Black Gate – Page 598 – Adventures in Fantasy Literature

Part Teenage Wasteland, Part Lovecraft Fever Dream: Charlie Human’s Baxter Zevcenko Novels

Saturday, November 5, 2016 John ONeill Comments 0 Comment

For all the resources I turn to when I want the latest book news — including Locus magazine, Facebook, Amazon, conventions, and suggestions from friends — there’s really no replacement for browsing a really great book store. The Barnes & Noble in Geneva, Illinois, is a really great book store, and I’ve made many of fine discovery there. Last Saturday was no exception, and I walked out with a copy of Apocalypse Now Now, the first novel by Charlie Human to feature sixteen year-old Baxter Zevcenko, veteran of South Africa’s supernatural underworld.

Lauren Beukes (Broken Monsters) called Apocalypse Now Now “A demented, raucous urban fantasy,” and Richard Kadrey (Sandman Slim) labels it “Part teenage wasteland, part Lovecraft fever dream.” The second novel, Kill Baxter, was published in trade paperback by Titan last year, and arrives in a mass market edition this month.

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Lackington’s Issue 11 Now Available

Friday, November 4, 2016 John ONeill Comments 3 comments

Adrian Simmons is one of the editors of the highly-regarded Heroic Fantasy Quarterly magazine. But he’s also a fine writer in his own right, as Charles Payseur reminds us this week, in his review of the Summer 2016 issue of Lackington’s magazine, containing Adrian’s short story “How I Came to Be Raised by Balniwan the Fool.”

Just ahead of the release of their next issue, Lackinton’s has dropped the paywall on their Possessions issue and it’s a great collection of rather dark stories… there are a lot of ways that these tales circle around what it is to have possessions, and what it is to be possessed. Most of the pieces are solidly fantasy, the magic alive and well and further complicating the theme but also giving it a wild fire that casts some wicked shadows…

This story takes an interesting angle on the idea of possessions, focusing on a child living in a world defined by violence. Under the rule of their father, Alebeg, the children as possessions, less than people. He scares them and he awes them and he lives a bit like a cult leader on a hill, though with a rather Norse feel to it. So as I read [the] main possession of the story is that of the main character, who is treated more like property than a person… It’s certainly a visceral story that comes with the taste of blood and the bitterness of being someone powerless in the face of force and power. A fine way to kick off the issue!

Read Charles’ complete review here.

Every issue of Lackington’s has a theme, which gives the magazine an interesting focus. The theme this issue is “Possessions.”

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In 500 Words or Less: Best Served Cold by Joe Abercrombie

Friday, November 4, 2016 Brandon Crilly Comments 8 comments

Best Served Cold
By Joe Abercrombie
Gollancz (544 pages, £9.99 in paperback, £6.99 digital, June 2010)

Remember a few weeks ago when I talked about Steven Erikson being in my top five fantasy authors? Joe Abercrombie is in there, too – in fact, he’s probably higher than Erikson. The First Law trilogy blew me away, which makes it painful to say that its immediate sequel, Best Served Cold, left me a little disappointed.

Don’t get me wrong: this fantasy-style homage to Kill Bill is just as fast-paced and exciting as the First Law books. Monza Murcatto is a brilliantly flawed protagonist, and between the return of drunken mercenary Nicomo Cosca and newcomers like poisoner Morveer and numbers-obsessed killer Friendly, there’s plenty of Abercrombie’s dark humor. The twists and turns are intriguing, particularly with master assassin Shenkt.

But I found myself missing the epic scope, since I would’ve been surprised if (Spoiler Alert) Monza didn’t succeed in her revenge quest (End Spoiler). And while seeing familiar faces like High King Jezal dan Luthar and Vitari is great and all, along with references to other characters and elements, it’s almost like cameos by John Stamos and Bob Saget on Fuller House: it just reminds you that the original was better.

My biggest criticism is another returning character: Shivers, who appeared in the First Law trilogy as a young Northman with a grudge against Logen Ninefingers. In the previous books, Shivers was his own character, one of many distinct Northern characters and specifically a reminder for Logen about his past bloody crimes. For some reason, Shivers in this novel is like a paper cut-out of Logen without the heart: he has the same mannerisms, wants to be better but can’t, falls for someone who is clearly going to be a problem, and goes berserk with violence just like the Bloody-Nine.

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Modular: Castles & Crusades Expands

Thursday, November 3, 2016 Managing Editor Howard Andrew Jones Comments 3 comments

To my shame, the first time I ever caught sight of the Castles & Crusades game I simply walked right past its GenCon booth, wondering why anyone needed another version of Dungeons & Dragons. Pathfinder had launched recently, and D&D 3.5 was still going strong, and I just didn’t see the point. As a matter of fact, not knowing about the mechanical innovations of the system or its connection to Gary Gygax, I assumed C&C was a blatant rip-off.

Man, did I miss the boat. I didn’t know that soon other people would be just as tired as I was of bloated skill lists, feats, and rules for every conceivable situation under the sun. I had no idea I’d soon be wishing for an end to the long skill lists and would be longing for the archetypal “simple” way that old school systems had done it. C&C pretty much predated the entire Old School Renaissance, or at least was out at the forefront when the OSR movement was just getting started.

The old school game movement mostly involves repackaging original D&D systems rather than simply encouraging play from the original versions of D&D because, let’s face it, in a lot of the original D&D books it was hard to find things, there were scads of charts, some of the rules were fairly arbitrary, and some of the classes weren’t all that well balanced. The game was still loads of fun, but you started noticing those things after you played awhile. And, of course, until recently, you couldn’t lay hands on versions of the originals without paying for used copies, sometimes through the nose.

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Goth Chick News: The Original Men in Tights Are Still the Best Men in Tights…

Thursday, November 3, 2016 Sue Granquist Comments 0 Comment

After last week’s rant about the evils of tampering with original story-telling genius, it’s time for us all to take a deep breath and collectively cleanse our entertainment pallets with some really inspired news. Though it’s not traditional Goth Chick fare, I could not help but emit a little fangirl squee at the following.

Fifty years after first donning tights to play Batman and Robin on TV, Adam West and Burt Ward are back in a movie titled Batman: Return of the Caped Crusaders.

Just let that sink in for a moment, and repair your tattered psyches.

Okay, so it’s an animated feature brought to us by Warner Bros., and it’s a direct-to-DVD release. But the important thing here is that rather than landing some current Hollywood hotties to do cameo voice over work, or worse yet some nameless talking heads, WB sought out the original actors, West age 88 (Bruce Wayne / Batman) and Ward age 71 (Dick Grayson / Robin) along with an 83-year-old Julie Newmar (Catwoman) to reprise their roles.

The original Batman television series premiered in 1966 and ran for three successful seasons. It was a very “swinging sixties” creation with a colorful theme song and comedic tone, coupled with some overt sexuality and topical themes (a heady combo for mid-century television viewers). In the years since it has passed into the pop cult stratosphere, as we witnessed when West, Ward and Newmar made an appearance at the 2013 Chicago Comic and Entertainment Expo (C2E2). Attendees who purchased autographs in advance still faced nearly a three-hour wait and the stars were sequestered in a separate part of the facility, likely for their own protection from the rabid fans.

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Modular: Astonishing Swordsmen & Sorcerors of Hyperborea — 2nd Edition!

Thursday, November 3, 2016 Bob Byrne Comments 6 comments

Back in December of 2012, Black Gate head honcho John O’Neill wrote a glowing post about Astonishing Swordsmen & Sorcerors of Hyperborea (for ease of typing, we’ll go with AS&SH from here on in). AS&SH was created by Jeffrey Talanian, who co-authored Castle Zagyg with Gary Gygax (The Zagyg saga is worthy of a post in itself).

AS&SH came out of Original Dungeons & Dragons (0E), created by Gygax and Dave Arneson. That is the version that my retroclone of choice, Swords & Wizardry, is based on. Talanian cited Robert E. Howard, Clark Ashton Smith and H.P. Lovecraft as his influences. So, we’re talking Pulp: weird pulp!

Fast forward to 2016 and Talanian has launched an already successful Kickstarter for a 2^nd Edition of Astonishing Swordsmen & Sorcerors of Hyperboria. As I type this, with 22 days remaining, it is at 318% funding and is tearing through stretch goals like the Cimmerians at Venarium.

The book will be somewhere around five hundred pages and will include a 32” x “40 color map, as well as an introductory adventure. Ian Baggley’s popular art from the 1^st Edition will be supplemented with illustrations from about a dozen new artists. If you like this style of art, AS&SH is absolutely worth backing. Check out the new cover!

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Gunslingers, Shapeshifters, and Ancient Animal Gods: The Children of the Drought Trilogy by Arianne ‘Tex’ Thompson

Thursday, November 3, 2016 John ONeill Comments 0 Comment

The border town of Sixes is quiet in the heat of the day, but at sunset wake the gunslingers and shapeshifters and ancient animal gods whose human faces never outlast the daylight. Appaloosa Elim had to enter Sixes to find his so-called partner Sil Halfwick, who disappeared inside in the hope of making a name for himself among Sixes’ notorious black-market traders.

That was the premise of One Night in Sixes, the popular debut novel by Arianne ‘Tex’ Thompson. A sequel arrived in 2015, and the concluding novel in the trilogy is now scheduled to arrive in paperback in late December. Here’s all the details; links will take you to our previous coverage.

One Night in Sixes (464 pages, $7.99/$6.99 digital, July 29, 2014) — excerpt
Medicine For the Dead (480 pages, $7.99/$3.99 digital, April 9, 2015) — prologue
Dreams of the Eaten (384 pages, $8.99/$6.99 digital, December 27, 2016)

All three were published by Solaris. The covers are by Tomasz Jedruszek.

See all of our recent coverage of series fantasy here.

The Future of Iraq, According to the Country’s Science Fiction Authors

Wednesday, November 2, 2016 Sean McLachlan Comments 4 comments

1907297246 With all the grim news coming out of Iraq, it’s easy to think the country has no future. That’s wrong, of course, because being one of the oldest countries in the world, it’s not going anywhere anytime soon.

But what will that future look like? To answer that question, UK publisher Comma Press has released Iraq +100, an anthology of Iraqi writers imagining the future of their nation. As the blurb says:

Iraq + 100 poses a question to ten Iraqi writers: what might your country look like in the year 2103 – a century after the disastrous American- and British-led invasion, and 87 years down the line from its current, nightmarish battle for survival? How might the effects of that one intervention reach across a century of repercussions, and shape the lives of ordinary Iraqi citizens, or influence its economy, culture, or politics? Might Iraq have finally escaped the cycle of invasion and violence triggered by 2003 and, if so, what would a new, free Iraq look like?

Covering a range of approaches – from science fiction, to allegory, to magic realism – these stories use the blank canvas of the future to explore the nation’s hopes and fears in equal measure. Along the way a new aesthetic for the ‘Iraqi fantastical’ begins to emerge: thus we meet time-travelling angels, technophobic dictators, talking statues, macabre museum-worlds, even hovering tiger-droids, and all the time buoyed by a dark, inventive humour that, in itself, offers hope.

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Future Treasures: The Mountain of Kept Memory by Rachel Neumeier

Wednesday, November 2, 2016 John ONeill Comments 1 comment

Rachel Neumeier is the author of The City in the Lake, The Floating Islands, House of Shadows, Black Dog, and The Griffin Mage Trilogy. Earlier this year Knopf Books released her new YA novel The Keeper of the Mist.

In her latest, a prince and a princess must work together to save their kingdom from outside invaders… and dangers within. It’s available in hardcover next week from Saga Press.

Long ago the Kieba, last goddess in the world, raised up her mountain in the drylands of Carastind. Ever since then she has dwelled and protected the world from unending plagues and danger…

Gulien Madalin, heir to the throne of Carastind, finds himself more interested in ancient history than the tedious business of government and watching his father rule. But Gulien suspects that his father has offended the Kieba so seriously that she has withdrawn her protection from the kingdom. Worse, he fears that Carastind’s enemies suspect this as well.

Then he learns that he is right. And invasion is imminent.

Meanwhile Gulien’s sister Oressa has focused on what’s important: avoiding the attention of her royal father while keeping track of all the secrets at court. But when she overhears news about the threatened invasion, she’s shocked to discover what her father plans to give away in order to buy peace.

But Carastind’s enemies will not agree to peace at any price. They intend to not only conquer the kingdom, but also cast down the Kieba and steal her power. Now, Gulien and Oressa must decide where their most important loyalties lie, and what price they are willing to pay to protect the Kieba, their home, and the world.

The Mountain of Kept Memory will be published by Saga Press on November 8, 2016. It is 431 pages, priced at $25.99 in hardcover and $7.99 for the digital edition. The cover is by Marc Simonetti.

An Open Letter To George R. R. Martin and the Producers of Game Of Thrones

Tuesday, November 1, 2016 markrigney Comments 9 comments

Dear George & Co.,

I was wrong.

Back in 2011, when the first season of Game Of Thrones aired, I watched up until the episode where Ned Stark gets speared in the leg during a street fight. (His opponent? That bastion of modesty and ethics, Jaime Lannister). And then I gave up. I stopped watching despite the fact that the storytelling was excellent, the acting superb, the locations first-rate, the camera and tech work all but faultless. I gave up because I was tired of seeing the female characters on the show abused, one after the next. I began to suspect the worst of both you and the show runners.

Call me a pig-headed liberal progressive if you must, but I’d like to see the arts, both commercial and fine, be aspirational, which I realize is a very millennial sort of term, but I like it. I’m with Gene Roddenberry: I want at least some of our creative output to showcase what we could be as a society, not merely depict what we are (i.e., barbarous and brutal). Of course the particular world of A Song Of Ice and Fire and Game Of Thrones demands its share of brutality, but it became my position, following those early episodes, that the show was reveling in the violence rather than merely depicting what was necessary to develop the story. It was my considered opinion that I was once more in the throes of a TV show where female agency was, at best, a limp afterthought.

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