Black Gate – Page 1218 – Adventures in Fantasy Literature

Apex Magazine #26 Released

Saturday, July 9, 2011 Soyka Comments 0 Comment

Apex Magazine is a monthly on-line publication of science fiction, fantasy and horror edited by Catherynne M. Valente.

The issue features three stories: “The Neighborly Thing to Do” by T.J. Weyler, “The Widow and the Xir” by Indrapramit Das and “The Rapid Advancement of Sorrow” by Theodora Goss. Paul Jessup’s non-fiction piece is “The Top 10 Experimental Genre Books You’ve Never Heard Of.”

Apex Magazine is sold online for $2.99; it’s also available in Kindle, Nook, and a downloadable format through Smashwords. Previous issues are available through their store. We last profiled Apex with Issue 23.

You can subscribe and get 12 issues for just $19.99.

Art of the Genre: The Critical Hit Update

Friday, July 8, 2011 Scott Taylor Comments 7 comments

Well now, I’m making this special appearance because I promised Zachary, who I haven’t seen in some time actually, that I’d post up news on The Critical Hit. News, you see, has finally happened, although it all seems very mixed at the moment.

A few months back, after posting several comics here in Black Gate, Jeff Laubenstein and I sold our comic, The Critical Hit, to Wizards of the Coast for a new website comic launch they were going with this summer. It was a kind of veneration to the old Dragonmirth comics found in the back of Dragon Magazines, so I thought The Critical Hit fit very nicely with that concept. So did Jon Schindehette the Creative Director at Wizards, and so Black Gate’s loss was to be Wizards gain.

Today, Friday the 8th, the test of The Critical Hit went live over at the Wizards D&D website so I hope that all of you who enjoyed the few comics I posted here will journey on over and take a look at it here. We’ve been getting beaten up a bit in the comments section, so if you do like the piece and would like to see it continue, please sign in and comment yourself. Otherwise, I guess I won’t see you in the funny papers!

The Nightmare Men: “A Doctor, Darkly”

Friday, July 8, 2011 Josh Reynolds Comments 18 comments

800px-carmilla It’s always best to begin at the start, to quote no one in particular. We’ll start with the introductions: my name is Josh Reynolds and I wanted to be a detective when I grew up…no, not just a detective.

I wanted to be an occult detective. I wanted to be Donald Pleasance hunting down the Horse of the Invisible, or Peter Cushing making a cross out of candlesticks and shoving them right all up in Christopher Lee’s fang-y mug. I wanted to be Carl Kolchak, Thomas Carnacki and Dr. Strange. I wanted to bust up eldritch cults, Draculas and devil-worshipping biker gangs.

Unfortunately, my wife won’t let me. So, instead, I scratch the monster-hunting, ghost-busting itch by writing…well, stuff like this. ‘This’, of course, being ‘The Nightmare Men’ (of which this is the first installment, natch), a series of semi-regular essays on the subject of occult detectives; one part introduction, one part analysis, all awesome, all the time. Basically, if you’ve ever wanted a primer on occult detectives, the Nightmare Men is for you. And we begin with the granddaddy of them all…

Sheridan Le Fanu’s Dr. Martin Hesselius.

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Blogging Marvel’s The Tomb of Dracula, Part Nine

Friday, July 8, 2011 William Patrick Maynard Comments 3 comments

The Tomb of Dracula #44, “His Name is Doctor Strange” kicks off the series’ crossover with Marvel’s flagship occult title, Doctor Strange. The crossover was a natural choice given the characters and the fact that artist Gene Colan had a past association with Marvel’s Master of the Mystic Arts. Admittedly, the physical resemblance between Colan’s rendition of Stephen Strange and the Lord of Vampires is a bit too close for comfort, but Marv Wolfman delivers a solid script that makes the crossover fun despite failing to live up to the potential of what the meeting between these two characters might have been.

The story gets underway with Strange retrieving his faithful manservant, Wong from the crystal ball he had mystically disappeared into only to find his valet has been bitten by a vampire. Strange enters the crystal ball and visits the past to see Wong interrupting Dracula’s attack on an innocent woman and then watches through Wong’s eyes as the vampire turns on his manservant. This intriguing set-up sets Strange off to put an end to Dracula’s reign of terror. From here, we segue to a largely pointless comic relief subplot where tabloid journalist Harold H. Harold is incensed to learn that his publisher’s sexy, but dimwitted receptionist Aurora Rabinowitz has sold her story about their encounter with Dracula and earned a byline.

ds-14 From there, we move to the much more interesting subplot involving the white-haired vampire who is being sought by both Blade and Hannibal King. The actual conflict between Dracula and Dr. Strange comes off rather well with the sorcerer tracking the vampire to his coffin and entering an astral battle with the vampire in 15th Century Wallachia. Unsurprisingly, Strange underestimates the vampire’s hypnotic powers and is attacked and bitten by Dracula. The issue’s real climax sees Blade and Hannibal King meeting for the first time on the trail of the white-haired vampire who ruined both of their lives.

Doctor Strange #14, “The Tomb of Doctor Strange” concludes the crossover with Steve Englehart’s script fitting as seamlessly into Wolfman’s storyline as Wolfman did with his in the first part. This uncommonly effective crossover can be contributed to the fact that Wolfman edited both titles. As the story gets underway, we learn that Strange’s astral form is still free while his physical body has fallen victim to the vampire. More significantly, Dracula first stumbles upon the deconsecrated Boston church in this issue which will play such an important role in the next story arc. Englehart also begins a continuing storyline with Dracula being pursued by an unseen spirit who taunts him with visions from his past. Dracula returns to feast on Strange and the magician’s astral form re-enters his body, awakening him. Strange calls on Jehovah and creates an astral cross which causes the vampire’s death. The effects of Strange and Wong’s vampire bits are reversed with Dracula’s death at the issue’s rushed conclusion.

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A (very) guilty pleasure: Dennis McKiernan’s The Iron Tower Trilogy

Thursday, July 7, 2011 Brian Murphy Comments 14 comments

the-dark-tide The publication of Terry Brooks’ Sword of Shannara in 1977 was a watershed moment in fantasy literature. The success of J.R.R. Tolkien’s The Lord of the Rings left fans clamoring for more epic, secondary world fantasy with maps, and with The Sword of Shannara Brooks delivered. Its publication began a trend of Tolkien-inspired fantasy that deeply marked (marred, others might say) the genre thereafter.

But the ensuing years haven’t been kind to Brooks. Lin Carter, editor of the acclaimed Ballantine Adult fantasy series, said of The Sword of Shannara ,” [it’s]the single most cold-blooded, complete rip-off of another book that I have ever read”. Despite the commercial success of Shannara and its sequels, its now widely considered to be the poster child for Biggest Tolkien Ripoff.

But, prevailing claims to the contrary, The Sword of Shannara is not even close to that moniker. The championship belt for most slavish LOTR imitation (that I have read, at least) hangs proudly about the waist of Dennis McKiernan’s The Iron Tower Trilogy. In comparison to The Dark Tide, Shadows of Doom, and The Darkest Day, Shannara is a veritable bastion of originality sprung whole and entire from the forehead of Zeus. The Iron Tower Trilogy is, in fact, The Lord of the Rings with the serial numbers filed off. Crudely. Anyone who possesses even a passing familiarity with Tolkien’s masterwork should stand aghast at the “similarities.”

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Goth Chick News: Old Dog, New “Twixt”

Thursday, July 7, 2011 Sue Granquist Comments 2 comments

The cool thing about Francis Ford Coppola (minus the “Ford” bit if you followed his work in the ‘80’s) is that, chances are he’s responsible for at least one movie in your top ten, regardless of your favorite genre.

From The Godfather and Apocalypse Now, to Peggy Sue Got Married and The Cotton Club, Coppola has never stuck to one movie “type,” but instead stretched his creativity into many corners for better or worse. Love them or hate them (or in some cases both), I’m betting Coppola movies can be found among your favorite quotes, your DVD collection or your Netflix queue.

But though he’s easily associated with making “an offer (you) can’t refuse,” Coppola is possibly least known for his forays into horror; though arguably this is his roots.

Beginning in 1963 with his first big budget film The Terror starring Jack Nicholson in one of his first roles and Boris Karloff in one of his last, Coppola followed up with Dementia 13 later that same year.

By his own admission, horror is where Francis Ford got a foothold in Hollywood.

However, it would be another thirty years before Coppola would return to the genre that gave him his break.

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The Thackery T. Lambshead Cabinet of Curiosities!

Thursday, July 7, 2011 Amal El-Mohtar Comments 3 comments

Rejoice and make merry!

The Thackery T. Lambshead Cabinet of Curiosities is available for purchase from today! Look at it!

I give you also a sample collage of the interior!

I have a story in this. I keep saying that and grinning because it is so unbelievable a thing. I am overjoyed about this for gazillions of reasons, most of which are variations on the following:

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Art of the Genre: Art of Anthologies

Wednesday, July 6, 2011 Scott Taylor Comments 3 comments

Stephen Hickman brings the Man-Kzin Wars to life as a beautiful anthology produced by Larry Niven

I’m not really sure if this can be classified at ‘art’, but certainly there is an art to the creation of anthologies. I mean, for all intents and purpose, Black Gate is an anthology, the scope and size of these new issues making it more a book than a magazine.

John O’Neill, our venerable editor, has done a fantastic job of giving his readers both the feel of an anthology while also being committed enough to each story as to provide wonderful art with it. That artistic contribution, in my opinion, is something that helps define what Black Gate is trying to do, and although the art direction in each issue’s very essence isn’t held to a single vision, the coherence of the product is still maintained in the highest quality.

Black Gate also weaves a thick quilt of characters within its pages, the repeated inclusion of certain authors allowing stories and characters to build, grow, and foster a relationship with a reader that many contemporary anthologies can’t produce. I’ve seen reviewers try to knock this, but in the end several have come around to indicate that John’s repeated choices are one of their favorite pieces of the magazine.

The art of the short story in its very nature is a simple entertainment, a microcosm of imagination that I fear is too often read like a teaser trailer found before your main attraction at the local Cineplex. In them we are often required to be told rather than shown a story, and I’m reminded of the musky depth of Don Lafontaine’s voice when I’m provided back story inside stories of already limited words… his signature opening ever echoing in my brain… ‘In a world where…’

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Tattoos and Fantasy! Proposal!

Tuesday, July 5, 2011 C.S.E. Cooney Comments 2 comments

This one's mine. It's a frikkin JESTER! With wings! And a TAIL! It has a story. What's yours? (Art by Rebecca Huston.)

Dear Fantasy Writers,

Pretty soon I (and an Editing Wizard of my acquaintance) will be putting together a thing for Black Gate (possibly an article, possibly a short documentary-type-thingy for YouTube) about Fantasy writers and their tattoos. I know some folks view their ink and its significance as intensely personal. If this is the case with you, please ignore the rest of this message.

But if you are a published Fantasy writer, and have an image on your skin that you want to share, and a short paragraph about it, I’d love to see it!

I’d want a jpg of the image (high resolution) and, if at all possible, a voice clip of the story — from GarageBand or whatever. If not a voice clip, then a written paragraph would definitely suffice.

I’d also want a short bio about yourself and where we might find your published work. We’d link to it in the article-portion of this project. (I see it as both an article and documentary. It’s all still coming together in my own head.)

If participating in this Black Gate YouTubementary shenanigans interests you, I’d love to have your files by August 1st. This thing’ll probably be several months in the making, and we may not a.) get enough material or b.) get too much to use all of it — but whatever happens, I’d update all participants as we make progress.

So! Ideas? Hail and Well-Mets? Flagrant Compliments? “Absolutely want in!”s? Then write to me at claire(at)blackgate(dot) com

Thank you!

Diana Rowland’s My Life as A White Trash Zombie

Tuesday, July 5, 2011 Patty Templeton Comments 1 comment

My Life as A White Trash Zombie
Diana Rowland
DAW (320 pp., $7.99, July 2011)
Reviewed by Patty Templeton

Angel Crawford is a pill-popping, self-described loser who’s found naked on Old Bayou Road after an overdose, only when she wakes up in the hospital…something’s not quite right.

She never used to waft of rot.

If it wasn’t trouble enough that Angel is slowly starting to smell more and more like a pile of dead cats soaked in sewage on a hot summer day, well, she has a new job. Ok, so it’s not like Burger Bayou was taking her places, but really, who wants to work in a morgue? Angel never did, but a mysterious note informs her that if she doesn’t take the job and keep it for at least one month, she’ll go to jail. Sure, it’s delivering dead bodies and assisting in autopsies, but you don’t get paid for normal rehab. Angel takes the gig.

Soon after, fingers skull-deep during an autopsy, Angel realizes that she wants to eat brains. Justifiably, she flips. It doesn’t help when she finds another note on her windshield that reads If you crave it, eat it.

To make matters worse, somebody starts killing off all the zombies around town.

This is not your average zombie novel and it might piss off horror purists who like their monsters in predictable niches. Angel doesn’t shamble. She isn’t dull-witted. She’s not a gorehound. In fact, it’s questionable if she is even a monster. She’s a woman who’s had a lot of bad breaks in life, the most recent of which was being turned into a zombie who has to drink brain smoothies to keep from decomposing. Some folks might contend that Diana Rowland’s zombies aren’t zombies. They might be right. Angel is closer to a vampire than not, only instead of blood healing her, it’s dead people’s brains. What does it matter, as long as the story catches you?

Amidst the brain saws, busted heads and maggots, there’s the introspective story of Angel Crawford, high school drop-out and general ef-up, finally getting on a stable path. It’s not action-heavy. There are no zombie hordes. Only a woman fighting her way through everyday life, which includes a past filled with drugs, the wrong man, an alcoholic father and a mentally ill mother. It’s a humorous, light-gore novel that you could probably get away with recommending to any of your friends that like both Jodi Picoult and C.S.I. Similarly, if you dig books from a zombie’s point of view, like Breathers or Warm Bodies, you’ve got a good chance of enjoying My Life as A White Trash Zombie.

I give it two out of three brains. And seriously, the cover is AWESOME. Now that’s a le freakin’ sexy zombie.