Art of the Genre: Is Digital Art Real Art?
I’ve often been asked ‘how cool is it to have all that original art from the Art Evolution Project?’ or ‘What will you do with all that original art?’ I tend to smile when I hear it because it somehow means that I know more than most where the world of art is concerned. The primary thing would be that the bulk of artists don’t give up originals these days unless you are willing to pay a king’s ransom for them, and the secondary is that much of the work done for me in the project was at least ‘touched’ by a computer or fully rendered in a digital format. The reality is that the original is not the piece you see, assuming there is even ‘hard’ original to begin with. 
That in itself is a testament to the changing landscape of art and the power of the computer when used in the process of creation. Still, it leaves many people feeling a bit hollow, the new inability to own an original because only an artist’s hard drive has the capability for that. The computer also rocked the art field as the backlash from the lack of original hard art begging the question ‘is digital art, ‘real’ art?’
Everyone who is anyone has an opinion on this, and certainly one of my favorite views on the subject comes from Lazarus Chernick in his WordPress blog that can be found here, but instead of trusting the husband of an artist, I went out and got three well known artists to address the subject.
The following are responses to the question of digital art being real art.


As of Sunday evening, The King’s Speech is the newest Academy Award winner for Best Picture. I am sure a virulent backlash against the English period drama is already underway, but let the record show that I thoroughly enjoyed that movie. It is not my personal pick for the best film of 2010. I would have liked Black Swan, Inception, or True Grit to win, but such was not to be, and The King’s Speech as a winner doesn’t anger me.
Neptune Crossing (The Chaos Chronicles, Volume 1), by Jeffrey A. Carver

The episode starts with the Angel turned scam artist Balthazar showing up, hastily explaining that the Angel Raphael is winning the civil war in Heaven and has put a hit out on the Angel Castiel and everyone else who opposed him, including Balthazar, Sam, and Dean. In order to protect his stash of stolen weapons from Heaven, Balthazar gives Sam and Dean a key and casts a spell. They are thrown through a window … only to land on a stunt pad.
While
One of my very own stories has just been included in the TANGENT ONLINE RECOMMENDED READING LIST for 2010. The tale is “This Is How the World Ends,” from the CTHULHU’S REIGN anthology (DAW).
Also on the list is a terrific story by an amazing writer, “In the Dreaming House” by Darrell Schweitzer, which ran in SPACE & TIME #110. Nobody writes a dark fantasy tale like Darrell…he is a true Master. BTW, you can still order this issue from the SPACE & TIME website. I’ve also got a new story, “The Gnomes of Carrick County,” coming up in S&T later this year.