The Public Life of Sherlock Holmes: Sherlock is Back With “The Six Thatchers”
Season three of BBC’s Sherlock was an absolute train wreck, destroying what had been a great show. Then The Abominable Bride took the long-awaited Victorian-Era Cumberbatch/Freeman episode and turned it into some stupid psychological modern day shlock involving the dead, giggling Moriarty.
So, season four finally arrived, just shy of three years since season three ended. And you know what? The Six Thatchers wasn’t a disaster. It wasn’t up to the standards of the first two seasons, but it was better than season three.
In a recent interview, Steven Moffat said, “Mark Gatiss and I do not have the delusion that we know better than Sir Arthur Conan Doyle. That’s how the show works and always will. We reset to the most traditional and famous version of the format.”
And it was exactly when those two thought they knew better than Doyle: when they wrote episodes that alternately pandered to new generation fans and saying ‘look at how smart and clever we are’ (I’m talking about you, season three) that a great show turned to crap. Season three was all about the creators patting themselves on the back and showing how much they didn’t need Doyle to make a Sherlock show. And they lost a huge part of the original fan base in doing so.

















It’s not often that we in the Fantasy and SF community get two time-travel related productions – the movie Arrival, and the TV series Timeless – at once. Even better, we’re being served two different theories of time, and time travel. (There might be some spoilers for those of you who haven’t seen either film or TV show, so watch out.)