Retro Movie Posters

Retro Movie Posters

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nimoy-in-die-hardOver at his blog, artist and designer Peter Stults has been having fun with “What If…” movie posters, depicting retro versions of great modern films — complete with a re-imagining of the entire cast and crew.

This sort of thing has been done before, but I’ve rarely seen it done with such a deft touch, both artistically and in his spot-on cast selections.

Probably my favorite is Leonard Nimoy as New York cop John McClane in the re-imagined Die Hard.

But I also greatly enjoyed seeing Sean Connery and Christopher Lee in The Fifth Element; Dean Martin, Jerry Lewis and Jack Lemmon in The Hangover; Steve McQueen and Faye Dunaway in The Terminator; and especially Frank Zappa as The Big Lebowski.

Stults has shown more than some fine skill with Photoshop, however. His design sense  is terrific, and he unerringly mimics a wide range of Hollywood advertising styles through the decades. One of his best is the faux poster for Fritz Lang’s magnum opus 2001: A Space Odyssey (written in German, naturally).

He’s been adding more posters each month. Check out the latest here.

It’s worth the click just to see John Wayne as Superman (and who else but a young Clint Eastwood as the menacing General Zod?).

Bram Stoker’s Dracula Reconsidered

Bram Stoker’s Dracula Reconsidered

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200px-dracula1stbram-stoker-dracula-1Bram Stoker’s Dracula (1897) has gradually won acceptance in literary circles over the past few decades as a legitimate work of literature after years of being dismissed as an influential work in a genre unworthy of serious consideration. Horror, much like mystery and fantasy, has always been dismissed as lowbrow entertainment. If mass acceptance is any measure of success, the book’s place has long since been secured. It is the only one of Stoker’s titles that has never fallen out of print at any point in the past 115 years. Public domain copies abound alongside dozens of editions from popular presses.

Most readers who happen upon this article are likely familiar with the book. Enthusiasts can be divided into two camps, although this division is rarely spoken of in polite company. The deciding factor that divides the two elitist camps is based solely on the matter of whether or not one chooses to accept “Dracula’s Guest,” the posthumously published excised chapter of an earlier draft of the novel, as an integral part of the story.

For most, the inclusion of the fragment is the deciding factor that determines whether one is obliged to purchase a particular edition of the book to sit alongside the others that inevitably collect upon one’s shelf. The more discerning consumer will also consider the placement of the story before or after the text of the novel as a deciding factor for a purchase. Contrarians will inevitably dismiss the fragment for the minor continuity errors it introduces to the narrative. Their smug dismissal sits rather uncomfortably in the face that the novel itself contains several other quibbling points of equal inconsequence. Sadly, the enlightened defender of “Dracula’s Guest” is invariably the more rational and less vocal of the two groups. Needless to say, I choose not to reveal which camp I fall into so as to preserve my objectivity and not alienate those heathen who fail to appreciate it.

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Goth Chick News: 17th Annual Halloween and Attractions Show

Goth Chick News: 17th Annual Halloween and Attractions Show

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image003It’s that time of year again.

You can tell because the blender in the underground offices of Goth Chick News is cranking out frozen adult beverages at a terrific clip, fueling the preparations for TransWorld Exhibits’ annual bacchanalia of special effect grossness.

This weekend one lucky Black Gate photographer and I will sign out one of the company vehicles (which I assure you with not be that oft-mentioned zeppelin) and head south toward St. Louis, MO in search of the latest trends in all things Halloween and horror.

Though I have been known to lose members of my team in the Leg Avenue adult costume section, and I myself have been known to become woozy when hob-knobbing with some of Hollywood’s lords of gore, the HAA never fails to yield amazing content and must-have products.  This year my personal holy grail consists of an autograph and interview with Tony Moran, who played the original Michael Myers.  And then there’s all the swag we collect from vendors in pursuit of a coveted “5 Bat Award” for best in show products (for instance, who can forget the Blood Energy Drink dispensed in blood donation hang bags?).

Attending the HAA is a job perk of working at Black Gate as it’s an “industry only” event not open to the public.

But fear not!

We’ll make sure you don’t miss a thing and to hold you over, here’s a little video clip from the 2011 show.

Is there something in particular you’re looking for to add to your own Halloween decorations?  Ever wonder how a particular movie horror effect is done? What to know if Michael Myers is boxers or briefs? Post your question here and I’ll ask the experts at the HAA.

Art of the Genre: Top 10 Fantasy Swords

Art of the Genre: Top 10 Fantasy Swords

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montoya-300One of the things I’ve always enjoyed in the realm of fantasy has been the sword. There’s just something so pure about a good blade at your side, and if that weapon is somehow touched with magic or fate then all the better.

Something so ancient and primal is attached to a sword, and even when the world has outdated their use they still find their way into science fiction just because of the nostalgic power they evoke. Space pirates have swords ala Captain Harlock, and Jedi carry their glowing Lightsabers ‘which are not as clumsy or random as a blaster‘, to name just a couple of instances where time couldn’t deny man’s need for a blade at their side.

I myself have dreamed of blades, forged them with my imagination and made them come alive in both my writings and my games over the past thirty years. There is a power in such creation, and it goes back beyond my ability to remember my early childhood yet I see my own reflection in the actions of my son as he started swinging sticks in phantom duels as early as age three.

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Jane Carver of Waar On Sale Today

Jane Carver of Waar On Sale Today

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jane-carverWhat is Jane Carver of Waar, you ask?

Wake up! Just because bookstores around the country are getting thin on the ground, that’s no excuse for not being on top of the latest trends in fantasy. Where have you been?

It’s all right. Don’t panic, don’t panic.  Just sit back, and we’ll fill you in. That’s what we’re here for.

Jane Carver of Waar is the latest fantasy from hot writer Nathan Long, author of the splendid Ulrika the Vampire and Gotrek & Felix novels, among many others. Here’s the blurb:

Jane Carver is nobody’s idea of a space princess. A hard-ridin’, hard-lovin’ biker chick and ex-Airborne Ranger, Jane is as surprised as anyone else when, on the run from the law, she ducks into the wrong cave at the wrong time — and wakes up butt-naked on an exotic alien planet light-years away from everything she’s ever known. Waar is a savage world of four-armed tiger-men, sky-pirates, slaves, gladiators, and purple-skinned warriors in thrall to a bloodthirsty code of honor and chivalry. Caught up in a disgraced nobleman’s quest to win back the hand of a sexy alien princess, Jane encounters bizarre wonders and dangers unlike anything she ever ran into back home. Then again, Waar has never seen anyone like Jane before… Both a loving tribute and scathing parody of the swashbuckling space fantasies of yore, Jane Carver of Waar introduces an unforgettable new science fiction heroine.

With John Carter of Mars opening this Friday, this book is the perfect way to get you in the mood. Mike Resnick says:

If Edgar Rice Burroughs were writing today, with 21st Century skills and sensibilities, Jane Carver of Waar is the book he’d have written.

Well said, Mike. You can find Jane Carver of Waar at any decent bookstore, or from the finest online merchants. It is published by the splendid Night Shade Press, in trade paperback for $14.99

Hercules Coming Back to the Big Screen to Kill Lots of Stuff

Hercules Coming Back to the Big Screen to Kill Lots of Stuff

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dwayne-the-rock-johnson-will-play-herculesI shall be briefer today than usual, since I plan to put up another post on Black Gate this coming Friday: a review of the film John Carter [of Mars]. If I’m doing an overview of all of Edgar Rice Burroughs’s Martian novels to coincide with the release of this movie over a hundred years in the making (and in development hell since the mid-1930s, I jest not) then I certainly owe my readers a review of the movie delivered on the day of its release. I’ve already scored my ticket for the Friday morning IMAX screening at the Howard Hughes Center, a genuine six-story screen, not one of those false ones that have popped up around the country that are only squarer and a bit taller than a regular screen.

For today I planned to write a review of one of the old Italian Hercules movies as a long-delayed follow-up to the most popular post I’ve ever done at Black Gate, a joking review of the 1983 Hercules starring Lou Ferrigno. But right as I was planning to explore Hercules in the Haunted World, a piece of important movie news broke, and so I’ll delay my old Herc review to talk about this mythological tidbit from Tinseltown:

According to Variety, MGM is lining up a new live-action Heracles film. Ah, I mean Hercules film.

Are you excited? Allow me to temper your enthusiasm with this statement: Brett Ratner is attached to direct, and Dwayne “The Rock” Johnson to star as the demigod.

Yes, I’m dismayed as well . . . but only because of half of that statement. The first part, containing the name “Brett Ratner.” I don’t mind the idea of Dwayne Johnson playing Hercules one bit. I genuinely like the guy as an action movie star. He’s got charm and humor, and farnbetter acting chops than most guys who are cast strictly based on brawn. Johnson has gotten mired in too many bland kiddie-oriented flicks (Tooth Fairy, last month’s Journey 2: Mysterious Island), so getting him to take on a mythological heavy-weight like Hercules and beat the Hades out of creatures like the Nemean Lion, the Hydra, and three-headed Cerebus sounds like a good turn for his career.

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My Sword is Bigger than Yours, or, When Size Really does Matter

My Sword is Bigger than Yours, or, When Size Really does Matter

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v-next-book

After meeting Violette Malan at ConFusion in Detroit a few weeks back, I wanted to find out a little more about her take on the genre near and dear to my heart, sword-and-sorcery. I asked her if she’d be interested in dropping by Black Gate to say a few words about how she approached her own work in the field, and here’s what she had to say:

When I found sword and sorcery in my teens, there weren’t a lot of strong female protagonists for me to relate to. Jirel of Joiry comes to mind, maybe Red Sonya – but they were already very old by the time I got to them. When I think now of the books and stories I read then, I’m hard pressed to come up with female characters, let alone female protagonists. There must have been some. You know, needing rescuing or marrying or something, but I didn’t find them memorable then, and I don’t really find them memorable now. Okay, I do remember the women that Fafhrd and the Grey Mouser loved, they were well-drawn, significant people. But we all know what happened to them, don’t we? They pretty much continue the tradition of female characters in western literature: if it’s a comedy they marry, if it’s a tragedy, they die. (Hint: for all their humorous elements, the F&GM stories aren’t comedies)

Flash forward a few years and I’m a writer of sword and sorcery, not just a reader. I’m a woman, living in a post-feminist western society, a person who’s written feminist literary criticism (okay, on 18th-century pastoral poetry, but it still counts). Now I get to actually create the kind of female characters I used to imagine when I was young. Protagonists, mind you, real, more-or-less human women. Not the good (or evil) fairies, queens, and goddesses that sociologists and feminist critics call examples of women as “other”.

How was I going to do that? Keeping in mind that – unlike the men – I didn’t have a lot of models I could use as a guide. And keeping in mind that I wanted to avoid either caricature, or cliché. (I think the phrase “no chain mail bras” will cover what I mean by that). I’m not going to talk about how a writer goes about forming any strong character – there are certain elements that apply no matter who or what the character might be. Instead, I’m going to address my own particular dilemma, how to create a strong, female, sword and sorcery protagonist.

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Read an Excerpt from Shawn L. Johnson’s Oath of Six

Read an Excerpt from Shawn L. Johnson’s Oath of Six

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oath-of-sixWe still get e-mail about “Two-Skins,” Shawn L. Johnson’s cover story for Black Gate 5. The tale of a brave and very resourceful young man dragged in chains to the Emperor’s gladiatorial games captured the hearts of many of our readers, and it was obvious the author was destined for great things.

Now we have the pleasure of seeing that promise unfold, with a generous excerpt from Shawn’s first novel, Oath of Six, the first in The Heart of Darkness series, and set in the same setting as “Two Skins.”

The second book in the series, Serpent Without Skin, was released early last year. But now you can get in on the ground floor on a dynamic new fantasy series from an exciting new author.

Atop a perilous, arctic mountain, a modern-day wizard leads the rest of his expedition to their doom. Magic has steadily ebbed from the earth for ages, decimating the creatures of legend, so he has gambled that the ancient hag residing here will know of a cure. She is insane, however, and her advice is treachery.

Soon afterward, David Tyler receives a desperate summons from his estranged mentor. The old wizard is wasting away, and fears he has been cursed by a former apprentice. The trail of the culprit leads the remaining apprentices through a haunted forest where a child has gone missing, and into the mythical underworld — the crossroad of all the myriad, dying worlds. There they face exiled shape-shifters and an insane goddess, in order to confront a childhood friend who has become both a traitor and a murderer.

Without further ado, we present the complete prologue to Oath of Six, currently available at Amazon.com for just 99 cents as a Kindle book. Enjoy!

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Richard Carpenter and Robin of Sherwood

Richard Carpenter and Robin of Sherwood

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Robin of SherwoodI read some bad news earlier this week: Richard Carpenter died. Carpenter, 78 at the time of his death on February 26, was an actor and television writer. He created several shows; he’s probably best known for his children’s series Catweazle, the animated Dr. Snuggles, and the show that I want to talk about here, the ITV-broadcast series Robin of Sherwood. It’s easily my favourite interpretation of the Robin Hood story, and perhaps my favourite filmed piece of sword-and-sorcery.

Robin of Sherwood ran from 1984 to 1986. Carpenter reimagined the story of Robin Hood from top to bottom, infusing it with magic, myth, and the politicised anger of youth. He also created a show that unobtrusively captured the late twelfth century with remarkable fidelity, both in its visual aspects like props and costumes, and also in its social hierarchies and habits of thought. The series ran for three seasons before its production company ran into financial problems. Some plot threads were ended prematurely, without resolution or real development. Carpenter’s observed that the ending as it is works well enough, and I can see his point. Still, I can’t help but wish that the show had gone a bit further.

As it is, Robin of Sherwood’s one of the best examples I can think of in any medium of how to reinterpret a legend. The fact that the re-interpretation was specifically as a fantasy drew me when I first saw it as a teen, but I think the fantasy wouldn’t have mattered if it weren’t for the way Carpenter made the fantasy elements harmonise with themes and elements already present in the Robin Hood tales. Carpenter’s Robin is the spiritual son of Herne the Hunter; Herne’s a god of the ancient and fearsome forest of Sherwood incarnated in a hermit-like shaman. Robin bears a magic sword called Albion, one of the Seven Swords of Wayland. He and his Merry Men (never called that in the show) encounter Templars, Kabbalists, a cursed village populated by ghosts, Satanists, and, in the first episode, an evil wizard. The famous silver arrow is a symbol of Saxon rebellion, a magical item representing freedom.

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New Treasures: At Empire’s End

New Treasures: At Empire’s End

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at-empires-end4Back in January Dark City Games announced the release of their latest solitaire fantasy adventure, Emerald Twilight, by Bret Winters. I seized the opportunity to order the handful of Dark City titles I didn’t have, including Oasis and At Empire’s End, both by George Dew.

They’ve all proved worth the money, but the one that has captured my imagination immediately is the science fiction adventure At Empire’s End. Here’s the blurb:

Growing up on the periphery is not easy. It’s a tough life, and to survive, you have to know how to deal with ruffians, swindlers and thieves. For excitement, and to pay the rent, you make your living as a bounty-hunter. The risks are great, but the payoff can be tremendous.

Your quarry this time is a dangerous pirate, armed and ruthless. Initially, his ventures were an irritation to the locals. But as his greed and daring grew, he garnered the watchful eye of the meagerly-equipped local authorities. Your mission, should you choose to accept, is to capture “The Duke” and bring him to justice. But you must hurry. The provisional government is weak, and with each of “The Duke’s” raids, society falls further into chaos.

You must find “The Duke” and neutralize him before it is too late.

At Empire’s End includes complete self-contained rules for solitaire play (the “Legends of Time and Space” rules), counters, a beautiful color map, and 302 programmed paragraphs. It is also fully suitable for one to four players, and can be run with a game master.

To promote the game Dark City Games created S.O.S, a short solitaire SF role-playing game, which we reprinted in its entirety here on the Black Gate blog in 2010. Check it out.

You can learn more about some of their earlier games on our summary page, and on this page of collected reviews. Or you can order At Empire’s End for $12.95 directly from Dark City.