrigued indeed.

This is M.R. Carey’s first novel. The Girl With All the Gifts was published by Orbit Books on April 28. It is 435 pages, priced at $15 in trade paperback.