Black Gate – Page 831 – Adventures in Fantasy Literature

Goth Chick News: Hitting the Show Circuit…Hard

Thursday, March 19, 2015 Sue Granquist Comments 4 comments

And so this happened last week…

John O (the big cheese): People probably imagined you lot (Photog Chris Z and I presumably – GC) are just hunkered down there in the subterranean offices of Black Gate sequestered with a blender, several bottles of adult beverages and the Roku horror channels.

Me: So…?

John O: So – that’s not the image we want to portray here at Black Gate.

Me: We have an image…?

John O: OF COURSE WE HAVE AN IMAGE! Why can’t you be more like Scott Taylor?

Me: Who? Oh…you mean Art. Right. Wait, what was that first thing again?

John O: [insert unpublishable adult language] Would you please just go be visible somewhere? Be a reporter – get out in the field and report. That’s what Scott Taylor does. He reports… on art… for Black Gate.

Me: The ice machine is broken again.

John O: ARG! [insert more adult language and stomping up the stairs]

What John O doesn’t know but what — and I’m just guessing here — he wants to know, is the following.

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Kickstarter Alert: Vault Wars Card Game

Thursday, March 19, 2015 Andrew Zimmerman Jones Comments 0 Comment

Floodgate Games has a successful track record of Kickstarter projects, starting with their fun time-travel technology-creation game Legacy: Gears of Time. After Legacy and its expansion, Floodgate Games created Epic Resort (Amazon), an unorthodox game set within a traditional fantasy world. In Epic Resort, you run a resort vacation spot where adventurers spend their time to recuperate and heal between adventures. You accumulate gold and hire workers, and then win with victory points gained by building attractions at your resort and having heroes heal up to full health. The twist of the game is that occasionally monsters attack your resort, and the heroes must stop them, which can result in new injuries or even death.

Something of a thematic (and artistic) sequel to Epic Resort, Floodgate Games’ new Kickstarter Vault Wars asks what happens when heroes die and their vaults of equipment go up for auction, so that other heroes can gain the benefits of a fallen heroes’ previous efforts. You can find out more about the game and its related stretch goals on Kickstarter, but one of the best ways to get a feel for the game (if you have about a half hour) is by watching this video of a walkthrough play of the game. It features a lot of strategic choices and, as it mimics an auction, is built around the idea of bidding and bluffing. One of the stretch goals that’s coming up is a Worker Expansion, which allows players to hire workers that give special one-time bonuses within the game.

The Kickstarter project has passed its funding goal of $10,000, and the opportunity to back the project ends on March 27. The game is slated for delivery in August 2015. Kickstarting price for the basic game is $20, while $45 will get you a deluxe edition with metal coins. Higher cost tiers include copies of Epic Resort and Legacy: Gears of Time, for those who are interested in those games as well.

Future Treasures: The Border by Robert McCammon

Thursday, March 19, 2015 John ONeill Comments 0 Comment

By 1991 Robert McCammon had no less than three New York Times bestsellers: The Wolf’s Hour, Stinger, and the post-apocalyptic horror novel Swan Song. He’s won the Bram Stoker Award for Best Novel twice (for Mine and Boy’s Life), and the World Fantasy Award (for Boy’s Life).

McCammon has a flair for epic, large-scale horror, as demonstrated by the alien invasion novel Stinger and the massive 864-page Swan Song. He returns to the genre with his upcoming novel The Border, the tale of an Earth torn apart by a vicious conflict between two marauding alien civilizations.

It is not just the living ships of the monstrous Gorgons or the motion-blurred shock troops of the armored Cyphers that endanger the holdouts in the human bastion of Panther Ridge. The world itself has turned against the handful of survivors, as one by one they succumb to despair and suicide or, even worse, are transformed by otherworldly pollution into hideous Gray Men, cannibalistic mutants driven by insatiable hunger. Into these desperate circumstances comes an amnesiac teenaged boy who names himself Ethan — a boy who must overcome mistrust and suspicion to master unknowable powers that may prove to be the last hope for humanity’s salvation. Those same powers make Ethan a threat to the warring aliens, long used to fearing only each other, and thrust him and his comrades into ever more perilous circumstances.

A major new novel from the unparalleled imagination of Robert McCammon, this dark epic of survival will both thrill readers and make them fall in love with his work all over again.

We last covered Robert McCammon with Bob Byrne’s review of Boy’s Life.

The Border will be published by Subterranean Press on May 31, 2015. It is 456 pages, priced at $26.95 in hardcover. No news on a digital edition yet.

Wild West Outlaws of the Silent Screen: When Hollywood Hired Real Bandits

Wednesday, March 18, 2015 Sean McLachlan Comments 3 comments

Jesse James Jr. (left) in a promotional still from Jesse James Under the Black Flag.

When movies first became popular at the beginning of the twentieth century, the world was already captivated with tales of the Wild West. Dime novels, plays, and traveling shows entertained millions in the U.S. and abroad. Movie directors were quick to pick up on this and Westerns were a popular film genre right from the start.

The first years of film overlapped with the last years of the Wild West. The last corners of the frontier were being settled, and some towns still had the shoot-em-up reputation movie viewers craved. Directors often went on location and hired real cowboys to do their stuff in front of the camera. One of them, Tom Mix, became one of the genre’s enduring stars.

But movie directors wanted bad men too, and they didn’t have to look far. Several real Western outlaws reenacted their crimes on camera.

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Amazing Stories, August 1967: A Retro-Review

Wednesday, March 18, 2015 Rich Horton Comments 5 comments

I have recently covered a lot of issues of Amazing (and Fantastic) from the Cele Goldsmith/Lalli era, which extended (officially) from December 1958 through June 1965. The two magazines were then sold to Ultimate Publishing, owned by Sol Cohen. Cohen (and managing editor Joseph Ross) immediately instituted a policy of publishing mostly reprints of stories previously published in Amazing/Fantastic, which lasted until Ted White took over in 1969. (White’s issues still featured reprints for a while, but by the time I was buying the magazine (in 1974) the cover would proclaim “All Stories New – No Reprints.”)

Joseph Ross (and Cohen) were briefly succeeded as editor by Harry Harrison and then by Barry Malzberg, both of whom (as I understand) resisted Cohen’s reprint policy. To make things worse, Cohen refused to pay the authors for reprinted stories (technically legal under the terms Amazing had originally bought the stories under). The then new organization SFWA took exception, and threatened a boycott, after which, I believe, Cohen agree to pay at least a nominal fee.

After Amazing and Fantastic stopped publishing reprints (and even before), Ultimate published a variety of dreadful magazines with different titles like Great Science Fiction Stories, and Thrilling Science Fiction, that were all reprint. (Again, all from inventory owned by Ultimate.)

I remember buying one early in my reading career – I thought I had found a brand new SF magazine, and was crushed to realize it was all mostly shoddy reprints. (There was a decent John Campbell story, probably “Uncertainty,” which appeared in the July 1974 Science Fiction Adventure Classics.)

Anyway, I happened to buy one of the Cohen/Ross era Amazings, mainly because it has a rather obscure Jack Vance story that I had not read. And I figured it would be interesting to compare it to Lalli’s Amazing. What is interesting is that, viewed objectively and ignoring the fact that most of the stories are reprints, this is quite a good issue, with at least one very fine story that has been largely forgotten.

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Dungeons & Dragons Releases Free Elemental Evil Player’s Companion

Wednesday, March 18, 2015 Andrew Zimmerman Jones Comments 3 comments

The Dungeons & Dragons world is ramping up for their major event for 2015, which is the Elemental Evil storyline. I previously discussed this when it was first announced, but it’s worth mentioning again for one important reason: they’ve put out some free gaming materials!

Recently, Dungeons & Dragons released the Elemental Evil Player’s Companion as a free supplement, available through both their website and DriveThruRPG. This 25-page digital supplement contains some good material, a set of new races and spells designed specifically for use with 5th edition Dungeons and Dragons. The 9 of the pages are devoted to descriptions, details, and character creation information for 4 races:

The avian species Aarakocra
The subrace of Deep Gnome
The element-linked Genasi, in air, earth, fire, and water varieties
The mountain-dwelling Goliath

There are also 13 pages of spell lists and descriptions, featuring a total of 43 spells, almost all of them linked to the four elements (or their related damage type, such as the acid-based spell Vitriolic Sphere).

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Witch Hunts and True Heroes: Reading Violette Malan’s The Sleeping God

Wednesday, March 18, 2015 Gabe Dybing Comments 2 comments

The Odin’s Day Poul Anderson work scheduled for discussion this week is The High Crusade. But, since I find that I have very little to say about it, I’ll focus instead on Violette Malan’s The Sleeping God.

Last week Elizabeth Cady asked Black Gate readers what she should read next. I would never deign to give her an answer. As a reader and a scholar, in general I find that book recommendations more often curse than bless. Here is my simple reasoning for this: There simply is too much to read already. I don’t even want to think about accommodating every well-meaning aunt, mother-in-law (notice the gender bias here? I’ll let it stand: I infrequently receive recommendations from men in the family), neighbor or co-worker who says, “Oh, I see you like to read. Well, you absolutely must read FILL IN THE BLANK.” These recommendations are all the worse (I’m sure many Black Gate readers can testify) when the recommenders are pushing a book on you for no other reason than that they have noticed that you read at all in a culture wherein so many don’t. As such, they often don’t recognize the fine distinctions of what genres or periods in which one might prefer to read.

On many occasions I have thought about and discussed reading through food metaphors. The title of the lengthiest work from food thinker Michael Pollan frames this discussion perfectly. The title is The Omnivore’s Dilemma. In that work, Pollan argues that a modern Homo sapien in what are considered “developed” countries is confronted in the supermarket with a similar complexity of choice that his or her distant ancestor experienced. In a state of nature, the human must choose amongst a variety of foods that grow in the wild. What is nutritious? What will make you sick? What should be sampled in moderation? Now, Pollan argues, the food system has processed these foods into – in some cases – potentially lethal formulations. In the supermarket, Homo sapiens face similar challenges that their ancestors did: What is good for me? What will make me sick? What might cause cancer?

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Helpless in the Face of Your Enemy: Writers and Attack Novels

Wednesday, March 18, 2015 Harry Connolly Comments 13 comments

Some writers plan their careers.

They scan the top of the best seller lists, think Hmm… here’s a police procedural, this one’s steampunk, these two are zombie novels, and this one’s about angels. Great! I’ve been wanting to try steampunk. I’ll write a steampunk murder mystery about a pair of mismatched cops. One will be a zombie and the other will be an angel. No, a fallen angel who has lost his celestial whatsit.

Which is a silly example, obviously, but authors manage the non-silly version to great success. As I recall, John Scalzi has said that he wrote Old Man’s War because MilSF seemed to be selling well. There are others, too, but I hesitate to name them because writing to the market has a bit of a stigma attached to it, although it shouldn’t. More power to them, I say.*

Me, I can’t do it. Not that I haven’t tried, but I can’t make it work. I don’t read fast enough to sample the sales lists widely, I can’t make myself write a book without screwing around with the tropes of the genre, and I suffer from attack novels.

Attack novel: ( əˈtak ˈnävəl) n: a story idea that a writer can’t stop thinking about, even (especially) when they’re supposed to be working on something else.

The first book I ever sold was an attack novel. So was the first book I ever started and abandoned. They haven’t all been, but when they come on me, all I can do is put them off until I finish whatever’s on deadline.

At the beginning of March, I released an attack novel that I started five years ago, and in every way that matters, it was a book I shouldn’t have written.

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New Treasures: Star Trek: The Original Series: Savage Trade by Tony Daniel

Tuesday, March 17, 2015 John ONeill Comments 0 Comment

I’ve heard about many different ways that Star Trek fans have paid tribute to Leonard Nimoy over the last two weeks. For me, it was by watching Star Trek IV: The Voyage Home with my family. My kids have seen many of my favorite episodes over the years, but this was their first exposure to Nimoy as a director.

Of course, that just whet my appetite for more Star Trek. So while I’m waiting for the next episode of the excellent fan series Star Trek Continues, I thought I’d browse the latest licensed novels based on the original series. I was surprised and pleased to find Tony Daniel, author of Earthling, Metaplanetary, and the excellent The Robot’s Twilight Companion (which I reviewed for SF Site fifteen years ago), has penned a new novel, Savage Trade.

The U.S.S. Enterprise under the command of Captain James T. Kirk is en route to the extreme edge of the Alpha Quadrant, and to a region known as the Vara Nebula. Its mission: to investigate why science outpost Zeta Gibraltar is not answering all Federation hailing messages. When the Enterprise arrives, a scan shows no life forms in the science station. Kirk leads a landing party and quickly discovers the reason for the strange silence — signs of a violent firefight are everywhere. Zeta Gibraltar has been completely raided. Yet there are no bodies and the entire roster of station personnel is missing…

This is Daniel’s second Star Trek novel. The first, Devil’s Bargain (2013), is a sequel to my favorite episode, “Devil in the Dark,” and features the return of the bizarre and intelligent Horta. Savage Trade features the return of the mysterious rock creatures the Excalbians, from the season three episode “The Savage Curtain,” in which Kirk and Spock join Abraham Lincoln and the Vulcan Surak match wits against against four of the worst villains from history.

Star Trek: The Original Series: Savage Trade was published by Pocket Books on February 24, 2015. It is 384 pages, priced at $7.99 for both the paperback and digital edition. Read an interview with Tony Daniel about Savage Trade here, and an excerpt from the novel at Barnes & Noble.

Vintage Treasures: The Boats of the Glen Carrig by William Hope Hodgson

Tuesday, March 17, 2015 John ONeill Comments 8 comments

Famous Fantastic Mysteries June 1945-small

The Boats of the Glen Carrig Grafton-small

The Boats of the Glen Carrig was first published in 1907, and it has been reprinted countless times over the last hundred years. It is currently in print in no less than five separate editions, including multiple digital formats. In virtually every sense it is a classic horror novel, by one of the great 20th Century horror writers.

It wasn’t always recognized as such. In fact, after its first appearance, it languished for decades, before it was showcased in Famous Fantastic Mysteries in June 1945, with a terrific cover by Lawrence. It was reprinted in the seminal omnibus volume The House on the Borderland and Other Novels the following year, one of the most important and collectible volumes Arkham House ever published.

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