No Mere Nostalgia, Part II: TRON (1982)

No Mere Nostalgia, Part II: TRON (1982)

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tron-title-cardOn the other side of the screen, it all looks so easy. . . .

Earlier this year, I marched stolidly at the front of a phalanx to defend the original Clash of the Titans right before its re-make was about to hit theaters. I found the re-make more palatable than I expected, although I have since gotten frosty about it after watching it a second time when the DVD came out; the sucker just doesn’t hold up. Although a sequel to the re-make is now in the works, I think the status of Harryhausen’s 1981 film remains secure. It may even improve.

Now I am facing a similar-sounding situation with this Friday’s looming release of TRON: Legacy. I am here to defend the 1982 film TRON, a movie that balances on a triple-edged knife’s tip of nostalgia, prescience, and ridicule.

However, my position with the new TRON is different than that of the new Clash of the Titans. The forthcoming TRON: Legacy is not a re-make, but a sequel, and this puts me less on the defensive and instead rezzes me up. The early reviews are lukewarm, but at least TRON: Legacy isn’t trying to override the memory of the first movie, and it has brought back the original star Jeff Bridges as well as director Steven Lisberger (in the role of producer this time).

During the early stages of the “New TRON movie” development, Disney did consider doing a re-make, but thankfully someone in the Mouse House realized that a sequel was a better plan. Developments in computer technology between 1982 and 2010 provide an opportunity to explore how the world of computers from the original film have changed — how the grid and the primitive Internet have expanded to rule the world and transform into a reality parallel to our own — and that is fertile ground for a sequel. A sequel almost seems a necessity.

But that TRON: Legacy got made at all is a celebration of one the weirdest, long-term success stories of science-fiction cinema: how a “video-game craze” movie that got a muddy reception on its original release turned into a piece of technical prophecy, an oracle of the modern hi-tech zeitgeist.

Yes, but is it a good movie?

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A Review of Another Fine Myth by Robert Asprin

A Review of Another Fine Myth by Robert Asprin

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another-fine-mythAnother Fine Myth, by Robert Asprin
Dell Fantasy (224 pages, $1.95, 1978)

Reading Another Fine Myth, by Robert Asprin, was a peculiar experience. This is not because of the book itself, but because I’ve been following the comic by Phil Foglio, currently being posted as a webcomic. I think Foglio’s style made me expect a more frantic story than I got; if you read any of his comics, such as Girl Genius, you’ll know that the panels tend to be full to the point of bursting.

While I liked Another Fine Myth, I didn’t love it, and some of that may be because I was expecting a different sort of story. Mostly, though, I think it’s because the narrator never really took control of the events, making him more a sidekick than the protagonist I thought he was supposed to be.

He’s not enough of a fool to be the sort of protagonist who solves the problem through sheer luck and incompetence, but he doesn’t really get a shining moment either. He’s just there. I suspect this is a problem that goes away as the series progresses. My opinion of the series as a whole will probably be a bit different from my feelings about this one book.

Skeeve is a magician’s apprentice, but arguably not a very good one. He sees magic mainly as a potential thieves’ tool, a point of contention between him and his master. To show Skeeve that control is more important than power, the master decides to summon a “cold, vicious and bloodthirsty” demon by way of demonstration. Unfortunately, said master is assassinated just as the ritual is completed.

Fortunately for Skeeve’s continuing existence, the demon is not as vicious and deadly as advertised. His name is Aahz.

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Morlock Returns

Morlock Returns

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travellers-rest-coverIf you’ve been missing Morlock, you’re in luck, because he’s back.

James Enge’s iconic character has been getting a lot of well-deserved attention lately. If you missed out on the news, Enge’s first novel, Blood of Ambrose (starring Morlock) was nominated for a World Fantasy Award. His third novel, The Wolf Age (starring Morlock) recently received a starred review in Publisher’s Weekly.

Now it turns out that The Wolf Age is Pyr’s one-hundredth title, an event certainly worth celebrating, and what better way to celebrate than with a new Morlock novelette?

I’ll let the official Pyr release from Jill Maxick take over from here:

In honor of this burgeoning Morlock fan base, and to commemorate The Wolf Age’s status as Pyr’s one-hundredth title, Pyr is issuing a free, exclusive, ePub novelette called “Travellers’ Rest.” Featuring a cover by artist Chuck Lukacs, “Travellers’ Rest” is an 8,500 word original novelette, written for Pyr, which takes place before the events of Blood of Ambrose. It is available on the Pyr website, as a free download in ePub format and will also be available via Kindle. (Two previously published Morlock short stories that take place many decades after the events of The Wolf Age — “A Book of Silences” and “Fire and Sleet” — are available on the Sample Chapters section of the Pyr website.)

For those of you without an e-reader, the HTML version is here.

What are you waiting for?

Supernatural Spotlight – Episode 6.11 “Appointment in Samarra”

Supernatural Spotlight – Episode 6.11 “Appointment in Samarra”

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This episode begins with the appearance of Robert Englund (better known as Freddy Kreuger from Nightmare on Elm Street) as a doctor who works out of the back room of a Chinatown butcher shop. He’s stitched up John Winchester many times over the years, but now it’s Dean seeking him out, for some sort of procedure which, apparently, has a 75% success rate. I’m thinking a vasectomy, but no, he’s going to go all Flatliners.

Death (left) and grim reaper Tessa (right) offer Dean a deal to get Sam's soul back.
Death (left) and grim reaper Tessa (right) offer Dean a deal to get Sam's soul back.

In the seven minutes that he’s dead, Dean casts a spell to summon Tessa, a Reaper (as in the Grim kind). But he doesn’t really want Tessa, he wants her boss … Death.

Dean figures that if there’s anyone they know who can get Sam’s soul out of its little hell box with Lucifer and Michael, it’s Death. And, in fact, he’s right. He tries to blackmail Death by threatening to not give his ring back (the ring was obtained at the end of last season, so that the Winchesters could trap Lucifer). Death is amused, because he knows exactly where the ring is being held. But still, he offers Dean a deal, a bet, and if successful he’ll give Sam’s soul back and put up a wall that will hold back the memories of his torments … for a time. Possibly even a lifetime.

The terms of the bet: Dean has to wear Death’s ring for a day.

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A Novel Superman

A Novel Superman

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The Last Son of KryptonMedia tie-in novels are common nowadays, and people have debated how good tie-in novels are and how good they can be. I don’t have any strong opinions, other than to note that a) the usual conditions under which tie-ins are written don’t seem encouraging; b) on the other hand, great books can be and have been written under much less encouraging conditions and much greater restrictions; and c) I’m really looking forward to reading Michael Moorcock’s Doctor Who novel.

But I will say this: when the question of the quality of media tie-in novels arises, there are two books I think of as both tie-in novels and excellent fiction in their own right. There may be more, but these two have stuck with me from a young age, and every time I re-read them (as I do every few years), I find they’re still powerful and resonant work. The language is tight, terse and moving. The characters are strong. The world is well-conceived, feeling fresh and new.

The books are Superman: Last Son of Krypton and Superman: Miracle Monday, by Elliot S! Maggin (follow the link to uncover the mystery of the exclamation point). Published to accompany the release of the first two Superman movies, the books have little to no connection with the movies as such, being instead original and utterly fascinating stories.

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Black Gate Kuttner Contest: And the Winners Are…

Black Gate Kuttner Contest: And the Winners Are…

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kuttnerBlack Gate magazine is very pleased to announce the winners of our Kuttner Contest:

Pawel Martin
Alexander G. Tozzi
G. W. Thomas

All three winners receive a copy of Terror in the House: The Early Kuttner, Volume One, compliments of publisher Haffner Press. Terror in the House is 712 pages in hardcover, and is edited by Stephen Haffner and illustrated by Harry V. Parkhurst. Congratulations to the winners!

To enter the contest required a one-sentence review of your favorite Henry Kuttner short story. Winners were chosen at random from all eligible entries.

The wide range of entries gave us a fine appreciation for just how well Henry Kuttner is still remembered over 50 years after his death, and these concise reviews of readers’ favorite Kuttner tales should help those less familiar with him understand the enduring quality of his fiction. Some of the best entires we received are collected below.

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Take Advantage of Holiday Discounts at Lulu.com

Take Advantage of Holiday Discounts at Lulu.com

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luluI got a reminder from Lulu.com this morning that the window for placing Holiday orders in time for Christmas is closing.  Thanks Lulu!

Plus, they sent me the handy coupon at right.  It’s good for 20% off any order (up to a total of $100 savings) until Dec 31, 2010.

I hope I don’t get in trouble for sharing it. Probably not.  But if anybody locks you in a small room and shines a bright light in your face and demands to know where you got this coupon, remember these handy phrases: “I’ll talk!  It was Gordon van Gelder.”

Or just go get your own coupon online, at their Daily Deals page.

startling-storiesLulu is the leading Print on Demand (POD) publisher. Need a reminder of all the great titles available at Lulu?

Over the past year we’ve told you about the two volumes of The Clayton Astounding reprints, Vagabonds of Space and Planetoids of Peril.

For gamers, there’s the new role playing game of heroic rodents, Hyperborean Mice, featuring grim swords & sorcery action… with talking mice.

For short fiction lovers, there’s G.W. Thomas’ terrific Dark Worlds magazine, featuring tales of modern adventure fantasy, and the new incarnation of pulp magazine Startling Stories, from Wild Cat Books (shown at left).

And don’t forget Charles R. Saunders’ latest Imaro novels, The Naama War, and The Trail of Bohu.

At that and much more.  Support your favorite small press publishers, and get some great gifts at the same time. How cool is that?

ODIN’S RETURN: A Great New Era for THOR

ODIN’S RETURN: A Great New Era for THOR

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The latest issue of Marvel's THOR features Odin the All-Father and his return from the death of Limbo.
The latest issue of Marvel's THOR features Odin the All-Father and his return from the death of Limbo.

You’ve probably heard about Marvel Comics’ latest big movie sensation, THOR, coming soon to a theatre near you. You may know that Anthony Hopkins is playing Odin the All-Father, Natalie Portman is involved,  and the great Kenneth Branagh is directing in a feat of Shapespearean brilliance.  You may be convinced (as I am) that this will be the best “comic book movie” since SPIDER-MAN.

Well, forget all that and pick up the latest issue of Marvel’s THOR comic.

Writer Matt Fraction and artist extraordinaire Pascal Ferry took over the title a few months back and Asgard may never be the same. It has quickly become one of Marvel’s best books. For fantasy lovers of all stripes, this is THE monthly book to buy into. Ferry’s art is truly amazing, a blend of fantasy and science fiction that creates its own unique style while hearkening back to the original Jack Kirby THOR designs with an amazing energy. The panels fairly leap off the page.

thorkirby2A little context: I am a huge fan of the old-school Stan Lee/Jack Kirby THOR run from the 1960s. Not the entire run, mind you, just the really good second half when Kirby was really off the hook. The Origin of Galactus, Ego the Living Planet, the ManGog, Tales of Asgard, just amazing and timeless Kirby goodness. There’s a reason this guy was called the King of Comics, and this series shows it like no other.

I also love the run that followed Kirby’s departure, the early 1970s run by the legendary John Buscema, who brought a whole new lithe and streamlined style to the Thunder God and his cast of friends and foes. Anybody into THOR will also tell you about the landmark Walt Simonson run of the early 1980s; this was the run that brought Thor back to the top of Marvel’s list.

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Blogging Alex Raymond’s Flash Gordon, Part Five: “The Witch Queen of Mongo”

Blogging Alex Raymond’s Flash Gordon, Part Five: “The Witch Queen of Mongo”

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flashgordon2_1cvr1“The Witch Queen of Mongo“ was the fifth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between April 21 and October 13, 1935, “The Witch Queen of Mongo” picked up the storyline where the fourth installment, “Caverns of Mongo” left off with Flash and Dale setting out to conquer the cave kingdom that was awarded to Flash following the tourney held by Ming and Vultan.

Writer/artist Alex Raymond benefitted greatly from the contributions of ghost writer Don Moore who developed characterization to bring much-needed balance to the nonstop parade of cliffhangers. The serial quickly sets the tone with Dale’s mounting frustration with Flash’s preference for continued adventures over settling down and marrying her. This development coincides with the introduction of Azura, the titular Witch Queen of the Kingdom of Syk.

azuracomicsAzura is the second of Alex Raymond’s stunning exotic women of Mongo and rivals Aura in complexity and appeal. The Witch Queen’s descent from the heavens on a stair of flames is an iconic image that may have influenced Frank Frazetta’s cover art for Conan the Freebooter three decades later. Likewise, Flash’s Nordic-style horned helmet suggests the strip was a vital inspiration on the depiction of Robert E. Howard’s barbarian pulp hero.

From the very start, the point is made that the Witch Queen’s “magic” is nothing more than advanced technology. The continued juxtaposition of the futuristic with medieval fantasy remained a potent formula for success with the stip.

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