Tattoos and Fantasy! Proposal!

Tattoos and Fantasy! Proposal!

This one's mine. It's a frikkin JESTER! With wings! And a TAIL! It has a story. What's yours? (Art by Rebecca Huston.)
This one's mine. It's a frikkin JESTER! With wings! And a TAIL! It has a story. What's yours? (Art by Rebecca Huston.)

Dear Fantasy Writers,

Pretty soon I (and an Editing Wizard of my acquaintance) will be putting together a thing for Black Gate (possibly an article, possibly a short documentary-type-thingy for YouTube) about Fantasy writers and their tattoos. I know some folks view their ink and its significance as intensely personal. If this is the case with you, please ignore the rest of this message.

But if you are a published Fantasy writer, and have an image on your skin that you want to share, and a short paragraph about it, I’d love to see it!

I’d want a jpg of the image (high resolution) and, if at all possible, a voice clip of the story — from GarageBand or whatever. If not a voice clip, then a written paragraph would definitely suffice.

I’d also want a short bio about yourself and where we might find your published work. We’d link to it in the article-portion of this project. (I see it as both an article and documentary. It’s all still coming together in my own head.)

If participating in this Black Gate YouTubementary shenanigans interests you, I’d love to have your files by August 1st. This thing’ll probably be several months in the making, and we may not a.) get enough material or b.) get too much to use all of it — but whatever happens, I’d update all participants as we make progress.

So! Ideas? Hail and Well-Mets? Flagrant Compliments? “Absolutely want in!”s? Then write to me at claire(at)blackgate(dot) com

Thank you!

Diana Rowland’s My Life as A White Trash Zombie

Diana Rowland’s My Life as A White Trash Zombie

My Life as A White Trash Zombiewhite-trash-zombie2
Diana Rowland
DAW (320 pp., $7.99, July 2011)
Reviewed by Patty Templeton

Angel Crawford is a pill-popping, self-described loser who’s found naked on Old Bayou Road after an overdose, only when she wakes up in the hospital…something’s not quite right.

She never used to waft of rot.

If it wasn’t trouble enough that Angel is slowly starting to smell more and more like a pile of dead cats soaked in sewage on a hot summer day, well, she has a new job. Ok, so it’s not like Burger Bayou was taking her places, but really, who wants to work in a morgue? Angel never did, but a mysterious note informs her that if she doesn’t take the job and keep it for at least one month, she’ll go to jail. Sure, it’s delivering dead bodies and assisting in autopsies, but you don’t get paid for normal rehab. Angel takes the gig.

Soon after, fingers skull-deep during an autopsy, Angel realizes that she wants to eat brains. Justifiably, she flips. It doesn’t help when she finds another note on her windshield that reads If you crave it, eat it.

To make matters worse, somebody starts killing off all the zombies around town.

This is not your average zombie novel and it might piss off horror purists who like their monsters in predictable niches. Angel doesn’t shamble. She isn’t dull-witted. She’s not a gorehound. In fact, it’s questionable if she is even a monster. She’s a woman who’s had a lot of bad breaks in life, the most recent of which was being turned into a zombie who has to drink brain smoothies to keep from decomposing. Some folks might contend that Diana Rowland’s zombies aren’t zombies. They might be right. Angel is closer to a vampire than not, only instead of blood healing her, it’s dead people’s brains. What does it matter, as long as the story catches you?

Amidst the brain saws, busted heads and maggots, there’s the introspective story of Angel Crawford, high school drop-out and general ef-up, finally getting on a stable path. It’s not action-heavy. There are no zombie hordes. Only a woman fighting her way through everyday life, which includes a past filled with drugs, the wrong man, an alcoholic father and a mentally ill mother. It’s a humorous, light-gore novel that you could probably get away with recommending to any of your friends that like both Jodi Picoult and C.S.I. Similarly, if you dig books from a zombie’s point of view, like Breathers or Warm Bodies, you’ve got a good chance of enjoying My Life as A White Trash Zombie.

brain1 brain11I give it two out of three brains. And seriously, the cover is AWESOME. Now that’s a le freakin’ sexy zombie.

Martin Harry Greenberg (March 1, 1941 – June 25, 2011)

Martin Harry Greenberg (March 1, 1941 – June 25, 2011)

great-sf-17Martin H. Greenberg, one of the most prolific creators in the history of the genre, died last week.

Dr. Martin H. Greenberg received a doctorate in Political Science from the University of Connecticut in 1969, and taught at the University of Wisconsin, Green Bay, from 1975 until 1996. In 1974 he edited his first anthology (with Patricia Warrick): Political Science Fiction, intended as a teaching guide.

It was to be the first of literally thousands of books he published over the next 36 years, the vast majority of them science fiction and fantasy anthologies.

Greenberg’s specialty was copyright searches and handling author royalties, and he was famously adept at both. He founded book packager Tekno Books, which typically produced 150 titles per year, totaling over 2,300 books.

Shortly after he entered the field Greenberg discovered he shared a name with another famed SF anthologist: Martin Greenberg, publisher of Gnome Press, who edited some of the most influential science fiction anthologies of the 1950s, including Travelers of Space and Journey to Infinity (both 1951). In his autobiography Isaac Asimov, who worked extensively with both men, said he suggested that he call himself “Martin H. Greenberg” or “Martin Harry Greenberg,” which he did.

Greenberg frequently partnered with other editors such as Joseph D. Olander, Andre Norton, Robert Silverberg, and especially Asimov, with whom he co-edited a total 127 anthologies, including the 25-volume Isaac Asimov Presents the Great SF Stories.

alt-prezs1In recent years Greenberg, working chiefly with editors Jean Rabe, John Helfers, Kerrie Hughes and others at Tekno Books, produced 10 original anthologies per year for DAW books, often referred to as “the DAW magazine.”

Black Gate contributor Mike Resnick,  who edited 19 anthologies for or with Greenberg and sold him a total of 61 stories, shared this story of how their partnership started:

We’re eating lunch at the 1989 Boston worldcon, he asks what I’m working on, I say a Teddy Roosevelt alternate history novella, and as we’re getting up he says he’s off to sell our anthology. I say what anthology? He says Alternate Presidents, with Teddy Roosevelt in 1912 and a bunch of others. I say I didn’t know we were talking about one, and besides, this one’s unsaleable.

Three hours later he hunts me up: “We’ve sold it to Tor for a 5-figure advance, and you’re editing it.” I never doubted him again.

In 2009 Greenberg was the recipient of one of the first Solstice Awards presented by the Science Fiction and Fantasy Writers of America (SFWA) in recognition of his contributions to the field.

For a complete list of his titles (caution: it’s a big list), see his entry at the SF Encyclopedia.

The 2011 Locus Award Winners

The 2011 Locus Award Winners

hundred-thousandThe 2011 Locus Awards were announced last weekend. The winners are:

Best Science Fiction Novel: Blackout/All Clear, Connie Willis (Spectra)
Best Fantasy Novel: Kraken, China Miéville (Macmillan UK; Del Rey)
Best First Novel: The Hundred Thousand Kingdoms, N.K. Jemisin (Orbit UK; Orbit US)
Best Young Adult Book: Ship Breaker, Paolo Bacigalupi (Little, Brown)
Best Novella: The Lifecycle of Software Objects, Ted Chiang (Subterranean)
Best Novelette: “The Truth Is a Cave in the Black Mountains”, Neil Gaiman (Stories)
Best Short Story: “The Thing About Cassandra”, Neil Gaiman (Songs of Love and Death)
Best Magazine: Asimov’s SF
Best Book Publisher: Tor
Best Anthology: Warriors, George R.R. Martin & Gardner Dozois, eds. (Tor)
Best Collection: Fritz Leiber: Selected Stories, Fritz Leiber (Night Shade)

You can find the complete list of winners and nominees at Locus Online.

The Locus Awards are presented to winners of Locus Magazine’s annual readers’ poll. The award was first given in 1971, for works published in 1970. According to Locus, the awards frequently draw more voters than the Hugo and Nebula Awards combined.

ScrumBrawl: Fantasy-Based Sports Goodness

ScrumBrawl: Fantasy-Based Sports Goodness

scrumbrawlI’ve always been fascinated by the attempts of gaming companies to turn athletic sports into board games. Fascinated, but not quite intrigued enough to play one, until now.

Some of the most notable of these efforts seem to have historically come when a successful wargaming miniature company has reached its apex and is looking for a new product. (More on this below the fold.)

ScrumBrawl is a sports-based game that doesn’t fall into this category, not least because it is the introductory effort by newcomer VicTim Games. Instead of trying to leverage existing products and success, they’re using this game as their springboard into the marketplace and, I must say, it’s a good effort. It also uses cards instead of miniatures, which is part of the reason why the game goes for nearly half the price of some of the more established competitors.

Overall, the game is extremely enjoyable and easy to get into, with a minimal amount of fuss … and cost. If you can get over the lack of miniatures, and are looking for a quality game, this is a product you would do well to look into.

Read More Read More

The Centenary of Mervyn Peake

The Centenary of Mervyn Peake

Titus GroanJuly 9, 2011 will be the hundredth anniversary of the birth of Mervyn Peake, the author of three remarkable fantasy novels: Titus Groan, Gormenghast, and Titus Alone. The books — published in 1946, 1950, and 1959 — form a series (along with the novella “Boy in Darkness,” which I have not read) following the early life of Titus Groan, Seventy-Seventh Earl of the immense castle called Gormenghast. Peake had intended to write a longer sequence of novels about Titus; he planned two more books, but the advent of Parkinson`s Disease made that impossible. A number of activities are being planned to commemorate Peake’s centenary, including the publication of a fourth Titus volume, Titus Awakes, written by Peake’s wife after his death in 1968.

The Titus novels are excellent books. Each seems to have a slightly different style, a different approach to Titus and his world. All of them are stylistically and imaginatively rich; although the explicitly fantastic is rare in the books, arguably nonexistent, there is in each of them an approach to world-building, a readiness to leave behind the rational, that I think makes them fantasy more than anything else — so long as you use “fantasy” in its broadest sense, agreeing that contemporary genre expectations have nothing to do with the variety implicit in the word.

Put it this way: Peake wrote before fantasy fiction had been defined as a form, but from where we stand now, his work is more easily assimilable to fantasy than to anything else. He’s been a strong influence on fantasists like Michael Moorcock; Lin Carter published his books as part of the Ballantine Adult Fantasy series. But like a lot of early fantasists, Peake is somewhat apart from the conventions of fantasy we now know. His books have little to do with medievalism or any historical culture, but neither do they seem to reflect the modern world (except in the last of them, and that’s a world as strange and distorted as a Terry Gilliam movie, a setting that, it has been said, prefigures the fantasy of steampunk). As an illustrator, Peake was working on Alice’s Adventures in Wonderland and the Grimms’ Household Tales while writing Titus Groan; those may be useful places to start.

Read More Read More

July/August Fantasy & Science Fiction Magazine Now on Sale

July/August Fantasy & Science Fiction Magazine Now on Sale

fsf-july-aug11The May/June double issue of Fantasy & Science Fiction went on sale June 28.

Robert Reed, one of the most prolific and impressive contributors to F&SF over the past decade, has the cover story this issue: a big new novella titled “The Ants of Flanders.” Novelets are Peter David’s “Bronsky’s Dates with Death,” Steven Saylor’s “The Witch of Corinth,” and KJ Kabza’s “The Ramshead Algorithm.”

Short stories this issues are “The Way it Works Out and All,” by Peter S. Beagle, “Less Stately Mansions,” by Rob Chilson, “Hair” by Joan Aiken, “Sir Morgravain Speaks of Night Dragons and Other Things,” by Richard Bowes, and “Someone Like You,” by Michael Alexander.

Plus the regular departments, including Charles de Lint’s column “Books to Look For,” book reviews by Elizabeth Hand, “Plumage From Pegasus: A Short History of the ETEWAF Revolution,” by Paul Di Filippo, “Films: Free Will Hunting,” by Lucius Shepard, and “Science: Pattern Recognition, Randomness, and Roshambo,” by Paul Doherty & Pat Murphy.

F&SF is published six times a year; issues are 258 pages.  It is the longest-running professional fantasy magazine in the country, and has been published continuously since 1949.

The cover price is $7.50. The magazine’s website, where you can order subscriptions and browse their blog, is at www.sfsite.com/fsf/.

F&SF is edited by Gordon van Gelder. The cover this issue is by Maurizio Manzieri. We covered the May/June issue here.

The Year’s Best SF & Fantasy 2011, edited by Rich Horton

The Year’s Best SF & Fantasy 2011, edited by Rich Horton

yearsbest2011The third volume of Rich Horton’s Year’s Best Science Fiction and Fantasy (Prime Books), my favorite annual Year’s Best collection, shipped in early June, and my copy finally arrived last week. Imagine my surprise to find this on the dedication page:

For two editors who got me started on the route to putting together these books: Dave Truesdale and John O’Neill.

You don’t have to imagine how honored I feel, because I can tell you that right now: pretty damn honored. I’ve been publishing Rich’s excellent articles and reviews since the early days of the SF Site, shortly after he was introduced to me by, yes, Dave Truesdale, who was publishing his short fiction reviews at Tangent. Thanks, Rich. And thanks, Dave.  Owe you one.

As for the book, it’s excellent as always. This year it features thirty stories that showcase the very best in contemporary SF and fantasy, from the finest writers in the field: Gene Wolfe, Robert Reed, Paul Park, Carol Emshwiller, and many others. In fact, this year’s volume is even more awesome than usual, as it features “The Word of Azrael” from BG 14, by our very own Matthew David Surridge, as well as “Braiding the Ghosts” (from Clockwork Phoenix 3) by our website editor C.S.E. Cooney.

C.S.E. had a particularly good year last year, in fact: two additional tales made Rich’s Recommended Reading list, including “Household Spirits” (from Strange Horizons; read the complete story here) and her novella The Big Bah-Ha (from Drollerie Press), alongside Robert J. Howe’s novella from BG 14, “The Natural History of Calamity.” We covered the 2009 edition of Year’s Best SF & Fantasy here.

Congratulations to all the contributors, and to Rich on another superb volume. If you’re looking for one book this year to point you to the cream of the crop in modern SF & fantasy, this is the one.

Black Static #23

Black Static #23

3451The June-July 2011 Black Static cover features a still from the film Agnosia and a crop of the artwork by Riki Rawling for V. H. Leslie’s story “Time Keeping.”  Here’s the opening paragraph:

Monday, 11:29 am

Time waits for no man. But Howard wasn’t just any man and Time would wait if it had to. Howard didn’t like to keep it waiting if he could help it. In fact, the only time he had kept time waiting was June 5th 2006 and that was only for 5 minutes and 45 seconds while he, agitated and bewildered, ran through darkened streets back to his flat, then around his workshop hastily setting in motion the mechanisms to resume it once more.

Other fiction for this bimonthly dark horror magazine includes “For Their Own Ends” by Joel Lane, “Electric Dreams” by Carole Johnstone, “Hail” by Daniel Kaysen, and contest winner “The Harvesting of Jackson Cade” by Robert Davies.

You can subscribe to the print version here, or the electronic edition here; there’s also a special discounted rate for a joint subscription to both Interzone and Black Static.

2010 Bram Stoker Award Winners

2010 Bram Stoker Award Winners

straub-a-dark-matter2Yes, these awards were actually given out last week, so technically this isn’t news. But I’m just getting around to it now, and you probably forgot who won already, so I’m sure this is still useful. Glad we could be of service.

The winners of the 2010 Bram Stoker Awards for Superior Achievement in the horror field are:

Novel: A Dark Matter, Peter Straub (DoubleDay)
First Novel (tie): Black and Orange, Benjamin Kane Ethridge (Bad Moon Books) & Castle of Los Angeles, Lisa Morton (Gray Friar)
Long Fiction: “Invisible Fences,” Norman Prentiss (Cemetery Dance)
Short Fiction: “The Folding Man,” Joe R. Lansdale (Haunted Legends)
Anthology: Haunted Legends, Ellen Datlow & Nick Mamatas, eds. (Tor)
Collection: Full Dark, No Stars, Stephen King (Simon & Schuster)
Non-Fiction: To Each Their Darkness, Gary A. Braunbeck (Apex)
Poetry Collection: Dark Matters, Bruce Boston (Bad Moon Books)

The Bram Stoker Awards have been presented annually by the Horror Writers Association since 1987. Winners are selected by ballot among active members of the HWA. In 2011 three new Categories will be added: Superior Achievement in a Screenplay; Superior Achievement in a Graphic Novel; and Superior Achievement in a Young Adult Novel.

What about Superior Achievement in a video game? Any year that doesn’t include an award for Dead Rising is missing the boat, in my opinion.

The complete list of nominess for 2010 is here.