Interzone #259 Now on Sale

Interzone #259 Now on Sale

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Interzone 259-smallThe July – August issue of Britain’s longest running science fiction and fantasy magazine is now on sale. The cover, by Martin Hanford, is titled “Green Tea.” (Click the image at right for a bigger version.)

This issue has an intriguing installment in an ongoing series by Chris Butler. Here’s Lois Tilton at Locus Online on “The Deep of Winter”:

A prequel to this author’s series in which people emit spores that signal their emotions to others. Because some persons’ spores are more powerful, a coercive aristocracy has been built on them. Here, our protagonist is Sebastián, trusted servant of the Winter Duke, a member of his Guard. People have been reported missing, and the Duke has ordered the Guard to search the buried old city, where trespass has long been forbidden. Sebastián’s narrative alternates with that of Aluna, a mad scientist from an alternate world, ambitious to experiment with other realities, regardless of the consequences to the inhabitants of those worlds. When they meet in the buried city, questions are answered at last.

Read Lois’ complete comments on the issue here.

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Vintage Treasures: The Best of Frank Herbert

Vintage Treasures: The Best of Frank Herbert

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The Best of Frank Herbert 1952-1964-small The Best of Frank Herbert 1965-1970-small

Sidgwick & Jackson released The Best of Frank Herbert in hardcover in the UK in 1975. The book was edited by Anugs Wells, with a fairly drab cover by an unknown artist (see below). It was 302 pages.

For the paperback edition the following year, Sphere split the book into two volumes, both around 160 pages. The cover artist was uncredited in both cases, but it sure looks to me like Bruce Pennington. (Click the images above for bigger versions.)

The book was never released in the US, and the UK paperbacks have now been out of print for almost 40 years. The UK editions can be a little tricky to track down in the US, but they’re fairly common in the UK. As of this writing, half dozen copies are listed on eBay, priced at $10 and up per volume.

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Shin Megami Tensei and a Different Take on JRPGs (Part 1)

Shin Megami Tensei and a Different Take on JRPGs (Part 1)

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This may surprise some of you after my love letter to Etrian Odyssey, but for the longest time I didn’t like the RPG genre. During the mid 90s to early 00s, I was stuck between the grind-heavy traditional Japanese RPG (JRPG) design, and the number-crunching computer RPGs of the day. There were exceptions of course, such as Earthbound and Knights of the Old Republic. But it wasn’t until I found the Shin Megami Tensei series that I fell back in love with the genre.

ShinMegamiTenseiChange is Coming

Shin Megami Tensei has been a Atlus staple since the early 90s; the brand has gotten so big that I have to split this examination into two parts, with this one covering the main branch titles.

The Shin Megami Tensei series has several staples that exist between all the games, with “change” being the principle theme. In every title, the protagonist is either a part of a cataclysmic event, or will be the one that changes the world forever by causing one. Aiding him are a changing stock of demons that the player can recruit through different means; usually by talking to them.

Demons belong to different families and have varying stats and powers. What’s important about the series’ design is that your party is never the same for long due to two things. First is that exploiting enemy weaknesses is vital to having any chance of beating a SMT game. (Later titles, such as Nocturne and Shin Megami Tensei 4, actively punished or rewarded the player for keeping track of element resists, but more on that in a minute.)

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Future Treasures: Carter & Lovecraft by Jonathan L. Howard

Future Treasures: Carter & Lovecraft by Jonathan L. Howard

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Carter & Lovecraft-smallOne of the most popular authors in the later issues of the print version of Black Gate was Jonathan L. Howard. His first story for us, about a young thief named Kyth hired to penetrate a deadly tomb, was filled with surprises — not least of which was the amiable lich who congratulated Kyth when she reached the heart of his lair. It was titled “The Beautiful Corridor,” and its sequel, “The Shuttered Temple,” appeared in BG 15. Jonathan has had a very successful career as a fantasy novelist since those early days, and his latest novel, about a private detective who teams with the last descendant of H.P. Lovecraft to investigate some very bizarre crimes indeed, arrives in October. It’s one of the most anticipated titles of fall for me.

Daniel Carter used to be a homicide detective, but his last case — the hunt for a serial killer — went wrong in strange ways and soured the job for him. Now he’s a private investigator trying to live a quiet life. Strangeness, however, has not finished with him. First he inherits a bookstore in Providence from someone he’s never heard of, along with an indignant bookseller who doesn’t want a new boss. She’s Emily Lovecraft, the last known descendant of H.P. Lovecraft, the writer from Providence who told tales of the Great Old Ones and the Elder Gods, creatures and entities beyond the understanding of man. Then people start dying in impossible ways, and while Carter doesn’t want to be involved, but he’s beginning to suspect that someone else wants him to be. As he reluctantly investigates, he discovers that Lovecraft’s tales were more than just fiction, and he must accept another unexpected, and far more unwanted inheritance.

Jonathan L. Howard’s previous novels include the four volumes in the Johannes Cabal series (Johannes Cabal the Necromancer, Johannes Cabal the Detective, The Fear Institute, and The Brothers Cabal), and The Russalka Chronicles, including Katya’s World. Our previous coverage includes Jonathan’s article on writing the Johannes Cabel series, and his interview with John Joseph Adams. Carter & Lovecraft will be published by Thomas Dunne Books on October 20, 2015. It is 320 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. See more details at Jonathan’s website.

Fantasia Diary 2015, Day 4: Therapy for a Vampire, Bridgend, Assassination Classroom, Ludo, and Who Killed Captain Alex?: Uganda’s First Action Movie

Fantasia Diary 2015, Day 4: Therapy for a Vampire, Bridgend, Assassination Classroom, Ludo, and Who Killed Captain Alex?: Uganda’s First Action Movie

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Therapy for a VampireLate last Friday night, the 17th of July (or early the next morning, to be precise), I was unable to keep from smiling as my city was cheerfully demolished by a crew of Ugandans, cheered on by a Fantasia Festival crowd. It was a wonderful end to an already very surreal day.

After having gotten not quite enough sleep the night before, I was at my fifth movie of the day. Even more than usual, each film had been wildly at odds with the one before it. I’d started at 12:45 with the Austrian period comedy Therapy for a Vampire, in which one of the undead seeks psychological help from Sigmund Freud. I followed that with Bridgend, a dark teen drama with some horror overtones, based on true events. Both of those had been at the small De Sève Theatre, and after a bite to eat, I went to the big Hall Theatre at 7:40 to watch the Japanese comedy Assassination Classroom, in which prep school students try to kill their alien professor before he blows up the Earth. After that, I ran back across the street to catch the world première of the transgressive Indian horror film Ludo. And then stuck around to watch the presentation of Who Killed Captain Alex?: Uganda’s First Action Movie. Which also involved the destruction of Montréal.

But let me go through these things in full, starting with Therapy for a Vampire. In fact, I’ll start a bit before that, with a short film that was screened before the main feature: The Mill at Calder’s End. Directed by Kevin McTurk from his own story, with a script by Ryan Murphy, it’s a gothic horror film set in the late Victorian or Edwardian era. And it’s done with puppets. They’re highly detailed — the IMDB tells me “36 inch tall bunraku rod puppets” — and convey the atmosphere wonderfully. The story follows a young man who’s inherited the family lands, along with the curse accompanying said lands. He investigates, and faces the same horror his ancestors faced before him.

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Weirdbook Returns in October…

Weirdbook Returns in October…

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WB31
Front Cover of Weirdbook #31
Back Cover
Back Cover of Weirdbook #31

“It’s alive! Alive!!!!!”

Weirdbook is coming back to life. New editor Doug Draa has done an immense job of resurrecting Paul Ganley’s classic weird fantasy mag.

Weirdbook #31 will be the first issue since 1997, and it’s slated for an October release from its new publisher Wildside Press.

On the left is a look at the front cover by Dusan Kostic. Click for a bigger version.

The back cover (right) will be a piece by the great Stephen E. Fabian, who did all the covers for the original WB run.

This issue is sort of a bridge between the magazine’s past and its future.

Here’s a look at the Table of Contents for Weirdbook #31.

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New Treasures: Storm and Steel by Jon Sprunk

New Treasures: Storm and Steel by Jon Sprunk

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Storm and Steel-smallStorm and Steel, the long-awaited sequel to Blood and Iron, was published last month by Pyr. In her feature review of the first volume, Sarah Avery wrote:

Of all the wild re-envisionings of the Crusades I’ve seen lately, Jon Sprunk’s Blood and Iron may be the wildest. His alternate-universe Europeans are recognizably European, but the opposing culture they face is that of a Babylonian Empire that never fell. And why has this Babylon-by-another-name persisted for thousands of years, so powerful that only its own internal strife can shake it? Because its royals actually have the supernatural powers and demi-god ancestry that the ruling class of our world’s Fertile Crescent claimed…

Jon Sprunk’s book takes the prize for strange worldbuilding. The Akeshian Empire is approximately what the Akkadian Empire might have looked like, had each of its major cities lasted as long and urbanized as complexly as Rome did. When monotheism comes to Akeshia, it arrives as a local heresy run amok, rather than as a foreign faith attracting converts. Akeshia’s gods are not kind gods; its semi-divine ruling caste are not nice people. However, when our hero comes to understand them from something closer to their own perspective, he finds much to admire and many people worth trying to save from the civil war that is beginning to take shape around him…

Blood and Iron is overall a strong book, full of powerful imagery and a vivid sense of place, with intriguing historical what-ifs and a sense of moral urgency to match its sense of moral complexity.

Jon Sprunk is also the author of the popular Shadow Saga (Shadow’s Son, Shadow’s Lure, Shadow’s Master), and expectations are running high for the second volume of his new trilogy, The Book of the Black Earth.

Storm and Steel was published by Pyr on June 2, 2015. It is 479 pages, priced at $18 in trade paperback and $11.99 for the digital edition. The cover is by Jason Chan. Learn more at Pyr Books or read our exclusive excerpt of the first novel here.

Chuck Wendig Writes an Open Letter: “Dear Guy Who is Mad Because I Wrote a Gay Character in a Book”

Chuck Wendig Writes an Open Letter: “Dear Guy Who is Mad Because I Wrote a Gay Character in a Book”

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Blackbirds Chuck Wendig-smallChuck Wendig, author of Star Wars: Aftermath, Blackbirds, and The Blue Blazes, has written an open letter to a fan who complained because one of his characters was gay:

Earlier today I got a bit of hate mail — though I guess hate mail is strong, as the writer of said email was not like, threatening to murder me with a brick or anything — from what appears to be a male, adult reader of my young adult series. In particular, he read the third book in the series, which came out last week: The Harvest.

I won’t reprint the email here, but he said, and I quote, “I didn’t like that you had a main gay character reviling [sic] in a homosexual sexual relationship.” (Reveling, I guess he means?) He feels I “corrupted” the book with the presence of “gay male relationships.” He then added that he feels I was jumping on some kind of “bandwagon,” which I assume (he did not clarify) means that I was doing this to fill some kind of diversity bingo card. Finally, he concluded that it “didn’t matter” or “effect [sic] the story” that the character was gay so why include it at all?

Here is my response that I won’t actually bother sending to him, but maybe he’ll read it here.

Read Chuck’s complete response here.

Kelly Swails reviewed Blackbirds for us (“Chuck Wendig’s Blackbirds is Punch-You-in-the-Face Good“), and James McGlothlin looked at The Blues Blazes (“Goblins, Demons, Zombies and Fights Aplenty: A Review of The Blue Blazes.”)

Discovering Robert E. Howard: Wally Conger on “Rogues in the House”

Discovering Robert E. Howard: Wally Conger on “Rogues in the House”

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BG_RoguesComicOne of the cool things about being an active member in the Sherlock Holmes community is that I run across a broad spectrum of people with other common interests outside of the world’s first private consulting detective. Wally Conger and I have had back and forth conversations on versions of The Hound of the Baskervilles and other topics.

We may not agree on season three of Sherlock, but we do both enjoy reading Conan. So, I asked him to review “Rogues in the House,” which I knew he had just read. He was kind enough to do just that…

By the time Robert E. Howard launched into writing “Rogues in the House” in January 1933, he already had 10 Conan tales under his belt. He was very comfortable with the character.

In fact, upon publication of the story in the January 1934 issue of Weird Tales, Howard wrote to fellow writer Clark Ashton Smith:

Glad you liked ‘Rogues in the House.’ That was one of those yarns which seemed to write itself. I didn’t rewrite it even once. As I remember I only erased and changed one word in it, and then sent it in just as it was written. I had a splitting sick headache, too, when I wrote the first half, but that didn’t seem to affect my work any.

I wish to thunder I could write with equal ease all the time. Ordinarily I revise even my Conan yarns once or twice, and the other stuff I hammer out by main strength.

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July 2015 Nightmare Magazine Now on Sale

July 2015 Nightmare Magazine Now on Sale

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Nightmare Magazine July 2015-smallThe July issue of the online magazine Nightmare is now available.

Fiction this month includes original short stories from Alison Littlewood and Nate Southard, and reprints from Lisa Tuttle and Christopher Golden:

Original Stories

“Wolves and Witches and Bears” by Alison Littlewood
“The Cork Won’t Stay” by Nate Southard

Reprints

“Replacements” by Lisa Tuttle (originally published in Metahorror, 1992)
“Under Cover Of Night” by Christopher Golden  (Originally published in Five Strokes to Midnight, 2007)

The non-fiction this issue includes the latest installment in their long-running horror column, “The H Word” (“The Politics of Horror”), plus author spotlights, a showcase on cover artist Dennis Carlsson, an editorial, and a feature interview with Kc Wayland & David Cummings.

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