The Nightmare Men: “The Ghost-Seer”

The Nightmare Men: “The Ghost-Seer”

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9781840225396Aylmer Vance, agent of the enigmatic Ghost Circle, made his first appearance on the nightmare stage in 1914. The creation of husband-and-wife writing team Alice and Claude Askew, Vance appeared in eight consecutive issues of The Weekly Tale-Teller between July and August. The stories-“The Invader”, “The Stranger”, “Lady Green-Sleeves”, “The Fire Unquenchable”, “The Vampire”, “The Boy of Blackstock”, “The Indissoluble Bond” and “The Fear”-ranged from grotesque to gentle, and are, by and large, of a slower pace than those featuring Vance’s contemporaries, such as Carnacki. Only one of the stories has been regularly anthologized (“The Vampire”), with the rest languishing in obscurity until the release of recent collections by Ash-Tree Press and Wordsworth Editions respectively.

Like John Silence, Vance inhabits an England of soft spiritual influence, where elementals, ancient memories and ghostly manifestations cling to the unseen corners and visit just long enough to inject the mundane with a booster shot of the strange. Unlike Carnacki’s Outer Monstrosities and Malign Visitors, the apparitions that Vance faces are utterly human in their aspect, if not their motivation. Death is no barrier to the desires of the flesh or the dreams of the determined, and it is when these elements intrude on the hard-won peace of the Edwardian mind that the Ghost-Seer must intervene.

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Apex Magazine 28 Arrives

Apex Magazine 28 Arrives

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apex28The 28th issue of Apex Magazine is now on sale.

This issue features two new short stories, “Namasté Prime” by Grá Linnaea, and “Frank” by Betsy Phillips, plus a reprint: “Gemphalon” by Elizabeth Engstrom.

Erik Amundsen contributes a poem: “And Cut Down a Moment Later,” and the award for Best Title of the Issue goes to John H. Stevens, for his non-fiction piece “The Improbable, Inevitable Domestication of the Great Old Ones: H.P. Lovecraft’s Iconic Influence on 21st-Century Fantastic Literature and Culture.”

Seriously, that’s one great title.

This issue of Apex Magazine is edited by best-selling writer and short-timer Catherynne M. Valente. Lynne Thomas will be taking the reins for future issues.

Apex Magazine 28 is sold online for $2.99; it’s also available in Kindle, Nook, and a downloadable format through Smashwords.

Apex is published monthly. Previous issues are available through their back issue page. We last profiled Apex with issue 27.

You can subscribe and get 12 issues for just $19.95.

Interzone #236 September-October 2011

Interzone #236 September-October 2011

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374The new Interzone features contains stories by Jason Sanford (“The Ever-Dreaming Verdict of Plagues”), Mercurio D. Rivera (“Tethered”), Jon Ingold (“The Fall of the City of Silver”), Fiona Moore (“The Metaphor”) and Stephen Kotowych (“A Time for Raven”); art by Richard Wagner, Ben Baldwin, Jim Burns and Martin Hanford. There’s also the regular columns, Ansible Link by David Langford, Mutant Popcorn by Nick Lowe,  and Laser Fodder by Tony Lee; book reviews including an interview with Lavie Tidhar conducted by Maureen Kincaid Speller.

You can also download issue 230 for free, containing stories by Aliette de Bodard, Nina Allan, Lavie Tidhar , Patrick Samphire and Tim Lees.

In other news, Locus reports that the Amazing Stories trademark has been acquired, possibly for use as the title for an online magazine. This would be how many times the dead magazine has been resurrected? Although this time, a true resurrection, as it wouldn’t have a physical paper form.

Tangent Online reviews Matthew David Surridge’s “The Word of Azrael”

Tangent Online reviews Matthew David Surridge’s “The Word of Azrael”

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yearsbest2011Reviewer Nader Elhefnawy at Tangent Online offers a detailed review of the latest volume of Rich Horton’s The Year’s Best Science Fiction and Fantasy 2011, including Matthew David Surridge’s story from Black Gate 14, “The Word of Azrael.”

In Matthew David Surridge’s “The Word of Azrael” (which first appeared in the Winter issue of Black Gate magazine, an excerpt of which can be read on the magazine’s web site), warrior Isrohim Vey encounters the Angel of Death on the battlefield. Having seen the Angel’s smile once, he spends the rest of his life pursuing another glimpse of it – a colorful, wide-ranging, action- and adventure-filled epic journey in the tradition of Conan the Cimmerian and Elric of Melnibone. The resulting piece is one of the strongest heroic fantasies I have seen in years.

Fine praise indeed, for a terrific story that’s been one of the most acclaimed pieces we’ve published in recent years.

You can read the excerpt from “The Word of Azrael” here, and the complete Black Gate 14 Table of Contents is here.

And you can read more about Rich’s excellent The Year’s Best Science Fiction and Fantasy 2011 here.

Blogging Alex Raymond’s Flash Gordon, Part Fourteen – “Power Men of Mongo”

Blogging Alex Raymond’s Flash Gordon, Part Fourteen – “Power Men of Mongo”

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flashgordonpowermenofmongopower-men1“Power Men of Mongo” was the fourteenth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally published between April 14, 1940 and January 12, 1941, “Power Men of Mongo” picks up the storyline where the thirteenth installment, “The Ice Kingdom of Mongo” left off with Flash, Zarkov and Katon speeding by rocket-engine to Mingo City in a desperate attempt to rescue Dale. The rocket-engine is hijacked by Logun and the remnants of the Freemen who happily rejoin the battle to overthrow the Emperor of Mongo. They succeed in infiltrating the city, but one of the Freemen, Pital betrays Flash for the reward promised by Ming. The Emperor sets a trap to capture Flash and the Freemen when they meet in a warehouse at night. Dale starts a chemical fire in the warehouse to warn Flash of the danger. Ming leaves her to burn. Unable to remove her from the blazing warehouse, Flash settles for putting out the fire and then making a daring escape.

Flash successfully infiltrates Ming’s royal guard and very nearly succeeds in rescuing Dale, but Ming outmaneuvers him. Hunted by the police, Flash is rescued by Katon who leads him to the underground electrical works where the Power Men of Mongo are employed. Ergon, head of the Lodge of the Power Men has already befriended Zarkov and is eager to have the Power Men join the rebellion against Ming. The Power Men cause a blackout in the palace during which Flash and Zarkov (disguised as Power Men) eventually succeed in rescuing Dale. It is interesting to note that Flash’s Power Man outfit makes him look suspiciously like DC’s superhero, The Flash. Zarkov is given more of a chance to show his heroism. A turning point comes when Flash finds many of his former Freemen working in Ming’s munitions factory. Flash orchestrates a workers’ revolt and has the men turn on their foremen and seize control of the factory.

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Is The Lord of the Rings Literature?

Is The Lord of the Rings Literature?

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alan_lee_the20lord20of20the20rings_coverPart 2 of a 2-part series

Part 1 of this article set the stage for the question, Is The Lord of the Rings literature? Part II examines six criteria commonly used to define works of high literary quality and applies them to The Lord of the Rings.

1. Popular appeal

The argument against: The Lord of the Rings might be popular, but that doesn’t make it literature.

The counterargument: There’s popular, and then there’s an omnipresent, mammoth, overshadowing level of popularity.

How popular is The Lord of the Rings? At last count, it has been translated into 57 languages and is the second best-selling novel ever written, with over 150 million copies sold. Its also a repeat winner of multiple international contests for favorite novel (note the broad term novel, not just fantasy novel). For example:

  • In 1997 it topped a Waterstone’s poll for Top 100 Books of the Century.
  • In 2003 a survey (The Big Read) was conducted in the United Kingdom to determine the nation’s best-loved novel of all time. More than three quarters of a million votes were received, and the winner was The Lord of the Rings.
  • A 1999 Amazon poll administered to its customers yielded the same result.

In short, readers of all stripes, from all around the world, adore this book more than just about any other.

All that said, I will fully admit that this is the least convincing argument, because mass appeal is not necessarily a good indicator of quality. See Justin Bieber. So let’s look at some other criteria.

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Sara Douglass, June 2, 1957 — Sept 27, 2011

Sara Douglass, June 2, 1957 — Sept 27, 2011

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wayfarer-redemptionSara Warneke, the Australian fantasy author who wrote under the name Sara Douglass, died of ovarian cancer on September 27, 2011, at the age of 54.

Sara wrote a total of 19 novels, beginning with the first book of what became The Axis Trilogy, BattleAxe, in 1995.

All told she wrote five major fantasy series: The Axis Trilogy, The Wayfarer Redemption, The Crucible, The Troy Game, and Darkglass Mountain.

Outside of Australia, The Axis Trilogy and The Wayfarer Redemption were combined into a single six-book series, called simply Wayfarer Redemption.

Sara also wrote Beyond the Hanging Wall (1996), Threshold (1997), The Devil’s Diadem (2011), and the non-fiction The Betrayal of Arthur. The Hall of Lost Footsteps, a collection of short stories, is due from Ticonderoga Publications this year.

Sara was born in Penola, South Australia, and attended Annesley College in Wayville. She became a registered nurse, and eventually completed her Ph.D. in early modern English History. She was a lecturer in medieval history at La Trobe University in Bendigo, where she completed her first novel, BattleAxe, in 1995.

Her Wikipedia entry, with a complete listing and links for her novels, is here.

She lived in Tasmania, and was first diagnosed with ovarian cancer in 2008. She underwent successful treatment that year, but the cancer returned in 2010.

Goth Chick News: New Haunted Tunes and Something Cool to Read While You Listen to Them

Goth Chick News: New Haunted Tunes and Something Cool to Read While You Listen to Them

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image008Question: If grungy rock musicians from Seattle get all the Barbie-doll girls, then who gets the Goth Chicks?

Answer: Moody dudes in top hats and capes playing disturbing, dark dirges, that’s who.

Cue the organ music and pull back the black velvet curtains to reveal the boys of Midnight Syndicate and their newest title Carnival Arcane; just in time for your Ray-Bradbury-inspired, Something Wicked This Way Comes themed cocktail party.

You all have one of those, right? Or is it just me…?

The Bradbury reference is inevitable as a haunted, night circus is what immediately came to mind when I listened to this CD. And if clowns are your nightmare, I wouldn’t fall asleep with the track “Sea of Laughter” playing in the background.

The narrative of the disc surrounds the Lancaster-Rigby Carnival, a turn-of-the-century traveling circus with more than a few skeletons in its closet.

Inspired by historical research into carnivals of that time period, Carnival Arcane co-creator (and my musician-groupie crush) Ed Douglas describes the music this way:

We wanted to push the boundaries on this disc. For a band that’s made a career of making “soundtracks to imaginary” films, I think this one feels more like a movie than anything we’ve done to date.

And co-creator Gavin Goszka says:

It’s definitely the most complete and intricate soundscape we’ve ever produced. You can practically smell the popcorn and Fairy Floss (cotton candy). “There’s also a tremendous amount of variety. There are moments where I think the listener will find themselves caught up in this strange sense of wonder and macabre fascination, and others that will leave them shaking in their boots. We were able to expand our instrument roster on this disc in ways that we’d only touched on before.

Each one of the twenty-five tracks is a self-contained gem of a storyline that will strike a nerve with anyone who believes there’s something more disturbing at traveling carnivals than employees without good dental plans.

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Art Evolution 2011: Chuck Lukacs

Art Evolution 2011: Chuck Lukacs

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fire-lukacs-255

Ok, so I work as Art Director here at Black Gate L.A., and that means I get to see a good amount of really fantastic art, especially where Art Evolution is concerned. That being said, it’s not often I get introduced to talent on the magazine that I wasn’t previously aware of. Still, it does happen, and one such artist is Chuck Lukacs.

Now that’s not to say Chuck is new to the fantasy industry, far from it, but as I’ve never been a Magic the Gathering player, and with the mass of D20 D&D books hitting the shelves since 2000, you can’t always identify every artist you see.

Chuck, however, was doing his due diligence during the 2000s, and his talents were recognized by many youthful minds along the way. He’s graced the pages of dozens of RP books, as well as Magic collections, and his art finally made it to me as I read the tales of Morlock the Maker which appeared in the pages of Black Gate’s print edition. Here, Chuck helped define James Enge’s character that would eventually go on to produce full novels in his own right.

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Book Jewelry by Emily Mah Jewelry Designs

Book Jewelry by Emily Mah Jewelry Designs

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pendantEmily Mah Jewelry Designs is a company I formed when I decided that raising two small children; writing speculative fiction short stories, romance novels, and jewelry making articles; taking classes in new jewelry media; selling jewelry on Etsy; and figuring out how to stay within my husband’s student stipend budget in London weren’t keeping me busy enough. I was merely overstretched, not fully flirting with insanity, and as a Clarion West survivor and law school graduate, I found that abnormal. So I decided to make use of my law degree, Clarion West connections, and jewelry making skills.

I contacted my workshop-mate, Stephanie Burgis, author of The Un-ladylike Adventures of Kat Stephenson, a middle grade fantasy trilogy set in Regency England. The first book, Kat Incorrigible came out this year in the US (it was released last year in the UK as A Most Improper Magick). Though Steph and I are both Americans, we live as ex-patriates in the UK – me in London and she in Wales. She was immediately in support of the idea and has been the ideal business partner, which is to say, she’s maintained her enthusiasm and been endlessly forgiving as I hit dead ends, overrun self imposed deadlines, and bumble my way through this whole venture. I send her what free jewelry I can to show my gratitude.

Draft pendantAnd now, months later, our collaboration is taking shape. I’ve produced three designs, a pendant that I released at the same time that Kat, Incorrigible hit bookstores, a pair of earrings that debuted at the launch party for the second book, A Tangle of Magicks (this will be released as Renegade Magic in the US next year), and a charm bracelet that just went on the market about an hour before I sat down to write this post. One might ask, how big is the market for book tie-in jewelry like this? I have no idea. Ask me in a year or two. What I can talk about, though, is how we started this venture. …

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